{"id":21993,"date":"2023-06-08T12:31:10","date_gmt":"2023-06-08T12:31:10","guid":{"rendered":"https:\/\/visualjournalism.de\/?p=21993"},"modified":"2023-07-22T11:27:34","modified_gmt":"2023-07-22T11:27:34","slug":"amelie-sachs-bachelor","status":"publish","type":"magazin","link":"https:\/\/visualjournalism.de\/en\/magazine\/final-projects\/amelie-sachs-bachelor\/","title":{"rendered":"Amelie Sachs Bachelor"},"content":{"rendered":"\n \n\n    <div id=\"lead-in-block_e38e988bc57565efb8140e313f68d168\" class=\"block-lead-in typo--default font-size--xl has-spacing--m width--default\">\n        <h1>Thief of \u00a0Womanhood.<\/h1>\n<p>In her bachelor project, Amelie Sachs deals with polycystic ovary syndrome.<\/p>\n<div class=\"entry-meta\">\r\n    <span class=\"posted-on\"><a href=\"https:\/\/visualjournalism.de\/en\/magazine\/final-projects\/amelie-sachs-bachelor\/\" rel=\"bookmark\"><time class=\"entry-date published\" datetime=\"2023-06-08T12:31:10+02:00\">08.06.2023<\/time><\/a><\/span> <span class=\"meta-text\"> Fotos und Text: Amelie Sachs<\/span><\/div><!-- .entry-meta -->\r\n    <\/div>\n\n\n\n\n<div class=\"photo-block--slider splide has-spacing--xs\" data-splide='{\"arrows\":true, \"autoplay\":false}'>\n    <div class=\"splide__track\">\n        <div class=\"splide__list\">\n\n                \n\n                    <figure class=\"block-photo post__image--wide-left with-title splide__slide\">\n\n                        <div class=\"post__image__container\">\n                            <img loading=\"lazy\" decoding=\"async\"\n                                class=\"slide__image\"\n                                src=\"https:\/\/visualjournalism.de\/wp-content\/uploads\/Sachs-Amelie_Der-Dieb-der-Weiblichkeit_02-1-1050x1225.jpeg\" \n                                srcset=\"https:\/\/visualjournalism.de\/wp-content\/uploads\/Sachs-Amelie_Der-Dieb-der-Weiblichkeit_02-1-1050x1225.jpeg 1050w, https:\/\/visualjournalism.de\/wp-content\/uploads\/Sachs-Amelie_Der-Dieb-der-Weiblichkeit_02-1-257x300.jpeg 257w, https:\/\/visualjournalism.de\/wp-content\/uploads\/Sachs-Amelie_Der-Dieb-der-Weiblichkeit_02-1-878x1024.jpeg 878w, https:\/\/visualjournalism.de\/wp-content\/uploads\/Sachs-Amelie_Der-Dieb-der-Weiblichkeit_02-1-768x896.jpeg 768w, https:\/\/visualjournalism.de\/wp-content\/uploads\/Sachs-Amelie_Der-Dieb-der-Weiblichkeit_02-1-1316x1536.jpeg 1316w, https:\/\/visualjournalism.de\/wp-content\/uploads\/Sachs-Amelie_Der-Dieb-der-Weiblichkeit_02-1-1400x1634.jpeg 1400w, https:\/\/visualjournalism.de\/wp-content\/uploads\/Sachs-Amelie_Der-Dieb-der-Weiblichkeit_02-1-670x782.jpeg 670w, https:\/\/visualjournalism.de\/wp-content\/uploads\/Sachs-Amelie_Der-Dieb-der-Weiblichkeit_02-1-420x490.jpeg 420w, https:\/\/visualjournalism.de\/wp-content\/uploads\/Sachs-Amelie_Der-Dieb-der-Weiblichkeit_02-1-350x408.jpeg 350w, https:\/\/visualjournalism.de\/wp-content\/uploads\/Sachs-Amelie_Der-Dieb-der-Weiblichkeit_02-1-300x350.jpeg 300w, https:\/\/visualjournalism.de\/wp-content\/uploads\/Sachs-Amelie_Der-Dieb-der-Weiblichkeit_02-1-150x175.jpeg 