{"id":22819,"date":"2023-06-30T15:04:32","date_gmt":"2023-06-30T15:04:32","guid":{"rendered":"https:\/\/visualjournalism.de\/?p=22819"},"modified":"2023-07-19T13:40:31","modified_gmt":"2023-07-19T13:40:31","slug":"elias-holzknecht-bachelor","status":"publish","type":"magazin","link":"https:\/\/visualjournalism.de\/en\/magazine\/final-projects\/elias-holzknecht-bachelor\/","title":{"rendered":"Elias Holzknecht Bachelor"},"content":{"rendered":"\n \n\n    <div id=\"lead-in-block_63d0e0f49720e38a989b1f10d2fc6acb\" class=\"block-lead-in typo--default font-size--xl has-spacing--m width--default\">\n        <p><strong>Encyclopedia of Potential Truth.  <\/strong>Elias Holzknecht&#8217;s thesis examines historical narratives and their construction.<\/p>\n<div class=\"entry-meta\">\r\n    <span class=\"posted-on\"><a href=\"https:\/\/visualjournalism.de\/en\/magazine\/final-projects\/elias-holzknecht-bachelor\/\" rel=\"bookmark\"><time class=\"entry-date published\" datetime=\"2023-06-30T15:04:32+02:00\">30.06.2023<\/time><\/a><\/span> <span class=\"meta-text\"> Fotos und Text: Elias Holzknecht<\/span><\/div><!-- .entry-meta -->\r\n    <\/div>\n\n\n<div class=\"photo-block--slider splide has-spacing--m\" data-splide='{\"arrows\":true, \"autoplay\":false}'>\n    <div class=\"splide__track\">\n        <div class=\"splide__list\">\n\n                \n\n                    <figure class=\"block-photo post__image--wide-left with-title splide__slide\">\n\n                        <div class=\"post__image__container\">\n                            <img loading=\"lazy\" decoding=\"async\"\n                                class=\"slide__image\"\n                                src=\"https:\/\/visualjournalism.de\/wp-content\/uploads\/holzknecht-elias-2305-EncyclopediaofPotentialTruth-4222-1-1050x788.jpg\" \n                                srcset=\"https:\/\/visualjournalism.de\/wp-content\/uploads\/holzknecht-elias-2305-EncyclopediaofPotentialTruth-4222-1-1050x788.jpg 1050w, https:\/\/visualjournalism.de\/wp-content\/uploads\/holzknecht-elias-2305-EncyclopediaofPotentialTruth-4222-1-300x225.jpg 300w, https:\/\/visualjournalism.de\/wp-content\/uploads\/holzknecht-elias-2305-EncyclopediaofPotentialTruth-4222-1-1024x768.jpg 1024w, https:\/\/visualjournalism.de\/wp-content\/uploads\/holzknecht-elias-2305-EncyclopediaofPotentialTruth-4222-1-768x576.jpg 768w, https:\/\/visualjournalism.de\/wp-content\/uploads\/holzknecht-elias-2305-EncyclopediaofPotentialTruth-4222-1-1536x1152.jpg 1536w, https:\/\/visualjournalism.de\/wp-content\/uploads\/holzknecht-elias-2305-EncyclopediaofPotentialTruth-4222-1-1400x1050.jpg 1400w, https:\/\/visualjournalism.de\/wp-content\/uploads\/holzknecht-elias-2305-EncyclopediaofPotentialTruth-4222-1-670x503.jpg 670w, https:\/\/visualjournalism.de\/wp-content\/uploads\/holzknecht-elias-2305-EncyclopediaofPotentialTruth-4222-1-420x315.jpg 420w, https:\/\/visualjournalism.de\/wp-content\/uploads\/holzknecht-elias-2305-EncyclopediaofPotentialTruth-4222-1-350x263.jpg 350w, https:\/\/visualjournalism.de\/wp-content\/uploads\/holzknecht-elias-2305-EncyclopediaofPotentialTruth-4222-1-150x113.jpg 150w, https:\/\/visualjournalism.de\/wp-content\/uploads\/holzknecht-elias-2305-EncyclopediaofPotentialTruth-4222-1.jpg 1600w\" \n                                width=\"1050\"  \n                                height=\"788\" \n                                alt=\"\"  \n                            \/>\n\n                                                            <span class=\"post__image__title\">The two brothers Heinz and Lutz Heck wanted to breed back the already extinct &quot;aurochs&quot;. Before and during the Second World War, the breeding program took place. Cave paintings have served the two brothers as a template. Hermann G\u00f6ring supported the project and wanted to &quot;resurrect&quot; the &quot;aurochs&quot; and release it into the wild to hunt it later. The Second World War survived 39 animals. Photo: Elias Holzknecht<\/span>\n                            \n                        <\/div><!-- post__image__container -->\n\n                        \n                    <\/figure>\n                \n                        \n\n                    <figure class=\"block-photo post__image--wide-left with-title splide__slide\">\n\n                        <div class=\"post__image__container\">\n                            <img loading=\"lazy\" decoding=\"async\"\n                                class=\"slide__image\"\n                                src=\"https:\/\/visualjournalism.de\/wp-content\/uploads\/holzknecht-elias-2305-EncyclopediaofPotentialTruth-1805-1-1050x788.jpg\" \n                                srcset=\"https:\/\/visualjournalism.de\/wp-content\/uploads\/holzknecht-elias-2305-EncyclopediaofPotentialTruth-1805-1-1050x788.jpg 1050w, https:\/\/visualjournalism.de\/wp-content\/uploads\/holzknecht-elias-2305-EncyclopediaofPotentialTruth-1805-1-300x225.jpg 300w, https:\/\/visualjournalism.de\/wp-content\/uploads\/holzknecht-elias-2305-EncyclopediaofPotentialTruth-1805-1-1024x768.jpg 1024w, https:\/\/visualjournalism.de\/wp-content\/uploads\/holzknecht-elias-2305-EncyclopediaofPotentialTruth-1805-1-768x576.jpg 768w, https:\/\/visualjournalism.de\/wp-content\/uploads\/holzknecht-elias-2305-EncyclopediaofPotentialTruth-1805-1-1536x1152.jpg 1536w, https:\/\/visualjournalism.de\/wp-content\/uploads\/holzknecht-elias-2305-EncyclopediaofPotentialTruth-1805-1-1400x1050.jpg 1400w, https:\/\/visualjournalism.de\/wp-content\/uploads\/holzknecht-elias-2305-EncyclopediaofPotentialTruth-1805-1-670x503.jpg 670w, https:\/\/visualjournalism.de\/wp-content\/uploads\/holzknecht-elias-2305-EncyclopediaofPotentialTruth-1805-1-420x315.jpg 420w, https:\/\/visualjournalism.de\/wp-content\/uploads\/holzknecht-elias-2305-EncyclopediaofPotentialTruth-1805-1-350x263.jpg 350w, https:\/\/visualjournalism.de\/wp-content\/uploads\/holzknecht-elias-2305-EncyclopediaofPotentialTruth-1805-1-150x113.jpg 150w, https:\/\/visualjournalism.de\/wp-content\/uploads\/holzknecht-elias-2305-EncyclopediaofPotentialTruth-1805-1.jpg 1600w\" \n                                width=\"1050\"  \n                                height=\"788\" \n                                alt=\"\"  \n                            \/>\n\n                                                            <span class=\"post__image__title\">The caves of Lascaux were discovered by the dog Robot in September 1940. In 1964 the caves were closed. Since then, four replicas have been built. Photo: Elias Holzknecht<\/span>\n                            \n                        <\/div><!