{"id":19755,"date":"2023-10-14T19:06:05","date_gmt":"2023-10-14T19:06:05","guid":{"rendered":"https:\/\/visualjournalism.de\/?p=19755"},"modified":"2025-11-19T09:25:43","modified_gmt":"2025-11-19T07:25:43","slug":"im-schatten-des-krieges","status":"publish","type":"magazin","link":"https:\/\/visualjournalism.de\/en\/magazine\/randgebiet\/im-schatten-des-krieges\/","title":{"rendered":"Im Schatten des Krieges"},"content":{"rendered":"\r\n
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\n\tRandgebiet<\/a><\/div>\r\n

\r\n Im Schatten des Krieges <\/h2>\r\n\r\n
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In den ukrainischen Nachbarl\u00e4ndern Polen und Moldau ist der russische Angriffskrieg eigentlich ganz nah. Und bleibt doch unsichtbar. Eine fotografische Erkundung von Ludwig Nikulski<\/a><\/strong><\/p>\n <\/div>\r\n \r\n

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\r\n \"Bia\u0142e\r\n <\/figure>\r\n\r\n \r\n Lake Bia\u0142e and gumball machine <\/span>\r\n \r\n \r\n<\/div>\r\n\r\n\n\n\n

Nichts habe sich ge\u00e4ndert,<\/strong> sagt ein Hotelier im Osten Polens. Alles habe sich ge\u00e4ndert, sagt ein Grenzsoldat. Der Fotograf Ludwig Nikulski ist mit seiner Gro\u00dfformatkamera entlang der Au\u00dfengrenzen der Ukraine gereist. Niemand kann dort sagen, wie lange der in der Ukraine tobende Krieg in Polen und in der Republik Moldau noch unmerklich bleiben wird. \u00abIch zeige Orte, an denen der Krieg scheinbar vorbeigeht<\/a>. Orte, an denen die Welt noch in Ordnung sein k\u00f6nnte. Sie ist es aber nicht\u00bb, beschreibt Ludwig Nikulski die Atmosph\u00e4re in seinen Bildern. 

\u00dcber seinen fotografischen Ansatz schreibt Ludwig Nikulski: \u00abIch verfolge etwas, das absurd ist. Ich muss es tun. Es gibt einen gewissen Grad an Dunkelheit, Erinnerungen, Verwirrung, die bis an die Grenze gehen, um etwas zu enth\u00fcllen, das niemand sehen kann. Aber es existiert. Irgendwo. Mit dem Verlust an faktischer Information will etwas Verborgenes entdeckt werden, um in der Welt Widerhall zu finden. Das ist es, was ich mit der Fotografie zu tun versuche.\u00bb Mit der vorliegenden Arbeit gewann Ludwig Nikulski den Kunstwettbewerb des Willi M\u00fcnzenberg Forums in der Foto-Kategorie<\/a>. <\/p>\n\n\n \n\n