150w, https:\/\/visualjournalism.de\/wp-content\/uploads\/Sachs-Amelie_Der-Dieb-der-Weiblichkeit_02-1.jpeg 1714w\" \n                                width=\"1050\"  \n                                height=\"1225\" \n                                alt=\"\"  \n                            \/>\n\n                                                            <span class=\"post__image__title\">Photo: Amelie Sachs<\/span>\n                            \n                        <\/div><!-- post__image__container -->\n\n                        \n                    <\/figure>\n                \n                        \n\n                    <figure class=\"block-photo post__image--wide-left with-title splide__slide\">\n\n                        <div class=\"post__image__container\">\n                            <img loading=\"lazy\" decoding=\"async\"\n                                class=\"slide__image\"\n                                src=\"https:\/\/visualjournalism.de\/wp-content\/uploads\/Sachs-Amelie_Der-Dieb-der-Weiblichkeit_01-1050x1225.jpeg\" \n                                srcset=\"https:\/\/visualjournalism.de\/wp-content\/uploads\/Sachs-Amelie_Der-Dieb-der-Weiblichkeit_01-1050x1225.jpeg 1050w, https:\/\/visualjournalism.de\/wp-content\/uploads\/Sachs-Amelie_Der-Dieb-der-Weiblichkeit_01-257x300.jpeg 257w, https:\/\/visualjournalism.de\/wp-content\/uploads\/Sachs-Amelie_Der-Dieb-der-Weiblichkeit_01-878x1024.jpeg 878w, https:\/\/visualjournalism.de\/wp-content\/uploads\/Sachs-Amelie_Der-Dieb-der-Weiblichkeit_01-768x896.jpeg 768w, https:\/\/visualjournalism.de\/wp-content\/uploads\/Sachs-Amelie_Der-Dieb-der-Weiblichkeit_01-1316x1536.jpeg 1316w, https:\/\/visualjournalism.de\/wp-content\/uploads\/Sachs-Amelie_Der-Dieb-der-Weiblichkeit_01-1400x1634.jpeg 1400w, https:\/\/visualjournalism.de\/wp-content\/uploads\/Sachs-Amelie_Der-Dieb-der-Weiblichkeit_01-670x782.jpeg 670w, https:\/\/visualjournalism.de\/wp-content\/uploads\/Sachs-Amelie_Der-Dieb-der-Weiblichkeit_01-420x490.jpeg 420w, https:\/\/visualjournalism.de\/wp-content\/uploads\/Sachs-Amelie_Der-Dieb-der-Weiblichkeit_01-350x408.jpeg 350w, https:\/\/visualjournalism.de\/wp-content\/uploads\/Sachs-Amelie_Der-Dieb-der-Weiblichkeit_01-300x350.jpeg 300w, https:\/\/visualjournalism.de\/wp-content\/uploads\/Sachs-Amelie_Der-Dieb-der-Weiblichkeit_01-150x175.jpeg 150w, https:\/\/visualjournalism.de\/wp-content\/uploads\/Sachs-Amelie_Der-Dieb-der-Weiblichkeit_01.jpeg 1714w\" \n                                width=\"1050\"  \n                                height=\"1225\" \n                                alt=\"\"  \n                            \/>\n\n                                                            <span class=\"post__image__title\">Object image of a gynecological chair from the Hygiene Museum in Dresden, estimated to be from the 1950s or 1960s.  \nThe ergonomics of examination chairs have evolved throughout medical history. In the beginning, the chairs were extremely uncomfortable and designed more for the purposes of the examining doctor, but today you can find various models with different adjustment options that offer a little more comfort for the patients.  \nPhoto: Amelie Sachs<\/span>\n                            \n                        <\/div><!-- post__image__container -->\n\n                        \n                    <\/figure>\n                \n                        \n\n                    <figure class=\"block-photo post__image--wide-left with-title splide__slide\">\n\n                        <div class=\"post__image__container\">\n                            <img loading=\"lazy\" decoding=\"async\"\n                                class=\"slide__image\"\n                                src=\"https:\/\/visualjournalism.de\/wp-content\/uploads\/Sachs-Amelie_Der-Dieb-der-Weiblichkeit_03-1050x1225.jpeg\" \n                                srcset=\"https:\/\/visualjournalism.de\/wp-content\/uploads\/Sachs-Amelie_Der-Dieb-der-Weiblichkeit_03-1050x1225.jpeg 1050w, https:\/\/visualjournalism.de\/wp-content\/uploads\/Sachs-Amelie_Der-Dieb-der-Weiblichkeit_03-257x300.jpeg 257w, https:\/\/visualjournalism.de\/wp-content\/uploads\/Sachs-Amelie_Der-Dieb-der-Weiblichkeit_03-878x1024.jpeg 878w, https:\/\/visualjournalism.de\/wp-content\/uploads\/Sachs-Amelie_Der-Dieb-der-Weiblichkeit_03-768x896.jpeg 768w, https:\/\/visualjournalism.de\/wp-content\/uploads\/Sachs-Amelie_Der-Dieb-der-Weiblichkeit_03-1316x1536.jpeg 1316w, https:\/\/visualjournalism.de\/wp-content\/uploads\/Sachs-Amelie_Der-Dieb-der-Weiblichkeit_03-1400x1634.jpeg 1400w, https:\/\/visualjournalism.de\/wp-content\/uploads\/Sachs-Amelie_Der-Dieb-der-Weiblichkeit_03-670x782.jpeg 670w, https:\/\/visualjournalism.de\/wp-content\/uploads\/Sachs-Amelie_Der-Dieb-der-Weiblichkeit_03-420x490.jpeg 420w, https:\/\/visualjournalism.de\/wp-content\/uploads\/Sachs-Amelie_Der-Dieb-der-Weiblichkeit_03-350x408.jpeg 350w, https:\/\/visualjournalism.de\/wp-content\/uploads\/Sachs-Amelie_Der-Dieb-der-Weiblichkeit_03-300x350.jpeg 300w, https:\/\/visualjournalism.de\/wp-content\/uploads\/Sachs-Amelie_Der-Dieb-der-Weiblichkeit_03-150x175.jpeg 150w, https:\/\/visualjournalism.de\/wp-content\/uploads\/Sachs-Amelie_Der-Dieb-der-Weiblichkeit_03.jpeg 1714w\" \n                                width=\"1050\"  \n                                height=\"1225\" \n                                alt=\"\"  \n                            \/>\n\n                                                            <span class=\"post__image__title\">Many sufferers feel uncomfortable in their bodies and try to find ways to relieve their symptoms. However, there is a lack of social acceptance and treatment methods for polycystic ovary syndrome.  \nPhoto: Amelie Sachs<\/span>\n                            \n                        <\/div><!-- post__image__container -->\n\n                        \n                    <\/figure>\n                \n                       \n\n        <\/div>\n    <\/div>\n    \n    \n        <div class=\"slider__navigation\">\n            <div class=\"slide__count\"><\/div>\n        <\/div><!