-- post__image__container -->\n\n                        \n                    <\/figure>\n                \n                        \n\n                    <figure class=\"block-photo post__image--wide-left with-title splide__slide\">\n\n                        <div class=\"post__image__container\">\n                            <img loading=\"lazy\" decoding=\"async\"\n                                class=\"slide__image\"\n                                src=\"https:\/\/visualjournalism.de\/wp-content\/uploads\/holzknecht-elias-2305-EncyclopediaofPotentialTruth-0062-1050x788.jpg\" \n                                srcset=\"https:\/\/visualjournalism.de\/wp-content\/uploads\/holzknecht-elias-2305-EncyclopediaofPotentialTruth-0062-1050x788.jpg 1050w, https:\/\/visualjournalism.de\/wp-content\/uploads\/holzknecht-elias-2305-EncyclopediaofPotentialTruth-0062-300x225.jpg 300w, https:\/\/visualjournalism.de\/wp-content\/uploads\/holzknecht-elias-2305-EncyclopediaofPotentialTruth-0062-1024x768.jpg 1024w, https:\/\/visualjournalism.de\/wp-content\/uploads\/holzknecht-elias-2305-EncyclopediaofPotentialTruth-0062-768x576.jpg 768w, https:\/\/visualjournalism.de\/wp-content\/uploads\/holzknecht-elias-2305-EncyclopediaofPotentialTruth-0062-1536x1152.jpg 1536w, https:\/\/visualjournalism.de\/wp-content\/uploads\/holzknecht-elias-2305-EncyclopediaofPotentialTruth-0062-1400x1050.jpg 1400w, https:\/\/visualjournalism.de\/wp-content\/uploads\/holzknecht-elias-2305-EncyclopediaofPotentialTruth-0062-670x503.jpg 670w, https:\/\/visualjournalism.de\/wp-content\/uploads\/holzknecht-elias-2305-EncyclopediaofPotentialTruth-0062-420x315.jpg 420w, https:\/\/visualjournalism.de\/wp-content\/uploads\/holzknecht-elias-2305-EncyclopediaofPotentialTruth-0062-350x263.jpg 350w, https:\/\/visualjournalism.de\/wp-content\/uploads\/holzknecht-elias-2305-EncyclopediaofPotentialTruth-0062-150x113.jpg 150w, https:\/\/visualjournalism.de\/wp-content\/uploads\/holzknecht-elias-2305-EncyclopediaofPotentialTruth-0062.jpg 1600w\" \n                                width=\"1050\"  \n                                height=\"788\" \n                                alt=\"\"  \n                            \/>\n\n                                                            <span class=\"post__image__title\">A birdwatcher from the Netherlands is on the lookout for rare birds.\n\nWerner Heisenberg had the idea of wave-particle duality on the island of Helgoland. These thoughts were an important part for the development of quantum physics. Photo: Elias Holzknecht<\/span>\n                            \n                        <\/div><!-- post__image__container -->\n\n                        \n                    <\/figure>\n                \n                       \n\n        <\/div>\n    <\/div>\n    \n    \n        <div class=\"slider__navigation\">\n            <div class=\"slide__count\"><\/div>\n        <\/div><!-- .slider__navigation -->\n\n        <div class=\"splide__arrows gallery-slider__arrows\">\n\n            <button class=\"splide__arrow splide__arrow--prev gallery-slider__arrow\">\n                <svg xmlns=\"http:\/\/www.w3.org\/2000\/svg\" width=\"7\" height=\"11\" viewBox=\"0 0 7 11\" fill=\"none\">\n                <rect width=\"7.3498\" height=\"1.15101\" transform=\"matrix(-0.716725 -0.697356 -0.716725 0.697356 6.60693 10.1616)\"\/>\n                <rect width=\"7.70647\" height=\"1.15101\" transform=\"matrix(-0.716725 0.697356 0.716725 0.697356 6.02393 0.513184)\"\/>\n                <\/svg>\n            <\/button>\n\n            <button class=\"splide__arrow splide__arrow--next gallery-slider__arrow\">\n                <svg xmlns=\"http:\/\/www.w3.org\/2000\/svg\" width=\"7\" height=\"12\" viewBox=\"0 0 7 12\" fill=\"none\">\n                <rect width=\"7.34981\" height=\"1.15101\" transform=\"matrix(0.697355 -0.716726 0.697355 0.716726 0.80957 10.4229)\"\/>\n                <rect width=\"7.70648\" height=\"1.15101\" transform=\"matrix(0.697355 0.716726 -0.697355 0.716726 1.37695 0.506348)\"\/>\n                <\/svg>\n            <\/button>\n\n        <\/div><!