{"id":46579,"date":"2024-12-12T20:06:00","date_gmt":"2024-12-12T20:06:00","guid":{"rendered":"https:\/\/visualjournalism.de\/?post_type=image-matters&#038;p=46579"},"modified":"2024-12-15T16:41:04","modified_gmt":"2024-12-15T16:41:04","slug":"margins-of-excess-text-and-image","status":"publish","type":"image-matters","link":"https:\/\/visualjournalism.de\/en\/image-matters\/image-con-text\/margins-of-excess-text-and-image\/","title":{"rendered":"Video. Pinckers Margins of Excess &#8211; Text and Image"},"content":{"rendered":"\n<div class=\"wp-block-group has-color-5-background-color has-background has-spacing--default\">\n \n\n    <div id=\"lead-in-block_d074670b2668a0224f233dc6ba4e43a1\" class=\"block-lead-in typo--default font-size--xl has-spacing--m width--default\">\n        <h1>Margins of Excess: Text and Image in the Contemporary Documentary Photobook<\/h1>\n<p>&nbsp;<\/p>\n<p><img loading=\"lazy\" decoding=\"async\" class=\"alignnone size-thumbnail wp-image-35256\" src=\"https:\/\/visualjournalism.de\/wp-content\/uploads\/max-pinckers-1zu1-150x150.jpg\" alt=\"\" width=\"150\" height=\"150\" srcset=\"https:\/\/visualjournalism.de\/wp-content\/uploads\/max-pinckers-1zu1-150x150.jpg 150w, https:\/\/visualjournalism.de\/wp-content\/uploads\/max-pinckers-1zu1-300x300.jpg 300w, https:\/\/visualjournalism.de\/wp-content\/uploads\/max-pinckers-1zu1-420x420.jpg 420w, https:\/\/visualjournalism.de\/wp-content\/uploads\/max-pinckers-1zu1-350x350.jpg 350w, https:\/\/visualjournalism.de\/wp-content\/uploads\/max-pinckers-1zu1-52x52.jpg 52w, https:\/\/visualjournalism.de\/wp-content\/uploads\/max-pinckers-1zu1-68x68.jpg 68w, https:\/\/visualjournalism.de\/wp-content\/uploads\/max-pinckers-1zu1-96x96.jpg 96w, https:\/\/visualjournalism.de\/wp-content\/uploads\/max-pinckers-1zu1.jpg 500w\" sizes=\"auto, (max-width: 150px) 100vw, 150px\" \/>\u00a0<a href=\"https:\/\/visualjournalism.de\/en\/max-pinckers\/\">Max Pinckers<\/a><\/p>\n<div class=\"entry-meta\">\r\n    <span class=\"posted-on\"><a href=\"https:\/\/visualjournalism.de\/en\/image-matters\/image-con-text\/margins-of-excess-text-and-image\/\" rel=\"bookmark\"><time class=\"entry-date published\" datetime=\"2024-12-12T20:06:00+02:00\">12.12.2024<\/time><\/a><\/span> <span class=\"meta-text\"> [IMAGE MATTERS]<\/span><\/div><!-- .entry-meta -->\r\n    <\/div>\n\n\n\n\r\n<div class=\"embed-block has-spacing--xs\">\r\n\r\n    <div \r\n        class=\"embed-block__wrapper ratio-aspect-ratio--16-9\" \r\n        style=\"\"\r\n    >\r\n        <div data-cmms-embed-id=\"4472\" data-cmms-base=\"mediathek.f3.hs-hannover.de\"><\/div><script async src=\"\/\/mediathek.f3.hs-hannover.de\/wp-content\/plugins\/cmms\/assets\/js\/frontend\/embed.min.js\"><\/script>    <\/div>\r\n\r\n    <div class=\"embed-block__caption\">\r\n        \n\n<p class=\"post__paragraph has-spacing--default\"><\/p>\n\n    <\/div>\r\n\r\n<\/div>\r\n\n\n\n<p class=\"post__paragraph is-style-typo--soehne has-spacing--m\">56:55 Min.