{"id":75258,"date":"2025-09-25T15:34:52","date_gmt":"2025-09-25T13:34:52","guid":{"rendered":"https:\/\/visualjournalism.de\/?post_type=magazin&#038;p=75258"},"modified":"2026-11-01T00:18:27","modified_gmt":"2026-10-31T22:18:27","slug":"punk-today","status":"publish","type":"magazin","link":"https:\/\/visualjournalism.de\/en\/magazine\/what-holds-us-together\/punk-today\/","title":{"rendered":"Punk today: \u2018A cultural middle finger to the system\u2019"},"content":{"rendered":"\r\n<div class=\"cover--lead-in has-spacing--m\">\r\n\r\n    \r\n    <div class=\"cover--lead-in__content typo--tiempos\">\r\n\r\n        <div class=\"entry-categories\">\n\t<a class=\"post__tag\" href=\"https:\/\/visualjournalism.de\/en\/magazine-category\/what-holds-us-together\/\" rel=\"category tag\">What holds us together<\/a><\/div>\r\n        <h2 class=\"cover--lead-in__headline headline-size--s\">\r\n            \u2018A cultural middle finger to the system\u2019        <\/h2>\r\n\r\n                    <div class=\"cover--lead-in__text\">\r\n                <p>For some, punk is long dead; for others, it\u2019s more alive than ever: a conversation about attitude, dissent and freedom.<br \/>\n<strong>By <a href=\"https:\/\/visualjournalism.de\/en\/pha-croissant\/\">Pha Croissant<\/a> (photos and text)<\/strong><\/p>\n            <\/div>\r\n        \r\n                    <div class=\"cover--lead-in__author\">\r\n                \r\n                                <\/div><!-- .cover--lead-in__author -->\r\n        \r\n    <\/div><!-- .cover--lead-in__content -->\r\n\r\n    \r\n        <figure class=\"cover--lead-in__image cover--lead-in__media cover--lead-in__media--image\">\r\n            <img loading=\"lazy\" decoding=\"async\"\r\n                src=\"https:\/\/visualjournalism.de\/wp-content\/uploads\/03_Croissant_Pha-3-1920x1277.jpg\"\r\n                srcset=\"https:\/\/visualjournalism.de\/wp-content\/uploads\/03_Croissant_Pha-3-1920x1277.jpg 1920w, https:\/\/visualjournalism.de\/wp-content\/uploads\/03_Croissant_Pha-3-300x200.jpg 300w, https:\/\/visualjournalism.de\/wp-content\/uploads\/03_Croissant_Pha-3-1024x681.jpg 1024w, https:\/\/visualjournalism.de\/wp-content\/uploads\/03_Croissant_Pha-3-768x511.jpg 768w, https:\/\/visualjournalism.de\/wp-content\/uploads\/03_Croissant_Pha-3-1536x1022.jpg 1536w, https:\/\/visualjournalism.de\/wp-content\/uploads\/03_Croissant_Pha-3-2048x1363.jpg 2048w, https:\/\/visualjournalism.de\/wp-content\/uploads\/03_Croissant_Pha-3-1400x931.jpg 1400w, https:\/\/visualjournalism.de\/wp-content\/uploads\/03_Croissant_Pha-3-1050x699.jpg 1050w, https:\/\/visualjournalism.de\/wp-content\/uploads\/03_Croissant_Pha-3-670x446.jpg 670w, https:\/\/visualjournalism.de\/wp-content\/uploads\/03_Croissant_Pha-3-420x279.jpg 420w, https:\/\/visualjournalism.de\/wp-content\/uploads\/03_Croissant_Pha-3-350x233.jpg 350w\"\r\n                width=\"1920\"\r\n                height=\"1277\"\r\n                alt=\"\"\r\n                style=\"object-position: 49% 62.5%\"\r\n            \/>\r\n        <\/figure>\r\n\r\n        \r\n    \r\n<\/div><!-- .cover--lead-in -->\r\n\r\n\n\n\n<p class=\"post__paragraph has-spacing--m wp-block-paragraph\"><strong>Sarah, DrehNix and A. live punk<\/strong> \u2013 each in their own way, but always in the spirit of resistance and rebellion. Why do they feel connected to the scene? What does punk mean to them? And why can\u2019t punk be squeezed into one clear, uniform concept? To find answers, I met young punks. We talked about political resistance, cultural rebellion and rejecting \u2018normie society\u2019 \u2013 and with it, conformity with the capitalist system, patriarchy and discrimination.<br><br>I visited the punks in Hamburg, Berlin and Hannover. Over the decades, these cities have produced places where punk is lived, celebrated and debated. But the scene isn\u2019t only found in big cities. Punk is diverse \u2013 it exists in autonomous youth centres, squats, forests and small rehearsal rooms in rural areas. Where life is boring or the infrastructure doesn\u2019t allow for big record labels or music shows, people do it themselves. That\u2019s the DIY mentality at the heart of punk.<\/p>\n\n\n\n<div class=\"wp-block-group vj-nl-hell\"><div class=\"wp-block-html has-spacing--default\">\n<style>.vj-nl-hell{background:#f3f3f0;margin-bottom:60px;box-sizing:border-box}.wp-block-group.vj-nl-hell{margin-bottom:60px}.entry-content .wp-block-group.vj-nl-hell{width:var(--width-container--wide)}.entry-content .vj-linkseite .wp-block-group.vj-nl-hell{width:auto}.entry-content :has(+ .wp-block-group.vj-nl-hell){margin-bottom:60px!important}.entry-content .vj-studium-hinweis:has(+ .wp-block-group.vj-nl-hell) p:last-child{margin-bottom:0!important}@media (max-width:768px){.wp-block-group.vj-nl-hell{margin-bottom:45px}.entry-content .wp-block-group.vj-nl-hell{width:100%}.entry-content .vj-linkseite .wp-block-group.vj-nl-hell{width:auto}.entry-content :has(+ .wp-block-group.vj-nl-hell){margin-bottom:45px!important}}.wp-block-group.vj-nl-hell{padding:26px 36px 32px!important}@media (max-width:600px){.wp-block-group.vj-nl-hell{padding:10px 20px 15px!important}}.vj-nl-hell p.post__paragraph,.vj-nl-hell p.post__paragraph strong{color:#111!important}.vj-nl-hell .rcb-content-blocker div a:last-child{margin-bottom:5px!important}.vj-nl-hell .sib-form,.vj-nl-hell .sib-form *{font-family:Soehne_Regular,Helvetica,Arial,sans-serif!important}.vj-nl-hell .sib-form strong,.vj-nl-hell .sib-form b{font-family:Soehne_Heavy,Helvetica,Arial,sans-serif!important}.vj-nl-hell .rcb-content-blocker,.vj-nl-hell .rcb-content-blocker *{background:transparent!important;color:#111!important;font-family:Soehne_Regular,Helvetica,Arial,sans-serif!important;box-shadow:none!important;text-shadow:none!important;text-align:left!important}.vj-nl-hell .rcb-content-blocker p,.vj-nl-hell .rcb-content-blocker p+div{display:none!important}.vj-nl-hell .rcb-content-blocker div{padding:0!important;margin:0!important;border:0!important;max-width:none!important;min-height:0!important}.vj-nl-hell .rcb-content-blocker div div div div{font-size:16px!important;line-height:1.4!important;font-weight:400!important;padding-bottom:4px!important}.vj-nl-hell .rcb-content-blocker a{font-size:14px!important;color:#666!important;padding:0!important;margin:0!important}.vj-nl-hell .rcb-content-blocker div a:last-child{display:inline-block!important;border:1px solid #111!important;border-radius:999px!important;padding:10px 22px!important;margin-top:14px!important;color:#111!important;text-decoration:none!important}.vj-nl-hell .rcb-content-blocker div a:last-child:hover{background:#111!important;color:#fff!important}.vj-nl-hell .rcb-content-blocker a span{color:inherit!important;font-size:inherit!important}.vj-nl-hell p.post__paragraph{margin-left:0;margin-right:0;margin-bottom:18px!important}.vj-nl-hell p.post__paragraph:first-of-type{margin-bottom:6px!important}.vj-nl-hell .newsletter-signup,.vj-nl-hell .newsletter-signup p,.vj-nl-hell .newsletter-signup span{color:#111}.vj-nl-hell .entry__specification{color:#666!important}.vj-nl-hell .sib-form .input{background:#fff!important;color:#111!important;border:1px solid #111!important;box-shadow:none!important}.vj-nl-hell .sib-form .input::placeholder{color:#777!important}.vj-nl-hell .sib-form-block__button{background:transparent!important;color:#111!important;border:1px solid #111!important;box-shadow:none!important}.vj-nl-hell .sib-form-block__button:hover{background:#111!important;color:#fff!important}.vj-nl-hell .sib-form-block__button svg{fill:currentColor}<\/style>\n<\/div>\n\n\n<p class=\"post__paragraph is-style-typo--soehne has-spacing--xs wp-block-paragraph\"><strong>Newsletter<\/strong><\/p>\n\n\n\n<p class=\"post__paragraph is-style-typo--soehne has-spacing--xs wp-block-paragraph\">Every two weeks, one outstanding piece from our magazine \u2013 and the people behind it. 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window.LOCALE = \"en\"; window.EMAIL_INVALID_MESSAGE = window.SMS_INVALID_MESSAGE = \"The information you entered is not valid.