{"version":"1.0","provider_name":"Visual Journalism and Documentary Photography","provider_url":"https:\/\/visualjournalism.de\/en\/","title":"Interview. Beneath the Surface","type":"rich","width":600,"height":338,"html":"<blockquote class=\"wp-embedded-content\" data-secret=\"BR7LZvEAXV\"><a href=\"https:\/\/visualjournalism.de\/en\/image-matters\/image-con-text\/beneath-the-surface\/\">Interview. Beneath the Surface<\/a><\/blockquote><iframe sandbox=\"allow-scripts\" security=\"restricted\" src=\"https:\/\/visualjournalism.de\/en\/image-matters\/image-con-text\/beneath-the-surface\/embed\/#?secret=BR7LZvEAXV\" width=\"600\" height=\"338\" title=\"&#8220;Interview. Beneath the Surface&#8221; &#8212; Visual Journalism and Documentary Photography\" data-secret=\"BR7LZvEAXV\" frameborder=\"0\" marginwidth=\"0\" marginheight=\"0\" scrolling=\"no\" class=\"wp-embedded-content\"><\/iframe><script>\n\/*! This file is auto-generated *\/\n!function(d,l){\"use strict\";l.querySelector&&d.addEventListener&&\"undefined\"!=typeof URL&&(d.wp=d.wp||{},d.wp.receiveEmbedMessage||(d.wp.receiveEmbedMessage=function(e){var t=e.data;if((t||t.secret||t.message||t.value)&&!\/[^a-zA-Z0-9]\/.test(t.secret)){for(var s,r,n,a=l.querySelectorAll('iframe[data-secret=\"'+t.secret+'\"]'),o=l.querySelectorAll('blockquote[data-secret=\"'+t.secret+'\"]'),c=new RegExp(\"^https?:$\",\"i\"),i=0;i<o.length;i++)o[i].style.display=\"none\";for(i=0;i<a.length;i++)s=a[i],e.source===s.contentWindow&&(s.removeAttribute(\"style\"),\"height\"===t.message?(1e3<(r=parseInt(t.value,10))?r=1e3:~~r<200&&(r=200),s.height=r):\"link\"===t.message&&(r=new URL(s.getAttribute(\"src\")),n=new URL(t.value),c.test(n.protocol))&&n.host===r.host&&l.activeElement===s&&(d.top.location.href=t.value))}},d.addEventListener(\"message\",d.wp.receiveEmbedMessage,!1),l.addEventListener(\"DOMContentLoaded\",function(){for(var e,t,s=l.querySelectorAll(\"iframe.wp-embedded-content\"),r=0;r<s.length;r++)(t=(e=s[r]).getAttribute(\"data-secret\"))||(t=Math.random().toString(36).substring(2,12),e.src+=\"#?secret=\"+t,e.setAttribute(\"data-secret\",t)),e.contentWindow.postMessage({message:\"ready\",secret:t},\"*\")},!1)))}(window,document);\n<\/script>\n","thumbnail_url":"https:\/\/visualjournalism.de\/wp-content\/uploads\/01_t07_be04_abril_on-abortion_001-1000x563-2.jpg","thumbnail_width":1000,"thumbnail_height":563,"description":"The combination and interplay of images and text in the format of the photobook is by no means an entirely new phenomenon. A distinct subgenre has, however, been emerging in recent years. It is characterised by the integration of archive material, found footage and reciprocally corroborating documents \u2013 and by the deliberate exhibition of the [&hellip;]"}