<\/p>\n\n\n\n<p class=\"post__paragraph is-style-typo--soehne has-spacing--s\">In this lecture for<strong> <\/strong>the Symposium <em>image\/con\/text. Complementary Testimonies in Documentary Discourse<\/em> <strong><a href=\"https:\/\/visualjournalism.de\/max-pinckers\/\">Max Pinckers<\/a> presents his photobook <em>Margins of Excess<\/em><\/strong> with a particular focus on how image-text relations form documentary narratives. Not believing in an absolute truth or ultimate position of epistemological authority, his documentary works bring together multiple perspectives in which texts sampled from various sources encounter photographs thus creating a narrative context. In <a href=\"https:\/\/www.maxpinckers.be\/books\/\">Pinckers\u2019 photobooks<\/a>, reality and fiction are intertwined. Not to fool us, but to reveal a more intricate view of our world, which takes into account the intersubjective and fictitious nature of the categories we use to perceive and define it. While text and image trustedly offer each other context for our understanding, there is also a process of contextualisation happening between the different images put into the same body of work, namely <em>Margins of Excess<\/em>. Our reading of them as documentary is heavily dependent on the context they are nested in.<br><br><sub>Begr\u00fc\u00dfung: <a href=\"https:\/\/visualjournalism.de\/wp-admin\/post.php?post=44141&amp;action=edit&amp;lang=de\">Anna Stemmler<\/a><\/sub><\/p>\n\n\n\n    <div class=\"btn-wrapper has-spacing--s\">\n        <a class=\"btn\" href=\"https:\/\/visualjournalism.de\/image-matters\/image-con-text\/complementary-testimonies\/\" target=\"_self\">Mehr zu image\/con\/text<\/a>\n    <\/div>\n<\/div>\n\n\n\n<div class=\"wp-block-group has-color-25-background-color has-background has-spacing--default\">\n<div class=\"devider has-spacing--none\">\n    <hr>\n<\/div>\n\n\n    <nav id=\"section-navigation-block_62dfc717d0a8e1f6272b3e752912c24e\" class=\"section-navigation has-spacing--s\">\n        <ul>\n\n                \n                    <li>Weitere Beitr\u00e4ge zu image\/con\/text:<\/li>\n                \n            \n            \n                        \n                        \n\n            \n\n        <\/ul>\n        \n    <\/nav>\n\n\n\n<div class=\"pinned-block teasergrid has-spacing--m\">\n\n\t\n\t<div class=\"pinned-block__column--left\">\n\n\t\t\r\n<article class=\"post-teaser--two-columns first-post post-35563 image-matters type-image-matters status-publish has-post-thumbnail hentry image-matters-kategorie-image-con-text\">\r\n\t<header class=\"entry-header\">\r\n\r\n\t\t<div class=\"entry-categories\">\n\t<a class=\"post__tag\" href=\"https:\/\/visualjournalism.de\/image-matters-kategorie\/image-con-text\/\" rel=\"category tag\">image\/con\/text<\/a><\/div>\r\n\t\t<a href=\"https:\/\/visualjournalism.de\/en\/image-matters\/image-con-text\/complementary-testimonies\/\" rel=\"bookmark\">\r\n\t\t\t<h2 class=\"entry-title\">Komplement\u00e4re Zeugnisse.<\/h2>\r\n\t\t\t<p class=\"entry-excerpt\">Dokumentarischer Diskurs zwischen Journalismus, Kunst und Aktivismus<\/p>\r\n\t\t<\/a>\r\n\r\n\t<\/header><!