{"id":75740,"date":"2026-01-21T13:23:09","date_gmt":"2026-01-21T11:23:09","guid":{"rendered":"https:\/\/visualjournalism.de\/?post_type=magazin&p=75740"},"modified":"2026-10-09T11:54:47","modified_gmt":"2026-10-09T09:54:47","slug":"noemi-ehrat-the-abortion-plot","status":"publish","type":"magazin","link":"https:\/\/visualjournalism.de\/en\/magazine\/award-winners\/noemi-ehrat-the-abortion-plot\/","title":{"rendered":"Noemi Ehrat: The Abortion Plot"},"content":{"rendered":"\r\n
\r\n\r\n \r\n
\r\n\r\n
\n\tAward winners<\/a><\/div>\r\n

\r\n The Abortion Plot <\/h2>\r\n\r\n
\r\n

Noemi Ehrat<\/strong><\/a> shows abortion as an everyday practice. Her long-term project asks not why but how: matter-of-fact, calm and beyond the political headlines.<\/p>\n <\/div>\r\n \r\n

\r\n \r\n \r\n
\r\n\r\n \r\n \r\n \"\"\r\n\r\n\r\n <\/a>\r\n \r\n <\/figure>\r\n\r\n <\/div>\r\n \r\n <\/div>\r\n\r\n \r\n
\r\n \"\"\r\n\r\n <\/figure>\r\n\r\n \r\n Switzerland, November 2024. <\/span>\r\n \r\n \r\n<\/div>\r\n\r\n\n\n\n

Abortion is a political issue.<\/strong> When a government moves to the right, access is often restricted or abolished altogether. Many people are currently looking at the USA, where the current administration is massively restricting reproductive rights. But changes are under way in European countries too. While countries such as Italy and Poland are tightening their laws, others, such as Sweden and the Netherlands, take a more liberal approach.

Inspired by Clair Wills\u2019s essay \u2018How to Plot an Abortion\u2019, Noemi Ehrat\u2019s long-term project traces who is behind these decisions, who is affected by the consequences, who manages to organise politically and how these networks are connected across borders. Rather than asking \u2018why\u2019, this work asks \u2018how\u2019: what does it take to organise an abortion, and what does that look like?

The award-winning work also sets out to show what abortion often looks like: from routine doctor\u2019s appointments to intimate moments at home. Its detached, journalistic visual language is meant to make visible that abortion can be understood as common practice rather than a legal question \u2013 in all its banality.<\/p>\n\n\n\n \n\n

\n
\n
Noemi Ehrat<\/h5>\n <\/span>\n <\/div>\n\n
\n

Noemi Ehrat<\/strong> was born in Uster, Switzerland, in 1996. She works as a freelance journalist, photographer and producer for publications including Tamedia, ZEIT Online, Filmbulletin, Akut Mag and Radical Art Review, and has been studying Visual Journalism and Documentary Photography at Hochschule Hannover since autumn 2022. Her work often focuses on people fighting against adverse circumstances \u2013 whether in housing, reproductive health or state violence.<\/p>\n <\/div>\n <\/div>\n\n\n\n

\n\n
\n \"\"\n \n Switzerland, November 2024.<\/span>\n <\/div>\n\n

Before a medical abortion,<\/strong> a gynaecologist uses ultrasound to determine the position of the embryo and the stage of pregnancy. This makes it possible to rule out an ectopic pregnancy. Most abortions are carried out in the first eight weeks of pregnancy, when only a faint outline of the yolk sac can be seen.<\/p>\n<\/figcaption>\n \n <\/figure>\n\n\n\n

\n\n
\n \"\"\n \n Brussels, Belgium, September 2024.<\/span>\n <\/div>\n\n

Participants at the 15th FIAPAC conference<\/strong> for medical professionals working in contraception and abortion. The conference takes place every two years and is intended for sharing expertise and new research findings.<\/p>\n<\/figcaption>\n \n <\/figure>\n\n\n\n

\n\n
\n \"\"\n \n Amsterdam, Netherlands, October 2024.<\/span>\n <\/div>\n\n

Dr Rebecca Gomperts<\/strong> is the founder of the organisations \u2018Women on Waves\u2019, \u2018Women on Web\u2019 and \u2018Aid Access\u2019. These NGOs support people in countries with restricted access to reproductive healthcare, for example in obtaining abortion pills.<\/p>\n<\/figcaption>\n \n <\/figure>\n\n\n\n

