{"id":21872,"date":"2023-06-12T15:41:38","date_gmt":"2023-06-12T15:41:38","guid":{"rendered":"https:\/\/visualjournalism.de\/?p=21872"},"modified":"2023-07-19T13:41:53","modified_gmt":"2023-07-19T13:41:53","slug":"viola-maiwald-bachelor","status":"publish","type":"magazin","link":"https:\/\/visualjournalism.de\/en\/magazine\/final-projects\/viola-maiwald-bachelor\/","title":{"rendered":"Viola Maiwald Bachelor"},"content":{"rendered":"\n \n\n    <div id=\"lead-in-block_39c6e15560c9c85b1da87abf4d00d421\" class=\"block-lead-in typo--default font-size--xl has-spacing--m width--default\">\n        <p><strong>Between the layers.<\/strong>  Viola Maiwald documents natural gas production in Lower Saxony in her bachelor thesis.<\/p>\n<div class=\"entry-meta\">\r\n    <span class=\"posted-on\"><a href=\"https:\/\/visualjournalism.de\/en\/magazine\/final-projects\/viola-maiwald-bachelor\/\" rel=\"bookmark\"><time class=\"entry-date published\" datetime=\"2023-06-12T15:41:38+02:00\">12.06.2023<\/time><\/a><\/span> <span class=\"meta-text\"> Fotos und Text: Viola Maiwald<\/span><\/div><!-- .entry-meta -->\r\n    <\/div>\n\n\n<div class=\"photo-block--slider splide has-spacing--m\" data-splide='{\"arrows\":true, \"autoplay\":false}'>\n    <div class=\"splide__track\">\n        <div class=\"splide__list\">\n\n                \n\n                    <figure class=\"block-photo post__image--wide-left with-title splide__slide\">\n\n                        <div class=\"post__image__container\">\n                            <img loading=\"lazy\" decoding=\"async\"\n                                class=\"slide__image\"\n                                src=\"https:\/\/visualjournalism.de\/wp-content\/uploads\/Maiwald-Viola_Zwischen-den-Schichten_05-1050x840.jpg\" \n                                srcset=\"https:\/\/visualjournalism.de\/wp-content\/uploads\/Maiwald-Viola_Zwischen-den-Schichten_05-1050x840.jpg 1050w, https:\/\/visualjournalism.de\/wp-content\/uploads\/Maiwald-Viola_Zwischen-den-Schichten_05-300x240.jpg 300w, https:\/\/visualjournalism.de\/wp-content\/uploads\/Maiwald-Viola_Zwischen-den-Schichten_05-1024x819.jpg 1024w, https:\/\/visualjournalism.de\/wp-content\/uploads\/Maiwald-Viola_Zwischen-den-Schichten_05-768x614.jpg 768w, https:\/\/visualjournalism.de\/wp-content\/uploads\/Maiwald-Viola_Zwischen-den-Schichten_05-1536x1229.jpg 1536w, https:\/\/visualjournalism.de\/wp-content\/uploads\/Maiwald-Viola_Zwischen-den-Schichten_05-2048x1638.jpg 2048w, https:\/\/visualjournalism.de\/wp-content\/uploads\/Maiwald-Viola_Zwischen-den-Schichten_05-1920x1536.jpg 1920w, https:\/\/visualjournalism.de\/wp-content\/uploads\/Maiwald-Viola_Zwischen-den-Schichten_05-1400x1120.jpg 1400w, https:\/\/visualjournalism.de\/wp-content\/uploads\/Maiwald-Viola_Zwischen-den-Schichten_05-670x536.jpg 670w, https:\/\/visualjournalism.de\/wp-content\/uploads\/Maiwald-Viola_Zwischen-den-Schichten_05-420x336.jpg 420w, https:\/\/visualjournalism.de\/wp-content\/uploads\/Maiwald-Viola_Zwischen-den-Schichten_05-350x280.jpg 