-- .entry-header -->\r\n\r\n\t<figure class=\"post__image\">\r\n\t\t<a href=\"https:\/\/visualjournalism.de\/en\/image-matters\/image-con-text\/complementary-testimonies\/\" rel=\"bookmark\">\r\n\t\t\t<img loading=\"lazy\" decoding=\"async\" width=\"768\" height=\"614\" src=\"https:\/\/visualjournalism.de\/wp-content\/uploads\/Buch-image-con-text-768x614.jpg\" class=\"attachment-post-image--medium size-post-image--medium\" alt=\"\" srcset=\"https:\/\/visualjournalism.de\/wp-content\/uploads\/Buch-image-con-text-768x614.jpg 768w, https:\/\/visualjournalism.de\/wp-content\/uploads\/Buch-image-con-text-300x240.jpg 300w, https:\/\/visualjournalism.de\/wp-content\/uploads\/Buch-image-con-text-670x536.jpg 670w, https:\/\/visualjournalism.de\/wp-content\/uploads\/Buch-image-con-text-420x336.jpg 420w, https:\/\/visualjournalism.de\/wp-content\/uploads\/Buch-image-con-text-350x280.jpg 350w, https:\/\/visualjournalism.de\/wp-content\/uploads\/Buch-image-con-text.jpg 1000w\" sizes=\"auto, (max-width: 768px) 100vw, 768px\" \/>\t\t<\/a>\r\n\t<\/figure><!-- .post__image -->\r\n\r\n<\/article>\r\n\n\t<\/div><!-- .pinned-block__column--left -->\n\n\t<div class=\"pinned-block__column--right\">\n\n\t\t<div class=\"grid--two-columns grid--masonry\">\n\n\t\t\t<div class=\"gutter-sizer\"><\/div>\n\n\t\t\t\r\n<article class=\"grid__item post-teaser--two-columns post-42899 image-matters type-image-matters status-publish has-post-thumbnail hentry image-matters-kategorie-image-con-text\">\r\n\t<header class=\"entry-header\">\r\n\r\n\t\t<div class=\"entry-categories\">\n\t<a class=\"post__tag\" href=\"https:\/\/visualjournalism.de\/image-matters-kategorie\/image-con-text\/\" rel=\"category tag\">image\/con\/text<\/a><\/div>\r\n\t\t<a href=\"https:\/\/visualjournalism.de\/en\/image-matters\/image-con-text\/komplementaere-zeugnisse-dokumentarischer-diskurs\/\" rel=\"bookmark\">\r\n\t\t\t<h2 class=\"entry-title\">Begr\u00fc\u00dfung zum Symposium.<\/h2>\r\n\t\t\t<p class=\"entry-excerpt\">Wie gestaltet sich das Verh\u00e4ltnis von Bildern und Texten? \u00dcber welche Strategien finden\u2026<\/p>\r\n\t\t<\/a>\r\n\r\n\t<\/header><!-- .entry-header -->\r\n\r\n\t<figure class=\"post__image\">\r\n\t\t<a href=\"https:\/\/visualjournalism.de\/en\/image-matters\/image-con-text\/komplementaere-zeugnisse-dokumentarischer-diskurs\/\" rel=\"bookmark\">\r\n\t\t\t<img loading=\"lazy\" decoding=\"async\" width=\"350\" height=\"197\" src=\"https:\/\/visualjournalism.de\/wp-content\/uploads\/ict-begruessung-350x197.png\" class=\"attachment-post-image--two-column--small size-post-image--two-column--small\" alt=\"\" srcset=\"https:\/\/visualjournalism.de\/wp-content\/uploads\/ict-begruessung-350x197.png 350w, https:\/\/visualjournalism.de\/wp-content\/uploads\/ict-begruessung-300x168.png 300w, https:\/\/visualjournalism.de\/wp-content\/uploads\/ict-begruessung-1024x575.png 1024w, https:\/\/visualjournalism.de\/wp-content\/uploads\/ict-begruessung-768x431.png 768w, https:\/\/visualjournalism.de\/wp-content\/uploads\/ict-begruessung-1536x863.png 