{"id":30544,"date":"2024-02-19T20:41:00","date_gmt":"2024-02-19T20:41:00","guid":{"rendered":"https:\/\/visualjournalism.de\/?post_type=magazin&#038;p=30544"},"modified":"2025-12-15T23:29:53","modified_gmt":"2025-12-15T21:29:53","slug":"das-ungehoerte-fuehlen","status":"publish","type":"magazin","link":"https:\/\/visualjournalism.de\/en\/magazine\/stille\/das-ungehoerte-fuehlen\/","title":{"rendered":"Das Ungeh\u00f6rte f\u00fchlen"},"content":{"rendered":"\n<div class=\"wp-block-group has-color-13-background-color has-background has-spacing--none\">\n \n\n    <div id=\"lead-in-block_fc5041ac03c077c7431f98a339aa739d\" class=\"block-lead-in typo--default font-size--xl has-spacing--m width--default\">\n        <h2 class=\"cover--lead-in__headline\">Das Ungeh\u00f6rte f\u00fchlen.<\/h2>\n<p>Was bedeutet Stille f\u00fcr einen buddhistischen M\u00f6nch, eine DJane, einen Geh\u00f6rlosen? <a href=\"#team\">Studierende aus dem zweiten Semester<\/a> haben zehn Menschen befragt und in kurzen Videos ihre Geschichten aufgezeichnet.<\/p>\n    <\/div>\n\n\n\n\n<div class=\"tableau has-spacing--none\">\n\t\n\n<div class=\"tableau__column--right\">\n    \n\n    <div class=\"headline-block has-spacing--xs\">\n\n        <h2 class=\"post__headline\">Die private Seite Berlins<\/h2>\n\n        \n    <\/div>\n\n    \n\n\n\n\r\n<div class=\"video-block has-spacing--xs align--left\">\r\n    <div class=\"video-wrapper size--full\">\r\n        <iframe loading=\"lazy\" hcb-fetch-image-from=\"https:\/\/vimeo.com\/888802164\/de0a6e817c?share=copy\" title=\"Die ruhige Seite Berlins\" src=\"https:\/\/player.vimeo.com\/video\/888802164?dnt=1&amp;app_id=122963\" width=\"100\" height=\"56\" frameborder=\"0\" allow=\"autoplay; fullscreen; picture-in-picture; clipboard-write; encrypted-media; web-share\" referrerpolicy=\"strict-origin-when-cross-origin\"><\/iframe>    <\/div>\r\n<\/div>\r\n\r\n\n\n\n<p class=\"post__paragraph has-spacing--default\"><strong>Bastian Fritsche ist gelernter Kfz-Mechatroniker<\/strong> und reinigt bei den Berliner Verkehrsbetrieben das Tramschienennetz der pulsierenden Hauptstadt im Schichtbetrieb. Damit die Trams der BVG nicht entgleisen, m\u00fcssen die Schienen w\u00f6chentlich mit Hilfe von speziellen Fahrzeugen von Verschmutzungen befreit werden. Erlebt er w\u00e4hrend seiner Nachtschichten auf dem Saugwagen ein anderes Berlin?<br><br><strong>Team:<\/strong> <strong><a href=\"https:\/\/visualjournalism.de\/henryc-fels\/\">Henryc Fels<\/a>, <a href=\"https:\/\/visualjournalism.de\/pha-croissant\/\">Pha Croissant<\/a> und <a href=\"https:\/\/visualjournalism.de\/jasper-hill\/\">Jasper Hill<\/a><\/strong><\/p>\n\n\n<\/div>\n\n\n<div class=\"tableau__column--left\">\n    \n\n    <div class=\"headline-block has-spacing--xs\">\n\n        <h2 class=\"post__headline\">Der Bass f\u00fcr immer<br \/>\r\n<\/h2>\n\n        \n    <\/div>\n\n    \n\n\n\n\r\n<div class=\"video-block has-spacing--xs align--left\">\r\n    <div class=\"video-wrapper size--full\">\r\n        <iframe loading=\"lazy\" hcb-fetch-image-from=\"https:\/\/vimeo.com\/888802339\/34fbccd8f0?share=copy\" title=\"Der Bass f\u00fcr immer\" src=\"https:\/\/player.vimeo.com\/video\/888802339?dnt=1&amp;app_id=122963\" width=\"100\" height=\"56\" frameborder=\"0\" allow=\"autoplay; fullscreen; picture-in-picture; clipboard-write; encrypted-media; web-share\" referrerpolicy=\"strict-origin-when-cross-origin\"><\/iframe>    <\/div>\r\n<\/div>\r\n\r\n\n\n\n<p class=\"post__paragraph has-spacing--m\"><strong>Emmi, auch bekannt als DJ REMSI,<\/strong> bringt mit ihrer Musik das Indiego Glocksee, eine Event-Location im Herzen Hannovers, zum Beben. Sie ist dort als DJ, Bookerin und Awareness-Beauftragte anzutreffen. Der Weg ans DJ-Pult ist f\u00fcr FLINTA* Personen in einer m\u00e4nnlich dominierten Musik- und DJ-Szene nicht selbstverst\u00e4ndlich. Genau f\u00fcr diese Selbstverst\u00e4ndlichkeit setzt sich Emmi als Resident DJ im Indiego Glocksee ein.<br><br><strong>Team:<\/strong> <strong><a href=\"https:\/\/visualjournalism.de\/salome-ophelia-ziermann\/\">Salome Ophelia Ziermann<\/a>, <a href=\"https:\/\/visualjournalism.de\/anjou-vartmann\/\">Anjou Vartmann<\/a> und <a href=\"https:\/\/visualjournalism.de\/marius-zweifel\/\">Marius Zweifel<\/a><\/strong><\/p>\n\n\n<\/div>\n<\/div>\n\n\n<div class=\"devider has-spacing--none\">\n    <hr>\n<\/div>\n\n\n    <div class=\"headline-block has-spacing--xs\">\n\n        <h2 class=\"post__headline\">Zwischen Song und Applaus<\/h2>\n\n        \n    <\/div>\n\n    \n\n\n\n\r\n<div class=\"video-block has-spacing--xs align--left\">\r\n    <div class=\"video-wrapper size--full\">\r\n        <iframe loading=\"lazy\" hcb-fetch-image-from=\"https:\/\/vimeo.com\/888802424\/d312b56cd9?share=copy\" title=\"Zwischen Song und Applaus\" src=\"https:\/\/player.vimeo.com\/video\/888802424?dnt=1&amp;app_id=122963\" width=\"100\" height=\"56\" frameborder=\"0\" allow=\"autoplay; fullscreen; picture-in-picture; clipboard-write; encrypted-media; web-share\" referrerpolicy=\"strict-origin-when-cross-origin\"><\/iframe>    <\/div>\r\n<\/div>\r\n\r\n\n\n\n<p class=\"post__paragraph has-spacing--m\"><strong>Als S\u00e4ngerin einer Band<\/strong> erlebt Hanna eine besondere Version der Stille vor und nach ihren Auftritten. Bevor der erste Song beginnt h\u00e4lt sie kurz inne um durchzuatmen. Wenn dann die T\u00f6ne des finalen Akkords verstummen, findet sie sich in einem gemeinsamen Moment des Innehaltens und F\u00fchlens mit dem Publikum wieder, bevor der Applaus den Raum erf\u00fcllt und die Stille durchbricht.<br><br><strong>Team:<\/strong> <strong><a href=\"https:\/\/visualjournalism.de\/armina-ahmadinia\/\">Armina Ahmadinia<\/a>, <a href=\"https:\/\/visualjournalism.de\/ben-kuemmel\/\">Ben K\u00fcmmel<\/a> und <a href=\"https:\/\/visualjournalism.de\/leonard-mikoleit\/\">Leonard Mikoleit Acu\u00f1a<\/a><\/strong><\/p>\n\n\n\n<div class=\"devider has-spacing--none\">\n    <hr>\n<\/div>\n\n\n<div class=\"tableau has-spacing--none\">\n\t\n\n<div class=\"tableau__column--left\">\n    \n\n    <div class=\"headline-block has-spacing--xs\">\n\n        <h2 class=\"post__headline\">Stille auf Knopfdruck<\/h2>\n\n        \n    <\/div>\n\n    \n\n\n\n\r\n<div class=\"video-block has-spacing--xs align--left\">\r\n    <div class=\"video-wrapper size--full\">\r\n        <iframe loading=\"lazy\" hcb-fetch-image-from=\"https:\/\/vimeo.com\/888803082\/c8e1d786c8?share=copy\" title=\"Stille auf Knopfdruck\" src=\"https:\/\/player.vimeo.com\/video\/888803082?dnt=1&amp;app_id=122963\" width=\"100\" height=\"56\" frameborder=\"0\" allow=\"autoplay; fullscreen; picture-in-picture; clipboard-write; encrypted-media; web-share\" referrerpolicy=\"strict-origin-when-cross-origin\"><\/iframe>    <\/div>\r\n<\/div>\r\n\r\n\n\n\n<p class=\"post__paragraph is-style-default has-spacing--m\"><strong>Jannis ist von Geburt an geh\u00f6rlos.<\/strong> Mit zehn Monaten bekam er ein Cochlear-Implantat f\u00fcr sein rechtes Ohr,&nbsp;dank dem er nun h\u00f6ren kann. Erst mit 11 Jahren erhielt er auch ein Implantat im linken Ohr. Sobald Jannis die&nbsp;Implantate abnimmt, herrscht f\u00fcr ihn absolute Stille. F\u00fcr den ausgebildeten&nbsp;Buchh\u00e4ndler ist diese Stille mit viel Positivem verbunden, so kann er sich auch im hektischen Alltag Ruhe herstellen. Auch beim Lesen schaltet Jannis die Ger\u00e4te gerne aus.<br><br><strong>Team:<\/strong> <strong><a href=\"https:\/\/visualjournalism.de\/sophie-boyer\/\">Sophie Boyer<\/a>, <a href=\"https:\/\/visualjournalism.de\/deliah-el-chehade\/\">Deliah El-Chehade<\/a> und <a href=\"https:\/\/visualjournalism.de\/noemi-ehrat\/\">Noemi Ehrat<\/a><\/strong><\/p>\n\n\n<\/div>\n\n\n<div class=\"tableau__column--right\">\n    \n\n    <div class=\"headline-block has-spacing--xs\">\n\n        <h2 class=\"post__headline\">\u00c4u\u00dferlich still, innerlich laut<\/h2>\n\n        \n    <\/div>\n\n    \n\n\n\n\r\n<div class=\"video-block has-spacing--xs align--left\">\r\n    <div class=\"video-wrapper size--full\">\r\n        <iframe loading=\"lazy\" hcb-fetch-image-from=\"https:\/\/vimeo.com\/888801820\/85a3c8e004?share=copy\" title=\"\u00c4u\u00dferlich still, innerlich laut\" src=\"https:\/\/player.vimeo.com\/video\/888801820?dnt=1&amp;app_id=122963\" width=\"100\" height=\"56\" frameborder=\"0\" allow=\"autoplay; fullscreen; picture-in-picture; clipboard-write; encrypted-media; web-share\" referrerpolicy=\"strict-origin-when-cross-origin\"><\/iframe>    <\/div>\r\n<\/div>\r\n\r\n\n\n\n<p class=\"post__paragraph has-spacing--default\"><strong>In der Kirche der Stille in Hannover<\/strong> bietet Pastorin Christine Tergau-Harms neben Gottesdiensten auch  \u00dcbungen und Meditationen an. Dabei setzt sie sich mit Stille und deren Wirkung und Bedeutung f\u00fcr uns und unser Leben auseinander. Kommt die Stille im modernen, schnelllebigen Alltag zu kurz?