\"; window.REQUIRED_ERROR_MESSAGE = \"This field cannot be empty.\"; window.GENERIC_INVALID_MESSAGE = \"The information you entered is not valid.\"; window.INVALID_NUMBER = \"The information you entered is not valid.\"; window.INVALID_DATE = \"Please enter a valid date.\"; window.REQUIRED_MULTISELECT_MESSAGE = \"Please select at least one option.\"; window.translation = { common: { selectedList: \"{quantity} list selected\", selectedLists: \"{quantity} lists selected\", selectedOption: \"{quantity} option selected\", selectedOptions: \"{quantity} options selected\", } }; var AUTOHIDE = Boolean(0); <\/script> <\/div><script id=\"vj-nl-loader\">(function(){var w=window,d=document,st=0,rc=0,ml=0;function ok(){var g=w.grecaptcha;return ml?(g?(typeof g.execute===\"function\"):false):false}function add(tag,at){var e=d.createElement(tag);for(var k in at)e[k]=at[k];(tag===\"link\"?d.head:d.body).appendChild(e);return e}function base(){if(st)return;st=1;add(\"link\",{rel:\"stylesheet\",href:\"https:\/\/sibforms.com\/forms\/end-form\/build\/sib-styles.css\"})}function cap(){base();if(rc)return;rc=1;add(\"script\",{src:\"https:\/\/sibforms.com\/forms\/end-form\/build\/main.js\",async:true,onload:function(){ml=1}});add(\"script\",{src:\"https:\/\/www.google.com\/recaptcha\/api.js?hl=en\",async:true})}function inForm(t){return t.closest?t.closest(\".vj-nl-hell .sib-form\"):null}var box=d.querySelector(\".vj-nl-hell .sib-form\");if(box){if(\"IntersectionObserver\" in w){var io=new IntersectionObserver(function(en){en.forEach(function(x){if(x.isIntersecting){base();io.disconnect()}})},{rootMargin:\"800px 0px\"});io.observe(box)}else base()}[\"focusin\",\"pointerdown\",\"touchstart\",\"keydown\"].forEach(function(ev){d.addEventListener(ev,function(e){if(inForm(e.target))cap()},{passive:true,capture:true})});d.addEventListener(\"submit\",function(e){var f=e.target;if(!inForm(f))return;if(ok())return;e.preventDefault();e.stopImmediatePropagation();cap();var n=0,t=setInterval(function(){n++;if(ok()){clearInterval(t);var b=f.querySelector(\"button\");if(b)b.click()}else if(n>150)clearInterval(t)},100)},true)})();<\/script>\n<\/div><\/div>\n\n\n    <figure class=\"block-photo post__image--wide-left has-spacing--m no-title\">\n\n        <div class=\"post__image__container\">\n            <img loading=\"lazy\" decoding=\"async\" \n                src=\"https:\/\/visualjournalism.de\/wp-content\/uploads\/02_Croissant_Pha-1-1050x663.jpg\"\n                srcset=\"https:\/\/visualjournalism.de\/wp-content\/uploads\/02_Croissant_Pha-1-1050x663.jpg 1050w, https:\/\/visualjournalism.de\/wp-content\/uploads\/02_Croissant_Pha-1-300x189.jpg 300w, https:\/\/visualjournalism.de\/wp-content\/uploads\/02_Croissant_Pha-1-1024x646.jpg 1024w, https:\/\/visualjournalism.de\/wp-content\/uploads\/02_Croissant_Pha-1-768x485.jpg 768w, https:\/\/visualjournalism.de\/wp-content\/uploads\/02_Croissant_Pha-1-1536x969.jpg 1536w, https:\/\/visualjournalism.de\/wp-content\/uploads\/02_Croissant_Pha-1-2048x1292.jpg 2048w, https:\/\/visualjournalism.de\/wp-content\/uploads\/02_Croissant_Pha-1-1920x1212.jpg 1920w, https:\/\/visualjournalism.de\/wp-content\/uploads\/02_Croissant_Pha-1-1400x883.jpg 1400w, https:\/\/visualjournalism.de\/wp-content\/uploads\/02_Croissant_Pha-1-670x423.jpg 670w, https:\/\/visualjournalism.de\/wp-content\/uploads\/02_Croissant_Pha-1-420x265.jpg 420w, https:\/\/visualjournalism.de\/wp-content\/uploads\/02_Croissant_Pha-1-350x221.jpg 350w, https:\/\/visualjournalism.de\/wp-content\/uploads\/02_Croissant_Pha-1-150x95.jpg 150w\"\n                width=\"1050\" \n                height=\"663\"\n                alt=\"Three young punks with individual outfits, piercings and striking make-up in front of a brick wall at night; they are laughing and seem close.\" \n            \/>\n            \n                    <\/div><!-- post__image__container -->\n\n                    <figcaption class=\"post__image__caption--soehne\"><p><strong>DrehNix and friends<\/strong> Sid and Schimmel in Berlin on their way to a bar, winter 2024<\/p>\n<\/figcaption>\n        \n    <\/figure><!-- post__image -->\n\n\n\n\n<p class=\"post__paragraph has-spacing--m wp-block-paragraph\"><strong>Punk lives, and stays alive,<\/strong> wherever people push back \u2013 loudly, awkwardly and colourfully \u2013 against conformity, exclusion and indifference. The scene is defined by individuality and by many different ideas of what punk is. Some who feel part of the punk scene are doing an apprenticeship or a degree and fit in more with social norms. Others devote themselves full-time to activism \u2013 or to none of the above.<\/p>\n\n\n\n    <div class=\"headline-block has-spacing--xs\">\n\n        <h2 class=\"post__headline\">Punk as identity<\/h2>\n\n        \n    <\/div>\n\n    \n\n\n\n\n<p class=\"post__paragraph has-spacing--s wp-block-paragraph\"><strong>A. is one of the people<\/strong> I met for this project. We got to know each other a few years ago; I no longer remember the details. In our conversations we often talked about our shared rejection of the power structures that dominate our society. When I asked A. what punk meant to her, she said: \u2018For me, punk is the cultural middle finger to the system and the conformity that comes with it. It\u2019s a way of expressing that you don\u2019t accept this absurd \u201cnormality\u201d of capitalism, domination, patriarchy, discrimination and all the shit that goes with it, that you don\u2019t want to be part of it \u2013 and of showing that openly.\u2019 Last year I asked her whether she\u2019d like to talk about how she feels as a FLINTA* person in the punk scene, because here too, as in mainstream society, FLINTA* perspectives are often overlooked or ignored. And yet punk in particular offers many FLINTA* people a space where they feel accepted and understood through music and self-expression.<\/p>\n\n\n\n<div class=\"wp-block-group has-spacing--m has-spacing--m\">\n<div class=\"devider has-spacing--none\">\n    <hr>\n<\/div>\n\n\n    <div class=\"headline-block has-spacing--xs\">\n\n        <h2 class=\"post__headline\">Related to this story<\/h2>\n\n        \n    <\/div>\n\n    \n\n\n\n\r\n\r\n\r\n\r\n        <div class=\"teaser-grid grid-layout--3col has-spacing--s width--inline\">\r\n\r\n            \r\n                <article class=\"post-teaser\">\r\n\r\n                    <a href=\"https:\/\/visualjournalism.de\/en\/magazine\/after-dark\/das-guenther-a-band-that-invents-its-songs-live\/\" rel=\"permalink\">\r\n\r\n                        <div class=\"post-teaser__content\">\r\n\r\n                            <span class=\"entry-categories\">After dark<\/span>\r\n                            <h3 class=\"post-teaser__headline\">\r\n                                \u2018Das G\u00fcnther\u2019: a band that invents its songs live                            <\/h3>\r\n\r\n                            <div class=\"post-teaser__excerpt\">\r\n                                <p>Three musicians, zero planning: how pure spontaneity creates something new every night.<\/p>\r\n                            <\/div>\r\n\r\n                        <\/div><!