-- .splide__arrows -->\n\n    \n<\/div><!-- .splide -->\n\n\n\n<p class=\"post__paragraph has-spacing--default\"><strong>Encyclopedia of Potential Truth&#8221; is about the world.<\/strong> About the skin of elephants, cave paintings, the hilly landscape of Helgoland, a bombed monastery in Italy, about the philosopher Ludwig Wittgenstein, the murder that ushered in the 21st century and the observational tools of quantum physics. Elias Holzknecht&#8217;s book project is a photographic exploration of history(s) and its narrative construction. It is an attempt to think in and with images, because with the medium of photography truth-producing processes are illuminated and reflected &#8211; historical as well as contemporary.  <br\/><br\/><a href=\"http:\/\/www.eliasholzknecht.at\/\" target=\"_blank\" rel=\"noreferrer noopener\">Elias Holzknecht <\/a>(1993) grew up in Tyrol and currently lives in Graz, Austria. Since 2017 he has been studying &#8220;Photojournalism and Documentary Photography&#8221; in Hanover &#8211; in 2020\/21 he spent two semesters abroad at the KASK in Ghent, Belgium. He is a founding member of the Fotograf:innen community &#8220;What&#8217;s left of Photography&#8221;.  <\/p>\n\n<div class=\"wp-block-group has-spacing--m has-spacing--default\">\n<div class=\"devider has-spacing--none\">\n    <hr>\n<\/div>\n\n\n    <nav id=\"section-navigation-block_62ba6acf35a19d65c5c68d5daf3ac90a\" class=\"section-navigation has-spacing--m\">\n        <ul>\n\n                \n                    <li>Das k\u00f6nnte dich auch interessieren<\/li>\n                \n            \n            \n                        \n                        \n\n            \n            \n            \n                        \n                        \n\n            \n\n        <\/ul>\n        \n    <\/nav>\n\n\n\n<div class=\"four-columns-teaser has-spacing--m\">\n\n    \r\n<article class=\"post-teaser post-68217 magazin type-magazin status-publish has-post-thumbnail hentry magazinkategorie-ausgezeichnet\">\r\n\t<header class=\"entry-header\">\r\n\r\n\t\t<div class=\"entry-categories\">\n\t<a class=\"post__tag\" href=\"https:\/\/visualjournalism.de\/magazin-kategorie\/ausgezeichnet\/\" rel=\"category tag\">Ausgezeichnet<\/a><\/div>\r\n\t\t<a href=\"https:\/\/visualjournalism.de\/en\/magazine\/ausgezeichnet\/noemi-ehrat-the-abortion-plot\/\" rel=\"bookmark\">\r\n\t\t\t<h2 class=\"entry-title\">The Abortion Plot.<\/h2>\r\n\t\t\t<p class=\"entry-excerpt\">Noemi Ehrat zeigt Abtreibung als allt\u00e4gliche Praxis. Ihr Langzeitprojekt fragt nicht nach dem Warum, sondern nach dem Wie: sachlich, ruhig und jenseits politischer Schlagzeilen.<\/p>\r\n\t\t<\/a>\r\n\r\n\t<\/header><!-- .entry-header -->\r\n\r\n\t<figure class=\"post__image\">\r\n\t\t<a href=\"https:\/\/visualjournalism.de\/en\/magazine\/ausgezeichnet\/noemi-ehrat-the-abortion-plot\/\" rel=\"bookmark\">\r\n\t\t\t<img loading=\"lazy\" decoding=\"async\" width=\"350\" height=\"263\" src=\"https:\/\/visualjournalism.de\/wp-content\/uploads\/2025\/12\/NoemiEhratTheAbortionPlot9-350x263.jpeg\" class=\"attachment-post-image--two-column--small size-post-image--two-column--small\" alt=\"\" srcset=\"https:\/\/visualjournalism.de\/wp-content\/uploads\/2025\/12\/NoemiEhratTheAbortionPlot9-350x263.jpeg 