<br><br><strong>Team:<\/strong> <strong><a href=\"https:\/\/visualjournalism.de\/etienne-doetsch\/\">Etienne D\u00f6tsch<\/a> und <a href=\"https:\/\/visualjournalism.de\/thilo-koppen\/\">Thilo Koppen<\/a><\/strong><\/p>\n\n\n<\/div>\n<\/div>\n\n\n<div class=\"devider has-spacing--none\">\n    <hr>\n<\/div>\n\n\n    <div class=\"headline-block has-spacing--xs\">\n\n        <h2 class=\"post__headline\">Ein Ort, der guttut <\/h2>\n\n        \n    <\/div>\n\n    \n\n\n\n\r\n<div class=\"video-block has-spacing--xs align--left\">\r\n    <div class=\"video-wrapper size--full\">\r\n        <iframe loading=\"lazy\" hcb-fetch-image-from=\"https:\/\/vimeo.com\/888802008\/4416d693e2?share=copy\" title=\"Ein Ort, der guttut\" src=\"https:\/\/player.vimeo.com\/video\/888802008?dnt=1&amp;app_id=122963\" width=\"100\" height=\"56\" frameborder=\"0\" allow=\"autoplay; fullscreen; picture-in-picture; clipboard-write; encrypted-media; web-share\" referrerpolicy=\"strict-origin-when-cross-origin\"><\/iframe>    <\/div>\r\n<\/div>\r\n\r\n\n\n\n<p class=\"post__paragraph has-spacing--m\"><strong>In einem solidarischen Gemeinschaftsgarten<\/strong> in den Hinterh\u00f6fen der Calenberger Neustadt in Hannover bauen Menschen zusammen Gem\u00fcse an, das jedem frei zum Ernten zur Verf\u00fcgung steht. F\u00fcr Bastian Pritsch, der sich in der \u00abBaul\u00fccke\u00bb engagiert, hat die Arbeit dort eine ganz pers\u00f6nliche Bedeutung. F\u00fcr ihn stellt die Baul\u00fccke einen Ort der Stille in der sonst lauten und besch\u00e4ftigten Gro\u00dfstadt dar.<br><br><strong>Team:<\/strong> <strong><a href=\"https:\/\/visualjournalism.de\/andreas-blauth\/\">Andreas Blauth<\/a>, <a href=\"https:\/\/visualjournalism.de\/noah-hermann\/\">Noah Hermann<\/a> und Malte Laudahn<\/strong><\/p>\n\n\n\n<div class=\"devider has-spacing--none\">\n    <hr>\n<\/div>\n\n\n<div class=\"tableau has-spacing--none\">\n\t\n\n<div class=\"tableau__column--left\">\n    \n\n    <div class=\"headline-block has-spacing--xs\">\n\n        <h2 class=\"post__headline\">Krach, L\u00e4rm oder Musik?<\/h2>\n\n        \n    <\/div>\n\n    \n\n\n\n\r\n<div class=\"video-block has-spacing--xs align--left\">\r\n    <div class=\"video-wrapper size--full\">\r\n        <iframe loading=\"lazy\" hcb-fetch-image-from=\"https:\/\/vimeo.com\/888802617\/d9ae93df96?share=copy\" title=\"Krach, L\u00e4rm oder Musik?\" src=\"https:\/\/player.vimeo.com\/video\/888802617?dnt=1&amp;app_id=122963\" width=\"100\" height=\"56\" frameborder=\"0\" allow=\"autoplay; fullscreen; picture-in-picture; clipboard-write; encrypted-media; web-share\" referrerpolicy=\"strict-origin-when-cross-origin\"><\/iframe>    <\/div>\r\n<\/div>\r\n\r\n\n\n\n<p class=\"post__paragraph has-spacing--m\"><strong>Hans, frisch fertig studiert, lebt in einer Wohngemeinschaft<\/strong> in der Calenberger Neustadt. Das hannoversche Viertel, welches ein beliebtes Ausgeh-Ziel f\u00fcr Studierende ist, befindet sich unweit vom Stadtzentrum. Sein Zimmer liegt an einer sehr belebten Stra\u00dfe, direkt \u00fcber einem Kiosk, in der N\u00e4he von mehreren Caf\u00e9s und Bars sowie einem Stra\u00dfenbahn-Betriebshof. Durch Meditation versucht Hans mit dem L\u00e4rm seiner Umgebung umzugehen. <br><br><strong>Team:<\/strong> <strong><a href=\"http:\/\/visualjournalism.de\/tim-kirchhof\/\">Tim Kirchhof<\/a>, <a href=\"https:\/\/visualjournalism.de\/yann-kanngiesser\/\">Yann Kanngiesser<\/a> und <a href=\"https:\/\/visualjournalism.de\/finn-andorra\/\">Finn Andorra<\/a><\/strong><\/p>\n\n\n<\/div>\n\n\n<div class=\"tableau__column--right\">\n    \n\n    <div class=\"headline-block has-spacing--xs\">\n\n        <h2 class=\"post__headline\"> Innere Gelassenheit<\/h2>\n\n        \n    <\/div>\n\n    \n\n\n\n\r\n<div class=\"video-block has-spacing--xs align--left\">\r\n    <div class=\"video-wrapper size--full\">\r\n        <iframe loading=\"lazy\" hcb-fetch-image-from=\"https:\/\/vimeo.com\/888802520\/07c6f27653?share=copy\" title=\"Innere Gelassenheit\" src=\"https:\/\/player.vimeo.com\/video\/888802520?dnt=1&amp;app_id=122963\" width=\"100\" height=\"56\" frameborder=\"0\" allow=\"autoplay; fullscreen; picture-in-picture; clipboard-write; encrypted-media; web-share\" referrerpolicy=\"strict-origin-when-cross-origin\"><\/iframe>    <\/div>\r\n<\/div>\r\n\r\n\n\n\n<p class=\"post__paragraph has-spacing--default\"><strong>Die&nbsp;vietnamesische&nbsp;Pagode&nbsp;Vi\u00ean Gi\u00e1c<\/strong>&nbsp;in D\u00f6hren-W\u00fclfel&nbsp;in Hannover,&nbsp;ist&nbsp;eine der gr\u00f6\u00dften in Europa.&nbsp;Sie ist ein&nbsp;Ort der zu Begegnung, der zum Gespr\u00e4ch, Meditation und dem Gebet einl\u00e4dt.&nbsp;Hanh Dinh ist hier Abt und sein Alltag ist neben einer Zeremonie am Morgen gepr\u00e4gt von Meditation und den Lehren Buddhas, was sich auch in seiner Auffassung von Stille widerspiegelt. <br><br><strong>Team:<\/strong> <strong><a href=\"https:\/\/visualjournalism.de\/lennart-holste\/\">Lennart Holste<\/a>, <a href=\"https:\/\/visualjournalism.de\/jannis-schubert\/\">Jannis Schubert<\/a>, und <a href=\"https:\/\/visualjournalism.de\/bastian-betz\/\">Bastian Betz<\/a><\/strong><\/p>\n\n\n<\/div>\n<\/div>\n\n\n<div class=\"devider has-spacing--none\">\n    <hr>\n<\/div>\n\n\n    <div class=\"headline-block has-spacing--xs\">\n\n        <h2 class=\"post__headline\">Stille als Privileg<\/h2>\n\n        \n    <\/div>\n\n    \n\n\n\n\r\n<div class=\"video-block has-spacing--m align--left\">\r\n    <div class=\"video-wrapper size--full\">\r\n        <iframe loading=\"lazy\" hcb-fetch-image-from=\"https:\/\/vimeo.com\/888801944\/a2b874f557?share=copy\" title=\"Stille als Privileg\" src=\"https:\/\/player.vimeo.com\/video\/888801944?dnt=1&amp;app_id=122963\" width=\"100\" height=\"56\" frameborder=\"0\" allow=\"autoplay; fullscreen; picture-in-picture; clipboard-write; encrypted-media; web-share\" referrerpolicy=\"strict-origin-when-cross-origin\"><\/iframe>    <\/div>\r\n<\/div>\r\n\r\n\n\n\n<p class=\"post__paragraph has-spacing--none\"><strong>Zina ist Studentin und Musikerin.<\/strong> Sie lebt in einer 3er-WG in der Nordstadt in Hannover. Ihr Zimmer ist klein und es gibt gerade genug Platz, um sich rein und rauszubewegen. Neben Bahn- und Stra\u00dfenverkehrsl\u00e4rm am Tag, wird sie in der Nacht h\u00e4ufig von der Bar, ein paar Stockwerke unter ihrer Wohnung, aus dem Schlaf gerissen. Konzentration oder Entspannung sind f\u00fcr Zina Luxus. L\u00e4rm und fehlende Ruheorte sind f\u00fcr Student*innen meist Alltag. F\u00fcr manche ist Stille selbstverst\u00e4ndlich. F\u00fcr Personen wie Zina jedoch ein Privileg.<br><br><strong>Team: <a href=\"https:\/\/visualjournalism.de\/bahriye-tatli\/\">Bahriye Tatli<\/a> und <a href=\"https:\/\/visualjournalism.de\/lucas-nguyen\/\">Lucas Nguyen<\/a><\/strong><\/p>\n<\/div>\n\n\n\n<div id=\"team\" class=\"wp-block-group has-color-20-background-color has-background has-spacing--default\">\n    <div class=\"team has-spacing--m\">\n\n        <h2>Ein Projekt des Jahrgangs 2022:              <\/h2>\n                    <span>\n\n                <a href=\"https:\/\/visualjournalism.de\/armina-ahmadinia\/\">\n                    <figure class=\"info-item__image\">\n                        <img loading=\"lazy\" decoding=\"async\" width=\"52\" height=\"52\" src=\"https:\/\/visualjournalism.de\/wp-content\/uploads\/Armina-Ahmadinia_1zu1_01-52x52.jpg\" class=\"attachment-image-portrait size-image-portrait\" alt=\"Armina Ahmadinia\" srcset=\"https:\/\/visualjournalism.de\/wp-content\/uploads\/Armina-Ahmadinia_1zu1_01-52x52.jpg 52w, https:\/\/visualjournalism.de\/wp-content\/uploads\/Armina-Ahmadinia_1zu1_01-300x300.jpg 300w, https:\/\/visualjournalism.de\/wp-content\/uploads\/Armina-Ahmadinia_1zu1_01-150x150.jpg 150w, https:\/\/visualjournalism.de\/wp-content\/uploads\/Armina-Ahmadinia_1zu1_01-420x420.jpg 420w, https:\/\/visualjournalism.de\/wp-content\/uploads\/Armina-Ahmadinia_1zu1_01-350x350.jpg 350w, https:\/\/visualjournalism.de\/wp-content\/uploads\/Armina-Ahmadinia_1zu1_01-68x68.jpg 68w, https:\/\/visualjournalism.de\/wp-content\/uploads\/Armina-Ahmadinia_1zu1_01-96x96.jpg 96w, https:\/\/visualjournalism.de\/wp-content\/uploads\/Armina-Ahmadinia_1zu1_01.jpg 664w\" sizes=\"auto, (max-width: 52px) 100vw, 52px\" \/>                    <\/figure>\n\n                Armina Ahmadinia<\/a>\n            <\/span>\n\n                    <span>\n\n                <a href=\"https:\/\/visualjournalism.de\/finn-andorra\/\">\n                    <figure class=\"info-item__image\">\n                        <img loading=\"lazy\" decoding=\"async\" width=\"52\" height=\"52\" src=\"https:\/\/visualjournalism.de\/wp-content\/uploads\/finn-andorra-comp-52x52.jpg\" class=\"attachment-image-portrait size-image-portrait\" alt=\"\" srcset=\"https:\/\/visualjournalism.de\/wp-content\/uploads\/finn-andorra-comp-52x52.jpg 52w, https:\/\/visualjournalism.de\/wp-content\/uploads\/finn-andorra-comp-150x150.jpg 150w, https:\/\/visualjournalism.de\/wp-content\/uploads\/finn-andorra-comp-68x68.jpg 68w, https:\/\/visualjournalism.de\/wp-content\/uploads\/finn-andorra-comp-96x96.jpg 96w, https:\/\/visualjournalism.de\/wp-content\/uploads\/finn-andorra-comp.jpg 250w\" sizes=\"auto, (max-width: 52px) 100vw, 52px\" \/>                    <\/figure>\n\n                Finn Andorra<\/a>\n            <\/span>\n\n                    <span>\n\n                <a