\n\n
\n \"\"\n \n Jena, Germany, July 2025.<\/span>\n <\/div>\n\n

S. has framed their<\/strong> copper IUD. S. had it fitted after an unwanted pregnancy and an abortion at the age of 19: \u2018It finally let me breathe again and gave me the feeling of having at least a little more control.\u2019<\/p>\n<\/figcaption>\n \n <\/figure>\n\n\n\n

\n\n
\n \"\"\n \n Switzerland, April 2025.<\/span>\n <\/div>\n\n

A patient takes<\/strong> mifepristone at a medical practice. This first medication ends the pregnancy. The second, Cytotec, is taken at home and causes muscle contractions to expel the pregnancy tissue.<\/p>\n<\/figcaption>\n \n <\/figure>\n\n\n\n

\n\n
\n \"\"\n \n Lecce, Italy, June 2025.<\/span>\n <\/div>\n\n

A team of doctors<\/strong> and medical staff performs a surgical abortion. The vacuum aspiration method used is gentler and less risky than curettage. In Italy, however, around 63 per cent of doctors refuse to perform abortions for ethical or religious reasons.<\/p>\n<\/figcaption>\n \n <\/figure>\n\n\n\n

\n\n
\n \"\"\n \n Brandenburg, Germany, November 2023.<\/span>\n <\/div>\n\n

Medical students practise<\/strong> vacuum aspiration using a papaya. Because the fruit resembles a uterus in shape and consistency, the procedure can be practised relatively easily and cheaply.<\/p>\n<\/figcaption>\n \n <\/figure>\n\n\n\n

\n\n
\n \"\"\n \n Berlin, Germany, May 2025.<\/span>\n <\/div>\n\n

I. and her partner C.<\/strong> in his shared flat. They say the abortion brought them closer together. But it was also good and important for them that other people around them played an important role.<\/p>\n<\/figcaption>\n \n <\/figure>\n\n\n\n

\n\n
\n \"\"\n \n Germany, July 2025.<\/span>\n <\/div>\n\n

Z. on the sofa<\/strong> in her parents\u2019 house. In 2016, at the age of 16, she became pregnant unexpectedly and decided to have an abortion so she could finish school. Her mother supported her crucially throughout.<\/p>\n<\/figcaption>\n \n <\/figure>\n\n\n\n

\n\n
\n \"\"\n \n Z\u00fcrich, Switzerland, September 2024.<\/span>\n <\/div>\n\n

\u2018Runway for Riot\u2019<\/strong> by the feminist collective \u2018Z\u00fcrich Selbstbestimmt\u2019 in front of the annual \u2018March for Life\u2019, a Christian anti-abortion demonstration. The garments worn on the catwalk were auctioned off and the proceeds donated to an abortion NGO.<\/p>\n<\/figcaption>\n \n <\/figure>\n\n\n\n

\n\n
\n \"\"\n \n Fulda, Germany, August 2024.<\/span>\n <\/div>\n\n

Participants in the prayer march<\/strong> \u20181000 Crosses for Life\u2019. The event is organised by the Christian, interdenominational network EuroProLife, which criticises the falling birth rate, claiming it is \u2018below the minimum necessary for the self-preservation of a people\u2019.<\/p>\n<\/figcaption>\n \n <\/figure>\n\n\n\n

\n\n
\n \"\"\n \n P\u00f6sing, Germany, August 2024.<\/span>\n <\/div>\n\n

\u2018So she hands her child<\/strong> over to the doctor who kills it, to the executioner, to death\u2019: a statue in the Franz Graf Chapel. The \u2018Holy Innocents\u2019 chapel was consecrated in 2008, blessed by a vicar general and a parish priest. It was built by the farmer Franz Graf on his own land. Graf and his chapel have been criticised, among other things, for the Holocaust comparisons displayed there.<\/p>\n<\/figcaption>\n \n <\/figure>\n\n\n\n