-- .post-teaser__content -->\r\n\r\n\r\n                        \r\n                            <figure class=\"post-teaser__image\">\r\n                                <img loading=\"lazy\" decoding=\"async\"  \r\n                                    src=\"https:\/\/visualjournalism.de\/wp-content\/uploads\/Das-Guenther2-4-1-768x614.jpg\" \r\n                                    srcset=\"https:\/\/visualjournalism.de\/wp-content\/uploads\/Das-Guenther2-4-1-768x614.jpg 768w, https:\/\/visualjournalism.de\/wp-content\/uploads\/Das-Guenther2-4-1-300x240.jpg 300w, https:\/\/visualjournalism.de\/wp-content\/uploads\/Das-Guenther2-4-1-1024x819.jpg 1024w, https:\/\/visualjournalism.de\/wp-content\/uploads\/Das-Guenther2-4-1-1536x1229.jpg 1536w, https:\/\/visualjournalism.de\/wp-content\/uploads\/Das-Guenther2-4-1-1920x1536.jpg 1920w, https:\/\/visualjournalism.de\/wp-content\/uploads\/Das-Guenther2-4-1-1400x1120.jpg 1400w, https:\/\/visualjournalism.de\/wp-content\/uploads\/Das-Guenther2-4-1-1050x840.jpg 1050w, https:\/\/visualjournalism.de\/wp-content\/uploads\/Das-Guenther2-4-1-670x536.jpg 670w, https:\/\/visualjournalism.de\/wp-content\/uploads\/Das-Guenther2-4-1-420x336.jpg 420w, https:\/\/visualjournalism.de\/wp-content\/uploads\/Das-Guenther2-4-1-350x280.jpg 350w, https:\/\/visualjournalism.de\/wp-content\/uploads\/Das-Guenther2-4-1-150x120.jpg 150w, https:\/\/visualjournalism.de\/wp-content\/uploads\/Das-Guenther2-4-1.jpg 2000w\" \r\n                                    width=\"768\"  \r\n                                    height=\"614\" \r\n                                    alt=\"Wearing oversized neon-green glasses, Alex, the voice of \u2018Das G\u00fcnther\u2019, sits in front of us and looks into the camera.\"\r\n                                \/>\r\n                            <\/figure>\r\n\r\n                        \r\n                    \r\n                    <\/a>\r\n\r\n                <\/article><!--- .post-teaser-->\r\n\r\n            \r\n                <article class=\"post-teaser\">\r\n\r\n                    <a href=\"https:\/\/visualjournalism.de\/en\/magazine\/ideals\/koch-areal-portrait-of-a-displacement\/\" rel=\"permalink\">\r\n\r\n                        <div class=\"post-teaser__content\">\r\n\r\n                            <span class=\"entry-categories\">Ideals<\/span>\r\n                            <h3 class=\"post-teaser__headline\">\r\n                                Portrait of a displacement                            <\/h3>\r\n\r\n                            <div class=\"post-teaser__excerpt\">\r\n                                <p>Vivid graffiti, buzzing events \u2013 the Koch-Areal in Zurich was an alternative place to live. Its eviction sparked a debate about community and gentrification.<\/p>\r\n                            <\/div>\r\n\r\n                        <\/div><!-- .post-teaser__content -->\r\n\r\n\r\n                        \r\n                            <figure class=\"post-teaser__image\">\r\n                                <img loading=\"lazy\" decoding=\"async\"  \r\n                                    src=\"https:\/\/visualjournalism.de\/wp-content\/uploads\/19-768x509.jpg\" \r\n                                    srcset=\"https:\/\/visualjournalism.de\/wp-content\/uploads\/19-768x509.jpg 768w, https:\/\/visualjournalism.de\/wp-content\/uploads\/19-300x199.jpg 300w, https:\/\/visualjournalism.de\/wp-content\/uploads\/19-1024x679.jpg 1024w, https:\/\/visualjournalism.de\/wp-content\/uploads\/19-1536x1019.jpg 1536w, https:\/\/visualjournalism.de\/wp-content\/uploads\/19-2048x1359.jpg 2048w, https:\/\/visualjournalism.de\/wp-content\/uploads\/19-1920x1274.jpg 1920w, https:\/\/visualjournalism.de\/wp-content\/uploads\/19-1400x929.jpg 1400w, https:\/\/visualjournalism.de\/wp-content\/uploads\/19-1050x697.jpg 1050w, https:\/\/visualjournalism.de\/wp-content\/uploads\/19-670x444.jpg 670w, https:\/\/visualjournalism.de\/wp-content\/uploads\/19-420x279.jpg 420w, https:\/\/visualjournalism.de\/wp-content\/uploads\/19-350x232.jpg 350w, https:\/\/visualjournalism.de\/wp-content\/uploads\/19-150x100.jpg 150w\" \r\n                                    width=\"768\"  \r\n                                    height=\"509\" \r\n                                    alt=\"Black-and-white photo: a resident stands in the doorway of a communal kitchen full of plants on the squatted Koch-Areal in Zurich\"\r\n                                \/>\r\n                            <\/figure>\r\n\r\n                        \r\n                    \r\n                    <\/a>\r\n\r\n                <\/article><!--- .post-teaser-->\r\n\r\n            \r\n                <article class=\"post-teaser\">\r\n\r\n                    <a href=\"https:\/\/visualjournalism.de\/en\/magazine\/collecting\/habibi-funk\/\" rel=\"permalink\">\r\n\r\n                        <div class=\"post-teaser__content\">\r\n\r\n                            <span class=\"entry-categories\">Collecting<\/span>\r\n                            <h3 class=\"post-teaser__headline\">\r\n                                Habibi Funk: on exploitation and musical heritage                            <\/h3>\r\n\r\n                            <div class=\"post-teaser__excerpt\">\r\n                                <p>What does cultural responsibility mean in the music business? A Berlin label is giving forgotten Arabic music a stage \u2013 and asking who that heritage belongs to.<\/p>\r\n                            <\/div>\r\n\r\n                        <\/div><!-- .post-teaser__content -->\r\n\r\n\r\n                        \r\n                            <figure class=\"post-teaser__image\">\r\n                                <img loading=\"lazy\" decoding=\"async\"  \r\n                                    src=\"https:\/\/visualjournalism.de\/wp-content\/uploads\/DSC04407-768x512.jpg\" \r\n                                    srcset=\"https:\/\/visualjournalism.de\/wp-content\/uploads\/DSC04407-768x512.jpg 768w, https:\/\/visualjournalism.de\/wp-content\/uploads\/DSC04407-300x200.jpg 300w, https:\/\/visualjournalism.de\/wp-content\/uploads\/DSC04407-1024x683.jpg 1024w, https:\/\/visualjournalism.de\/wp-content\/uploads\/DSC04407-1536x1024.jpg 1536w, https:\/\/visualjournalism.de\/wp-content\/uploads\/DSC04407-2048x1365.jpg 2048w, https:\/\/visualjournalism.de\/wp-content\/uploads\/DSC04407-1920x1280.jpg 1920w, https:\/\/visualjournalism.de\/wp-content\/uploads\/DSC04407-1400x933.jpg 1400w, https:\/\/visualjournalism.de\/wp-content\/uploads\/DSC04407-1050x700.jpg 1050w, https:\/\/visualjournalism.de\/wp-content\/uploads\/DSC04407-670x447.jpg 670w, https:\/\/visualjournalism.de\/wp-content\/uploads\/DSC04407-420x280.jpg 420w, https:\/\/visualjournalism.de\/wp-content\/uploads\/DSC04407-350x233.jpg 350w, https:\/\/visualjournalism.de\/wp-content\/uploads\/DSC04407-150x100.jpg 150w\" \r\n                                    width=\"768\"  \r\n                                    height=\"512\" \r\n                                    alt=\"\"\r\n                                \/>\r\n                            <\/figure>\r\n\r\n                        \r\n                    \r\n                    <\/a>\r\n\r\n                <\/article><!--- .post-teaser-->\r\n\r\n            \r\n        <\/div><!-- .teaser-grid -->\r\n\r\n\n<\/div>\n\n\n\n \n\n    <div id=\"accordion-block_50c1c17a43f4d6e61936088cad6459fe\" class=\"accordion has-spacing--m\">\n        <div class=\"accordion__title\">\n            <h5>The term FLINTA*<\/h5>\n            <span><\/span>\n        <\/div>\n\n        <div class=\"accordion__text\">\n         <p><strong>The German term FLINTA*<\/strong> (\u2018women, lesbians, inter*, non-binary, trans* and agender people\u2019) above all makes the social dimension of gender visible. The asterisk (*) is a placeholder for other gender identities and sexual orientations that don\u2019t conform to the patriarchal norm. Because of their gender and\/or sexual identity, FLINTA* people face discrimination in a male-dominated society.