href=\"https:\/\/visualjournalism.de\/bastian-betz\/\">\n                    <figure class=\"info-item__image\">\n                        <img loading=\"lazy\" decoding=\"async\" width=\"52\" height=\"52\" src=\"https:\/\/visualjournalism.de\/wp-content\/uploads\/Bastian-Betz-Armina-Ahmadinia_sw_1zu1_02-52x52.jpg\" class=\"attachment-image-portrait size-image-portrait\" alt=\"\" srcset=\"https:\/\/visualjournalism.de\/wp-content\/uploads\/Bastian-Betz-Armina-Ahmadinia_sw_1zu1_02-52x52.jpg 52w, https:\/\/visualjournalism.de\/wp-content\/uploads\/Bastian-Betz-Armina-Ahmadinia_sw_1zu1_02-150x150.jpg 150w, https:\/\/visualjournalism.de\/wp-content\/uploads\/Bastian-Betz-Armina-Ahmadinia_sw_1zu1_02-68x68.jpg 68w, https:\/\/visualjournalism.de\/wp-content\/uploads\/Bastian-Betz-Armina-Ahmadinia_sw_1zu1_02-96x96.jpg 96w, https:\/\/visualjournalism.de\/wp-content\/uploads\/Bastian-Betz-Armina-Ahmadinia_sw_1zu1_02.jpg 213w\" sizes=\"auto, (max-width: 52px) 100vw, 52px\" \/>                    <\/figure>\n\n                Bastian Betz<\/a>\n            <\/span>\n\n                    <span>\n\n                <a href=\"https:\/\/visualjournalism.de\/andreas-blauth\/\">\n                    <figure class=\"info-item__image\">\n                        <img loading=\"lazy\" decoding=\"async\" width=\"52\" height=\"52\" src=\"https:\/\/visualjournalism.de\/wp-content\/uploads\/thumbnail_andreas_blauth-1_1zu1_02-52x52.jpg\" class=\"attachment-image-portrait size-image-portrait\" alt=\"\" srcset=\"https:\/\/visualjournalism.de\/wp-content\/uploads\/thumbnail_andreas_blauth-1_1zu1_02-52x52.jpg 52w, https:\/\/visualjournalism.de\/wp-content\/uploads\/thumbnail_andreas_blauth-1_1zu1_02-300x300.jpg 300w, https:\/\/visualjournalism.de\/wp-content\/uploads\/thumbnail_andreas_blauth-1_1zu1_02-1024x1024.jpg 1024w, https:\/\/visualjournalism.de\/wp-content\/uploads\/thumbnail_andreas_blauth-1_1zu1_02-150x150.jpg 150w, https:\/\/visualjournalism.de\/wp-content\/uploads\/thumbnail_andreas_blauth-1_1zu1_02-768x768.jpg 768w, https:\/\/visualjournalism.de\/wp-content\/uploads\/thumbnail_andreas_blauth-1_1zu1_02-1536x1536.jpg 1536w, https:\/\/visualjournalism.de\/wp-content\/uploads\/thumbnail_andreas_blauth-1_1zu1_02-1400x1400.jpg 1400w, https:\/\/visualjournalism.de\/wp-content\/uploads\/thumbnail_andreas_blauth-1_1zu1_02-1050x1050.jpg 1050w, https:\/\/visualjournalism.de\/wp-content\/uploads\/thumbnail_andreas_blauth-1_1zu1_02-670x670.jpg 670w, https:\/\/visualjournalism.de\/wp-content\/uploads\/thumbnail_andreas_blauth-1_1zu1_02-420x420.jpg 420w, https:\/\/visualjournalism.de\/wp-content\/uploads\/thumbnail_andreas_blauth-1_1zu1_02-350x350.jpg 350w, https:\/\/visualjournalism.de\/wp-content\/uploads\/thumbnail_andreas_blauth-1_1zu1_02-68x68.jpg 68w, https:\/\/visualjournalism.de\/wp-content\/uploads\/thumbnail_andreas_blauth-1_1zu1_02-96x96.jpg 96w, https:\/\/visualjournalism.de\/wp-content\/uploads\/thumbnail_andreas_blauth-1_1zu1_02.jpg 1907w\" sizes=\"auto, (max-width: 52px) 100vw, 52px\" \/>                    <\/figure>\n\n                Andreas Blauth<\/a>\n            <\/span>\n\n                    <span>\n\n                <a href=\"https:\/\/visualjournalism.de\/sophie-boyer\/\">\n                    <figure class=\"info-item__image\">\n                        <img loading=\"lazy\" decoding=\"async\" width=\"52\" height=\"52\" src=\"https:\/\/visualjournalism.de\/wp-content\/uploads\/Portraet_Boyer_Sophie_sw-52x52.jpg\" class=\"attachment-image-portrait size-image-portrait\" alt=\"\" srcset=\"https:\/\/visualjournalism.de\/wp-content\/uploads\/Portraet_Boyer_Sophie_sw-52x52.jpg 52w, https:\/\/visualjournalism.de\/wp-content\/uploads\/Portraet_Boyer_Sophie_sw-150x150.jpg 150w, https:\/\/visualjournalism.de\/wp-content\/uploads\/Portraet_Boyer_Sophie_sw-68x68.jpg 68w, https:\/\/visualjournalism.de\/wp-content\/uploads\/Portraet_Boyer_Sophie_sw-96x96.jpg 96w\" sizes=\"auto, (max-width: 52px) 100vw, 52px\" \/>                    <\/figure>\n\n                Sophie Boyer<\/a>\n            <\/span>\n\n                    <span>\n\n                <a href=\"https:\/\/visualjournalism.de\/pha-croissant\/\">\n                    <figure class=\"info-item__image\">\n                        <img loading=\"lazy\" decoding=\"async\" width=\"52\" height=\"52\" src=\"https:\/\/visualjournalism.de\/wp-content\/uploads\/pha_artist_portrait_-52x52.jpg\" class=\"attachment-image-portrait size-image-portrait\" alt=\"\" srcset=\"https:\/\/visualjournalism.de\/wp-content\/uploads\/pha_artist_portrait_-52x52.jpg 52w, https:\/\/visualjournalism.de\/wp-content\/uploads\/pha_artist_portrait_-150x150.jpg 150w, https:\/\/visualjournalism.de\/wp-content\/uploads\/pha_artist_portrait_-68x68.jpg 68w, https:\/\/visualjournalism.de\/wp-content\/uploads\/pha_artist_portrait_-96x96.jpg 96w\" sizes=\"auto, (max-width: 52px) 100vw, 52px\" \/>                    <\/figure>\n\n                Pha Croissant<\/a>\n            <\/span>\n\n                    <span>\n\n                <a href=\"https:\/\/visualjournalism.de\/tetyana-chernyavska\/\">\n                    <figure class=\"info-item__image\">\n                        <img loading=\"lazy\" decoding=\"async\" width=\"52\" height=\"52\" src=\"https:\/\/visualjournalism.de\/wp-content\/uploads\/Tetyana_Chernyavska-thumb-52x52.jpg\" class=\"attachment-image-portrait size-image-portrait\" alt=\"\" srcset=\"https:\/\/visualjournalism.de\/wp-content\/uploads\/Tetyana_Chernyavska-thumb-52x52.jpg 52w, https:\/\/visualjournalism.de\/wp-content\/uploads\/Tetyana_Chernyavska-thumb-150x150.jpg 150w, https:\/\/visualjournalism.de\/wp-content\/uploads\/Tetyana_Chernyavska-thumb-68x68.jpg 68w, https:\/\/visualjournalism.de\/wp-content\/uploads\/Tetyana_Chernyavska-thumb-96x96.jpg 96w, https:\/\/visualjournalism.de\/wp-content\/uploads\/Tetyana_Chernyavska-thumb.jpg 200w\" sizes=\"auto, (max-width: 52px) 100vw, 52px\" \/>                    <\/figure>\n\n                Tetyana Chernyavska<\/a>\n            <\/span>\n\n                    <span>\n\n                <a href=\"https:\/\/visualjournalism.de\/etienne-doetsch\/\">\n                    <figure class=\"info-item__image\">\n                        <img loading=\"lazy\" decoding=\"async\" width=\"52\" height=\"52\" src=\"https:\/\/visualjournalism.de\/wp-content\/uploads\/Doetsch-Etienne-52x52.jpg\" class=\"attachment-image-portrait size-image-portrait\" alt=\"\" srcset=\"https:\/\/visualjournalism.de\/wp-content\/uploads\/Doetsch-Etienne-52x52.jpg 52w, https:\/\/visualjournalism.de\/wp-content\/uploads\/Doetsch-Etienne-150x150.jpg 150w, https:\/\/visualjournalism.de\/wp-content\/uploads\/Doetsch-Etienne-68x68.jpg 68w, https:\/\/visualjournalism.de\/wp-content\/uploads\/Doetsch-Etienne-96x96.jpg 96w\" sizes=\"auto, (max-width: 52px) 100vw, 52px\" \/>                    <\/figure>\n\n                Etienne D\u00f6tsch<\/a>\n            <\/span>\n\n                    <span>\n\n                <a href=\"https:\/\/visualjournalism.de\/noemi-ehrat\/\">\n                    <figure class=\"info-item__image\">\n                        <img loading=\"lazy\" decoding=\"async\" width=\"52\" height=\"52\" src=\"https:\/\/visualjournalism.de\/wp-content\/uploads\/Noemi-7-3.jpg\" class=\"attachment-image-portrait size-image-portrait\" alt=\"\" \/>                    <\/figure>\n\n                Noemi Ehrat<\/a>\n            <\/span>\n\n                    <span>\n\n                <a href=\"https:\/\/visualjournalism.de\/deliah-el-chehade\/\">\n                    <figure class=\"info-item__image\">\n                        <img loading=\"lazy\" decoding=\"async\" width=\"52\" height=\"52\" src=\"https:\/\/visualjournalism.de\/wp-content\/uploads\/Deliah_El-Chehade_1zu101-52x52.jpg\" class=\"attachment-image-portrait size-image-portrait\" alt=\"\" srcset=\"https:\/\/visualjournalism.de\/wp-content\/uploads\/Deliah_El-Chehade_1zu101-52x52.jpg 52w, https:\/\/visualjournalism.de\/wp-content\/uploads\/Deliah_El-Chehade_1zu101-300x300.jpg 300w, https:\/\/visualjournalism.de\/wp-content\/uploads\/Deliah_El-Chehade_1zu101-1024x1024.jpg 1024w, https:\/\/visualjournalism.de\/wp-content\/uploads\/Deliah_El-Chehade_1zu101-150x150.jpg 150w, https:\/\/visualjournalism.de\/wp-content\/uploads\/Deliah_El-Chehade_1zu101-768x768.jpg 768w, https:\/\/visualjournalism.de\/wp-content\/uploads\/Deliah_El-Chehade_1zu101-1536x1536.jpg 1536w, https:\/\/visualjournalism.de\/wp-content\/uploads\/Deliah_El-Chehade_1zu101-2048x2048.jpg 2048w, https:\/\/visualjournalism.de\/wp-content\/uploads\/Deliah_El-Chehade_1zu101-1920x1920.jpg 1920w, https:\/\/visualjournalism.de\/wp-content\/uploads\/Deliah_El-Chehade_1zu101-1400x1400.jpg 1400w, https:\/\/visualjournalism.de\/wp-content\/uploads\/Deliah_El-Chehade_1zu101-1050x1050.jpg 1050w, https:\/\/visualjournalism.de\/wp-content\/uploads\/Deliah_El-Chehade_1zu101-670x670.jpg 670w, https:\/\/visualjournalism.de\/wp-content\/uploads\/Deliah_El-Chehade_1zu101-420x420.jpg 420w, https:\/\/visualjournalism.de\/wp-content\/uploads\/Deliah_El-Chehade_1zu101-350x350.jpg 350w, https:\/\/visualjournalism.de\/wp-content\/uploads\/Deliah_El-Chehade_1zu101-68x68.jpg 