-- .slider__navigation -->\n\n        <div class=\"splide__arrows gallery-slider__arrows\">\n\n            <button class=\"splide__arrow splide__arrow--prev gallery-slider__arrow\">\n                <svg xmlns=\"http:\/\/www.w3.org\/2000\/svg\" width=\"7\" height=\"11\" viewBox=\"0 0 7 11\" fill=\"none\">\n                <rect width=\"7.3498\" height=\"1.15101\" transform=\"matrix(-0.716725 -0.697356 -0.716725 0.697356 6.60693 10.1616)\"\/>\n                <rect width=\"7.70647\" height=\"1.15101\" transform=\"matrix(-0.716725 0.697356 0.716725 0.697356 6.02393 0.513184)\"\/>\n                <\/svg>\n            <\/button>\n\n            <button class=\"splide__arrow splide__arrow--next gallery-slider__arrow\">\n                <svg xmlns=\"http:\/\/www.w3.org\/2000\/svg\" width=\"7\" height=\"12\" viewBox=\"0 0 7 12\" fill=\"none\">\n                <rect width=\"7.34981\" height=\"1.15101\" transform=\"matrix(0.697355 -0.716726 0.697355 0.716726 0.80957 10.4229)\"\/>\n                <rect width=\"7.70648\" height=\"1.15101\" transform=\"matrix(0.697355 0.716726 -0.697355 0.716726 1.37695 0.506348)\"\/>\n                <\/svg>\n            <\/button>\n\n        <\/div><!-- .splide__arrows -->\n\n    \n<\/div><!-- .splide -->\n\n\n\n\n\n<p class=\"post__paragraph has-spacing--default\"><strong>Acne, hair loss, beard growth, obesity<\/strong>, painful cysts, menstruation stops. Polycystic ovary syndrome affects approximately 10% of all women* of childbearing age in Germany and can lead to infertility. In her work &#8220;Thief of \u00a0Womanhood&#8221;, Amelie Sachs, in collaboration with her protagonists, takes a personal and intimate look at the life experience of sufferers of this syndrome, which is largely ignored in research and by female specialists. In doing so, the photographer not only questions existing gender roles, but also criticizes the view of gynecology, which is still structurally male-dominated today.  <\/p>\n\n\n\n<p class=\"post__paragraph has-spacing--default\"><a href=\"http:\/\/www.ameliesachs.com\" target=\"_blank\" rel=\"noreferrer noopener\">Amelie Sachs<\/a>, born 1996 in Munich, works as a photo editor and documentary photographer. In her projects, she explores the possibilities of feminist rebellion against patriarchal structures and incorporates fictional elements into her documentary practice. The dialogical and participatory process of creating the images is an important component of her work.  <\/p>\n\n\n\n<div class=\"wp-block-group has-spacing--m has-spacing--default\">\n<div class=\"devider has-spacing--none\">\n    <hr>\n<\/div>\n\n\n    <nav id=\"section-navigation-block_3ee51e206f82364c0182dda996b6622d\" class=\"section-navigation has-spacing--m\">\n        <ul>\n\n                \n                    <li>Das k\u00f6nnte dich auch interessieren<\/li>\n                \n            \n            \n                        \n                        \n\n            \n            \n            \n                        \n                        \n\n            \n\n        <\/ul>\n        \n    <\/nav>\n\n\n\n<div