1536w, https:\/\/visualjournalism.de\/wp-content\/uploads\/ict-begruessung-2048x1150.png 2048w, https:\/\/visualjournalism.de\/wp-content\/uploads\/ict-begruessung-1920x1078.png 1920w, https:\/\/visualjournalism.de\/wp-content\/uploads\/ict-begruessung-1400x786.png 1400w, https:\/\/visualjournalism.de\/wp-content\/uploads\/ict-begruessung-1050x590.png 1050w, https:\/\/visualjournalism.de\/wp-content\/uploads\/ict-begruessung-670x376.png 670w, https:\/\/visualjournalism.de\/wp-content\/uploads\/ict-begruessung-420x236.png 420w\" sizes=\"auto, (max-width: 350px) 100vw, 350px\" \/>\t\t<\/a>\r\n\t<\/figure><!-- .post__image -->\r\n\r\n<\/article>\r\n\r\n<article class=\"grid__item post-teaser--two-columns post-46585 image-matters type-image-matters status-publish has-post-thumbnail hentry image-matters-kategorie-image-con-text\">\r\n\t<header class=\"entry-header\">\r\n\r\n\t\t<div class=\"entry-categories\">\n\t<a class=\"post__tag\" href=\"https:\/\/visualjournalism.de\/image-matters-kategorie\/image-con-text\/\" rel=\"category tag\">image\/con\/text<\/a><\/div>\r\n\t\t<a href=\"https:\/\/visualjournalism.de\/en\/image-matters\/image-con-text\/ekphrasis-plain-sight-monster-within\/\" rel=\"bookmark\">\r\n\t\t\t<h2 class=\"entry-title\">The Monster Within.<\/h2>\r\n\t\t\t<p class=\"entry-excerpt\">Edmund Clark &#8211; Bending the Screen: strategies that reconfigure representation<\/p>\r\n\t\t<\/a>\r\n\r\n\t<\/header><!-- .entry-header -->\r\n\r\n\t<figure class=\"post__image\">\r\n\t\t<a href=\"https:\/\/visualjournalism.de\/en\/image-matters\/image-con-text\/ekphrasis-plain-sight-monster-within\/\" rel=\"bookmark\">\r\n\t\t\t<img loading=\"lazy\" decoding=\"async\" width=\"350\" height=\"190\" src=\"https:\/\/visualjournalism.de\/wp-content\/uploads\/ict-clark-350x190.png\" class=\"attachment-post-image--two-column--small size-post-image--two-column--small\" alt=\"\" srcset=\"https:\/\/visualjournalism.de\/wp-content\/uploads\/ict-clark-350x190.png 350w, https:\/\/visualjournalism.de\/wp-content\/uploads\/ict-clark-300x163.png 300w, https:\/\/visualjournalism.de\/wp-content\/uploads\/ict-clark-1024x556.png 1024w, https:\/\/visualjournalism.de\/wp-content\/uploads\/ict-clark-768x417.png 768w, https:\/\/visualjournalism.de\/wp-content\/uploads\/ict-clark-1536x835.png 1536w, https:\/\/visualjournalism.de\/wp-content\/uploads\/ict-clark-2048x1113.png 2048w, https:\/\/visualjournalism.de\/wp-content\/uploads\/ict-clark-1920x1043.png 1920w, https:\/\/visualjournalism.de\/wp-content\/uploads\/ict-clark-1400x761.png 1400w, https:\/\/visualjournalism.de\/wp-content\/uploads\/ict-clark-1050x571.png 1050w, https:\/\/visualjournalism.de\/wp-content\/uploads\/ict-clark-670x364.png 670w, https:\/\/visualjournalism.de\/wp-content\/uploads\/ict-clark-420x228.png 420w\" sizes=\"auto, (max-width: 350px) 100vw, 350px\" \/>\t\t<\/a>\r\n\t<\/figure><!