68w, https:\/\/visualjournalism.de\/wp-content\/uploads\/Deliah_El-Chehade_1zu101-96x96.jpg 96w\" sizes=\"auto, (max-width: 52px) 100vw, 52px\" \/>                    <\/figure>\n\n                Deliah El-Chehade<\/a>\n            <\/span>\n\n                    <span>\n\n                <a href=\"https:\/\/visualjournalism.de\/henryc-fels\/\">\n                    <figure class=\"info-item__image\">\n                        <img loading=\"lazy\" decoding=\"async\" width=\"52\" height=\"52\" src=\"https:\/\/visualjournalism.de\/wp-content\/uploads\/Fels_Henryc_Autorenportrait-thumb-52x52.jpg\" class=\"attachment-image-portrait size-image-portrait\" alt=\"\" srcset=\"https:\/\/visualjournalism.de\/wp-content\/uploads\/Fels_Henryc_Autorenportrait-thumb-52x52.jpg 52w, https:\/\/visualjournalism.de\/wp-content\/uploads\/Fels_Henryc_Autorenportrait-thumb-68x68.jpg 68w, https:\/\/visualjournalism.de\/wp-content\/uploads\/Fels_Henryc_Autorenportrait-thumb-96x96.jpg 96w, https:\/\/visualjournalism.de\/wp-content\/uploads\/Fels_Henryc_Autorenportrait-thumb.jpg 100w\" sizes=\"auto, (max-width: 52px) 100vw, 52px\" \/>                    <\/figure>\n\n                Henryc Fels<\/a>\n            <\/span>\n\n                    <span>\n\n                <a href=\"https:\/\/visualjournalism.de\/noah-hermann\/\">\n                    <figure class=\"info-item__image\">\n                        <img loading=\"lazy\" decoding=\"async\" width=\"52\" height=\"52\" src=\"https:\/\/visualjournalism.de\/wp-content\/uploads\/02_Hermann_Noah_Portrait-SW-52x52.jpg\" class=\"attachment-image-portrait size-image-portrait\" alt=\"\" srcset=\"https:\/\/visualjournalism.de\/wp-content\/uploads\/02_Hermann_Noah_Portrait-SW-52x52.jpg 52w, https:\/\/visualjournalism.de\/wp-content\/uploads\/02_Hermann_Noah_Portrait-SW-150x150.jpg 150w, https:\/\/visualjournalism.de\/wp-content\/uploads\/02_Hermann_Noah_Portrait-SW-68x68.jpg 68w, https:\/\/visualjournalism.de\/wp-content\/uploads\/02_Hermann_Noah_Portrait-SW-96x96.jpg 96w\" sizes=\"auto, (max-width: 52px) 100vw, 52px\" \/>                    <\/figure>\n\n                Noah Hermann<\/a>\n            <\/span>\n\n                    <span>\n\n                <a href=\"https:\/\/visualjournalism.de\/jasper-hill\/\">\n                    <figure class=\"info-item__image\">\n                        <img loading=\"lazy\" decoding=\"async\" width=\"52\" height=\"52\" src=\"https:\/\/visualjournalism.de\/wp-content\/uploads\/2024\/01\/IMG_4576-scaled-e1776155476613-52x52.jpg\" class=\"attachment-image-portrait size-image-portrait\" alt=\"\" srcset=\"https:\/\/visualjournalism.de\/wp-content\/uploads\/2024\/01\/IMG_4576-scaled-e1776155476613-52x52.jpg 52w, https:\/\/visualjournalism.de\/wp-content\/uploads\/2024\/01\/IMG_4576-scaled-e1776155476613-150x150.jpg 150w, https:\/\/visualjournalism.de\/wp-content\/uploads\/2024\/01\/IMG_4576-scaled-e1776155476613-68x68.jpg 68w, https:\/\/visualjournalism.de\/wp-content\/uploads\/2024\/01\/IMG_4576-scaled-e1776155476613-96x96.jpg 96w\" sizes=\"auto, (max-width: 52px) 100vw, 52px\" \/>                    <\/figure>\n\n                Jasper Hill<\/a>\n            <\/span>\n\n                    <span>\n\n                <a href=\"https:\/\/visualjournalism.de\/lennart-holste\/\">\n                    <figure class=\"info-item__image\">\n                        <img loading=\"lazy\" decoding=\"async\" width=\"52\" height=\"52\" src=\"https:\/\/visualjournalism.de\/wp-content\/uploads\/Portraet-Lennart-Holste-thumb-52x52.jpg\" class=\"attachment-image-portrait size-image-portrait\" alt=\"\" srcset=\"https:\/\/visualjournalism.de\/wp-content\/uploads\/Portraet-Lennart-Holste-thumb-52x52.jpg 52w, https:\/\/visualjournalism.de\/wp-content\/uploads\/Portraet-Lennart-Holste-thumb-68x68.jpg 68w, https:\/\/visualjournalism.de\/wp-content\/uploads\/Portraet-Lennart-Holste-thumb-96x96.jpg 96w, https:\/\/visualjournalism.de\/wp-content\/uploads\/Portraet-Lennart-Holste-thumb.jpg 100w\" sizes=\"auto, (max-width: 52px) 100vw, 52px\" \/>                    <\/figure>\n\n                Lennart Holste<\/a>\n            <\/span>\n\n                    <span>\n\n                <a href=\"https:\/\/visualjournalism.de\/yann-kanngiesser\/\">\n                    <figure class=\"info-item__image\">\n                        <img loading=\"lazy\" decoding=\"async\" width=\"52\" height=\"52\" src=\"https:\/\/visualjournalism.de\/wp-content\/uploads\/Yann_Kanngiesser-1zu1-52x52.jpg\" class=\"attachment-image-portrait size-image-portrait\" alt=\"Yann Kanngiesser\" srcset=\"https:\/\/visualjournalism.de\/wp-content\/uploads\/Yann_Kanngiesser-1zu1-52x52.jpg 52w, https:\/\/visualjournalism.de\/wp-content\/uploads\/Yann_Kanngiesser-1zu1-300x300.jpg 300w, https:\/\/visualjournalism.de\/wp-content\/uploads\/Yann_Kanngiesser-1zu1-1024x1024.jpg 1024w, https:\/\/visualjournalism.de\/wp-content\/uploads\/Yann_Kanngiesser-1zu1-150x150.jpg 150w, https:\/\/visualjournalism.de\/wp-content\/uploads\/Yann_Kanngiesser-1zu1-768x768.jpg 768w, https:\/\/visualjournalism.de\/wp-content\/uploads\/Yann_Kanngiesser-1zu1-1050x1050.jpg 1050w, https:\/\/visualjournalism.de\/wp-content\/uploads\/Yann_Kanngiesser-1zu1-670x670.jpg 670w, https:\/\/visualjournalism.de\/wp-content\/uploads\/Yann_Kanngiesser-1zu1-420x420.jpg 420w, https:\/\/visualjournalism.de\/wp-content\/uploads\/Yann_Kanngiesser-1zu1-350x350.jpg 350w, https:\/\/visualjournalism.de\/wp-content\/uploads\/Yann_Kanngiesser-1zu1-68x68.jpg 68w, https:\/\/visualjournalism.de\/wp-content\/uploads\/Yann_Kanngiesser-1zu1-96x96.jpg 96w, https:\/\/visualjournalism.de\/wp-content\/uploads\/Yann_Kanngiesser-1zu1.jpg 1365w\" sizes=\"auto, (max-width: 52px) 100vw, 52px\" \/>                    <\/figure>\n\n                Yann Kanngiesser<\/a>\n            <\/span>\n\n                    <span>\n\n                <a href=\"https:\/\/visualjournalism.de\/tim-kirchhof\/\">\n                    <figure class=\"info-item__image\">\n                        <img loading=\"lazy\" decoding=\"async\" width=\"52\" height=\"52\" src=\"https:\/\/visualjournalism.de\/wp-content\/uploads\/Tim-Kirchhof-100px-1-52x52.jpg\" class=\"attachment-image-portrait size-image-portrait\" alt=\"\" srcset=\"https:\/\/visualjournalism.de\/wp-content\/uploads\/Tim-Kirchhof-100px-1-52x52.jpg 52w, https:\/\/visualjournalism.de\/wp-content\/uploads\/Tim-Kirchhof-100px-1-68x68.jpg 68w\" sizes=\"auto, (max-width: 52px) 100vw, 52px\" \/>                    <\/figure>\n\n                Tim Kirchhof<\/a>\n            <\/span>\n\n                    <span>\n\n                <a href=\"https:\/\/visualjournalism.de\/thilo-koppen\/\">\n                    <figure class=\"info-item__image\">\n                        <img loading=\"lazy\" decoding=\"async\" width=\"52\" height=\"52\" src=\"https:\/\/visualjournalism.de\/wp-content\/uploads\/Thilo-Koppen-1zu1-52x52.jpg\" class=\"attachment-image-portrait size-image-portrait\" alt=\"Portrait von Thilo Koppen\" srcset=\"https:\/\/visualjournalism.de\/wp-content\/uploads\/Thilo-Koppen-1zu1-52x52.jpg 52w, https:\/\/visualjournalism.de\/wp-content\/uploads\/Thilo-Koppen-1zu1-300x300.jpg 300w, https:\/\/visualjournalism.de\/wp-content\/uploads\/Thilo-Koppen-1zu1-1024x1024.jpg 1024w, https:\/\/visualjournalism.de\/wp-content\/uploads\/Thilo-Koppen-1zu1-150x150.jpg 150w, https:\/\/visualjournalism.de\/wp-content\/uploads\/Thilo-Koppen-1zu1-768x768.jpg 768w, https:\/\/visualjournalism.de\/wp-content\/uploads\/Thilo-Koppen-1zu1-1536x1536.jpg 1536w, https:\/\/visualjournalism.de\/wp-content\/uploads\/Thilo-Koppen-1zu1-2048x2048.jpg 2048w, https:\/\/visualjournalism.de\/wp-content\/uploads\/Thilo-Koppen-1zu1-1920x1920.jpg 1920w, https:\/\/visualjournalism.de\/wp-content\/uploads\/Thilo-Koppen-1zu1-1400x1400.jpg 1400w, https:\/\/visualjournalism.de\/wp-content\/uploads\/Thilo-Koppen-1zu1-1050x1050.jpg 1050w, https:\/\/visualjournalism.de\/wp-content\/uploads\/Thilo-Koppen-1zu1-670x670.jpg 670w, https:\/\/visualjournalism.de\/wp-content\/uploads\/Thilo-Koppen-1zu1-420x420.jpg 420w, https:\/\/visualjournalism.de\/wp-content\/uploads\/Thilo-Koppen-1zu1-350x350.jpg 350w, https:\/\/visualjournalism.de\/wp-content\/uploads\/Thilo-Koppen-1zu1-68x68.jpg 68w, https:\/\/visualjournalism.de\/wp-content\/uploads\/Thilo-Koppen-1zu1-96x96.jpg 96w\" sizes=\"auto, (max-width: 52px) 100vw, 52px\" \/>                    <\/figure>\n\n                Thilo Koppen<\/a>\n            <\/span>\n\n                    <span>\n\n                <a href=\"https:\/\/visualjournalism.de\/ben-kuemmel\/\">\n                    <figure class=\"info-item__image\">\n                        <img loading=\"lazy\" decoding=\"async\" width=\"52\" height=\"52\" src=\"https:\/\/visualjournalism.de\/wp-content\/uploads\/Autorenportrait_BenK-1-2_1zu1-52x52.jpg\" class=\"attachment-image-portrait size-image-portrait\" alt=\"\" srcset=\"https:\/\/visualjournalism.de\/wp-content\/uploads\/Autorenportrait_BenK-1-2_1zu1-52x52.jpg 52w, https:\/\/visualjournalism.de\/wp-content\/uploads\/Autorenportrait_BenK-1-2_1zu1-300x300.jpg 