class=\"four-columns-teaser has-spacing--m\">\n\n    \r\n<article class=\"post-teaser post-68217 magazin type-magazin status-publish has-post-thumbnail hentry magazinkategorie-ausgezeichnet\">\r\n\t<header class=\"entry-header\">\r\n\r\n\t\t<div class=\"entry-categories\">\n\t<a class=\"post__tag\" href=\"https:\/\/visualjournalism.de\/magazin-kategorie\/ausgezeichnet\/\" rel=\"category tag\">Ausgezeichnet<\/a><\/div>\r\n\t\t<a href=\"https:\/\/visualjournalism.de\/en\/magazine\/ausgezeichnet\/noemi-ehrat-the-abortion-plot\/\" rel=\"bookmark\">\r\n\t\t\t<h2 class=\"entry-title\">The Abortion Plot.<\/h2>\r\n\t\t\t<p class=\"entry-excerpt\">Noemi Ehrat zeigt Abtreibung als allt\u00e4gliche Praxis. Ihr Langzeitprojekt fragt nicht nach dem Warum, sondern nach dem Wie: sachlich, ruhig und jenseits politischer Schlagzeilen.<\/p>\r\n\t\t<\/a>\r\n\r\n\t<\/header><!-- .entry-header -->\r\n\r\n\t<figure class=\"post__image\">\r\n\t\t<a href=\"https:\/\/visualjournalism.de\/en\/magazine\/ausgezeichnet\/noemi-ehrat-the-abortion-plot\/\" rel=\"bookmark\">\r\n\t\t\t<img loading=\"lazy\" decoding=\"async\" width=\"350\" height=\"263\" src=\"https:\/\/visualjournalism.de\/wp-content\/uploads\/2025\/12\/NoemiEhratTheAbortionPlot9-350x263.jpeg\" class=\"attachment-post-image--two-column--small size-post-image--two-column--small\" alt=\"\" srcset=\"https:\/\/visualjournalism.de\/wp-content\/uploads\/2025\/12\/NoemiEhratTheAbortionPlot9-350x263.jpeg 350w, https:\/\/visualjournalism.de\/wp-content\/uploads\/2025\/12\/NoemiEhratTheAbortionPlot9-300x225.jpeg 300w, https:\/\/visualjournalism.de\/wp-content\/uploads\/2025\/12\/NoemiEhratTheAbortionPlot9-1024x768.jpeg 1024w, https:\/\/visualjournalism.de\/wp-content\/uploads\/2025\/12\/NoemiEhratTheAbortionPlot9-768x576.jpeg 768w, https:\/\/visualjournalism.de\/wp-content\/uploads\/2025\/12\/NoemiEhratTheAbortionPlot9-1536x1152.jpeg 1536w, https:\/\/visualjournalism.de\/wp-content\/uploads\/2025\/12\/NoemiEhratTheAbortionPlot9-2048x1536.jpeg 2048w, https:\/\/visualjournalism.de\/wp-content\/uploads\/2025\/12\/NoemiEhratTheAbortionPlot9-1920x1440.jpeg 1920w, https:\/\/visualjournalism.de\/wp-content\/uploads\/2025\/12\/NoemiEhratTheAbortionPlot9-1400x1050.jpeg 1400w, https:\/\/visualjournalism.de\/wp-content\/uploads\/2025\/12\/NoemiEhratTheAbortionPlot9-1050x788.jpeg 1050w, https:\/\/visualjournalism.de\/wp-content\/uploads\/2025\/12\/NoemiEhratTheAbortionPlot9-670x503.jpeg 670w, https:\/\/visualjournalism.de\/wp-content\/uploads\/2025\/12\/NoemiEhratTheAbortionPlot9-420x315.jpeg 420w, https:\/\/visualjournalism.de\/wp-content\/uploads\/2025\/12\/NoemiEhratTheAbortionPlot9-150x113.jpeg 150w\" sizes=\"auto, (max-width: 350px) 100vw, 350px\" \/>\t\t<\/a>\r\n\t<\/figure><!-- .post__image -->\r\n\r\n<\/article>\r\n\r\n<article class=\"post-teaser post-67572 magazin type-magazin status-publish has-post-thumbnail hentry magazinkategorie-ausgezeichnet\">\r\n\t<header class=\"entry-header\">\r\n\r\n\t\t<div class=\"entry-categories\">\n\t<a class=\"post__tag\" href=\"https:\/\/visualjournalism.de\/magazin-kategorie\/ausgezeichnet\/\" rel=\"category tag\">Ausgezeichnet<\/a><\/div>\r\n\t\t<a href=\"https:\/\/visualjournalism.de\/en\/magazine\/ausgezeichnet\/armina-ahmadinia-mein-haus-in-wolken-gehuellt\/\" rel=\"bookmark\">\r\n\t\t\t<h2 class=\"entry-title\">Mein Haus in Wolken geh\u00fcllt.