350w, https:\/\/visualjournalism.de\/wp-content\/uploads\/Maiwald-Viola_Zwischen-den-Schichten_05-150x120.jpg 150w\" \n                                width=\"1050\"  \n                                height=\"840\" \n                                alt=\"\"  \n                            \/>\n\n                                                            <span class=\"post__image__title\">Photo: Viola Maiwald<\/span>\n                            \n                        <\/div><!-- post__image__container -->\n\n                        \n                    <\/figure>\n                \n                        \n\n                    <figure class=\"block-photo post__image--wide-left with-title splide__slide\">\n\n                        <div class=\"post__image__container\">\n                            <img loading=\"lazy\" decoding=\"async\"\n                                class=\"slide__image\"\n                                src=\"https:\/\/visualjournalism.de\/wp-content\/uploads\/Maiwald-Viola_Zwischen-den-Schichten_06-1050x840.jpg\" \n                                srcset=\"https:\/\/visualjournalism.de\/wp-content\/uploads\/Maiwald-Viola_Zwischen-den-Schichten_06-1050x840.jpg 1050w, https:\/\/visualjournalism.de\/wp-content\/uploads\/Maiwald-Viola_Zwischen-den-Schichten_06-300x240.jpg 300w, https:\/\/visualjournalism.de\/wp-content\/uploads\/Maiwald-Viola_Zwischen-den-Schichten_06-1024x819.jpg 1024w, https:\/\/visualjournalism.de\/wp-content\/uploads\/Maiwald-Viola_Zwischen-den-Schichten_06-768x614.jpg 768w, https:\/\/visualjournalism.de\/wp-content\/uploads\/Maiwald-Viola_Zwischen-den-Schichten_06-1536x1229.jpg 1536w, https:\/\/visualjournalism.de\/wp-content\/uploads\/Maiwald-Viola_Zwischen-den-Schichten_06-2048x1638.jpg 2048w, https:\/\/visualjournalism.de\/wp-content\/uploads\/Maiwald-Viola_Zwischen-den-Schichten_06-1920x1536.jpg 1920w, https:\/\/visualjournalism.de\/wp-content\/uploads\/Maiwald-Viola_Zwischen-den-Schichten_06-1400x1120.jpg 1400w, https:\/\/visualjournalism.de\/wp-content\/uploads\/Maiwald-Viola_Zwischen-den-Schichten_06-670x536.jpg 670w, https:\/\/visualjournalism.de\/wp-content\/uploads\/Maiwald-Viola_Zwischen-den-Schichten_06-420x336.jpg 420w, https:\/\/visualjournalism.de\/wp-content\/uploads\/Maiwald-Viola_Zwischen-den-Schichten_06-350x280.jpg 350w, https:\/\/visualjournalism.de\/wp-content\/uploads\/Maiwald-Viola_Zwischen-den-Schichten_06-150x120.jpg 150w\" \n                                width=\"1050\"  \n                                height=\"840\" \n                                alt=\"\"  \n                            \/>\n\n                                                            <span class=\"post__image__title\">Photo: Viola Maiwald<\/span>\n                            \n                        <\/div><!