300w, https:\/\/visualjournalism.de\/wp-content\/uploads\/Autorenportrait_BenK-1-2_1zu1-1024x1024.jpg 1024w, https:\/\/visualjournalism.de\/wp-content\/uploads\/Autorenportrait_BenK-1-2_1zu1-150x150.jpg 150w, https:\/\/visualjournalism.de\/wp-content\/uploads\/Autorenportrait_BenK-1-2_1zu1-768x768.jpg 768w, https:\/\/visualjournalism.de\/wp-content\/uploads\/Autorenportrait_BenK-1-2_1zu1-1050x1050.jpg 1050w, https:\/\/visualjournalism.de\/wp-content\/uploads\/Autorenportrait_BenK-1-2_1zu1-670x670.jpg 670w, https:\/\/visualjournalism.de\/wp-content\/uploads\/Autorenportrait_BenK-1-2_1zu1-420x420.jpg 420w, https:\/\/visualjournalism.de\/wp-content\/uploads\/Autorenportrait_BenK-1-2_1zu1-350x350.jpg 350w, https:\/\/visualjournalism.de\/wp-content\/uploads\/Autorenportrait_BenK-1-2_1zu1-68x68.jpg 68w, https:\/\/visualjournalism.de\/wp-content\/uploads\/Autorenportrait_BenK-1-2_1zu1-96x96.jpg 96w, https:\/\/visualjournalism.de\/wp-content\/uploads\/Autorenportrait_BenK-1-2_1zu1.jpg 1336w\" sizes=\"auto, (max-width: 52px) 100vw, 52px\" \/>                    <\/figure>\n\n                Ben K\u00fcmmel<\/a>\n            <\/span>\n\n                    <span>\n\n                <a href=\"https:\/\/visualjournalism.de\/leonard-mikoleit\/\">\n                    <figure class=\"info-item__image\">\n                        <img loading=\"lazy\" decoding=\"async\" width=\"52\" height=\"52\" src=\"https:\/\/visualjournalism.de\/wp-content\/uploads\/Leonard-Mikoleit_1zu1_02-52x52.jpg\" class=\"attachment-image-portrait size-image-portrait\" alt=\"Leonard Mikoleit\" srcset=\"https:\/\/visualjournalism.de\/wp-content\/uploads\/Leonard-Mikoleit_1zu1_02-52x52.jpg 52w, https:\/\/visualjournalism.de\/wp-content\/uploads\/Leonard-Mikoleit_1zu1_02-300x300.jpg 300w, https:\/\/visualjournalism.de\/wp-content\/uploads\/Leonard-Mikoleit_1zu1_02-150x150.jpg 150w, https:\/\/visualjournalism.de\/wp-content\/uploads\/Leonard-Mikoleit_1zu1_02-670x670.jpg 670w, https:\/\/visualjournalism.de\/wp-content\/uploads\/Leonard-Mikoleit_1zu1_02-420x420.jpg 420w, https:\/\/visualjournalism.de\/wp-content\/uploads\/Leonard-Mikoleit_1zu1_02-350x350.jpg 350w, https:\/\/visualjournalism.de\/wp-content\/uploads\/Leonard-Mikoleit_1zu1_02-68x68.jpg 68w, https:\/\/visualjournalism.de\/wp-content\/uploads\/Leonard-Mikoleit_1zu1_02-96x96.jpg 96w, https:\/\/visualjournalism.de\/wp-content\/uploads\/Leonard-Mikoleit_1zu1_02.jpg 705w\" sizes=\"auto, (max-width: 52px) 100vw, 52px\" \/>                    <\/figure>\n\n                Leonard Mikoleit<\/a>\n            <\/span>\n\n                    <span>\n\n                <a href=\"https:\/\/visualjournalism.de\/lucas-nguyen\/\">\n                    <figure class=\"info-item__image\">\n                        <img loading=\"lazy\" decoding=\"async\" width=\"52\" height=\"52\" src=\"https:\/\/visualjournalism.de\/wp-content\/uploads\/Lucas-Nguyen-2_1zu103-52x52.jpg\" class=\"attachment-image-portrait size-image-portrait\" alt=\"Lucas Nguyen\" srcset=\"https:\/\/visualjournalism.de\/wp-content\/uploads\/Lucas-Nguyen-2_1zu103-52x52.jpg 52w, https:\/\/visualjournalism.de\/wp-content\/uploads\/Lucas-Nguyen-2_1zu103-300x300.jpg 300w, https:\/\/visualjournalism.de\/wp-content\/uploads\/Lucas-Nguyen-2_1zu103-1024x1024.jpg 1024w, https:\/\/visualjournalism.de\/wp-content\/uploads\/Lucas-Nguyen-2_1zu103-150x150.jpg 150w, https:\/\/visualjournalism.de\/wp-content\/uploads\/Lucas-Nguyen-2_1zu103-768x768.jpg 768w, https:\/\/visualjournalism.de\/wp-content\/uploads\/Lucas-Nguyen-2_1zu103-1536x1536.jpg 1536w, https:\/\/visualjournalism.de\/wp-content\/uploads\/Lucas-Nguyen-2_1zu103-2048x2048.jpg 2048w, https:\/\/visualjournalism.de\/wp-content\/uploads\/Lucas-Nguyen-2_1zu103-1920x1920.jpg 1920w, https:\/\/visualjournalism.de\/wp-content\/uploads\/Lucas-Nguyen-2_1zu103-1400x1400.jpg 1400w, https:\/\/visualjournalism.de\/wp-content\/uploads\/Lucas-Nguyen-2_1zu103-1050x1050.jpg 1050w, https:\/\/visualjournalism.de\/wp-content\/uploads\/Lucas-Nguyen-2_1zu103-670x670.jpg 670w, https:\/\/visualjournalism.de\/wp-content\/uploads\/Lucas-Nguyen-2_1zu103-420x420.jpg 420w, https:\/\/visualjournalism.de\/wp-content\/uploads\/Lucas-Nguyen-2_1zu103-350x350.jpg 350w, https:\/\/visualjournalism.de\/wp-content\/uploads\/Lucas-Nguyen-2_1zu103-68x68.jpg 68w, https:\/\/visualjournalism.de\/wp-content\/uploads\/Lucas-Nguyen-2_1zu103-96x96.jpg 96w\" sizes=\"auto, (max-width: 52px) 100vw, 52px\" \/>                    <\/figure>\n\n                Lucas Nguyen<\/a>\n            <\/span>\n\n                    <span>\n\n                <a href=\"https:\/\/visualjournalism.de\/jannis-schubert\/\">\n                    <figure class=\"info-item__image\">\n                        <img loading=\"lazy\" decoding=\"async\" width=\"52\" height=\"52\" src=\"https:\/\/visualjournalism.de\/wp-content\/uploads\/thumbnail_Jannis_Profil_05-52x52.jpg\" class=\"attachment-image-portrait size-image-portrait\" alt=\"Jannis Schubert\" srcset=\"https:\/\/visualjournalism.de\/wp-content\/uploads\/thumbnail_Jannis_Profil_05-52x52.jpg 52w, https:\/\/visualjournalism.de\/wp-content\/uploads\/thumbnail_Jannis_Profil_05-150x150.jpg 150w, https:\/\/visualjournalism.de\/wp-content\/uploads\/thumbnail_Jannis_Profil_05-68x68.jpg 68w, https:\/\/visualjournalism.de\/wp-content\/uploads\/thumbnail_Jannis_Profil_05-96x96.jpg 96w, https:\/\/visualjournalism.de\/wp-content\/uploads\/thumbnail_Jannis_Profil_05.jpg 240w\" sizes=\"auto, (max-width: 52px) 100vw, 52px\" \/>                    <\/figure>\n\n                Jannis Schubert<\/a>\n            <\/span>\n\n                    <span>\n\n                <a href=\"https:\/\/visualjournalism.de\/antonia-teichert\/\">\n                    <figure class=\"info-item__image\">\n                        <img loading=\"lazy\" decoding=\"async\" width=\"52\" height=\"52\" src=\"https:\/\/visualjournalism.de\/wp-content\/uploads\/2026\/01\/Antonia-Teichert_Portraet_sw-52x52.jpg\" class=\"attachment-image-portrait size-image-portrait\" alt=\"\" srcset=\"https:\/\/visualjournalism.de\/wp-content\/uploads\/2026\/01\/Antonia-Teichert_Portraet_sw-52x52.jpg 52w, https:\/\/visualjournalism.de\/wp-content\/uploads\/2026\/01\/Antonia-Teichert_Portraet_sw-300x300.jpg 300w, https:\/\/visualjournalism.de\/wp-content\/uploads\/2026\/01\/Antonia-Teichert_Portraet_sw-1024x1024.jpg 1024w, https:\/\/visualjournalism.de\/wp-content\/uploads\/2026\/01\/Antonia-Teichert_Portraet_sw-150x150.jpg 150w, https:\/\/visualjournalism.de\/wp-content\/uploads\/2026\/01\/Antonia-Teichert_Portraet_sw-768x768.jpg 768w, https:\/\/visualjournalism.de\/wp-content\/uploads\/2026\/01\/Antonia-Teichert_Portraet_sw-1400x1400.jpg 1400w, https:\/\/visualjournalism.de\/wp-content\/uploads\/2026\/01\/Antonia-Teichert_Portraet_sw-1050x1050.jpg 1050w, https:\/\/visualjournalism.de\/wp-content\/uploads\/2026\/01\/Antonia-Teichert_Portraet_sw-670x670.jpg 670w, https:\/\/visualjournalism.de\/wp-content\/uploads\/2026\/01\/Antonia-Teichert_Portraet_sw-420x420.jpg 420w, https:\/\/visualjournalism.de\/wp-content\/uploads\/2026\/01\/Antonia-Teichert_Portraet_sw-350x350.jpg 350w, https:\/\/visualjournalism.de\/wp-content\/uploads\/2026\/01\/Antonia-Teichert_Portraet_sw-68x68.jpg 68w, https:\/\/visualjournalism.de\/wp-content\/uploads\/2026\/01\/Antonia-Teichert_Portraet_sw-96x96.jpg 96w, https:\/\/visualjournalism.de\/wp-content\/uploads\/2026\/01\/Antonia-Teichert_Portraet_sw.jpg 1500w\" sizes=\"auto, (max-width: 52px) 100vw, 52px\" \/>                    <\/figure>\n\n                Antonia Teichert<\/a>\n            <\/span>\n\n                    <span>\n\n                <a href=\"https:\/\/visualjournalism.de\/bahriye-tatli\/\">\n                    <figure class=\"info-item__image\">\n                        <img loading=\"lazy\" decoding=\"async\" width=\"52\" height=\"52\" src=\"https:\/\/visualjournalism.de\/wp-content\/uploads\/Bahriye-Tatli_1zu1_02-52x52.jpg\" class=\"attachment-image-portrait size-image-portrait\" alt=\"Bahriye Tatli\" srcset=\"https:\/\/visualjournalism.de\/wp-content\/uploads\/Bahriye-Tatli_1zu1_02-52x52.jpg 52w, https:\/\/visualjournalism.de\/wp-content\/uploads\/Bahriye-Tatli_1zu1_02-300x300.jpg 300w, https:\/\/visualjournalism.de\/wp-content\/uploads\/Bahriye-Tatli_1zu1_02-1024x1024.jpg 1024w, https:\/\/visualjournalism.de\/wp-content\/uploads\/Bahriye-Tatli_1zu1_02-150x150.jpg 150w, https:\/\/visualjournalism.de\/wp-content\/uploads\/Bahriye-Tatli_1zu1_02-768x768.jpg 768w, https:\/\/visualjournalism.de\/wp-content\/uploads\/Bahriye-Tatli_1zu1_02-1536x1536.jpg 1536w, https:\/\/visualjournalism.de\/wp-content\/uploads\/Bahriye-Tatli_1zu1_02-2048x2048.jpg 2048w, https:\/\/visualjournalism.de\/wp-content\/uploads\/Bahriye-Tatli_1zu1_02-1920x1920.jpg 1920w, https:\/\/visualjournalism.de\/wp-content\/uploads\/Bahriye-Tatli_1zu1_02-1400x1400.jpg 1400w, https:\/\/visualjournalism.de\/wp-content\/uploads\/Bahriye-Tatli_1zu1_02-1050x1050.jpg 1050w, https:\/\/visualjournalism.de\/wp-content\/uploads\/Bahriye-Tatli_1zu1_02-670x670.jpg 670w, https:\/\/visualjournalism.de\/wp-content\/uploads\/Bahriye-Tatli_1zu1_02-420x420.jpg 