\n\n
\n \"\"\n \n Leipzig, Germany, November 2025.<\/span>\n <\/div>\n\n

\u2018We both decide,<\/strong> we do this together\u2019: for Lea and Simon, that was clear from the start when Lea became pregnant unexpectedly. They experienced the abortion itself, which she was able to have via telemedicine in 2022, as positive. But everything around it, including the legally required counselling, politicised them both.<\/p>\n<\/figcaption>\n \n <\/figure>\n\n\n\n

\n\n
\n \"\"\n \n Vaduz, Liechtenstein, January 2025.<\/span>\n <\/div>\n\n

The plenary chamber of Liechtenstein\u2019s parliament.<\/strong> The country has one of the most restrictive abortion laws in Europe. At the last vote on the issue, in 2011, Prince Alois threatened a veto.<\/p>\n<\/figcaption>\n \n <\/figure>\n\n\n\n

\n\n
\n \"\"\n \n Poland, March 2025.<\/span>\n <\/div>\n\n

A. lives with her parents<\/strong> in the Polish countryside, where she moved after studying law in Great Britain. The nationwide feminist protests of 2020\/2021 politicised her, and since then she has worked with various organisations that give people access to abortion pills.<\/p>\n<\/figcaption>\n \n <\/figure>\n\n\n\n

\n\n
\n \"\"\n \n Poland, March 2025.<\/span>\n <\/div>\n\n

A cut-out hiding place for<\/strong> abortion pills in a book. The internet and the option of medical abortion have radically changed the practice and made it more accessible. After the COVID-19 pandemic, the WHO changed its guidelines and recognised self-managed medical abortion in early pregnancy as a safe practice.<\/p>\n<\/figcaption>\n \n <\/figure>\n\n\n\n

\n\n
\n \"\"\n \n Rome, Italy, April 2025.<\/span>\n <\/div>\n\n

Member of parliament Gilda Sportiello<\/strong> (Movimento 5 Stelle) in her office in the Italian parliament. She was the first person to speak publicly in parliament about her own abortion. Since then she has campaigned for abortion to be destigmatised and decriminalised.<\/p>\n<\/figcaption>\n \n <\/figure>\n\n\n\n\n

\n
\n
\n<\/div>\n\n\n
\n\n

Related to this story<\/h2>\n\n \n <\/div>\n\n \n\n\n\n\r\n\r\n\r\n\r\n
\r\n\r\n \r\n
\r\n\r\n \r\n\r\n
\r\n\r\n Comment and debate<\/span>\r\n

\r\n The image of women \u2013 who actually decides? <\/h3>\r\n\r\n
\r\n

An interview with photographer and author Franziska Gilli about being a woman in Italy.<\/p>\r\n <\/div>\r\n\r\n <\/div>\r\n\r\n\r\n \r\n

\r\n \"\"\r\n\r\n <\/figure>\r\n\r\n \r\n \r\n <\/a>\r\n\r\n <\/article>\r\n\r\n \r\n
\r\n\r\n \r\n\r\n
\r\n\r\n After dark<\/span>\r\n

\r\n Femicide: the crime scenes of deadly misogyny <\/h3>\r\n\r\n
\r\n

Almost every day in Germany, a woman is killed because she is a woman. Photographer Selma von Hennigs documents the crime scenes in her home town of Regensburg.<\/p>\r\n <\/div>\r\n\r\n <\/div>\r\n\r\n\r\n \r\n

\r\n \"\"\r\n\r\n <\/figure>\r\n\r\n \r\n \r\n <\/a>\r\n\r\n <\/article>\r\n\r\n \r\n
\r\n\r\n \r\n\r\n
\r\n\r\n Award winners<\/span>\r\n

\r\n “For a long time, parents in Iran believed that good girls would not dance in public.” <\/h3>\r\n\r\n
\r\n

Shirin Abedi returns to her native Tehran for a report on ballerinas.<\/p>\r\n <\/div>\r\n\r\n <\/div>\r\n\r\n\r\n \r\n

\r\n \"A\r\n <\/figure>\r\n\r\n \r\n \r\n <\/a>\r\n\r\n <\/article>\r\n\r\n \r\n <\/div>\r\n\r\n\n<\/div>\n\n\n\n
\n
\n
\n<\/div>\n\n\n
\n\n