-- post__image__container -->\n\n                        \n                    <\/figure>\n                \n                        \n\n                    <figure class=\"block-photo post__image--wide-left with-title splide__slide\">\n\n                        <div class=\"post__image__container\">\n                            <img loading=\"lazy\" decoding=\"async\"\n                                class=\"slide__image\"\n                                src=\"https:\/\/visualjournalism.de\/wp-content\/uploads\/Maiwald-Viola_Zwischen-den-Schichten_04-1-1050x840.jpg\" \n                                srcset=\"https:\/\/visualjournalism.de\/wp-content\/uploads\/Maiwald-Viola_Zwischen-den-Schichten_04-1-1050x840.jpg 1050w, https:\/\/visualjournalism.de\/wp-content\/uploads\/Maiwald-Viola_Zwischen-den-Schichten_04-1-300x240.jpg 300w, https:\/\/visualjournalism.de\/wp-content\/uploads\/Maiwald-Viola_Zwischen-den-Schichten_04-1-1024x819.jpg 1024w, https:\/\/visualjournalism.de\/wp-content\/uploads\/Maiwald-Viola_Zwischen-den-Schichten_04-1-768x614.jpg 768w, https:\/\/visualjournalism.de\/wp-content\/uploads\/Maiwald-Viola_Zwischen-den-Schichten_04-1-1536x1229.jpg 1536w, https:\/\/visualjournalism.de\/wp-content\/uploads\/Maiwald-Viola_Zwischen-den-Schichten_04-1-2048x1638.jpg 2048w, https:\/\/visualjournalism.de\/wp-content\/uploads\/Maiwald-Viola_Zwischen-den-Schichten_04-1-1920x1536.jpg 1920w, https:\/\/visualjournalism.de\/wp-content\/uploads\/Maiwald-Viola_Zwischen-den-Schichten_04-1-1400x1120.jpg 1400w, https:\/\/visualjournalism.de\/wp-content\/uploads\/Maiwald-Viola_Zwischen-den-Schichten_04-1-670x536.jpg 670w, https:\/\/visualjournalism.de\/wp-content\/uploads\/Maiwald-Viola_Zwischen-den-Schichten_04-1-420x336.jpg 420w, https:\/\/visualjournalism.de\/wp-content\/uploads\/Maiwald-Viola_Zwischen-den-Schichten_04-1-350x280.jpg 350w, https:\/\/visualjournalism.de\/wp-content\/uploads\/Maiwald-Viola_Zwischen-den-Schichten_04-1-150x120.jpg 150w\" \n                                width=\"1050\"  \n                                height=\"840\" \n                                alt=\"\"  \n                            \/>\n\n                                                            <span class=\"post__image__title\">Photo by Viola Maiwald<\/span>\n                            \n                        <\/div><!-- post__image__container -->\n\n                        \n                    <\/figure>\n                \n                       \n\n        <\/div>\n    <\/div>\n    \n    \n        <div class=\"slider__navigation\">\n            <div class=\"slide__count\"><\/div>\n        <\/div><!-- .slider__navigation -->\n\n        <div class=\"splide__arrows gallery-slider__arrows\">\n\n            <button class=\"splide__arrow splide__arrow--prev gallery-slider__arrow\">\n                <svg xmlns=\"http:\/\/www.w3.org\/2000\/svg\" width=\"7\" height=\"11\" viewBox=\"0 0 7 11\" fill=\"none\">\n                <rect width=\"7.3498\" height=\"1.15101\" transform=\"matrix(-0.716725 -0.697356 -0.716725 0.697356 6.60693 10.1616)\"\/>\n                <rect width=\"7.70647\" height=\"1.15101\" transform=\"matrix(-0.716725 0.697356 0.716725 0.697356 