<\/p>\n        <\/div>\n    <\/div>\n\n\n\n    <figure class=\"block-photo post__image--wide-left has-spacing--m no-title\">\n\n        <div class=\"post__image__container\">\n            <img loading=\"lazy\" decoding=\"async\" \n                src=\"https:\/\/visualjournalism.de\/wp-content\/uploads\/33_Croissant_Pha-1-1050x713.jpg\"\n                srcset=\"https:\/\/visualjournalism.de\/wp-content\/uploads\/33_Croissant_Pha-1-1050x713.jpg 1050w, https:\/\/visualjournalism.de\/wp-content\/uploads\/33_Croissant_Pha-1-300x204.jpg 300w, https:\/\/visualjournalism.de\/wp-content\/uploads\/33_Croissant_Pha-1-1024x695.jpg 1024w, https:\/\/visualjournalism.de\/wp-content\/uploads\/33_Croissant_Pha-1-768x521.jpg 768w, https:\/\/visualjournalism.de\/wp-content\/uploads\/33_Croissant_Pha-1-1536x1043.jpg 1536w, https:\/\/visualjournalism.de\/wp-content\/uploads\/33_Croissant_Pha-1-2048x1391.jpg 2048w, https:\/\/visualjournalism.de\/wp-content\/uploads\/33_Croissant_Pha-1-1920x1304.jpg 1920w, https:\/\/visualjournalism.de\/wp-content\/uploads\/33_Croissant_Pha-1-1400x951.jpg 1400w, https:\/\/visualjournalism.de\/wp-content\/uploads\/33_Croissant_Pha-1-670x455.jpg 670w, https:\/\/visualjournalism.de\/wp-content\/uploads\/33_Croissant_Pha-1-420x285.jpg 420w, https:\/\/visualjournalism.de\/wp-content\/uploads\/33_Croissant_Pha-1-350x238.jpg 350w, https:\/\/visualjournalism.de\/wp-content\/uploads\/33_Croissant_Pha-1-150x102.jpg 150w\"\n                width=\"1050\" \n                height=\"713\"\n                alt=\"A person in a mask and dark clothes sits on a fallen tree trunk among tall bare trees in a wintry landscape.\" \n            \/>\n            \n                    <\/div><!-- post__image__container -->\n\n                    <figcaption class=\"post__image__caption--soehne\"><p><strong>For A., punk is existential:<\/strong> \u2018Punk isn\u2019t part of my identity. Punk makes it possible for me to live my own identity \u2013 here I can be who I am, connected to my political ideals. I don\u2019t find that in any other subculture or scene.\u2019<\/p>\n<\/figcaption>\n        \n    <\/figure><!-- post__image -->\n\n\n\n\n    <div class=\"headline-block has-spacing--xs\">\n\n        <h2 class=\"post__headline\">\u2018Alte M\u00e4nner\u2019 (\u2018Old Men\u2019)<\/h2>\n\n        \n    <\/div>\n\n    \n\n\n\n\n<p class=\"post__paragraph has-spacing--m wp-block-paragraph\">At first glance, punk seems to be dominated by \u2018old white machos\u2019. History shows that this isn\u2019t true. Punk has been shaped by queer-feminist voices, and the scene is diverse, made up of many different lived realities. Queer-feminist struggles and the rejection of the patriarchal system are part of punk.<br><br>Punk came to Germany from England in the late 1970s and early 1980s. Around that time, the all-female punk band \u00d6stro 430 was formed in D\u00fcsseldorf \u2013 one of the best-known feminist bands in German punk. They were a counterpoint to the mostly male-dominated bands, and they still make feminist punk today. They take up central feminist themes such as the politicisation of the private and the everyday. On their 2023 album \u2018Punkrock nach Hausfrauenart\u2019 (\u2018Punk rock, housewife-style\u2019), songs such as \u2018Alte M\u00e4nner\u2019 make provocative statements.<\/p>\n\n\n\n<div class=\"devider has-spacing--none\">\n    <hr>\n<\/div>\n\n\r\n \r\n    \r\n    <div id=\"quote-block_2f4feb8b5277ce583b31baab9696d232\" class=\"block-quote has-spacing--m\">\r\n        <figure class=\"quote\">\r\n            <blockquote>\r\n                <p><strong>\u2018Old men start wars\u2019<\/strong> \u2013 so begins \u2018Alte M\u00e4nner\u2019 by \u00d6stro 430, a song that goes on to name Putin, Trump and Erdo\u011fan.<\/p>\n            <\/blockquote>\r\n\r\n            <figcaption>\r\n\r\n                            <img loading=\"lazy\" decoding=\"async\" class=\"portrait--inline\" src=\"https:\/\/visualjournalism.de\/wp-content\/uploads\/Oestro430-52x52.jpg\" width=\"52\" height=\"52\" alt=\"\" \/>\r\n                            <span>\u00d6stro 430<\/span>\r\n            <\/figcaption>\r\n            \r\n        <\/figure>\r\n    <\/div>\r\n\r\n\n\n    <figure class=\"block-photo post__image--wide-left has-spacing--m no-title\">\n\n        <div class=\"post__image__container\">\n            <img loading=\"lazy\" decoding=\"async\" \n                src=\"https:\/\/visualjournalism.de\/wp-content\/uploads\/04_Croissant_Phajpg-1050x711.jpg\"\n                srcset=\"https:\/\/visualjournalism.de\/wp-content\/uploads\/04_Croissant_Phajpg-1050x711.jpg 1050w, https:\/\/visualjournalism.de\/wp-content\/uploads\/04_Croissant_Phajpg-300x203.jpg 300w, https:\/\/visualjournalism.de\/wp-content\/uploads\/04_Croissant_Phajpg-1024x693.jpg 1024w, https:\/\/visualjournalism.de\/wp-content\/uploads\/04_Croissant_Phajpg-768x520.jpg 768w, https:\/\/visualjournalism.de\/wp-content\/uploads\/04_Croissant_Phajpg-1536x1039.jpg 1536w, https:\/\/visualjournalism.de\/wp-content\/uploads\/04_Croissant_Phajpg-2048x1386.jpg 2048w, https:\/\/visualjournalism.de\/wp-content\/uploads\/04_Croissant_Phajpg-1920x1299.jpg 1920w, https:\/\/visualjournalism.de\/wp-content\/uploads\/04_Croissant_Phajpg-1400x947.jpg 1400w, https:\/\/visualjournalism.de\/wp-content\/uploads\/04_Croissant_Phajpg-670x453.jpg 670w, https:\/\/visualjournalism.de\/wp-content\/uploads\/04_Croissant_Phajpg-420x284.jpg 420w, https:\/\/visualjournalism.de\/wp-content\/uploads\/04_Croissant_Phajpg-350x237.jpg 350w, https:\/\/visualjournalism.de\/wp-content\/uploads\/04_Croissant_Phajpg-150x102.jpg 150w\"\n                width=\"1050\" \n                height=\"711\"\n                alt=\"Three people: in the foreground one plays the guitar, to the right another looks at their phone, and in the background a third stands smoking.\" \n            \/>\n            \n                    <\/div><!-- post__image__container -->\n\n                    <figcaption class=\"post__image__caption--soehne\"><p><strong>Stummel, D\u00fcbeldi,<\/strong> Ameise at the protest camp on Sylt, 2024.<\/p>\n<\/figcaption>\n        \n    <\/figure><!-- post__image -->\n\n\n\n\n<p class=\"post__paragraph has-spacing--m wp-block-paragraph\"><strong>Queer-feminist voices<\/strong> <strong>in punk music<\/strong> give a melody to a feminism that fights the oppression of queer lives and pushes back against a heteronormative world and binary systems. They first emerged in the 1980s in \u2018queercore\u2019. This strand of punk, which came from the US, addresses the discrimination faced by LGBTQ+ people and people of colour. Queer feminism is a strand of feminism that fights the oppression of women and queer lives. It goes hand in hand with rebelling against a heteronormative world and binary systems. The heteronorm rests on the binary assumption that there are only two fixed sexes and therefore only two gender identities (male and female). It follows that attraction and relationships are only possible between these two genders. In this logic, men and women complement each other in exclusive romantic couples.<br><br>In an <a href=\"https:\/\/www.underdog-fanzine.de\/2018\/03\/20\/queer-feminist-punk-an-anti-social-history\/?srsltid=AfmBOooF-tjIo3tTcUZWtuGudAtVJI0a7YcLyyEbpP2lzDnySYNDrjmJ\" target=\"_blank\" rel=\"noreferrer noopener\">interview with the punk magazine Underdog (2018)<\/a>, Dr Maria Katharina Wiedlack points to the link between punk\u2019s anti-capitalist stance and queer-feminist approaches. She stresses that capitalism is built on exploiting many marginalised groups for the benefit of a few, mostly white men. This isn\u2019t just a theoretical reading of a many-layered punk scene; it is reflected in the real experiences of people in it.<\/p>\n\n\n\n        <figure class=\"post-image--cover has-spacing--m\">\n\n            <img decoding=\"async\" src=\"https:\/\/visualjournalism.de\/wp-content\/uploads\/04_Croissant_Pha-scaled.jpg\"  alt=\"A seagull flies against a cloudy blue sky.\" \/>\n            \n            \n        <\/figure><!-- post-image--cover -->\n\n    \n\n\n\n    <div class=\"headline-block has-spacing--xs\">\n\n        <h2 class=\"post__headline\">Neurodivergent, queer, left-wing<\/h2>\n\n        \n    <\/div>\n\n    \n\n\n\n\n<p class=\"post__paragraph has-spacing--m wp-block-paragraph\">Another person I talked to about punk and lived realities is DrehNix. We first met at the \u2018action days\u2019 \u2013 also known as the \u2018Chaostage\u2019, or chaos days \u2013 on Sylt in 2024. The self-styled \u2018rabble\u2019 had come to the island for the third year running and set up camp on the festival meadow in Tinnum. With it, the \u2018Aktion Sylt\u2019 initiative wants to protest against social injustice. DrehNix and I shared a deep irritation at the unpleasantly domineering behaviour of some \u2018machos\u2019 in the punk scene.