420w, https:\/\/visualjournalism.de\/wp-content\/uploads\/Bahriye-Tatli_1zu1_02-350x350.jpg 350w, https:\/\/visualjournalism.de\/wp-content\/uploads\/Bahriye-Tatli_1zu1_02-68x68.jpg 68w, https:\/\/visualjournalism.de\/wp-content\/uploads\/Bahriye-Tatli_1zu1_02-96x96.jpg 96w\" sizes=\"auto, (max-width: 52px) 100vw, 52px\" \/>                    <\/figure>\n\n                Bahriye Tatli<\/a>\n            <\/span>\n\n                    <span>\n\n                <a href=\"https:\/\/visualjournalism.de\/anjou-vartmann\/\">\n                    <figure class=\"info-item__image\">\n                        <img loading=\"lazy\" decoding=\"async\" width=\"52\" height=\"52\" src=\"https:\/\/visualjournalism.de\/wp-content\/uploads\/Vartmann_Anjou_Foto-1-e1685966705197-52x52.jpg\" class=\"attachment-image-portrait size-image-portrait\" alt=\"\" srcset=\"https:\/\/visualjournalism.de\/wp-content\/uploads\/Vartmann_Anjou_Foto-1-e1685966705197-52x52.jpg 52w, https:\/\/visualjournalism.de\/wp-content\/uploads\/Vartmann_Anjou_Foto-1-e1685966705197-150x150.jpg 150w, https:\/\/visualjournalism.de\/wp-content\/uploads\/Vartmann_Anjou_Foto-1-e1685966705197-68x68.jpg 68w, https:\/\/visualjournalism.de\/wp-content\/uploads\/Vartmann_Anjou_Foto-1-e1685966705197-96x96.jpg 96w\" sizes=\"auto, (max-width: 52px) 100vw, 52px\" \/>                    <\/figure>\n\n                Anjou Vartmann<\/a>\n            <\/span>\n\n                    <span>\n\n                <a href=\"https:\/\/visualjournalism.de\/salome-ophelia-ziermann\/\">\n                    <figure class=\"info-item__image\">\n                        <img loading=\"lazy\" decoding=\"async\" width=\"52\" height=\"52\" src=\"https:\/\/visualjournalism.de\/wp-content\/uploads\/Salome_Ziermann-021-scaled-e1688570060492-52x52.jpg\" class=\"attachment-image-portrait size-image-portrait\" alt=\"\" srcset=\"https:\/\/visualjournalism.de\/wp-content\/uploads\/Salome_Ziermann-021-scaled-e1688570060492-52x52.jpg 52w, https:\/\/visualjournalism.de\/wp-content\/uploads\/Salome_Ziermann-021-scaled-e1688570060492-150x150.jpg 150w, https:\/\/visualjournalism.de\/wp-content\/uploads\/Salome_Ziermann-021-scaled-e1688570060492-68x68.jpg 68w, https:\/\/visualjournalism.de\/wp-content\/uploads\/Salome_Ziermann-021-scaled-e1688570060492-96x96.jpg 96w\" sizes=\"auto, (max-width: 52px) 100vw, 52px\" \/>                    <\/figure>\n\n                Salome Ophelia Ziermann<\/a>\n            <\/span>\n\n                    <span>\n\n                <a href=\"https:\/\/visualjournalism.de\/marius-zweifel\/\">\n                    <figure class=\"info-item__image\">\n                        <img loading=\"lazy\" decoding=\"async\" width=\"52\" height=\"52\" src=\"https:\/\/visualjournalism.de\/wp-content\/uploads\/Marius-Zweifel_1zu1_03-52x52.jpg\" class=\"attachment-image-portrait size-image-portrait\" alt=\"Marius Zweifel\" srcset=\"https:\/\/visualjournalism.de\/wp-content\/uploads\/Marius-Zweifel_1zu1_03-52x52.jpg 52w, https:\/\/visualjournalism.de\/wp-content\/uploads\/Marius-Zweifel_1zu1_03-300x300.jpg 300w, https:\/\/visualjournalism.de\/wp-content\/uploads\/Marius-Zweifel_1zu1_03-150x150.jpg 150w, https:\/\/visualjournalism.de\/wp-content\/uploads\/Marius-Zweifel_1zu1_03-420x420.jpg 420w, https:\/\/visualjournalism.de\/wp-content\/uploads\/Marius-Zweifel_1zu1_03-350x350.jpg 350w, https:\/\/visualjournalism.de\/wp-content\/uploads\/Marius-Zweifel_1zu1_03-68x68.jpg 68w, https:\/\/visualjournalism.de\/wp-content\/uploads\/Marius-Zweifel_1zu1_03-96x96.jpg 96w, https:\/\/visualjournalism.de\/wp-content\/uploads\/Marius-Zweifel_1zu1_03.jpg 670w\" sizes=\"auto, (max-width: 52px) 100vw, 52px\" \/>                    <\/figure>\n\n                Marius Zweifel<\/a>\n            <\/span>\n\n        \n    <\/div>\n\n\n\n\n    <div class=\"btn-wrapper has-spacing--xs\">\n        <a class=\"btn\" href=\"https:\/\/visualjournalism.de\/studieren\/\" target=\"_blank\">STUDIENGANG VISUAL JOURNALISM AND DOCUMENTARY PHOTOGRAPHY<\/a>\n    <\/div>\n\n\n\n<div class=\"wp-block-group has-spacing--default\">\n<div class=\"devider has-spacing--none\">\n    <hr>\n<\/div>\n\n\n \n\n    <div id=\"lead-in-block_76438cdb618dbbe9d9159489a16095ec\" class=\"block-lead-in typo--default font-size--xl has-spacing--s width--default\">\n        <p><strong>Empfehlungen der Redaktion:<\/strong><\/p>\n    <\/div>\n\n\n\n\r\n\r\n\r\n\r\n        <div class=\"teaser-grid grid-layout--1col has-spacing--xs width--inline\">\r\n            \r\n                \r\n                <article class=\"post-teaser\">\r\n\r\n                    \r\n                        <a href=\"https:\/\/visualjournalism.de\/en\/magazine\/stille\/nach-dem-beben-die-stille\/\">\r\n\r\n                    \r\n                        <div class=\"post-teaser__content\">\r\n\r\n                            <span class=\"entry-categories\">Stille<\/span>\r\n                            <h3 class=\"post-teaser__headline\">\r\n                                Nach dem Beben die Stille                            <\/h3>\r\n\r\n                            <div class=\"post-teaser__excerpt\">\r\n                                <p>\r\n                                    Beim schweren Erdbeben in der T\u00fcrkei vom 6. Februar 2023 kollabierte das Iskenderuner Krankenhaus. Alican Kenar verlor dabei seine Gro\u00dfmutter. Nun versucht er, die Verantwortlichen zur Rechenschaft zu ziehen.                                <\/p>\r\n                            <\/div>\r\n\r\n                        <\/div><!-- .post-teaser__content -->\r\n                \r\n\r\n                        \r\n                        <figure class=\"post-teaser__image\">\r\n\r\n                        <img loading=\"lazy\" decoding=\"async\"  \r\n                            src=\"https:\/\/visualjournalism.de\/wp-content\/uploads\/01_Felix_Posner-2-1400x932.jpg\" \r\n                            srcset=\"https:\/\/visualjournalism.de\/wp-content\/uploads\/01_Felix_Posner-2-1400x932.jpg 1400w, https:\/\/visualjournalism.de\/wp-content\/uploads\/01_Felix_Posner-2-300x200.jpg 300w, https:\/\/visualjournalism.de\/wp-content\/uploads\/01_Felix_Posner-2-1024x681.jpg 1024w, https:\/\/visualjournalism.de\/wp-content\/uploads\/01_Felix_Posner-2-768x511.jpg 768w, https:\/\/visualjournalism.de\/wp-content\/uploads\/01_Felix_Posner-2-1536x1022.jpg 1536w, https:\/\/visualjournalism.de\/wp-content\/uploads\/01_Felix_Posner-2-1920x1278.jpg 1920w, https:\/\/visualjournalism.de\/wp-content\/uploads\/01_Felix_Posner-2-1050x699.jpg 1050w, https:\/\/visualjournalism.de\/wp-content\/uploads\/01_Felix_Posner-2-670x446.jpg 670w, https:\/\/visualjournalism.de\/wp-content\/uploads\/01_Felix_Posner-2-420x280.jpg 420w, https:\/\/visualjournalism.de\/wp-content\/uploads\/01_Felix_Posner-2-350x233.jpg 350w, https:\/\/visualjournalism.de\/wp-content\/uploads\/01_Felix_Posner-2-150x100.jpg 150w, https:\/\/visualjournalism.de\/wp-content\/uploads\/01_Felix_Posner-2.jpg 2000w\" \r\n                            width=\"1400\"  \r\n                            height=\"932\" \r\n                            alt=\"\" \r\n                            style=\"object-position: 36.85% 91.52%\"\r\n                            \/>\r\n\r\n                        <\/figure>\r\n                                            \r\n                     \r\n                    <\/a>\r\n                                        \r\n                <\/article><!--- .post-teaser-->\r\n\r\n                        <\/div><!-- .teaser-grid -->\r\n\r\n    \n\n\r\n\r\n\r\n\r\n        <div class=\"teaser-grid grid-layout--3col has-spacing--xs width--inline\">\r\n            \r\n                \r\n                <article class=\"post-teaser\">\r\n\r\n                    \r\n                        <a href=\"https:\/\/visualjournalism.de\/en\/magazine\/stille\/notunterkunfte-larm-wo-stille-wichtig-ware\/\">\r\n\r\n                    \r\n                        <div class=\"post-teaser__content\">\r\n\r\n                            <span class=\"entry-categories\">Stille<\/span>\r\n                            <h3 class=\"post-teaser__headline\">\r\n                                Notunterk\u00fcnfte: L\u00e4rm, wo Stille wichtig w\u00e4re                            <\/h3>\r\n\r\n                            <div class=\"post-teaser__excerpt\">\r\n                                <p>\r\n                                    Maryna Sviderska floh aus der Ukraine nach Deutschland. Durch ihren Aufenthalt in Gefl\u00fcchtetenunterk\u00fcnften bekam Stille f\u00fcr sie eine neue Bedeutung.                                 <\/p>\r\n                            <\/div>\r\n\r\n                        <\/div><!