<\/h2>\r\n\t\t\t<p class=\"entry-excerpt\">Armina Ahmadinia kehrt an das Kaspische Meer zur\u00fcck. Ihre Fotoarbeit erz\u00e4hlt vom R\u00fcckzug des Wassers, vom Verlust vertrauter Orte und von einer stillen Sehnsucht nach N\u00e4he und Heimat.<\/p>\r\n\t\t<\/a>\r\n\r\n\t<\/header><!-- .entry-header -->\r\n\r\n\t<figure class=\"post__image\">\r\n\t\t<a href=\"https:\/\/visualjournalism.de\/en\/magazine\/ausgezeichnet\/armina-ahmadinia-mein-haus-in-wolken-gehuellt\/\" rel=\"bookmark\">\r\n\t\t\t<img loading=\"lazy\" decoding=\"async\" width=\"350\" height=\"263\" src=\"https:\/\/visualjournalism.de\/wp-content\/uploads\/2026\/01\/\u00a9_Armina_Ahmadinia_001-350x263.jpg\" class=\"attachment-post-image--two-column--small size-post-image--two-column--small\" alt=\"\" srcset=\"https:\/\/visualjournalism.de\/wp-content\/uploads\/2026\/01\/\u00a9_Armina_Ahmadinia_001-350x263.jpg 350w, https:\/\/visualjournalism.de\/wp-content\/uploads\/2026\/01\/\u00a9_Armina_Ahmadinia_001-300x225.jpg 300w, https:\/\/visualjournalism.de\/wp-content\/uploads\/2026\/01\/\u00a9_Armina_Ahmadinia_001-1024x768.jpg 1024w, https:\/\/visualjournalism.de\/wp-content\/uploads\/2026\/01\/\u00a9_Armina_Ahmadinia_001-768x576.jpg 768w, https:\/\/visualjournalism.de\/wp-content\/uploads\/2026\/01\/\u00a9_Armina_Ahmadinia_001-1536x1152.jpg 1536w, https:\/\/visualjournalism.de\/wp-content\/uploads\/2026\/01\/\u00a9_Armina_Ahmadinia_001-2048x1536.jpg 2048w, https:\/\/visualjournalism.de\/wp-content\/uploads\/2026\/01\/\u00a9_Armina_Ahmadinia_001-1920x1440.jpg 1920w, https:\/\/visualjournalism.de\/wp-content\/uploads\/2026\/01\/\u00a9_Armina_Ahmadinia_001-1400x1050.jpg 1400w, https:\/\/visualjournalism.de\/wp-content\/uploads\/2026\/01\/\u00a9_Armina_Ahmadinia_001-1050x788.jpg 1050w, https:\/\/visualjournalism.de\/wp-content\/uploads\/2026\/01\/\u00a9_Armina_Ahmadinia_001-670x503.jpg 670w, https:\/\/visualjournalism.de\/wp-content\/uploads\/2026\/01\/\u00a9_Armina_Ahmadinia_001-420x315.jpg 420w, https:\/\/visualjournalism.de\/wp-content\/uploads\/2026\/01\/\u00a9_Armina_Ahmadinia_001-150x113.jpg 150w\" sizes=\"auto, (max-width: 350px) 100vw, 350px\" \/>\t\t<\/a>\r\n\t<\/figure><!-- .post__image -->\r\n\r\n<\/article>\r\n\r\n<article class=\"post-teaser post-67880 magazin type-magazin status-publish has-post-thumbnail hentry magazinkategorie-ausgezeichnet\">\r\n\t<header class=\"entry-header\">\r\n\r\n\t\t<div class=\"entry-categories\">\n\t<a class=\"post__tag\" href=\"https:\/\/visualjournalism.de\/magazin-kategorie\/ausgezeichnet\/\" rel=\"category tag\">Ausgezeichnet<\/a><\/div>\r\n\t\t<a href=\"https:\/\/visualjournalism.de\/en\/magazine\/ausgezeichnet\/jasper-hill-im-land-der-weissen-berge\/\" rel=\"bookmark\">\r\n\t\t\t<h2 class=\"entry-title\">Im Land der wei\u00dfen Berge.