<br><br>Asked what originally drew DrehNix to punk, DrehNix said it had been a gradual process. DrehNix describes always having been different: \u2018neurodivergent, queer, left-wing, thinking \u201cdifferently\u201d, looking \u201cdifferent\u201d. Always too loud or too quiet, too much or too little, too colourful or too grey, too creative or too monotonous.\u2019 DrehNix had never fitted in anywhere. \u2018Understimulated by all the \u201cnormies\u201d and their ideas about life, but at the same time overstimulated by the flood of expectations and the hustle and bustle of the \u201cnormal\u201d world.\u2019<\/p>\n\n\n    <figure class=\"block-photo post__image--wide-left has-spacing--s no-title\">\n\n        <div class=\"post__image__container\">\n            <img loading=\"lazy\" decoding=\"async\" \n                src=\"https:\/\/visualjournalism.de\/wp-content\/uploads\/07_Croissant_Pha-1050x633.jpg\"\n                srcset=\"https:\/\/visualjournalism.de\/wp-content\/uploads\/07_Croissant_Pha-1050x633.jpg 1050w, https:\/\/visualjournalism.de\/wp-content\/uploads\/07_Croissant_Pha-300x181.jpg 300w, https:\/\/visualjournalism.de\/wp-content\/uploads\/07_Croissant_Pha-1024x617.jpg 1024w, https:\/\/visualjournalism.de\/wp-content\/uploads\/07_Croissant_Pha-768x463.jpg 768w, https:\/\/visualjournalism.de\/wp-content\/uploads\/07_Croissant_Pha-1536x926.jpg 1536w, https:\/\/visualjournalism.de\/wp-content\/uploads\/07_Croissant_Pha-2048x1235.jpg 2048w, https:\/\/visualjournalism.de\/wp-content\/uploads\/07_Croissant_Pha-1920x1158.jpg 1920w, https:\/\/visualjournalism.de\/wp-content\/uploads\/07_Croissant_Pha-1400x844.jpg 1400w, https:\/\/visualjournalism.de\/wp-content\/uploads\/07_Croissant_Pha-670x404.jpg 670w, https:\/\/visualjournalism.de\/wp-content\/uploads\/07_Croissant_Pha-420x253.jpg 420w, https:\/\/visualjournalism.de\/wp-content\/uploads\/07_Croissant_Pha-350x211.jpg 350w, https:\/\/visualjournalism.de\/wp-content\/uploads\/07_Croissant_Pha-150x90.jpg 150w\"\n                width=\"1050\" \n                height=\"633\"\n                alt=\"Portrait of a person in yellowish light with striking eye make-up.\" \n            \/>\n            \n                    <\/div><!-- post__image__container -->\n\n                    <figcaption class=\"post__image__caption--soehne\"><p>\u2018<strong>At last I felt<\/strong> I had arrived, that I was allowed to be who I am.\u2019<\/p>\n<\/figcaption>\n        \n    <\/figure><!-- post__image -->\n\n\n\n\n<p class=\"post__paragraph has-spacing--s wp-block-paragraph\">DrehNix describes how school in particular left little room for working out who they were. There was a constant feeling of being trapped in a control-obsessed system, of having to obey orders and \u2018keep your gob shut\u2019: \u2018Bound by time pressure, unrealistic expectations, grey people with grey lives and identities. Bossed around by unhappy, boring people with no prospects in a room full of unhappy, boring people with no prospects. Anyone who broke out, any individuality or creativity, was nipped in the bud as bad behaviour. I never fitted in.\u2019<\/p>\n\n\n\n<div class=\"devider has-spacing--none\">\n    <hr>\n<\/div>\n\n\r\n \r\n    \r\n    <div id=\"quote-block_962b82f9bd8cc666d2451c796702b4cd\" class=\"block-quote has-spacing--s\">\r\n        <figure class=\"quote\">\r\n            <blockquote>\r\n                <p><strong>A colourful, loud,<\/strong> open group: punks.<\/p>\n            <\/blockquote>\r\n\r\n            <figcaption class=\"without-author-image\">\r\n\r\n                            <span><\/span>\r\n            <\/figcaption>\r\n            \r\n        <\/figure>\r\n    <\/div>\r\n\r\n\n\n\n<p class=\"post__paragraph has-spacing--m wp-block-paragraph\">But a lot changed once DrehNix had left the \u2018shitty institution\u2019 \u2013 school. \u2018I decided to finally choose my own social circle and to dress, do my make-up and act the way I really am.\u2019 By chance, DrehNix got to know the punk \u2018Schimmel\u2019. They met in an antifa group they had both joined and became friends. In 2023 they went to the \u2018Chaostage\u2019 on Sylt together. There DrehNix met their current group of friends: \u2018a colourful, loud, open group: punks. At last I felt I had arrived, that I was allowed to be who I am. Nobody judged me for what I did, how I looked, how I thought \u2013 for being me.\u2019<\/p>\n\n\n\n    <div class=\"headline-block has-spacing--xs\">\n\n        <h2 class=\"post__headline\">Punk in the family<\/h2>\n\n        \n    <\/div>\n\n    \n\n\n\n\n<p class=\"post__paragraph has-spacing--m wp-block-paragraph\">Sarah\u2019s first contact with punk was different. She is in her early twenties and training as a hairdresser in Hamburg. We met in 2023 at a small punk rock festival, where she had come with her father and friends. She grew up with the subculture through her father, a punk himself. She told me that he passed on its values to her \u2013 tolerance, openness and anti-fascism.<br><br>The village where she grew up was intolerant and steeped in right-wing ideas. Back then she couldn\u2019t find her place in society. That changed when she started going to punk festivals and gigs. There she realised: \u2018These are my people, who take me as I am \u2013 and whom I love. I love the open, tolerant attitude of the people, and definitely the music.\u2019<\/p>\n\n\n \n\n<div class=\"photo-grid grid-layout--2col-4 has-spacing--m\">\n\n            \n\n            <div class=\"photo-grid__image\">\n\n                <figure>\n\n                    <img loading=\"lazy\" decoding=\"async\"  \n                        src=\"https:\/\/visualjournalism.de\/wp-content\/uploads\/28_Croissant_Pha-1-768x475.jpg\" \n                        srcset=\"https:\/\/visualjournalism.de\/wp-content\/uploads\/28_Croissant_Pha-1-768x475.jpg 768w, https:\/\/visualjournalism.de\/wp-content\/uploads\/28_Croissant_Pha-1-300x186.jpg 300w, https:\/\/visualjournalism.de\/wp-content\/uploads\/28_Croissant_Pha-1-1024x633.jpg 1024w, https:\/\/visualjournalism.de\/wp-content\/uploads\/28_Croissant_Pha-1-1536x950.jpg 1536w, https:\/\/visualjournalism.de\/wp-content\/uploads\/28_Croissant_Pha-1-2048x1266.jpg 2048w, https:\/\/visualjournalism.de\/wp-content\/uploads\/28_Croissant_Pha-1-1920x1187.jpg 1920w, https:\/\/visualjournalism.de\/wp-content\/uploads\/28_Croissant_Pha-1-1400x866.jpg 1400w, https:\/\/visualjournalism.de\/wp-content\/uploads\/28_Croissant_Pha-1-1050x649.jpg 1050w, https:\/\/visualjournalism.de\/wp-content\/uploads\/28_Croissant_Pha-1-670x414.jpg 670w, https:\/\/visualjournalism.de\/wp-content\/uploads\/28_Croissant_Pha-1-420x260.jpg 420w, https:\/\/visualjournalism.de\/wp-content\/uploads\/28_Croissant_Pha-1-350x216.jpg 350w, https:\/\/visualjournalism.de\/wp-content\/uploads\/28_Croissant_Pha-1-150x93.jpg 150w\" \n                        width=\"768\"  \n                        height=\"475\" \n                        alt=\"A person seen from behind in a black leather jacket with the word \u2018Razzia\u2019 in large white letters.\"  \n                    \/>\n\n                    \n                                            <figcaption class=\"photo-grid__image__caption--soehne\"><p><strong>Sarah grew up<\/strong> with the subculture through her father, a punk himself.<\/p>\n<\/figcaption>\n                    \n                <\/figure>\n\n            <\/div><!