6.02393 0.513184)\"\/>\n                <\/svg>\n            <\/button>\n\n            <button class=\"splide__arrow splide__arrow--next gallery-slider__arrow\">\n                <svg xmlns=\"http:\/\/www.w3.org\/2000\/svg\" width=\"7\" height=\"12\" viewBox=\"0 0 7 12\" fill=\"none\">\n                <rect width=\"7.34981\" height=\"1.15101\" transform=\"matrix(0.697355 -0.716726 0.697355 0.716726 0.80957 10.4229)\"\/>\n                <rect width=\"7.70648\" height=\"1.15101\" transform=\"matrix(0.697355 0.716726 -0.697355 0.716726 1.37695 0.506348)\"\/>\n                <\/svg>\n            <\/button>\n\n        <\/div><!-- .splide__arrows -->\n\n    \n<\/div><!-- .splide -->\n\n\n\n<p class=\"post__paragraph has-spacing--default\"><strong>In her bachelor thesis &#8220;Between the Layers&#8221;<\/strong> Viola Maiwald deals with natural gas production in Lower Saxony, the federal state with the most raw gas deposits in Germany. In the process, Viola Maiwald not only photographs the natural gas production sites, but also buries film footage next to the facilities to create a direct image of the sites. These &#8220;images&#8221; refer to soil and sediment investigations carried out between 2015 and 2017 at 211 of 455 natural gas production sites in Lower Saxony, which revealed contamination by components of natural gas production. By juxtaposing the different levels of the image, she invites viewers to consider the complex interplay between beauty and destruction, dependence and autonomy, and asks us to reflect on what is often hidden.  <br\/><br\/><a href=\"http:\/\/www.violamaiwald.de\" target=\"_blank\" rel=\"noreferrer noopener\">Viola Maiwald<\/a> (1988) first trained as a health and pediatric nurse before she began studying &#8220;photojournalism and documentary photography&#8221; in Hannover in 2015. She spent her semester abroad in Sarker Protick&#8217;s class at Pathshala South Asian Media Institute in Dhaka, Bangladesh. She is a founding member of the Fotograf:innen community &#8220;What&#8217;s left of Photography&#8221; and lives and works as a freelance photographer in Hanover and Hamburg.  <br\/><br\/><\/p>\n\n<div class=\"wp-block-group has-spacing--m has-spacing--default\">\n<div class=\"devider has-spacing--none\">\n    <hr>\n<\/div>\n\n\n    <nav id=\"section-navigation-block_c256d2d2eadd9b6c18d38faebd69c2d9\" class=\"section-navigation has-spacing--m\">\n        <ul>\n\n                \n                    <li>Das k\u00f6nnte dich auch interessieren<\/li>\n                \n            \n            \n                        \n                        \n\n            \n            \n            \n                        \n                        \n\n            \n\n        <\/ul>\n        \n    <\/nav>\n\n\n\n<div class=\"four-columns-teaser has-spacing--m\">\n\n    \r\n<article class=\"post-teaser post-68217 magazin type-magazin status-publish has-post-thumbnail hentry magazinkategorie-ausgezeichnet\">\r\n\t<header class=\"entry-header\">\r\n\r\n\t\t<div class=\"entry-categories\">\n\t<a class=\"post__tag\" href=\"https:\/\/visualjournalism.de\/magazin-kategorie\/ausgezeichnet\/\" rel=\"category tag\">Ausgezeichnet<\/a><\/div>\r\n\t\t<a href=\"https:\/\/visualjournalism.de\/en\/magazine\/ausgezeichnet\/noemi-ehrat-the-abortion-plot\/\" rel=\"bookmark\">\r\n\t\t\t<h2 class=\"entry-title\">The Abortion Plot.