350w, https:\/\/visualjournalism.de\/wp-content\/uploads\/2025\/12\/NoemiEhratTheAbortionPlot9-300x225.jpeg 300w, https:\/\/visualjournalism.de\/wp-content\/uploads\/2025\/12\/NoemiEhratTheAbortionPlot9-1024x768.jpeg 1024w, https:\/\/visualjournalism.de\/wp-content\/uploads\/2025\/12\/NoemiEhratTheAbortionPlot9-768x576.jpeg 768w, https:\/\/visualjournalism.de\/wp-content\/uploads\/2025\/12\/NoemiEhratTheAbortionPlot9-1536x1152.jpeg 1536w, https:\/\/visualjournalism.de\/wp-content\/uploads\/2025\/12\/NoemiEhratTheAbortionPlot9-2048x1536.jpeg 2048w, https:\/\/visualjournalism.de\/wp-content\/uploads\/2025\/12\/NoemiEhratTheAbortionPlot9-1920x1440.jpeg 1920w, https:\/\/visualjournalism.de\/wp-content\/uploads\/2025\/12\/NoemiEhratTheAbortionPlot9-1400x1050.jpeg 1400w, https:\/\/visualjournalism.de\/wp-content\/uploads\/2025\/12\/NoemiEhratTheAbortionPlot9-1050x788.jpeg 1050w, https:\/\/visualjournalism.de\/wp-content\/uploads\/2025\/12\/NoemiEhratTheAbortionPlot9-670x503.jpeg 670w, https:\/\/visualjournalism.de\/wp-content\/uploads\/2025\/12\/NoemiEhratTheAbortionPlot9-420x315.jpeg 420w, https:\/\/visualjournalism.de\/wp-content\/uploads\/2025\/12\/NoemiEhratTheAbortionPlot9-150x113.jpeg 150w\" sizes=\"auto, (max-width: 350px) 100vw, 350px\" \/>\t\t<\/a>\r\n\t<\/figure><!-- .post__image -->\r\n\r\n<\/article>\r\n\r\n<article class=\"post-teaser post-67572 magazin type-magazin status-publish has-post-thumbnail hentry magazinkategorie-ausgezeichnet\">\r\n\t<header class=\"entry-header\">\r\n\r\n\t\t<div class=\"entry-categories\">\n\t<a class=\"post__tag\" href=\"https:\/\/visualjournalism.de\/magazin-kategorie\/ausgezeichnet\/\" rel=\"category tag\">Ausgezeichnet<\/a><\/div>\r\n\t\t<a href=\"https:\/\/visualjournalism.de\/en\/magazine\/ausgezeichnet\/armina-ahmadinia-mein-haus-in-wolken-gehuellt\/\" rel=\"bookmark\">\r\n\t\t\t<h2 class=\"entry-title\">Mein Haus in Wolken geh\u00fcllt.<\/h2>\r\n\t\t\t<p class=\"entry-excerpt\">Armina Ahmadinia kehrt an das Kaspische Meer zur\u00fcck. Ihre Fotoarbeit erz\u00e4hlt vom R\u00fcckzug des Wassers, vom Verlust vertrauter Orte und von einer stillen Sehnsucht nach N\u00e4he und Heimat.<\/p>\r\n\t\t<\/a>\r\n\r\n\t<\/header><!-- .entry-header -->\r\n\r\n\t<figure class=\"post__image\">\r\n\t\t<a href=\"https:\/\/visualjournalism.de\/en\/magazine\/ausgezeichnet\/armina-ahmadinia-mein-haus-in-wolken-gehuellt\/\" rel=\"bookmark\">\r\n\t\t\t<img loading=\"lazy\" decoding=\"async\" width=\"350\" height=\"263\" src=\"https:\/\/visualjournalism.de\/wp-content\/uploads\/2026\/01\/\u00a9_Armina_Ahmadinia_001-350x263.jpg\" class=\"attachment-post-image--two-column--small size-post-image--two-column--small\" alt=\"\" srcset=\"https:\/\/visualjournalism.de\/wp-content\/uploads\/2026\/01\/\u00a9_Armina_Ahmadinia_001-350x263.jpg 350w, https:\/\/visualjournalism.de\/wp-content\/uploads\/2026\/01\/\u00a9_Armina_Ahmadinia_001-300x225.jpg 300w, https:\/\/visualjournalism.de\/wp-content\/uploads\/2026\/01\/\u00a9_Armina_Ahmadinia_001-1024x768.jpg 1024w, https:\/\/visualjournalism.de\/wp-content\/uploads\/2026\/01\/\u00a9_Armina_Ahmadinia_001-768x576.jpg 768w, https:\/\/visualjournalism.de\/wp-content\/uploads\/2026\/01\/\u00a9_Armina_Ahmadinia_001-1536x1152.jpg 1536w, https:\/\/visualjournalism.de\/wp-content\/uploads\/2026\/01\/\u00a9_Armina_Ahmadinia_001-2048x1536.jpg 2048w, https:\/\/visualjournalism.de\/wp-content\/uploads\/2026\/01\/\u00a9_Armina_Ahmadinia_001-1920x1440.jpg 1920w, https:\/\/visualjournalism.de\/wp-content\/uploads\/2026\/01\/\u00a9_Armina_Ahmadinia_001-1400x1050.jpg 