<\/h2>\r\n\t\t\t<p class=\"entry-excerpt\">Jasper Hill macht sichtbar, was ein Jahrhundert Kalibergbau hinterlassen hat. Zwischen Ern\u00e4hrungssicherheit und Umweltbelastung steht eine Industrie vor ihrem Wendepunkt.<\/p>\r\n\t\t<\/a>\r\n\r\n\t<\/header><!-- .entry-header -->\r\n\r\n\t<figure class=\"post__image\">\r\n\t\t<a href=\"https:\/\/visualjournalism.de\/en\/magazine\/ausgezeichnet\/jasper-hill-im-land-der-weissen-berge\/\" rel=\"bookmark\">\r\n\t\t\t<img loading=\"lazy\" decoding=\"async\" width=\"350\" height=\"280\" src=\"https:\/\/visualjournalism.de\/wp-content\/uploads\/2026\/01\/5JasperHill_ImLandderweissenBerge-6-350x280.jpeg\" class=\"attachment-post-image--two-column--small size-post-image--two-column--small\" alt=\"\" srcset=\"https:\/\/visualjournalism.de\/wp-content\/uploads\/2026\/01\/5JasperHill_ImLandderweissenBerge-6-350x280.jpeg 350w, https:\/\/visualjournalism.de\/wp-content\/uploads\/2026\/01\/5JasperHill_ImLandderweissenBerge-6-300x240.jpeg 300w, https:\/\/visualjournalism.de\/wp-content\/uploads\/2026\/01\/5JasperHill_ImLandderweissenBerge-6-1024x819.jpeg 1024w, https:\/\/visualjournalism.de\/wp-content\/uploads\/2026\/01\/5JasperHill_ImLandderweissenBerge-6-768x614.jpeg 768w, https:\/\/visualjournalism.de\/wp-content\/uploads\/2026\/01\/5JasperHill_ImLandderweissenBerge-6-1536x1229.jpeg 1536w, https:\/\/visualjournalism.de\/wp-content\/uploads\/2026\/01\/5JasperHill_ImLandderweissenBerge-6-2048x1638.jpeg 2048w, https:\/\/visualjournalism.de\/wp-content\/uploads\/2026\/01\/5JasperHill_ImLandderweissenBerge-6-1920x1536.jpeg 1920w, https:\/\/visualjournalism.de\/wp-content\/uploads\/2026\/01\/5JasperHill_ImLandderweissenBerge-6-1400x1120.jpeg 1400w, https:\/\/visualjournalism.de\/wp-content\/uploads\/2026\/01\/5JasperHill_ImLandderweissenBerge-6-1050x840.jpeg 1050w, https:\/\/visualjournalism.de\/wp-content\/uploads\/2026\/01\/5JasperHill_ImLandderweissenBerge-6-670x536.jpeg 670w, https:\/\/visualjournalism.de\/wp-content\/uploads\/2026\/01\/5JasperHill_ImLandderweissenBerge-6-420x336.jpeg 420w, https:\/\/visualjournalism.de\/wp-content\/uploads\/2026\/01\/5JasperHill_ImLandderweissenBerge-6-150x120.jpeg 150w\" sizes=\"auto, (max-width: 350px) 100vw, 350px\" \/>\t\t<\/a>\r\n\t<\/figure><!-- .post__image -->\r\n\r\n<\/article>\r\n\r\n<article class=\"post-teaser post-68111 magazin type-magazin status-publish has-post-thumbnail hentry magazinkategorie-ausgezeichnet\">\r\n\t<header class=\"entry-header\">\r\n\r\n\t\t<div class=\"entry-categories\">\n\t<a class=\"post__tag\" href=\"https:\/\/visualjournalism.de\/magazin-kategorie\/ausgezeichnet\/\" rel=\"category tag\">Ausgezeichnet<\/a><\/div>\r\n\t\t<a href=\"https:\/\/visualjournalism.de\/en\/magazine\/ausgezeichnet\/markus-heft-fuer-uns-getraeumt\/\" rel=\"bookmark\">\r\n\t\t\t<h2 class=\"entry-title\">F\u00fcr uns getr\u00e4umt.<\/h2>\r\n\t\t\t<p class=\"entry-excerpt\">Markus Heft portr\u00e4tiert \u00e4ltere queere Menschen in Deutschland. Seit 2022 entstehen kollaborativ intime Portraits, erg\u00e4nzt durch Stillleben und Orte. Das Projekt bewahrt queere Geschichte und macht doppelte Marginalisierung im Alter sichtbar.