-- photo-grid__image -->    \n\n\n            \n\n                    \n                \n\n            <div class=\"photo-grid__image\">\n\n                <figure>\n\n                    <img loading=\"lazy\" decoding=\"async\"  \n                        src=\"https:\/\/visualjournalism.de\/wp-content\/uploads\/29_Croissant_Pha-768x1238.jpg\" \n                        srcset=\"https:\/\/visualjournalism.de\/wp-content\/uploads\/29_Croissant_Pha-768x1238.jpg 768w, https:\/\/visualjournalism.de\/wp-content\/uploads\/29_Croissant_Pha-186x300.jpg 186w, https:\/\/visualjournalism.de\/wp-content\/uploads\/29_Croissant_Pha-635x1024.jpg 635w, https:\/\/visualjournalism.de\/wp-content\/uploads\/29_Croissant_Pha-953x1536.jpg 953w, https:\/\/visualjournalism.de\/wp-content\/uploads\/29_Croissant_Pha-1270x2048.jpg 1270w, https:\/\/visualjournalism.de\/wp-content\/uploads\/29_Croissant_Pha-1400x2257.jpg 1400w, https:\/\/visualjournalism.de\/wp-content\/uploads\/29_Croissant_Pha-1050x1693.jpg 1050w, https:\/\/visualjournalism.de\/wp-content\/uploads\/29_Croissant_Pha-670x1080.jpg 670w, https:\/\/visualjournalism.de\/wp-content\/uploads\/29_Croissant_Pha-420x677.jpg 420w, https:\/\/visualjournalism.de\/wp-content\/uploads\/29_Croissant_Pha-350x564.jpg 350w, https:\/\/visualjournalism.de\/wp-content\/uploads\/29_Croissant_Pha-300x484.jpg 300w, https:\/\/visualjournalism.de\/wp-content\/uploads\/29_Croissant_Pha-150x242.jpg 150w, https:\/\/visualjournalism.de\/wp-content\/uploads\/29_Croissant_Pha-scaled.jpg 1588w\" \n                        width=\"768\"  \n                        height=\"1238\" \n                        alt=\"\"  \n                    \/>\n\n                    \n                                            <figcaption class=\"photo-grid__image__caption--soehne\"><p>\u2018<strong>These are my people,<\/strong> who take me as I am \u2013 and whom I love.\u2019<\/p>\n<\/figcaption>\n                    \n                <\/figure>\n\n            <\/div><!-- photo-grid__image -->    \n\n\n            \n\n            \n<\/div>\n\n\n    <div class=\"headline-block has-spacing--xs\">\n\n        <h2 class=\"post__headline\">\u2018Smack in the gob!\u2019<\/h2>\n\n        \n    <\/div>\n\n    \n\n\n\n\n<p class=\"post__paragraph has-spacing--m wp-block-paragraph\">For many, the punk subculture stands for freedom, self-determination and breaking free of social constraints. But however idealistic this self-image may be, in reality this freedom doesn\u2019t automatically go hand in hand with respect and solidarity for everyone. Within the punk scene too \u2013 much as in society as a whole \u2013 there are problems such as discrimination and abusive behaviour that contradict the ideals of tolerance and equality.<br><br>A. thinks the scene often fails to live up to its own standards. Punk music, she says, often turns middle-class and sells out. Solidarity is often just empty words. \u2018\u201cPunk is dead!\u201d \u2013 you hear that a lot. The days of the \u201980s and \u201990s are over, but lots of people are still stuck there in their heads. Sure, the scene has got smaller, but it has also changed \u2013 which is completely normal. Many people don\u2019t want to accept that, so they constantly moan and try to deny that punks of the new generation are real punks. Just sad.\u2019<\/p>\n\n\n\n        <figure class=\"post-image--cover has-spacing--m\">\n\n            <img decoding=\"async\" src=\"https:\/\/visualjournalism.de\/wp-content\/uploads\/08_Croissant_Phajpg-scaled.jpg\"  alt=\"Close-up of an outfit with an eye-catching belt made of metal balls.\" \/>\n            \n            \n        <\/figure><!-- post-image--cover -->\n\n    \n\n\n\n<p class=\"post__paragraph has-spacing--m wp-block-paragraph\">I asked A. how she experiences the scene as a FLINTA* person. She said the attitude \u2018I don\u2019t give a shit what your gender or sexuality is!\u2019 is common. At first that sounds \u2018pretty great\u2019. A. is agender, and acceptance of that sadly can\u2019t always be taken for granted. The queer punk faction does have this attitude, she says, but unfortunately that\u2019s the exception. \u2018Patriarchy and a lack of understanding of trans people\u2019s lived reality are almost as widespread in the punk scene as in mainstream society. It\u2019s getting better, but shirtless machos, misgendering and sexual assaults are sadly not uncommon.\u2019<br><br>Sarah, on the other hand, sees the scene as a comparatively safe place. She says she experiences abusive behaviour far more often outside the punk subculture. Within the scene, there are at least serious efforts to stamp it out. However, boundary-crossing behaviour often goes along with the heavier drug use in the scene, and there are often structures in which perpetrators are protected or covered for.<br><br>In the end, A. calls for a clear stance: \u2018As a scene, we need to recognise the problems I\u2019ve described and face up to them. In my view, that means the scene needs to be re-politicised and, to some extent, reinvented. Old white cis men bawling Toten Hosen songs while pissed \u2013 smack in the gob!\u2019<\/p>\n\n\n\n<div class=\"wp-block-group vj-studium-hinweis has-spacing--default\">\n<div class=\"devider has-spacing--none\">\n    <hr>\n<\/div>\n\n\n<p class=\"post__paragraph is-style-typo--soehne has-spacing--m wp-block-paragraph\">Created in the Visual Journalism and Documentary Photography programme at Hochschule Hannover. <a href=\"https:\/\/visualjournalism.de\/en\/programme\/\">About the programme<\/a> \u00b7 <a href=\"https:\/\/visualjournalism.de\/en\/portfolio-review\/\">Portfolio review<\/a><\/p>\n<\/div>\n\n\n\n<div class=\"wp-block-group has-spacing--default has-spacing--default\">\n<div class=\"devider has-spacing--none\">\n    <hr>\n<\/div>\n\n\n    <div class=\"headline-block has-spacing--xs\">\n\n        <h2 class=\"post__headline\">Recommended by the editors<\/h2>\n\n        \n    <\/div>\n\n    \n\n\n\n\r\n\r\n\r\n\r\n        <div class=\"teaser-grid grid-layout--3col has-spacing--s width--inline\">\r\n\r\n            \r\n                <article class=\"post-teaser\">\r\n\r\n                    <a href=\"https:\/\/visualjournalism.de\/en\/magazine\/water\/lake-neusiedl-tracing-the-salt-pans\/\" rel=\"permalink\">\r\n\r\n                        <div class=\"post-teaser__content\">\r\n\r\n                            <span class=\"entry-categories\">Water<\/span>\r\n                            <h3 class=\"post-teaser__headline\">\r\n                                Lake Neusiedl: tracing the salt pans                            <\/h3>\r\n\r\n                            <div class=\"post-teaser__excerpt\">\r\n                                <p>In 2022 Austria\u2019s largest lake was at risk of drying up for the first time in 150 years. Our photographer Florian Sulzer investigated the causes.<\/p>\r\n                            <\/div>\r\n\r\n                        <\/div><!-- .post-teaser__content -->\r\n\r\n\r\n                        \r\n                            <figure class=\"post-teaser__image\">\r\n                                <img loading=\"lazy\" decoding=\"async\"  \r\n                                    src=\"https:\/\/visualjournalism.de\/wp-content\/uploads\/Sulzer-Florian_Hoda-eh-wieda-Wossa-21-768x614.jpg\" \r\n                                    srcset=\"https:\/\/visualjournalism.de\/wp-content\/uploads\/Sulzer-Florian_Hoda-eh-wieda-Wossa-21-768x614.jpg 768w, https:\/\/visualjournalism.de\/wp-content\/uploads\/Sulzer-Florian_Hoda-eh-wieda-Wossa-21-300x240.jpg 300w, https:\/\/visualjournalism.de\/wp-content\/uploads\/Sulzer-Florian_Hoda-eh-wieda-Wossa-21-1024x819.jpg 1024w, https:\/\/visualjournalism.de\/wp-content\/uploads\/Sulzer-Florian_Hoda-eh-wieda-Wossa-21-1536x1229.jpg 1536w, https:\/\/visualjournalism.de\/wp-content\/uploads\/Sulzer-Florian_Hoda-eh-wieda-Wossa-21-2048x1638.jpg 2048w, https:\/\/visualjournalism.de\/wp-content\/uploads\/Sulzer-Florian_Hoda-eh-wieda-Wossa-21-1920x1536.jpg 1920w, https:\/\/visualjournalism.de\/wp-content\/uploads\/Sulzer-Florian_Hoda-eh-wieda-Wossa-21-1400x1120.jpg 1400w, https:\/\/visualjournalism.de\/wp-content\/uploads\/Sulzer-Florian_Hoda-eh-wieda-Wossa-21-1050x840.jpg 1050w, https:\/\/visualjournalism.de\/wp-content\/uploads\/Sulzer-Florian_Hoda-eh-wieda-Wossa-21-670x536.jpg 670w, https:\/\/visualjournalism.de\/wp-content\/uploads\/Sulzer-Florian_Hoda-eh-wieda-Wossa-21-420x336.jpg 420w, https:\/\/visualjournalism.de\/wp-content\/uploads\/Sulzer-Florian_Hoda-eh-wieda-Wossa-21-350x280.jpg 350w, https:\/\/visualjournalism.de\/wp-content\/uploads\/Sulzer-Florian_Hoda-eh-wieda-Wossa-21-150x120.jpg 150w\" \r\n                                    width=\"768\"  \r\n                                    height=\"614\" \r\n                                    alt=\"View across fields and Lake Neusiedl to the Alps \u2013 the drying-up steppe lake in Burgenland\"\r\n                                \/>\r\n                            <\/figure>\r\n\r\n                        \r\n                    \r\n                    <\/a>\r\n\r\n                <\/article><!