<\/h2>\r\n\t\t\t<p class=\"entry-excerpt\">Noemi Ehrat zeigt Abtreibung als allt\u00e4gliche Praxis. Ihr Langzeitprojekt fragt nicht nach dem Warum, sondern nach dem Wie: sachlich, ruhig und jenseits politischer Schlagzeilen.<\/p>\r\n\t\t<\/a>\r\n\r\n\t<\/header><!-- .entry-header -->\r\n\r\n\t<figure class=\"post__image\">\r\n\t\t<a href=\"https:\/\/visualjournalism.de\/en\/magazine\/ausgezeichnet\/noemi-ehrat-the-abortion-plot\/\" rel=\"bookmark\">\r\n\t\t\t<img loading=\"lazy\" decoding=\"async\" width=\"350\" height=\"263\" src=\"https:\/\/visualjournalism.de\/wp-content\/uploads\/2025\/12\/NoemiEhratTheAbortionPlot9-350x263.jpeg\" class=\"attachment-post-image--two-column--small size-post-image--two-column--small\" alt=\"\" srcset=\"https:\/\/visualjournalism.de\/wp-content\/uploads\/2025\/12\/NoemiEhratTheAbortionPlot9-350x263.jpeg 350w, https:\/\/visualjournalism.de\/wp-content\/uploads\/2025\/12\/NoemiEhratTheAbortionPlot9-300x225.jpeg 300w, https:\/\/visualjournalism.de\/wp-content\/uploads\/2025\/12\/NoemiEhratTheAbortionPlot9-1024x768.jpeg 1024w, https:\/\/visualjournalism.de\/wp-content\/uploads\/2025\/12\/NoemiEhratTheAbortionPlot9-768x576.jpeg 768w, https:\/\/visualjournalism.de\/wp-content\/uploads\/2025\/12\/NoemiEhratTheAbortionPlot9-1536x1152.jpeg 1536w, https:\/\/visualjournalism.de\/wp-content\/uploads\/2025\/12\/NoemiEhratTheAbortionPlot9-2048x1536.jpeg 2048w, https:\/\/visualjournalism.de\/wp-content\/uploads\/2025\/12\/NoemiEhratTheAbortionPlot9-1920x1440.jpeg 1920w, https:\/\/visualjournalism.de\/wp-content\/uploads\/2025\/12\/NoemiEhratTheAbortionPlot9-1400x1050.jpeg 1400w, https:\/\/visualjournalism.de\/wp-content\/uploads\/2025\/12\/NoemiEhratTheAbortionPlot9-1050x788.jpeg 1050w, https:\/\/visualjournalism.de\/wp-content\/uploads\/2025\/12\/NoemiEhratTheAbortionPlot9-670x503.jpeg 670w, https:\/\/visualjournalism.de\/wp-content\/uploads\/2025\/12\/NoemiEhratTheAbortionPlot9-420x315.jpeg 420w, https:\/\/visualjournalism.de\/wp-content\/uploads\/2025\/12\/NoemiEhratTheAbortionPlot9-150x113.jpeg 150w\" sizes=\"auto, (max-width: 350px) 100vw, 350px\" \/>\t\t<\/a>\r\n\t<\/figure><!-- .post__image -->\r\n\r\n<\/article>\r\n\r\n<article class=\"post-teaser post-67572 magazin type-magazin status-publish has-post-thumbnail hentry magazinkategorie-ausgezeichnet\">\r\n\t<header class=\"entry-header\">\r\n\r\n\t\t<div class=\"entry-categories\">\n\t<a class=\"post__tag\" href=\"https:\/\/visualjournalism.de\/magazin-kategorie\/ausgezeichnet\/\" rel=\"category tag\">Ausgezeichnet<\/a><\/div>\r\n\t\t<a href=\"https:\/\/visualjournalism.de\/en\/magazine\/ausgezeichnet\/armina-ahmadinia-mein-haus-in-wolken-gehuellt\/\" rel=\"bookmark\">\r\n\t\t\t<h2 class=\"entry-title\">Mein Haus in Wolken geh\u00fcllt.