-- .post__image -->\r\n\r\n<\/article>\r\n\r\n<article class=\"grid__item post-teaser--two-columns post-44341 image-matters type-image-matters status-publish has-post-thumbnail hentry image-matters-kategorie-image-con-text\">\r\n\t<header class=\"entry-header\">\r\n\r\n\t\t<div class=\"entry-categories\">\n\t<a class=\"post__tag\" href=\"https:\/\/visualjournalism.de\/image-matters-kategorie\/image-con-text\/\" rel=\"category tag\">image\/con\/text<\/a><\/div>\r\n\t\t<a href=\"https:\/\/visualjournalism.de\/en\/image-matters\/image-con-text\/photography-in-purgatory\/\" rel=\"bookmark\">\r\n\t\t\t<h2 class=\"entry-title\">Joan Fontcuberta.<\/h2>\r\n\t\t\t<p class=\"entry-excerpt\">about current research on damaged photographs.<\/p>\r\n\t\t<\/a>\r\n\r\n\t<\/header><!-- .entry-header -->\r\n\r\n\t<figure class=\"post__image\">\r\n\t\t<a href=\"https:\/\/visualjournalism.de\/en\/image-matters\/image-con-text\/photography-in-purgatory\/\" rel=\"bookmark\">\r\n\t\t\t<img loading=\"lazy\" decoding=\"async\" width=\"350\" height=\"197\" src=\"https:\/\/visualjournalism.de\/wp-content\/uploads\/ict-fontcuberta-2-350x197.png\" class=\"attachment-post-image--two-column--small size-post-image--two-column--small\" alt=\"\" srcset=\"https:\/\/visualjournalism.de\/wp-content\/uploads\/ict-fontcuberta-2-350x197.png 350w, https:\/\/visualjournalism.de\/wp-content\/uploads\/ict-fontcuberta-2-300x169.png 300w, https:\/\/visualjournalism.de\/wp-content\/uploads\/ict-fontcuberta-2-1024x577.png 1024w, https:\/\/visualjournalism.de\/wp-content\/uploads\/ict-fontcuberta-2-768x433.png 768w, https:\/\/visualjournalism.de\/wp-content\/uploads\/ict-fontcuberta-2-1536x866.png 1536w, https:\/\/visualjournalism.de\/wp-content\/uploads\/ict-fontcuberta-2-2048x1154.png 2048w, https:\/\/visualjournalism.de\/wp-content\/uploads\/ict-fontcuberta-2-1920x1082.png 1920w, https:\/\/visualjournalism.de\/wp-content\/uploads\/ict-fontcuberta-2-1400x789.png 1400w, https:\/\/visualjournalism.de\/wp-content\/uploads\/ict-fontcuberta-2-1050x592.png 1050w, https:\/\/visualjournalism.de\/wp-content\/uploads\/ict-fontcuberta-2-670x378.png 670w, https:\/\/visualjournalism.de\/wp-content\/uploads\/ict-fontcuberta-2-420x237.png 420w\" sizes=\"auto, (max-width: 350px) 100vw, 350px\" \/>\t\t<\/a>\r\n\t<\/figure><!-- .post__image -->\r\n\r\n<\/article>\r\n\r\n<article class=\"grid__item post-teaser--two-columns post-44334 image-matters type-image-matters status-publish has-post-thumbnail hentry image-matters-kategorie-image-con-text\">\r\n\t<header class=\"entry-header\">\r\n\r\n\t\t<div class=\"entry-categories\">\n\t<a class=\"post__tag\" href=\"https:\/\/visualjournalism.de\/image-matters-kategorie\/image-con-text\/\" rel=\"category tag\">image\/con\/text<\/a><\/div>\r\n\t\t<a href=\"https:\/\/visualjournalism.de\/en\/image-matters\/image-con-text\/readability-context-reinterpretation\/\" rel=\"bookmark\">\r\n\t\t\t<h2 class=\"entry-title\">Panel Discussion.<\/h2>\r\n\t\t\t<p class=\"entry-excerpt\">Found in Translation<\/p>\r\n\t\t<\/a>\r\n\r\n\t<\/header><!