<\/p>\r\n\t\t<\/a>\r\n\r\n\t<\/header><!-- .entry-header -->\r\n\r\n\t<figure class=\"post__image\">\r\n\t\t<a href=\"https:\/\/visualjournalism.de\/en\/magazine\/ausgezeichnet\/markus-heft-fuer-uns-getraeumt\/\" rel=\"bookmark\">\r\n\t\t\t<img loading=\"lazy\" decoding=\"async\" width=\"350\" height=\"280\" src=\"https:\/\/visualjournalism.de\/wp-content\/uploads\/2026\/01\/Fuer-uns-getraeumt-6-350x280.jpg\" class=\"attachment-post-image--two-column--small size-post-image--two-column--small\" alt=\"\" srcset=\"https:\/\/visualjournalism.de\/wp-content\/uploads\/2026\/01\/Fuer-uns-getraeumt-6-350x280.jpg 350w, https:\/\/visualjournalism.de\/wp-content\/uploads\/2026\/01\/Fuer-uns-getraeumt-6-300x240.jpg 300w, https:\/\/visualjournalism.de\/wp-content\/uploads\/2026\/01\/Fuer-uns-getraeumt-6-1024x819.jpg 1024w, https:\/\/visualjournalism.de\/wp-content\/uploads\/2026\/01\/Fuer-uns-getraeumt-6-768x614.jpg 768w, https:\/\/visualjournalism.de\/wp-content\/uploads\/2026\/01\/Fuer-uns-getraeumt-6-1536x1229.jpg 1536w, https:\/\/visualjournalism.de\/wp-content\/uploads\/2026\/01\/Fuer-uns-getraeumt-6-2048x1638.jpg 2048w, https:\/\/visualjournalism.de\/wp-content\/uploads\/2026\/01\/Fuer-uns-getraeumt-6-1920x1536.jpg 1920w, https:\/\/visualjournalism.de\/wp-content\/uploads\/2026\/01\/Fuer-uns-getraeumt-6-1400x1120.jpg 1400w, https:\/\/visualjournalism.de\/wp-content\/uploads\/2026\/01\/Fuer-uns-getraeumt-6-1050x840.jpg 1050w, https:\/\/visualjournalism.de\/wp-content\/uploads\/2026\/01\/Fuer-uns-getraeumt-6-670x536.jpg 670w, https:\/\/visualjournalism.de\/wp-content\/uploads\/2026\/01\/Fuer-uns-getraeumt-6-420x336.jpg 420w, https:\/\/visualjournalism.de\/wp-content\/uploads\/2026\/01\/Fuer-uns-getraeumt-6-150x120.jpg 150w\" sizes=\"auto, (max-width: 350px) 100vw, 350px\" \/>\t\t<\/a>\r\n\t<\/figure><!-- .post__image -->\r\n\r\n<\/article>\r\n\n<\/div><!-- .2-columns-teaser-->\n\n    <\/div>\n","protected":false},"author":3,"featured_media":21410,"template":"","tags":[],"magazinkategorie":[163],"class_list":["post-21993","magazin","type-magazin","status-publish","has-post-thumbnail","hentry","magazinkategorie-final-projects"],"acf":[],"yoast_head":"<!-- This site is optimized with the Yoast SEO Premium plugin v27.3 (Yoast SEO v27.3) - https:\/\/yoast.com\/product\/yoast-seo-premium-wordpress\/ -->\n<title>Amelie Sachs Bachelor &#8211; Visual Journalism and Documentary Photography<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/visualjournalism.de\/en\/magazine\/final-projects\/amelie-sachs-bachelor\/\" \/>\n<meta property=\"og:locale\" content=\"en_US\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"Amelie Sachs Bachelor\" \/>\n<meta property=\"og:description\" content=\"Acne, hair loss, beard growth, obesity, painful cysts, menstruation stops. Polycystic ovary syndrome affects approximately 10% of all women* of childbearing age in Germany and can lead to infertility. 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