-- .post-teaser__content -->\r\n                \r\n\r\n                        \r\n                        <figure class=\"post-teaser__image\">\r\n\r\n                        <img loading=\"lazy\" decoding=\"async\"  \r\n                            src=\"https:\/\/visualjournalism.de\/wp-content\/uploads\/LD8B7060_Halle7-768x512.jpg\" \r\n                            srcset=\"https:\/\/visualjournalism.de\/wp-content\/uploads\/LD8B7060_Halle7-768x512.jpg 768w, https:\/\/visualjournalism.de\/wp-content\/uploads\/LD8B7060_Halle7-300x200.jpg 300w, https:\/\/visualjournalism.de\/wp-content\/uploads\/LD8B7060_Halle7-1024x683.jpg 1024w, https:\/\/visualjournalism.de\/wp-content\/uploads\/LD8B7060_Halle7-1536x1024.jpg 1536w, https:\/\/visualjournalism.de\/wp-content\/uploads\/LD8B7060_Halle7-2048x1365.jpg 2048w, https:\/\/visualjournalism.de\/wp-content\/uploads\/LD8B7060_Halle7-1920x1280.jpg 1920w, https:\/\/visualjournalism.de\/wp-content\/uploads\/LD8B7060_Halle7-1400x933.jpg 1400w, https:\/\/visualjournalism.de\/wp-content\/uploads\/LD8B7060_Halle7-1050x700.jpg 1050w, https:\/\/visualjournalism.de\/wp-content\/uploads\/LD8B7060_Halle7-670x447.jpg 670w, https:\/\/visualjournalism.de\/wp-content\/uploads\/LD8B7060_Halle7-420x280.jpg 420w, https:\/\/visualjournalism.de\/wp-content\/uploads\/LD8B7060_Halle7-350x233.jpg 350w, https:\/\/visualjournalism.de\/wp-content\/uploads\/LD8B7060_Halle7-150x100.jpg 150w\" \r\n                            width=\"768\"  \r\n                            height=\"512\" \r\n                            alt=\"\" \r\n                            style=\"object-position: 55.28% 86.6%\"\r\n                            \/>\r\n\r\n                        <\/figure>\r\n                                            \r\n                     \r\n                    <\/a>\r\n                                        \r\n                <\/article><!--- .post-teaser-->\r\n\r\n                \r\n            \r\n                \r\n                <article class=\"post-teaser\">\r\n\r\n                    \r\n                        <a href=\"https:\/\/visualjournalism.de\/en\/magazine\/stille\/die-stille-sprache\/\">\r\n\r\n                    \r\n                        <div class=\"post-teaser__content\">\r\n\r\n                            <span class=\"entry-categories\">Stille<\/span>\r\n                            <h3 class=\"post-teaser__headline\">\r\n                                Die stille Sprache                            <\/h3>\r\n\r\n                            <div class=\"post-teaser__excerpt\">\r\n                                <p>\r\n                                    Taub, aber nicht stumm: Geh\u00f6rlose Menschen m\u00fcssen t\u00e4glich mit einer lauten Welt klarkommen, in der Menschen selten versuchen, ihre Sprache zu lernen und zu verstehen. Doch warum ist die Geb\u00e4rdensprache wichtig und wie genau funktioniert sie?                                <\/p>\r\n                            <\/div>\r\n\r\n                        <\/div><!-- .post-teaser__content -->\r\n                \r\n\r\n                        \r\n                        <figure class=\"post-teaser__image\">\r\n\r\n                        <img loading=\"lazy\" decoding=\"async\"  \r\n                            src=\"https:\/\/visualjournalism.de\/wp-content\/uploads\/gebaerden-online-magazin-1-768x512.jpg\" \r\n                            srcset=\"https:\/\/visualjournalism.de\/wp-content\/uploads\/gebaerden-online-magazin-1-768x512.jpg 768w, https:\/\/visualjournalism.de\/wp-content\/uploads\/gebaerden-online-magazin-1-300x200.jpg 300w, https:\/\/visualjournalism.de\/wp-content\/uploads\/gebaerden-online-magazin-1-1024x683.jpg 1024w, https:\/\/visualjournalism.de\/wp-content\/uploads\/gebaerden-online-magazin-1-1536x1024.jpg 1536w, https:\/\/visualjournalism.de\/wp-content\/uploads\/gebaerden-online-magazin-1-2048x1366.jpg 2048w, https:\/\/visualjournalism.de\/wp-content\/uploads\/gebaerden-online-magazin-1-1920x1281.jpg 1920w, https:\/\/visualjournalism.de\/wp-content\/uploads\/gebaerden-online-magazin-1-1400x934.jpg 1400w, https:\/\/visualjournalism.de\/wp-content\/uploads\/gebaerden-online-magazin-1-1050x700.jpg 1050w, https:\/\/visualjournalism.de\/wp-content\/uploads\/gebaerden-online-magazin-1-670x447.jpg 670w, https:\/\/visualjournalism.de\/wp-content\/uploads\/gebaerden-online-magazin-1-420x280.jpg 420w, https:\/\/visualjournalism.de\/wp-content\/uploads\/gebaerden-online-magazin-1-350x233.jpg 350w, https:\/\/visualjournalism.de\/wp-content\/uploads\/gebaerden-online-magazin-1-150x100.jpg 150w\" \r\n                            width=\"768\"  \r\n                            height=\"512\" \r\n                            alt=\"\" \r\n                            style=\"object-position: 50% 50%\"\r\n                            \/>\r\n\r\n                        <\/figure>\r\n                                            \r\n                     \r\n                    <\/a>\r\n                                        \r\n                <\/article><!--- .post-teaser-->\r\n\r\n                \r\n            \r\n                \r\n                <article class=\"post-teaser\">\r\n\r\n                    \r\n                        <a href=\"https:\/\/visualjournalism.de\/en\/magazine\/stille\/und-taeglich-gruesst-das-butterbrot\/\">\r\n\r\n                    \r\n                        <div class=\"post-teaser__content\">\r\n\r\n                            <span class=\"entry-categories\">Stille<\/span>\r\n                            <h3 class=\"post-teaser__headline\">\r\n                                Und t\u00e4glich gr\u00fc\u00dft das Butterbrot                            <\/h3>\r\n\r\n                            <div class=\"post-teaser__excerpt\">\r\n                                <p>\r\n                                    Eine Hommage an das t\u00e4gliche Brot                                <\/p>\r\n                            <\/div>\r\n\r\n                        <\/div><!-- .post-teaser__content -->\r\n                \r\n\r\n                        \r\n                        <figure class=\"post-teaser__image\">\r\n\r\n                        <img loading=\"lazy\" decoding=\"async\"  \r\n                            src=\"https:\/\/visualjournalism.de\/wp-content\/uploads\/51_Jackwerth_Philip-768x768.jpg\" \r\n                            srcset=\"https:\/\/visualjournalism.de\/wp-content\/uploads\/51_Jackwerth_Philip-768x768.jpg 768w, https:\/\/visualjournalism.de\/wp-content\/uploads\/51_Jackwerth_Philip-300x300.jpg 300w, https:\/\/visualjournalism.de\/wp-content\/uploads\/51_Jackwerth_Philip-1024x1024.jpg 1024w, https:\/\/visualjournalism.de\/wp-content\/uploads\/51_Jackwerth_Philip-150x150.jpg 150w, https:\/\/visualjournalism.de\/wp-content\/uploads\/51_Jackwerth_Philip-1536x1536.jpg 1536w, https:\/\/visualjournalism.de\/wp-content\/uploads\/51_Jackwerth_Philip-2048x2048.jpg 2048w, https:\/\/visualjournalism.de\/wp-content\/uploads\/51_Jackwerth_Philip-1920x1920.jpg 1920w, https:\/\/visualjournalism.de\/wp-content\/uploads\/51_Jackwerth_Philip-1400x1400.jpg 1400w, https:\/\/visualjournalism.de\/wp-content\/uploads\/51_Jackwerth_Philip-1050x1050.jpg 1050w, https:\/\/visualjournalism.de\/wp-content\/uploads\/51_Jackwerth_Philip-670x670.jpg 670w, https:\/\/visualjournalism.de\/wp-content\/uploads\/51_Jackwerth_Philip-420x420.jpg 420w, https:\/\/visualjournalism.de\/wp-content\/uploads\/51_Jackwerth_Philip-350x350.jpg 350w, https:\/\/visualjournalism.de\/wp-content\/uploads\/51_Jackwerth_Philip-52x52.jpg 52w, https:\/\/visualjournalism.de\/wp-content\/uploads\/51_Jackwerth_Philip-68x68.jpg 68w, https:\/\/visualjournalism.de\/wp-content\/uploads\/51_Jackwerth_Philip-96x96.jpg 96w\" \r\n                            width=\"768\"  \r\n                            height=\"768\" \r\n                            alt=\"\" \r\n                            style=\"object-position: 50% 50%\"\r\n                            \/>\r\n\r\n                        <\/figure>\r\n                                            \r\n                     \r\n                    <\/a>\r\n                                        \r\n                <\/article><!--- .post-teaser-->\r\n\r\n                        <\/div><!-- .teaser-grid -->\r\n\r\n    \n\n\r\n\r\n\r\n\r\n        <div class=\"teaser-grid grid-layout--3col has-spacing--m width--inline\">\r\n            \r\n                \r\n                <article class=\"post-teaser\">\r\n\r\n                    \r\n                        <a href=\"https:\/\/visualjournalism.de\/en\/magazine\/randgebiet\/im-kofferraum-in-den-westen\/\">\r\n\r\n                    \r\n                        <div class=\"post-teaser__content\">\r\n\r\n                            <span class=\"entry-categories\">Randgebiet<\/span>\r\n                            <h3 class=\"post-teaser__headline\">\r\n                                Im Kofferraum in den Westen                            <\/h3>\r\n\r\n                            <div class=\"post-teaser__excerpt\">\r\n                                <p>\r\n                                    F\u00fcr viele nur eine Schulstunde, f\u00fcr Veronika Schneider eine lebenspr\u00e4gende Realit\u00e4t. Die Geschichte einer Frau, deren Flucht vor der Diktatur auch im Westen weiterging.                                <\/p>\r\n                            <\/div>\r\n\r\n                        <\/div><!