1400w, https:\/\/visualjournalism.de\/wp-content\/uploads\/2026\/01\/\u00a9_Armina_Ahmadinia_001-1050x788.jpg 1050w, https:\/\/visualjournalism.de\/wp-content\/uploads\/2026\/01\/\u00a9_Armina_Ahmadinia_001-670x503.jpg 670w, https:\/\/visualjournalism.de\/wp-content\/uploads\/2026\/01\/\u00a9_Armina_Ahmadinia_001-420x315.jpg 420w, https:\/\/visualjournalism.de\/wp-content\/uploads\/2026\/01\/\u00a9_Armina_Ahmadinia_001-150x113.jpg 150w\" sizes=\"auto, (max-width: 350px) 100vw, 350px\" \/>\t\t<\/a>\r\n\t<\/figure><!-- .post__image -->\r\n\r\n<\/article>\r\n\r\n<article class=\"post-teaser post-67880 magazin type-magazin status-publish has-post-thumbnail hentry magazinkategorie-ausgezeichnet\">\r\n\t<header class=\"entry-header\">\r\n\r\n\t\t<div class=\"entry-categories\">\n\t<a class=\"post__tag\" href=\"https:\/\/visualjournalism.de\/magazin-kategorie\/ausgezeichnet\/\" rel=\"category tag\">Ausgezeichnet<\/a><\/div>\r\n\t\t<a href=\"https:\/\/visualjournalism.de\/en\/magazine\/ausgezeichnet\/jasper-hill-im-land-der-weissen-berge\/\" rel=\"bookmark\">\r\n\t\t\t<h2 class=\"entry-title\">Im Land der wei\u00dfen Berge.<\/h2>\r\n\t\t\t<p class=\"entry-excerpt\">Jasper Hill macht sichtbar, was ein Jahrhundert Kalibergbau hinterlassen hat. Zwischen Ern\u00e4hrungssicherheit und Umweltbelastung steht eine Industrie vor ihrem Wendepunkt.<\/p>\r\n\t\t<\/a>\r\n\r\n\t<\/header><!-- .entry-header -->\r\n\r\n\t<figure class=\"post__image\">\r\n\t\t<a href=\"https:\/\/visualjournalism.de\/en\/magazine\/ausgezeichnet\/jasper-hill-im-land-der-weissen-berge\/\" rel=\"bookmark\">\r\n\t\t\t<img loading=\"lazy\" decoding=\"async\" width=\"350\" height=\"280\" src=\"https:\/\/visualjournalism.de\/wp-content\/uploads\/2026\/01\/5JasperHill_ImLandderweissenBerge-6-350x280.jpeg\" class=\"attachment-post-image--two-column--small size-post-image--two-column--small\" alt=\"\" srcset=\"https:\/\/visualjournalism.de\/wp-content\/uploads\/2026\/01\/5JasperHill_ImLandderweissenBerge-6-350x280.jpeg 350w, https:\/\/visualjournalism.de\/wp-content\/uploads\/2026\/01\/5JasperHill_ImLandderweissenBerge-6-300x240.jpeg 300w, https:\/\/visualjournalism.de\/wp-content\/uploads\/2026\/01\/5JasperHill_ImLandderweissenBerge-6-1024x819.jpeg 1024w, https:\/\/visualjournalism.de\/wp-content\/uploads\/2026\/01\/5JasperHill_ImLandderweissenBerge-6-768x614.jpeg 768w, https:\/\/visualjournalism.de\/wp-content\/uploads\/2026\/01\/5JasperHill_ImLandderweissenBerge-6-1536x1229.jpeg 1536w, https:\/\/visualjournalism.de\/wp-content\/uploads\/2026\/01\/5JasperHill_ImLandderweissenBerge-6-2048x1638.jpeg 2048w, https:\/\/visualjournalism.de\/wp-content\/uploads\/2026\/01\/5JasperHill_ImLandderweissenBerge-6-1920x1536.jpeg 1920w, https:\/\/visualjournalism.de\/wp-content\/uploads\/2026\/01\/5JasperHill_ImLandderweissenBerge-6-1400x1120.jpeg 1400w, https:\/\/visualjournalism.de\/wp-content\/uploads\/2026\/01\/5JasperHill_ImLandderweissenBerge-6-1050x840.jpeg 1050w, https:\/\/visualjournalism.de\/wp-content\/uploads\/2026\/01\/5JasperHill_ImLandderweissenBerge-6-670x536.jpeg 670w, https:\/\/visualjournalism.de\/wp-content\/uploads\/2026\/01\/5JasperHill_ImLandderweissenBerge-6-420x336.jpeg 420w, https:\/\/visualjournalism.de\/wp-content\/uploads\/2026\/01\/5JasperHill_ImLandderweissenBerge-6-150x120.jpeg 150w\" sizes=\"auto, (max-width: 350px) 100vw, 350px\" \/>\t\t<\/a>\r\n\t<\/figure><!