--- .post-teaser-->\r\n\r\n            \r\n                <article class=\"post-teaser\">\r\n\r\n                    <a href=\"https:\/\/visualjournalism.de\/en\/magazine\/comment-and-debate\/seeing-is-no-longer-believing\/\" rel=\"permalink\">\r\n\r\n                        <div class=\"post-teaser__content\">\r\n\r\n                            \r\n                            <h3 class=\"post-teaser__headline\">\r\n                                Seeing is no longer believing.                            <\/h3>\r\n\r\n                            <div class=\"post-teaser__excerpt\">\r\n                                <p>Photorealistic AI images are almost impossible to spot. What it means when a picture no longer proves anything but merely asserts.<\/p>\r\n                            <\/div>\r\n\r\n                        <\/div><!-- .post-teaser__content -->\r\n\r\n\r\n                        \r\n                            <figure class=\"post-teaser__image\">\r\n                                <img loading=\"lazy\" decoding=\"async\"  \r\n                                    src=\"https:\/\/visualjournalism.de\/wp-content\/uploads\/2026\/03\/Nekima-Levy-Armstrong_KIManipuliert-768x432.jpg\" \r\n                                    srcset=\"https:\/\/visualjournalism.de\/wp-content\/uploads\/2026\/03\/Nekima-Levy-Armstrong_KIManipuliert-768x432.jpg 768w, https:\/\/visualjournalism.de\/wp-content\/uploads\/2026\/03\/Nekima-Levy-Armstrong_KIManipuliert-300x169.jpg 300w, https:\/\/visualjournalism.de\/wp-content\/uploads\/2026\/03\/Nekima-Levy-Armstrong_KIManipuliert-1024x576.jpg 1024w, https:\/\/visualjournalism.de\/wp-content\/uploads\/2026\/03\/Nekima-Levy-Armstrong_KIManipuliert-1050x591.jpg 1050w, https:\/\/visualjournalism.de\/wp-content\/uploads\/2026\/03\/Nekima-Levy-Armstrong_KIManipuliert-670x377.jpg 670w, https:\/\/visualjournalism.de\/wp-content\/uploads\/2026\/03\/Nekima-Levy-Armstrong_KIManipuliert-420x236.jpg 420w, https:\/\/visualjournalism.de\/wp-content\/uploads\/2026\/03\/Nekima-Levy-Armstrong_KIManipuliert-350x197.jpg 350w, https:\/\/visualjournalism.de\/wp-content\/uploads\/2026\/03\/Nekima-Levy-Armstrong_KIManipuliert-150x84.jpg 150w, https:\/\/visualjournalism.de\/wp-content\/uploads\/2026\/03\/Nekima-Levy-Armstrong_KIManipuliert.jpg 1200w\" \r\n                                    width=\"768\"  \r\n                                    height=\"432\" \r\n                                    alt=\"\"\r\n                                \/>\r\n                            <\/figure>\r\n\r\n                        \r\n                    \r\n                    <\/a>\r\n\r\n                <\/article><!--- .post-teaser-->\r\n\r\n            \r\n                <article class=\"post-teaser\">\r\n\r\n                    <a href=\"https:\/\/visualjournalism.de\/en\/magazine\/advice\/losing-motivation-in-a-creative-job\/\" rel=\"permalink\">\r\n\r\n                        <div class=\"post-teaser__content\">\r\n\r\n                            <span class=\"entry-categories\">Advice<\/span>\r\n                            <h3 class=\"post-teaser__headline\">\r\n                                Losing motivation in a creative job: how to get your enthusiasm for work back.                            <\/h3>\r\n\r\n                            <div class=\"post-teaser__excerpt\">\r\n                                <p>Even people who turn their passion into a profession know what it is like to lose motivation. We show you why joy can turn into a chore \u2013 and the concrete steps that will help you win back your enthusiasm.<\/p>\r\n                            <\/div>\r\n\r\n                        <\/div><!-- .post-teaser__content -->\r\n\r\n\r\n                        \r\n                            <figure class=\"post-teaser__image\">\r\n                                <img loading=\"lazy\" decoding=\"async\"  \r\n                                    src=\"https:\/\/visualjournalism.de\/wp-content\/uploads\/2025\/12\/Max-Schlag_Carlotta-Steinkamp-768x512.jpeg\" \r\n                                    srcset=\"https:\/\/visualjournalism.de\/wp-content\/uploads\/2025\/12\/Max-Schlag_Carlotta-Steinkamp-768x512.jpeg 768w, https:\/\/visualjournalism.de\/wp-content\/uploads\/2025\/12\/Max-Schlag_Carlotta-Steinkamp-300x200.jpeg 300w, https:\/\/visualjournalism.de\/wp-content\/uploads\/2025\/12\/Max-Schlag_Carlotta-Steinkamp-1024x683.jpeg 1024w, https:\/\/visualjournalism.de\/wp-content\/uploads\/2025\/12\/Max-Schlag_Carlotta-Steinkamp-1536x1024.jpeg 1536w, https:\/\/visualjournalism.de\/wp-content\/uploads\/2025\/12\/Max-Schlag_Carlotta-Steinkamp-1920x1280.jpeg 1920w, https:\/\/visualjournalism.de\/wp-content\/uploads\/2025\/12\/Max-Schlag_Carlotta-Steinkamp-1400x933.jpeg 1400w, https:\/\/visualjournalism.de\/wp-content\/uploads\/2025\/12\/Max-Schlag_Carlotta-Steinkamp-1050x700.jpeg 1050w, https:\/\/visualjournalism.de\/wp-content\/uploads\/2025\/12\/Max-Schlag_Carlotta-Steinkamp-670x447.jpeg 670w, https:\/\/visualjournalism.de\/wp-content\/uploads\/2025\/12\/Max-Schlag_Carlotta-Steinkamp-420x280.jpeg 420w, https:\/\/visualjournalism.de\/wp-content\/uploads\/2025\/12\/Max-Schlag_Carlotta-Steinkamp-350x233.jpeg 350w, https:\/\/visualjournalism.de\/wp-content\/uploads\/2025\/12\/Max-Schlag_Carlotta-Steinkamp-150x100.jpeg 150w, https:\/\/visualjournalism.de\/wp-content\/uploads\/2025\/12\/Max-Schlag_Carlotta-Steinkamp.jpeg 2048w\" \r\n                                    width=\"768\"  \r\n                                    height=\"512\" \r\n                                    alt=\"\"\r\n                                \/>\r\n                            <\/figure>\r\n\r\n                        \r\n                    \r\n                    <\/a>\r\n\r\n                <\/article><!--- .post-teaser-->\r\n\r\n            \r\n        <\/div><!-- .teaser-grid -->\r\n\r\n\n\n\r\n\r\n\r\n\r\n        <div class=\"teaser-grid grid-layout--3col has-spacing--s width--inline\">\r\n\r\n            \r\n                <article class=\"post-teaser\">\r\n\r\n                    <a href=\"https:\/\/visualjournalism.de\/en\/magazine\/silence\/toxic-silence-when-silence-becomes-torture\/\" rel=\"permalink\">\r\n\r\n                        <div class=\"post-teaser__content\">\r\n\r\n                            <span class=\"entry-categories\">Silence<\/span>\r\n                            <h3 class=\"post-teaser__headline\">\r\n                                Toxic silence: when silence becomes torture                            <\/h3>\r\n\r\n                            <div class=\"post-teaser__excerpt\">\r\n                                <p>No word, no explanation, no look: how deliberately ignoring someone hurts \u2013 and leaves its mark on many people from childhood.<\/p>\r\n                            <\/div>\r\n\r\n                        <\/div><!