<\/h2>\r\n\t\t\t<p class=\"entry-excerpt\">Armina Ahmadinia kehrt an das Kaspische Meer zur\u00fcck. Ihre Fotoarbeit erz\u00e4hlt vom R\u00fcckzug des Wassers, vom Verlust vertrauter Orte und von einer stillen Sehnsucht nach N\u00e4he und Heimat.<\/p>\r\n\t\t<\/a>\r\n\r\n\t<\/header><!-- .entry-header -->\r\n\r\n\t<figure class=\"post__image\">\r\n\t\t<a href=\"https:\/\/visualjournalism.de\/en\/magazine\/ausgezeichnet\/armina-ahmadinia-mein-haus-in-wolken-gehuellt\/\" rel=\"bookmark\">\r\n\t\t\t<img loading=\"lazy\" decoding=\"async\" width=\"350\" height=\"263\" src=\"https:\/\/visualjournalism.de\/wp-content\/uploads\/2026\/01\/\u00a9_Armina_Ahmadinia_001-350x263.jpg\" class=\"attachment-post-image--two-column--small size-post-image--two-column--small\" alt=\"\" srcset=\"https:\/\/visualjournalism.de\/wp-content\/uploads\/2026\/01\/\u00a9_Armina_Ahmadinia_001-350x263.jpg 350w, https:\/\/visualjournalism.de\/wp-content\/uploads\/2026\/01\/\u00a9_Armina_Ahmadinia_001-300x225.jpg 300w, https:\/\/visualjournalism.de\/wp-content\/uploads\/2026\/01\/\u00a9_Armina_Ahmadinia_001-1024x768.jpg 1024w, https:\/\/visualjournalism.de\/wp-content\/uploads\/2026\/01\/\u00a9_Armina_Ahmadinia_001-768x576.jpg 768w, https:\/\/visualjournalism.de\/wp-content\/uploads\/2026\/01\/\u00a9_Armina_Ahmadinia_001-1536x1152.jpg 1536w, https:\/\/visualjournalism.de\/wp-content\/uploads\/2026\/01\/\u00a9_Armina_Ahmadinia_001-2048x1536.jpg 2048w, https:\/\/visualjournalism.de\/wp-content\/uploads\/2026\/01\/\u00a9_Armina_Ahmadinia_001-1920x1440.jpg 1920w, https:\/\/visualjournalism.de\/wp-content\/uploads\/2026\/01\/\u00a9_Armina_Ahmadinia_001-1400x1050.jpg 1400w, https:\/\/visualjournalism.de\/wp-content\/uploads\/2026\/01\/\u00a9_Armina_Ahmadinia_001-1050x788.jpg 1050w, https:\/\/visualjournalism.de\/wp-content\/uploads\/2026\/01\/\u00a9_Armina_Ahmadinia_001-670x503.jpg 670w, https:\/\/visualjournalism.de\/wp-content\/uploads\/2026\/01\/\u00a9_Armina_Ahmadinia_001-420x315.jpg 420w, https:\/\/visualjournalism.de\/wp-content\/uploads\/2026\/01\/\u00a9_Armina_Ahmadinia_001-150x113.jpg 150w\" sizes=\"auto, (max-width: 350px) 100vw, 350px\" \/>\t\t<\/a>\r\n\t<\/figure><!-- .post__image -->\r\n\r\n<\/article>\r\n\r\n<article class=\"post-teaser post-67880 magazin type-magazin status-publish has-post-thumbnail hentry magazinkategorie-ausgezeichnet\">\r\n\t<header class=\"entry-header\">\r\n\r\n\t\t<div class=\"entry-categories\">\n\t<a class=\"post__tag\" href=\"https:\/\/visualjournalism.de\/magazin-kategorie\/ausgezeichnet\/\" rel=\"category tag\">Ausgezeichnet<\/a><\/div>\r\n\t\t<a href=\"https:\/\/visualjournalism.de\/en\/magazine\/ausgezeichnet\/jasper-hill-im-land-der-weissen-berge\/\" rel=\"bookmark\">\r\n\t\t\t<h2 class=\"entry-title\">Im Land der wei\u00dfen Berge.