Recommended by the editors<\/h2>\n\n \n <\/div>\n\n \n\n\n\n\r\n\r\n\r\n\r\n
\r\n\r\n \r\n
\r\n\r\n \r\n\r\n
\r\n\r\n Traces<\/span>\r\n

\r\n Into the bushes <\/h3>\r\n\r\n
\r\n

From city parks to cemetery toilets: how public places became refuges for gay men \u2013 and why cruising still exists today.<\/p>\r\n <\/div>\r\n\r\n <\/div>\r\n\r\n\r\n \r\n

\r\n \"A\r\n <\/figure>\r\n\r\n \r\n \r\n <\/a>\r\n\r\n <\/article>\r\n\r\n \r\n
\r\n\r\n \r\n\r\n
\r\n\r\n Advice<\/span>\r\n

\r\n What makes a good photo reportage: characteristics, examples and tips. <\/h3>\r\n\r\n
\r\n

A clear focus on the people in the story, powerful pictures, strong storytelling: using examples, we show you the hallmarks of a photo reportage that grips and stays in the mind.<\/p>\r\n <\/div>\r\n\r\n <\/div>\r\n\r\n\r\n \r\n

\r\n \"A\r\n <\/figure>\r\n\r\n \r\n \r\n <\/a>\r\n\r\n <\/article>\r\n\r\n \r\n
\r\n\r\n \r\n\r\n
\r\n\r\n Masculinity<\/span>\r\n

\r\n Queer footballers: \u2018It can break a player very quickly\u2019 <\/h3>\r\n\r\n
\r\n

Why no active Bundesliga professional has come out \u2013 even though clubs, associations and fans have long been flying the rainbow colours.<\/p>\r\n <\/div>\r\n\r\n <\/div>\r\n\r\n\r\n \r\n

\r\n \"\"\r\n\r\n <\/figure>\r\n\r\n \r\n \r\n <\/a>\r\n\r\n <\/article>\r\n\r\n \r\n <\/div>\r\n\r\n\n\n\r\n\r\n\r\n\r\n
\r\n\r\n \r\n
\r\n\r\n \r\n\r\n
\r\n\r\n What holds us together<\/span>\r\n

\r\n Life off the grid: a visit to a commune <\/h3>\r\n\r\n
\r\n

Breakfast by the wood stove, water from a reed-bed treatment system: how practical is a life that does without comforts?<\/p>\r\n <\/div>\r\n\r\n <\/div>\r\n\r\n\r\n \r\n

\r\n \"Black-and-white\r\n <\/figure>\r\n\r\n \r\n \r\n <\/a>\r\n\r\n <\/article>\r\n\r\n \r\n
\r\n\r\n \r\n\r\n
\r\n\r\n Collecting<\/span>\r\n

\r\n Staging mortality: two photographers in a coffin <\/h3>\r\n\r\n
\r\n

Two photographers lie down in a coffin and photograph each other. What sounds like breaking a taboo is an exploration of commerce and ritual \u2013 and of the question: is this allowed?<\/p>\r\n <\/div>\r\n\r\n <\/div>\r\n\r\n\r\n \r\n

\r\n \"Two\r\n <\/figure>\r\n\r\n \r\n \r\n <\/a>\r\n\r\n <\/article>\r\n\r\n \r\n
\r\n\r\n \r\n\r\n
\r\n\r\n Ideals<\/span>\r\n

\r\n Small but defiant <\/h3>\r\n\r\n
\r\n

While they were stranded during the pandemic, Circus Siola\u2019s caravans were shot at and its performers insulted as \u2018scum\u2019. Is there no place in our society for Siola\u2019s \u2018classical old-European circus art\u2019?<\/p>\r\n <\/div>\r\n\r\n <\/div>\r\n\r\n\r\n \r\n