-- .post__image -->\r\n\r\n<\/article>\r\n\r\n<article class=\"post-teaser post-68111 magazin type-magazin status-publish has-post-thumbnail hentry magazinkategorie-ausgezeichnet\">\r\n\t<header class=\"entry-header\">\r\n\r\n\t\t<div class=\"entry-categories\">\n\t<a class=\"post__tag\" href=\"https:\/\/visualjournalism.de\/magazin-kategorie\/ausgezeichnet\/\" rel=\"category tag\">Ausgezeichnet<\/a><\/div>\r\n\t\t<a href=\"https:\/\/visualjournalism.de\/en\/magazine\/ausgezeichnet\/markus-heft-fuer-uns-getraeumt\/\" rel=\"bookmark\">\r\n\t\t\t<h2 class=\"entry-title\">F\u00fcr uns getr\u00e4umt.<\/h2>\r\n\t\t\t<p class=\"entry-excerpt\">Markus Heft portr\u00e4tiert \u00e4ltere queere Menschen in Deutschland. Seit 2022 entstehen kollaborativ intime Portraits, erg\u00e4nzt durch Stillleben und Orte. Das Projekt bewahrt queere Geschichte und macht doppelte Marginalisierung im Alter sichtbar.<\/p>\r\n\t\t<\/a>\r\n\r\n\t<\/header><!-- .entry-header -->\r\n\r\n\t<figure class=\"post__image\">\r\n\t\t<a href=\"https:\/\/visualjournalism.de\/en\/magazine\/ausgezeichnet\/markus-heft-fuer-uns-getraeumt\/\" rel=\"bookmark\">\r\n\t\t\t<img loading=\"lazy\" decoding=\"async\" width=\"350\" height=\"280\" src=\"https:\/\/visualjournalism.de\/wp-content\/uploads\/2026\/01\/Fuer-uns-getraeumt-6-350x280.jpg\" class=\"attachment-post-image--two-column--small size-post-image--two-column--small\" alt=\"\" srcset=\"https:\/\/visualjournalism.de\/wp-content\/uploads\/2026\/01\/Fuer-uns-getraeumt-6-350x280.jpg 350w, https:\/\/visualjournalism.de\/wp-content\/uploads\/2026\/01\/Fuer-uns-getraeumt-6-300x240.jpg 300w, https:\/\/visualjournalism.de\/wp-content\/uploads\/2026\/01\/Fuer-uns-getraeumt-6-1024x819.jpg 1024w, https:\/\/visualjournalism.de\/wp-content\/uploads\/2026\/01\/Fuer-uns-getraeumt-6-768x614.jpg 768w, https:\/\/visualjournalism.de\/wp-content\/uploads\/2026\/01\/Fuer-uns-getraeumt-6-1536x1229.jpg 1536w, https:\/\/visualjournalism.de\/wp-content\/uploads\/2026\/01\/Fuer-uns-getraeumt-6-2048x1638.jpg 2048w, https:\/\/visualjournalism.de\/wp-content\/uploads\/2026\/01\/Fuer-uns-getraeumt-6-1920x1536.jpg 1920w, https:\/\/visualjournalism.de\/wp-content\/uploads\/2026\/01\/Fuer-uns-getraeumt-6-1400x1120.jpg 1400w, https:\/\/visualjournalism.de\/wp-content\/uploads\/2026\/01\/Fuer-uns-getraeumt-6-1050x840.jpg 1050w, https:\/\/visualjournalism.de\/wp-content\/uploads\/2026\/01\/Fuer-uns-getraeumt-6-670x536.jpg 670w, https:\/\/visualjournalism.de\/wp-content\/uploads\/2026\/01\/Fuer-uns-getraeumt-6-420x336.jpg 420w, https:\/\/visualjournalism.de\/wp-content\/uploads\/2026\/01\/Fuer-uns-getraeumt-6-150x120.jpg 150w\" sizes=\"auto, (max-width: 350px) 100vw, 350px\" \/>\t\t<\/a>\r\n\t<\/figure><!-- .post__image -->\r\n\r\n<\/article>\r\n\n<\/div><!-- .2-columns-teaser-->\n\n    <\/div>\n","protected":false},"author":3,"featured_media":22571,"template":"","tags":[],"magazinkategorie":[163],"class_list":["post-22819","magazin","type-magazin","status-publish","has-post-thumbnail","hentry","magazinkategorie-final-projects"],"acf":[],"yoast_head":"<!-- This site is optimized with the Yoast SEO Premium plugin v27.3 (Yoast SEO v27.3) - https:\/\/yoast.com\/product\/yoast-seo-premium-wordpress\/ -->\n<title>Elias Holzknecht Bachelor &#8211; Visual Journalism and Documentary Photography<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/visualjournalism.de\/en\/magazine\/final-projects\/elias-holzknecht-bachelor\/\" \/>\n<meta property=\"og:locale\" content=\"en_US\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"Elias Holzknecht Bachelor\" \/>\n<meta