<\/h2>\r\n\t\t\t<p class=\"entry-excerpt\">Jasper Hill macht sichtbar, was ein Jahrhundert Kalibergbau hinterlassen hat. Zwischen Ern\u00e4hrungssicherheit und Umweltbelastung steht eine Industrie vor ihrem Wendepunkt.<\/p>\r\n\t\t<\/a>\r\n\r\n\t<\/header><!-- .entry-header -->\r\n\r\n\t<figure class=\"post__image\">\r\n\t\t<a href=\"https:\/\/visualjournalism.de\/en\/magazine\/ausgezeichnet\/jasper-hill-im-land-der-weissen-berge\/\" rel=\"bookmark\">\r\n\t\t\t<img loading=\"lazy\" decoding=\"async\" width=\"350\" height=\"280\" src=\"https:\/\/visualjournalism.de\/wp-content\/uploads\/2026\/01\/5JasperHill_ImLandderweissenBerge-6-350x280.jpeg\" class=\"attachment-post-image--two-column--small size-post-image--two-column--small\" alt=\"\" srcset=\"https:\/\/visualjournalism.de\/wp-content\/uploads\/2026\/01\/5JasperHill_ImLandderweissenBerge-6-350x280.jpeg 350w, https:\/\/visualjournalism.de\/wp-content\/uploads\/2026\/01\/5JasperHill_ImLandderweissenBerge-6-300x240.jpeg 300w, https:\/\/visualjournalism.de\/wp-content\/uploads\/2026\/01\/5JasperHill_ImLandderweissenBerge-6-1024x819.jpeg 1024w, https:\/\/visualjournalism.de\/wp-content\/uploads\/2026\/01\/5JasperHill_ImLandderweissenBerge-6-768x614.jpeg 768w, https:\/\/visualjournalism.de\/wp-content\/uploads\/2026\/01\/5JasperHill_ImLandderweissenBerge-6-1536x1229.jpeg 1536w, https:\/\/visualjournalism.de\/wp-content\/uploads\/2026\/01\/5JasperHill_ImLandderweissenBerge-6-2048x1638.jpeg 2048w, https:\/\/visualjournalism.de\/wp-content\/uploads\/2026\/01\/5JasperHill_ImLandderweissenBerge-6-1920x1536.jpeg 1920w, https:\/\/visualjournalism.de\/wp-content\/uploads\/2026\/01\/5JasperHill_ImLandderweissenBerge-6-1400x1120.jpeg 1400w, https:\/\/visualjournalism.de\/wp-content\/uploads\/2026\/01\/5JasperHill_ImLandderweissenBerge-6-1050x840.jpeg 1050w, https:\/\/visualjournalism.de\/wp-content\/uploads\/2026\/01\/5JasperHill_ImLandderweissenBerge-6-670x536.jpeg 670w, https:\/\/visualjournalism.de\/wp-content\/uploads\/2026\/01\/5JasperHill_ImLandderweissenBerge-6-420x336.jpeg 420w, https:\/\/visualjournalism.de\/wp-content\/uploads\/2026\/01\/5JasperHill_ImLandderweissenBerge-6-150x120.jpeg 150w\" sizes=\"auto, (max-width: 350px) 100vw, 350px\" \/>\t\t<\/a>\r\n\t<\/figure><!-- .post__image -->\r\n\r\n<\/article>\r\n\r\n<article class=\"post-teaser post-68111 magazin type-magazin status-publish has-post-thumbnail hentry magazinkategorie-ausgezeichnet\">\r\n\t<header class=\"entry-header\">\r\n\r\n\t\t<div class=\"entry-categories\">\n\t<a class=\"post__tag\" href=\"https:\/\/visualjournalism.de\/magazin-kategorie\/ausgezeichnet\/\" rel=\"category tag\">Ausgezeichnet<\/a><\/div>\r\n\t\t<a href=\"https:\/\/visualjournalism.de\/en\/magazine\/ausgezeichnet\/markus-heft-fuer-uns-getraeumt\/\" rel=\"bookmark\">\r\n\t\t\t<h2 class=\"entry-title\">F\u00fcr uns getr\u00e4umt.<\/h2>\r\n\t\t\t<p class=\"entry-excerpt\">Markus Heft portr\u00e4tiert \u00e4ltere queere Menschen in Deutschland. Seit 2022 entstehen kollaborativ intime Portraits, erg\u00e4nzt durch Stillleben und Orte. Das Projekt bewahrt queere Geschichte und macht doppelte Marginalisierung im Alter sichtbar.