-- .entry-header -->\r\n\r\n\t<figure class=\"post__image\">\r\n\t\t<a href=\"https:\/\/visualjournalism.de\/en\/image-matters\/image-con-text\/readability-context-reinterpretation\/\" rel=\"bookmark\">\r\n\t\t\t<img loading=\"lazy\" decoding=\"async\" width=\"350\" height=\"196\" src=\"https:\/\/visualjournalism.de\/wp-content\/uploads\/ict-found-in-translation-350x196.png\" class=\"attachment-post-image--two-column--small size-post-image--two-column--small\" alt=\"\" srcset=\"https:\/\/visualjournalism.de\/wp-content\/uploads\/ict-found-in-translation-350x196.png 350w, https:\/\/visualjournalism.de\/wp-content\/uploads\/ict-found-in-translation-300x168.png 300w, https:\/\/visualjournalism.de\/wp-content\/uploads\/ict-found-in-translation-1024x575.png 1024w, https:\/\/visualjournalism.de\/wp-content\/uploads\/ict-found-in-translation-768x431.png 768w, https:\/\/visualjournalism.de\/wp-content\/uploads\/ict-found-in-translation-1536x862.png 1536w, https:\/\/visualjournalism.de\/wp-content\/uploads\/ict-found-in-translation-2048x1150.png 2048w, https:\/\/visualjournalism.de\/wp-content\/uploads\/ict-found-in-translation-1920x1078.png 1920w, https:\/\/visualjournalism.de\/wp-content\/uploads\/ict-found-in-translation-1400x786.png 1400w, https:\/\/visualjournalism.de\/wp-content\/uploads\/ict-found-in-translation-1050x589.png 1050w, https:\/\/visualjournalism.de\/wp-content\/uploads\/ict-found-in-translation-670x376.png 670w, https:\/\/visualjournalism.de\/wp-content\/uploads\/ict-found-in-translation-420x236.png 420w\" sizes=\"auto, (max-width: 350px) 100vw, 350px\" \/>\t\t<\/a>\r\n\t<\/figure><!-- .post__image -->\r\n\r\n<\/article>\r\n\t\t<\/div><!-- grid--two-columns -->\n\t<\/div><!-- .pinned-block__column--right -->\n\n<\/div><!-- .pinned-block -->\n\n\n<\/div>\n","protected":false},"excerpt":{"rendered":"<p>56:55 Min. In this lecture for the Symposium image\/con\/text. Complementary Testimonies in Documentary Discourse Max Pinckers presents his photobook Margins of Excess with a particular focus on how image-text relations form documentary narratives. Not believing in an absolute truth or ultimate position of epistemological authority, his documentary works bring together multiple perspectives in which texts [&hellip;]<\/p>\n","protected":false},"author":6,"featured_media":46823,"template":"","tags":[],"image-matters-kategorie":[177],"class_list":["post-46579","image-matters","type-image-matters","status-publish","has-post-thumbnail","hentry","image-matters-kategorie-image-con-text"],"acf":[],"yoast_head":"<!-- This site is optimized with the Yoast SEO Premium plugin v27.2 (Yoast SEO v27.2) - https:\/\/yoast.com\/product\/yoast-seo-premium-wordpress\/ -->\n<title>Margins of Excess: Text and Image in Contemporary Documentary<\/title>\n<meta name=\"description\" content=\"Max Pinckers presents his photobook Margins of Excess with a particular focus on how image-text relations form documentary narratives.\" \/>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/visualjournalism.de\/en\/image-matters\/image-con-text\/margins-of-excess-text-and-image\/\" \/>\n<meta property=\"og:locale\" content=\"en_US\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"Video. 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