-- .post-teaser__content -->\r\n                \r\n\r\n                        \r\n                        <figure class=\"post-teaser__image\">\r\n\r\n                        <img loading=\"lazy\" decoding=\"async\"  \r\n                            src=\"https:\/\/visualjournalism.de\/wp-content\/uploads\/Michael-Hinz-TtIC-16-768x512.jpeg\" \r\n                            srcset=\"https:\/\/visualjournalism.de\/wp-content\/uploads\/Michael-Hinz-TtIC-16-768x512.jpeg 768w, https:\/\/visualjournalism.de\/wp-content\/uploads\/Michael-Hinz-TtIC-16-300x200.jpeg 300w, https:\/\/visualjournalism.de\/wp-content\/uploads\/Michael-Hinz-TtIC-16-1024x683.jpeg 1024w, https:\/\/visualjournalism.de\/wp-content\/uploads\/Michael-Hinz-TtIC-16-1536x1024.jpeg 1536w, https:\/\/visualjournalism.de\/wp-content\/uploads\/Michael-Hinz-TtIC-16-1400x934.jpeg 1400w, https:\/\/visualjournalism.de\/wp-content\/uploads\/Michael-Hinz-TtIC-16-1050x700.jpeg 1050w, https:\/\/visualjournalism.de\/wp-content\/uploads\/Michael-Hinz-TtIC-16-670x447.jpeg 670w, https:\/\/visualjournalism.de\/wp-content\/uploads\/Michael-Hinz-TtIC-16-420x280.jpeg 420w, https:\/\/visualjournalism.de\/wp-content\/uploads\/Michael-Hinz-TtIC-16-350x233.jpeg 350w, https:\/\/visualjournalism.de\/wp-content\/uploads\/Michael-Hinz-TtIC-16-150x100.jpeg 150w, https:\/\/visualjournalism.de\/wp-content\/uploads\/Michael-Hinz-TtIC-16.jpeg 1600w\" \r\n                            width=\"768\"  \r\n                            height=\"512\" \r\n                            alt=\"SW Portr\u00e4t von Veronika Schneider, fotografiert Michael Hinz\" \r\n                            style=\"object-position: 50% 50%\"\r\n                            \/>\r\n\r\n                        <\/figure>\r\n                                            \r\n                     \r\n                    <\/a>\r\n                                        \r\n                <\/article><!--- .post-teaser-->\r\n\r\n                \r\n            \r\n                \r\n                <article class=\"post-teaser\">\r\n\r\n                    \r\n                        <a href=\"https:\/\/visualjournalism.de\/en\/magazine\/ideale\/ein-zweites-leben-fuer-baumaterialien\/\">\r\n\r\n                    \r\n                        <div class=\"post-teaser__content\">\r\n\r\n                            <span class=\"entry-categories\">Ideale<\/span>\r\n                            <h3 class=\"post-teaser__headline\">\r\n                                Ein zweites Leben f\u00fcr Baumaterialien                            <\/h3>\r\n\r\n                            <div class=\"post-teaser__excerpt\">\r\n                                <p>\r\n                                    Die Bauwirtschaft ist einer der gr\u00f6\u00dften Rohstoffverbraucher und gleichzeitig der gr\u00f6\u00dfte Abfallproduzent weltweit. Bauteil-Recycling k\u00f6nnte helfen, das Problem zu reduzieren.                                <\/p>\r\n                            <\/div>\r\n\r\n                        <\/div><!-- .post-teaser__content -->\r\n                \r\n\r\n                        \r\n                        <figure class=\"post-teaser__image\">\r\n\r\n                        <img loading=\"lazy\" decoding=\"async\"  \r\n                            src=\"https:\/\/visualjournalism.de\/wp-content\/uploads\/02-Zirkulaeres-Bauen-e1686150275965-768x961.jpeg\" \r\n                            srcset=\"https:\/\/visualjournalism.de\/wp-content\/uploads\/02-Zirkulaeres-Bauen-e1686150275965-768x961.jpeg 768w, https:\/\/visualjournalism.de\/wp-content\/uploads\/02-Zirkulaeres-Bauen-e1686150275965-240x300.jpeg 240w, https:\/\/visualjournalism.de\/wp-content\/uploads\/02-Zirkulaeres-Bauen-e1686150275965-819x1024.jpeg 819w, https:\/\/visualjournalism.de\/wp-content\/uploads\/02-Zirkulaeres-Bauen-e1686150275965-1228x1536.jpeg 1228w, https:\/\/visualjournalism.de\/wp-content\/uploads\/02-Zirkulaeres-Bauen-e1686150275965-1050x1313.jpeg 1050w, https:\/\/visualjournalism.de\/wp-content\/uploads\/02-Zirkulaeres-Bauen-e1686150275965-670x838.jpeg 670w, https:\/\/visualjournalism.de\/wp-content\/uploads\/02-Zirkulaeres-Bauen-e1686150275965-420x525.jpeg 420w, https:\/\/visualjournalism.de\/wp-content\/uploads\/02-Zirkulaeres-Bauen-e1686150275965-350x438.jpeg 350w, https:\/\/visualjournalism.de\/wp-content\/uploads\/02-Zirkulaeres-Bauen-e1686150275965-300x375.jpeg 300w, https:\/\/visualjournalism.de\/wp-content\/uploads\/02-Zirkulaeres-Bauen-e1686150275965-150x188.jpeg 150w, https:\/\/visualjournalism.de\/wp-content\/uploads\/02-Zirkulaeres-Bauen-e1686150275965.jpeg 1335w\" \r\n                            width=\"768\"  \r\n                            height=\"961\" \r\n                            alt=\"\" \r\n                            style=\"object-position: 50% 50%\"\r\n                            \/>\r\n\r\n                        <\/figure>\r\n                                            \r\n                     \r\n                    <\/a>\r\n                                        \r\n                <\/article><!--- .post-teaser-->\r\n\r\n                \r\n            \r\n                \r\n                <article class=\"post-teaser\">\r\n\r\n                    \r\n                        <a href=\"https:\/\/visualjournalism.de\/en\/magazine\/randgebiet\/nebenan-in-rosengard\/\">\r\n\r\n                    \r\n                        <div class=\"post-teaser__content\">\r\n\r\n                            <span class=\"entry-categories\">Randgebiet<\/span>\r\n                            <h3 class=\"post-teaser__headline\">\r\n                                Nebenan in Roseng\u00e5rd                            <\/h3>\r\n\r\n                            <div class=\"post-teaser__excerpt\">\r\n                                <p>\r\n                                    Im Osten Malm\u00f6s erstreckt sich Roseng\u00e5rd, einst gebaut als Antwort auf Schwedens Bev\u00f6lkerungsboom. Doch 60 Jahre sp\u00e4ter stehen solche Gro\u00dfwohnsiedlungen im Fokus sozialer Debatten.                                <\/p>\r\n                            <\/div>\r\n\r\n                        <\/div><!-- .post-teaser__content -->\r\n                \r\n\r\n                        \r\n                        <figure class=\"post-teaser__image\">\r\n\r\n                        <img loading=\"lazy\" decoding=\"async\"  \r\n                            src=\"https:\/\/visualjournalism.de\/wp-content\/uploads\/Nora_Schwarz_Rosengard_12-768x960.jpg\" \r\n                            srcset=\"https:\/\/visualjournalism.de\/wp-content\/uploads\/Nora_Schwarz_Rosengard_12-768x960.jpg 768w, https:\/\/visualjournalism.de\/wp-content\/uploads\/Nora_Schwarz_Rosengard_12-240x300.jpg 240w, https:\/\/visualjournalism.de\/wp-content\/uploads\/Nora_Schwarz_Rosengard_12-819x1024.jpg 819w, https:\/\/visualjournalism.de\/wp-content\/uploads\/Nora_Schwarz_Rosengard_12-1229x1536.jpg 1229w, https:\/\/visualjournalism.de\/wp-content\/uploads\/Nora_Schwarz_Rosengard_12-1050x1312.jpg 1050w, https:\/\/visualjournalism.de\/wp-content\/uploads\/Nora_Schwarz_Rosengard_12-670x837.jpg 670w, https:\/\/visualjournalism.de\/wp-content\/uploads\/Nora_Schwarz_Rosengard_12-420x525.jpg 420w, https:\/\/visualjournalism.de\/wp-content\/uploads\/Nora_Schwarz_Rosengard_12-350x437.jpg 350w, https:\/\/visualjournalism.de\/wp-content\/uploads\/Nora_Schwarz_Rosengard_12-300x375.jpg 300w, https:\/\/visualjournalism.de\/wp-content\/uploads\/Nora_Schwarz_Rosengard_12-150x187.jpg 150w, https:\/\/visualjournalism.de\/wp-content\/uploads\/Nora_Schwarz_Rosengard_12.jpg 1265w\" \r\n                            width=\"768\"  \r\n                            height=\"960\" \r\n                            alt=\"\" \r\n                            style=\"object-position: 50% 50%\"\r\n                            \/>\r\n\r\n                        <\/figure>\r\n                                            \r\n                     \r\n                    <\/a>\r\n                                        \r\n                <\/article><!--- .post-teaser-->\r\n\r\n                        <\/div><!-- .teaser-grid -->\r\n\r\n    \n\n\n    <div class=\"btn-wrapper has-spacing--m\">\n        <a class=\"btn\" href=\"https:\/\/visualjournalism.de\/magazin\/\" target=\"_blank\">ZUR MAGAZIN-STARTSEITE<\/a>\n    <\/div>\n<\/div>\n<\/div>\n","protected":false},"author":8,"featured_media":38083,"template":"","tags":[],"magazinkategorie":[170],"class_list":["post-30544","magazin","type-magazin","status-publish","has-post-thumbnail","hentry","magazinkategorie-stille"],"acf":[],"yoast_head":"<!-- This site is optimized with the Yoast SEO Premium plugin v27.3 (Yoast SEO v27.3) - https:\/\/yoast.com\/product\/yoast-seo-premium-wordpress\/ -->\n<title>Das Ungeh\u00f6rte f\u00fchlen &#8211; Visual Journalism and Documentary Photography<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/visualjournalism.de\/en\/magazine\/stille\/das-ungehoerte-fuehlen\/\" \/>\n<meta property=\"og:locale\" content=\"en_US\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"Das Ungeh\u00f6rte f\u00fchlen\" \/>\n<meta property=\"og:description\" content=\"Als S\u00e4ngerin einer Band erlebt Hanna eine besondere Version der Stille vor und nach ihren Auftritten. 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