<\/p>\r\n\t\t<\/a>\r\n\r\n\t<\/header><!-- .entry-header -->\r\n\r\n\t<figure class=\"post__image\">\r\n\t\t<a href=\"https:\/\/visualjournalism.de\/en\/magazine\/ausgezeichnet\/markus-heft-fuer-uns-getraeumt\/\" rel=\"bookmark\">\r\n\t\t\t<img loading=\"lazy\" decoding=\"async\" width=\"350\" height=\"280\" src=\"https:\/\/visualjournalism.de\/wp-content\/uploads\/2026\/01\/Fuer-uns-getraeumt-6-350x280.jpg\" class=\"attachment-post-image--two-column--small size-post-image--two-column--small\" alt=\"\" srcset=\"https:\/\/visualjournalism.de\/wp-content\/uploads\/2026\/01\/Fuer-uns-getraeumt-6-350x280.jpg 350w, https:\/\/visualjournalism.de\/wp-content\/uploads\/2026\/01\/Fuer-uns-getraeumt-6-300x240.jpg 300w, https:\/\/visualjournalism.de\/wp-content\/uploads\/2026\/01\/Fuer-uns-getraeumt-6-1024x819.jpg 1024w, https:\/\/visualjournalism.de\/wp-content\/uploads\/2026\/01\/Fuer-uns-getraeumt-6-768x614.jpg 768w, https:\/\/visualjournalism.de\/wp-content\/uploads\/2026\/01\/Fuer-uns-getraeumt-6-1536x1229.jpg 1536w, https:\/\/visualjournalism.de\/wp-content\/uploads\/2026\/01\/Fuer-uns-getraeumt-6-2048x1638.jpg 2048w, https:\/\/visualjournalism.de\/wp-content\/uploads\/2026\/01\/Fuer-uns-getraeumt-6-1920x1536.jpg 1920w, https:\/\/visualjournalism.de\/wp-content\/uploads\/2026\/01\/Fuer-uns-getraeumt-6-1400x1120.jpg 1400w, https:\/\/visualjournalism.de\/wp-content\/uploads\/2026\/01\/Fuer-uns-getraeumt-6-1050x840.jpg 1050w, https:\/\/visualjournalism.de\/wp-content\/uploads\/2026\/01\/Fuer-uns-getraeumt-6-670x536.jpg 670w, https:\/\/visualjournalism.de\/wp-content\/uploads\/2026\/01\/Fuer-uns-getraeumt-6-420x336.jpg 420w, https:\/\/visualjournalism.de\/wp-content\/uploads\/2026\/01\/Fuer-uns-getraeumt-6-150x120.jpg 150w\" sizes=\"auto, (max-width: 350px) 100vw, 350px\" \/>\t\t<\/a>\r\n\t<\/figure><!-- .post__image -->\r\n\r\n<\/article>\r\n\n<\/div><!-- .2-columns-teaser-->\n\n    <\/div>\n","protected":false},"author":3,"featured_media":21772,"template":"","tags":[],"magazinkategorie":[163],"class_list":["post-21872","magazin","type-magazin","status-publish","has-post-thumbnail","hentry","magazinkategorie-final-projects"],"acf":[],"yoast_head":"<!-- This site is optimized with the Yoast SEO Premium plugin v27.3 (Yoast SEO v27.3) - https:\/\/yoast.com\/product\/yoast-seo-premium-wordpress\/ -->\n<title>Viola Maiwald Bachelor &#8211; Visual Journalism and Documentary Photography<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/visualjournalism.de\/en\/magazine\/final-projects\/viola-maiwald-bachelor\/\" \/>\n<meta property=\"og:locale\" content=\"en_US\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"Viola Maiwald Bachelor\" \/>\n<meta property=\"og:description\" content=\"In her bachelor thesis &#8220;Between the Layers&#8221; Viola Maiwald deals with natural gas production in Lower Saxony, the federal state with the most raw gas deposits in Germany. 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