-- .post-teaser__content -->\r\n\r\n\r\n                        \r\n                            <figure class=\"post-teaser__image\">\r\n                                <img loading=\"lazy\" decoding=\"async\"  \r\n                                    src=\"https:\/\/visualjournalism.de\/wp-content\/uploads\/IMG_8511-2-768x512.jpg\" \r\n                                    srcset=\"https:\/\/visualjournalism.de\/wp-content\/uploads\/IMG_8511-2-768x512.jpg 768w, https:\/\/visualjournalism.de\/wp-content\/uploads\/IMG_8511-2-300x200.jpg 300w, https:\/\/visualjournalism.de\/wp-content\/uploads\/IMG_8511-2-1024x683.jpg 1024w, https:\/\/visualjournalism.de\/wp-content\/uploads\/IMG_8511-2-1536x1024.jpg 1536w, https:\/\/visualjournalism.de\/wp-content\/uploads\/IMG_8511-2-2048x1365.jpg 2048w, https:\/\/visualjournalism.de\/wp-content\/uploads\/IMG_8511-2-1920x1280.jpg 1920w, https:\/\/visualjournalism.de\/wp-content\/uploads\/IMG_8511-2-1400x933.jpg 1400w, https:\/\/visualjournalism.de\/wp-content\/uploads\/IMG_8511-2-1050x700.jpg 1050w, https:\/\/visualjournalism.de\/wp-content\/uploads\/IMG_8511-2-670x447.jpg 670w, https:\/\/visualjournalism.de\/wp-content\/uploads\/IMG_8511-2-420x280.jpg 420w, https:\/\/visualjournalism.de\/wp-content\/uploads\/IMG_8511-2-350x233.jpg 350w, https:\/\/visualjournalism.de\/wp-content\/uploads\/IMG_8511-2-150x100.jpg 150w\" \r\n                                    width=\"768\"  \r\n                                    height=\"512\" \r\n                                    alt=\"A little girl sits on her bed with her face in her hands, clearly distressed. The room is decorated with a mural of ducks and fish. The scene illustrates the idea of toxic silence, in which emotional harm is caused by ignoring or shutting someone out.\"\r\n                                \/>\r\n                            <\/figure>\r\n\r\n                        \r\n                    \r\n                    <\/a>\r\n\r\n                <\/article><!--- .post-teaser-->\r\n\r\n            \r\n                <article class=\"post-teaser\">\r\n\r\n                    <a href=\"https:\/\/visualjournalism.de\/en\/magazine\/collecting\/the-library-of-rescued-east-german-books\/\" rel=\"permalink\">\r\n\r\n                        <div class=\"post-teaser__content\">\r\n\r\n                            <span class=\"entry-categories\">Collecting<\/span>\r\n                            <h3 class=\"post-teaser__headline\">\r\n                                The library of rescued East German books                            <\/h3>\r\n\r\n                            <div class=\"post-teaser__excerpt\">\r\n                                <p>How a pastor in Lower Saxony saved thousands of East German books from destruction \u2013 and why one of them gave space research a crucial lead.<\/p>\r\n                            <\/div>\r\n\r\n                        <\/div><!-- .post-teaser__content -->\r\n\r\n\r\n                        \r\n                            <figure class=\"post-teaser__image\">\r\n                                <img loading=\"lazy\" decoding=\"async\"  \r\n                                    src=\"https:\/\/visualjournalism.de\/wp-content\/uploads\/MuellerVahl_Thomas_Sammeln-04-768x511.jpg\" \r\n                                    srcset=\"https:\/\/visualjournalism.de\/wp-content\/uploads\/MuellerVahl_Thomas_Sammeln-04-768x511.jpg 768w, https:\/\/visualjournalism.de\/wp-content\/uploads\/MuellerVahl_Thomas_Sammeln-04-300x200.jpg 300w, https:\/\/visualjournalism.de\/wp-content\/uploads\/MuellerVahl_Thomas_Sammeln-04-1024x681.jpg 1024w, https:\/\/visualjournalism.de\/wp-content\/uploads\/MuellerVahl_Thomas_Sammeln-04-1536x1022.jpg 1536w, https:\/\/visualjournalism.de\/wp-content\/uploads\/MuellerVahl_Thomas_Sammeln-04-2048x1363.jpg 2048w, https:\/\/visualjournalism.de\/wp-content\/uploads\/MuellerVahl_Thomas_Sammeln-04-1920x1277.jpg 1920w, https:\/\/visualjournalism.de\/wp-content\/uploads\/MuellerVahl_Thomas_Sammeln-04-1400x931.jpg 1400w, https:\/\/visualjournalism.de\/wp-content\/uploads\/MuellerVahl_Thomas_Sammeln-04-1050x699.jpg 1050w, https:\/\/visualjournalism.de\/wp-content\/uploads\/MuellerVahl_Thomas_Sammeln-04-670x446.jpg 670w, https:\/\/visualjournalism.de\/wp-content\/uploads\/MuellerVahl_Thomas_Sammeln-04-420x279.jpg 420w, https:\/\/visualjournalism.de\/wp-content\/uploads\/MuellerVahl_Thomas_Sammeln-04-350x233.jpg 350w, https:\/\/visualjournalism.de\/wp-content\/uploads\/MuellerVahl_Thomas_Sammeln-04-150x100.jpg 150w\" \r\n                                    width=\"768\"  \r\n                                    height=\"511\" \r\n                                    alt=\"\"\r\n                                \/>\r\n                            <\/figure>\r\n\r\n                        \r\n                    \r\n                    <\/a>\r\n\r\n                <\/article><!--- .post-teaser-->\r\n\r\n            \r\n                <article class=\"post-teaser\">\r\n\r\n                    <a href=\"https:\/\/visualjournalism.de\/en\/magazine\/ideals\/the-last-bastion-lutzerath\/\" rel=\"permalink\">\r\n\r\n                        <div class=\"post-teaser__content\">\r\n\r\n                            <span class=\"entry-categories\">Ideals<\/span>\r\n                            <h3 class=\"post-teaser__headline\">\r\n                                The last bastion                            <\/h3>\r\n\r\n                            <div class=\"post-teaser__excerpt\">\r\n                                <p>L\u00fctzerath has been \u2018excavated\u2019 \u2013 despite resistance and occupation. Our author witnessed the activists\u2019 daily life and struggle up to the eviction.<\/p>\r\n                            <\/div>\r\n\r\n                        <\/div><!-- .post-teaser__content -->\r\n\r\n\r\n                        \r\n                            <figure class=\"post-teaser__image\">\r\n                                <img loading=\"lazy\" decoding=\"async\"  \r\n                                    src=\"https:\/\/visualjournalism.de\/wp-content\/uploads\/13_Bosshardt_Samuel_1-768x512.jpg\" \r\n                                    srcset=\"https:\/\/visualjournalism.de\/wp-content\/uploads\/13_Bosshardt_Samuel_1-768x512.jpg 768w, https:\/\/visualjournalism.de\/wp-content\/uploads\/13_Bosshardt_Samuel_1-300x200.jpg 300w, https:\/\/visualjournalism.de\/wp-content\/uploads\/13_Bosshardt_Samuel_1-1024x683.jpg 1024w, https:\/\/visualjournalism.de\/wp-content\/uploads\/13_Bosshardt_Samuel_1-1536x1024.jpg 1536w, https:\/\/visualjournalism.de\/wp-content\/uploads\/13_Bosshardt_Samuel_1-1400x934.jpg 1400w, https:\/\/visualjournalism.de\/wp-content\/uploads\/13_Bosshardt_Samuel_1-1050x700.jpg 1050w, https:\/\/visualjournalism.de\/wp-content\/uploads\/13_Bosshardt_Samuel_1-670x447.jpg 670w, https:\/\/visualjournalism.de\/wp-content\/uploads\/13_Bosshardt_Samuel_1-420x280.jpg 420w, https:\/\/visualjournalism.de\/wp-content\/uploads\/13_Bosshardt_Samuel_1-350x233.jpg 350w, https:\/\/visualjournalism.de\/wp-content\/uploads\/13_Bosshardt_Samuel_1-150x100.jpg 150w, https:\/\/visualjournalism.de\/wp-content\/uploads\/13_Bosshardt_Samuel_1.jpg 1600w\" \r\n                                    width=\"768\"  \r\n                                    height=\"512\" \r\n                                    alt=\"\"\r\n                                \/>\r\n                            <\/figure>\r\n\r\n                        \r\n                    \r\n                    <\/a>\r\n\r\n                <\/article><!--- .post-teaser-->\r\n\r\n            \r\n        <\/div><!-- .teaser-grid -->\r\n\r\n\n\n\n    <div class=\"btn-wrapper has-spacing--m\">\n        <a class=\"btn\" href=\"https:\/\/visualjournalism.de\/en\/magazine\/\" target=\"_blank\">TO THE MAGAZINE HOMEPAGE<\/a>\n    <\/div>\n<\/div>\n","protected":false},"author":96,"featured_media":64003,"template":"","tags":[387,395,331],"magazinkategorie":[392],"class_list":["post-75258","magazin","type-magazin","status-publish","has-post-thumbnail","hentry","tag-musik-en","tag-nightlife-subculture","tag-photo-series-en","magazinkategorie-what-holds-us-together"],"acf":[],"yoast_head":"<!-- This site is optimized with the Yoast SEO Premium plugin v28.8 (Yoast SEO v28.8) - https:\/\/yoast.com\/product\/yoast-seo-premium-wordpress\/ -->\n<title>Punk today: \u2018A cultural middle finger to the system\u2019<\/title>\n<meta name=\"description\" content=\"For some, punk is long dead; 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