property=\"og:description\" content=\"Encyclopedia of Potential Truth&#8221; is about the world. About the skin of elephants, cave paintings, the hilly landscape of Helgoland, a bombed monastery in Italy, about the philosopher Ludwig Wittgenstein, the murder that ushered in the 21st century and the observational tools of quantum physics. Elias Holzknecht&#8217;s book project is a photographic exploration of history(s) [&hellip;]\" \/>\n<meta property=\"og:url\" content=\"https:\/\/visualjournalism.de\/en\/magazine\/final-projects\/elias-holzknecht-bachelor\/\" \/>\n<meta property=\"og:site_name\" content=\"Visual Journalism and Documentary Photography\" \/>\n<meta property=\"article:publisher\" content=\"https:\/\/www.facebook.com\/people\/wwwfotostudentende\/100065173703897\/\" \/>\n<meta property=\"article:modified_time\" content=\"2023-07-19T13:40:31+00:00\" \/>\n<meta property=\"og:image\" content=\"https:\/\/visualjournalism.de\/wp-content\/uploads\/holzknecht-elias-2305-EncyclopediaofPotentialTruth-4222-1.jpg\" \/>\n\t<meta property=\"og:image:width\" content=\"1600\" \/>\n\t<meta property=\"og:image:height\" content=\"1200\" \/>\n\t<meta property=\"og:image:type\" content=\"image\/jpeg\" \/>\n<meta name=\"twitter:card\" content=\"summary_large_image\" \/>\n<meta name=\"twitter:site\" content=\"@HsHannover\" \/>\n<meta name=\"twitter:label1\" content=\"Est. reading time\" \/>\n\t<meta name=\"twitter:data1\" content=\"1 minute\" \/>\n<script type=\"application\/ld+json\" class=\"yoast-schema-graph\">{\"@context\":\"https:\\\/\\\/schema.org\",\"@graph\":[{\"@type\":\"WebPage\",\"@id\":\"https:\\\/\\\/visualjournalism.de\\\/en\\\/magazine\\\/final-projects\\\/elias-holzknecht-bachelor\\\/\",\"url\":\"https:\\\/\\\/visualjournalism.de\\\/en\\\/magazine\\\/final-projects\\\/elias-holzknecht-bachelor\\\/\",\"name\":\"Elias Holzknecht Bachelor &#8211; Visual Journalism and Documentary Photography\",\"isPartOf\":{\"@id\":\"https:\\\/\\\/visualjournalism.de\\\/en\\\/#website\"},\"primaryImageOfPage\":{\"@id\":\"https:\\\/\\\/visualjournalism.de\\\/en\\\/magazine\\\/final-projects\\\/elias-holzknecht-bachelor\\\/#primaryimage\"},\"image\":{\"@id\":\"https:\\\/\\\/visualjournalism.de\\\/en\\\/magazine\\\/final-projects\\\/elias-holzknecht-bachelor\\\/#primaryimage\"},\"thumbnailUrl\":\"https:\\\/\\\/visualjournalism.de\\\/wp-content\\\/uploads\\\/holzknecht-elias-2305-EncyclopediaofPotentialTruth-4222-1.jpg\",\"datePublished\":\"2023-06-30T15:04:32+00:00\",\"dateModified\":\"2023-07-19T13:40:31+00:00\",\"breadcrumb\":{\"@id\":\"https:\\\/\\\/visualjournalism.de\\\/en\\\/magazine\\\/final-projects\\\/elias-holzknecht-bachelor\\\/#breadcrumb\"},\"inLanguage\":\"en-US\",\"potentialAction\":[{\"@type\":\"ReadAction\",\"target\":[\"https:\\\/\\\/visualjournalism.de\\\/en\\\/magazine\\\/final-projects\\\/elias-holzknecht-bachelor\\\/\"]}]},{\"@type\":\"ImageObject\",\"inLanguage\":\"en-US\",\"@id\":\"https:\\\/\\\/visualjournalism.de\\\/en\\\/magazine\\\/final-projects\\\/elias-holzknecht-bachelor\\\/#primaryimage\",\"url\":\"https:\\\/\\\/visualjournalism.de\\\/wp-content\\\/uploads\\\/holzknecht-elias-2305-EncyclopediaofPotentialTruth-4222-1.jpg\",\"contentUrl\":\"https:\\\/\\\/visualjournalism.de\\\/wp-content\\\/uploads\\\/holzknecht-elias-2305-EncyclopediaofPotentialTruth-4222-1.jpg\",\"width\":1600,\"height\":1200,\"caption\":\"The two brothers Heinz and Lutz Heck wanted to breed back the already extinct \\\"aurochs\\\". 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