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\n\n \"\"\n\n Wasya taking a break.<\/span>\n \n \n <\/figure>\n\n <\/div> \n\n\n \n\n \n \n\n
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\n\n \"\"\n\n Blocked entrance of the Humanitarian Aid Center at the former Tesco Supermaket in Przemysl.<\/span>\n \n \n <\/figure>\n\n <\/div> \n\n\n \n\n \n<\/div>\n\n
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\n \"\"\n \n Construction site of a church.<\/span>\n <\/div>\n\n \n <\/figure>\n\n\n\n \n\n
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\n\n \"\"\n\n Tree in Hureczko<\/span>\n \n \n <\/figure>\n\n <\/div> \n\n\n \n\n \n \n\n
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\n\n \"\"\n\n Hotel and military vehicles<\/span>\n \n \n <\/figure>\n\n <\/div> \n\n\n \n\n \n<\/div>\n\n
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\n \"\"\n \n Oskar at the football field<\/span>\n <\/div>\n\n \n <\/figure>\n\n\n\n \n\n
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\n\n \"\"\n\n Sergei at the pool table.<\/span>\n \n \n <\/figure>\n\n <\/div> \n\n\n \n\n \n \n\n
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\n\n \"\"\n\n Playground in front of a World War Two memorial in Tiraspol.<\/span>\n \n \n <\/figure>\n\n <\/div> \n\n\n \n\n \n<\/div>\n\n
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\n \"\"\n \n Industrial area of Tiraspol<\/span>\n <\/div>\n\n \n <\/figure>\n\n\n\n
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\n \"\"\n \n Self Portrait with toy gun<\/span>\n <\/div>\n\n \n <\/figure>\n\n\n\n
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\n \"\"\n \n Burning tree<\/span>\n <\/div>\n\n \n <\/figure>\n\n\n\n \n\n
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\n\n \"\"\n\n TV<\/span>\n \n \n <\/figure>\n\n <\/div> \n\n\n \n\n \n \n\n
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\n\n \"\"\n\n Police presence at the hotel<\/span>\n \n \n <\/figure>\n\n <\/div> \n\n\n \n\n \n<\/div>\n\n
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\n \"\"\n \n Abandoned caravan<\/span>\n <\/div>\n\n \n <\/figure>\n\n\n\n\n
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Empfehlungen der Redaktion:<\/strong><\/p>\n <\/div>\n\n\n\n\r\n\r\n\r\n\n\n\r\n\r\n\r\n\r\n

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\r\n\r\n Ratgeber<\/span>\r\n

\r\n Professionelle Kameras f\u00fcr Fotograf*innen: Warum nicht die Marke z\u00e4hlt <\/h3>\r\n\r\n
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Analog oder digital, Vollformat oder APSC, Spiegelreflex oder spiegellos: Die Magnum-Fotografin Nanna Heitmann und Lehrende der Hochschule Hannover zeigen, warum am Ende nicht die Technik, sondern die Person entscheidend ist.<\/p>\r\n <\/div>\r\n\r\n <\/div>\r\n\r\n\r\n \r\n

\r\n \"In\r\n <\/figure>\r\n\r\n \r\n \r\n <\/a>\r\n\r\n <\/article>\r\n\r\n \r\n
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\r\n\r\n Guide<\/span>\r\n

\r\n How to create a photo series. <\/h3>\r\n\r\n
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Ideas, tips and examples from our professors.<\/p>\r\n <\/div>\r\n\r\n <\/div>\r\n\r\n\r\n \r\n

\r\n \"Photo\r\n <\/figure>\r\n\r\n \r\n \r\n <\/a>\r\n\r\n <\/article>\r\n\r\n \r\n
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\r\n\r\n Sammeln<\/span>\r\n

\r\n Bibliothek der geretteten B\u00fccher <\/h3>\r\n\r\n
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Wie ein Pfarrer aus Niedersachsen Tausende DDR-B\u00fccher vor der Vernichtung rettete \u2013 und warum eines davon eine entscheidende technische Spur f\u00fcr die Forschung im All lieferte.<\/p>\r\n <\/div>\r\n\r\n <\/div>\r\n\r\n\r\n \r\n

\r\n \"\"\r\n\r\n <\/figure>\r\n\r\n \r\n \r\n <\/a>\r\n\r\n <\/article>\r\n\r\n \r\n <\/div>\r\n\r\n\n\n\r\n\r\n\r\n\n\n\n
\n ZUR MAGAZIN-STARTSEITE<\/a>\n <\/div>\n<\/div>\n","protected":false},"author":36,"featured_media":19945,"template":"","tags":[],"magazinkategorie":[169],"class_list":["post-19755","magazin","type-magazin","status-publish","has-post-thumbnail","hentry","magazinkategorie-randgebiet"],"acf":[],"yoast_head":"\nIm Schatten des Krieges – Visual Journalism and Documentary Photography<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/visualjournalism.de\/en\/magazine\/randgebiet\/im-schatten-des-krieges\/\" \/>\n<meta property=\"og:locale\" content=\"en_US\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"Im Schatten des Krieges\" \/>\n<meta property=\"og:description\" content=\"Nichts habe sich ge\u00e4ndert, sagt ein Hotelier im Osten Polens. 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