\r\n \"Black-and-white\r\n <\/figure>\r\n\r\n \r\n \r\n <\/a>\r\n\r\n <\/article>\r\n\r\n \r\n <\/div>\r\n\r\n\n\n\n
\n TO THE MAGAZINE HOMEPAGE<\/a>\n <\/div>\n<\/div>\n","protected":false},"author":96,"featured_media":67148,"template":"","tags":[372,331,369],"magazinkategorie":[160],"class_list":["post-75740","magazin","type-magazin","status-publish","has-post-thumbnail","hentry","tag-gender-feminismus-en","tag-photo-series-en","tag-politik-gesellschaft-en","magazinkategorie-award-winners"],"acf":[],"yoast_head":"\nNoemi Ehrat: The Abortion Plot<\/title>\n<meta name=\"description\" content=\"Noemi Ehrat shows abortion as an everyday practice. Her long-term project asks not why but how \u2013 matter-of-fact, calm and beyond the headlines.\" \/>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/visualjournalism.de\/en\/magazine\/award-winners\/noemi-ehrat-the-abortion-plot\/\" \/>\n<meta property=\"og:locale\" content=\"en_US\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"Noemi Ehrat: The Abortion Plot\" \/>\n<meta property=\"og:description\" content=\"Noemi Ehrat shows abortion as an everyday practice. Her long-term project asks not why but how \u2013 matter-of-fact, calm and beyond the headlines.\" \/>\n<meta property=\"og:url\" content=\"https:\/\/visualjournalism.de\/en\/magazine\/award-winners\/noemi-ehrat-the-abortion-plot\/\" \/>\n<meta property=\"og:site_name\" content=\"Visual Journalism and Documentary Photography\" \/>\n<meta property=\"article:publisher\" content=\"https:\/\/www.facebook.com\/people\/wwwfotostudentende\/100065173703897\/\" \/>\n<meta property=\"article:modified_time\" content=\"2026-10-09T09:54:47+00:00\" \/>\n<meta property=\"og:image\" content=\"https:\/\/visualjournalism.de\/wp-content\/uploads\/2025\/12\/NoemiEhratTheAbortionPlot9.jpeg\" \/>\n\t<meta property=\"og:image:width\" content=\"2500\" \/>\n\t<meta property=\"og:image:height\" content=\"1875\" \/>\n\t<meta property=\"og:image:type\" content=\"image\/jpeg\" \/>\n<meta name=\"twitter:card\" content=\"summary_large_image\" \/>\n<meta name=\"twitter:site\" content=\"@HsHannover\" \/>\n<meta name=\"twitter:label1\" content=\"Est. reading time\" \/>\n\t<meta name=\"twitter:data1\" content=\"2 minutes\" \/>\n<script type=\"application\/ld+json\" class=\"yoast-schema-graph\">{\"@context\":\"https:\\\/\\\/schema.org\",\"@graph\":[{\"@type\":\"WebPage\",\"@id\":\"https:\\\/\\\/visualjournalism.de\\\/en\\\/magazine\\\/award-winners\\\/noemi-ehrat-the-abortion-plot\\\/\",\"url\":\"https:\\\/\\\/visualjournalism.de\\\/en\\\/magazine\\\/award-winners\\\/noemi-ehrat-the-abortion-plot\\\/\",\"name\":\"Noemi Ehrat: The Abortion Plot\",\"isPartOf\":{\"@id\":\"https:\\\/\\\/visualjournalism.de\\\/en\\\/#website\"},\"primaryImageOfPage\":{\"@id\":\"https:\\\/\\\/visualjournalism.de\\\/en\\\/magazine\\\/award-winners\\\/noemi-ehrat-the-abortion-plot\\\/#primaryimage\"},\"image\":{\"@id\":\"https:\\\/\\\/visualjournalism.de\\\/en\\\/magazine\\\/award-winners\\\/noemi-ehrat-the-abortion-plot\\\/#primaryimage\"},\"thumbnailUrl\":\"https:\\\/\\\/visualjournalism.de\\\/wp-content\\\/uploads\\\/2025\\\/12\\\/NoemiEhratTheAbortionPlot9.jpeg\",\"datePublished\":\"2026-01-21T11:23:09+00:00\",\"dateModified\":\"2026-10-09T09:54:47+00:00\",\"description\":\"Noemi Ehrat shows abortion as an everyday practice. Her long-term project asks not why but how \u2013 matter-of-fact, calm and beyond the headlines.\",\"breadcrumb\":{\"@id\":\"https:\\\/\\\/visualjournalism.de\\\/en\\\/magazine\\\/award-winners\\\/noemi-ehrat-the-abortion-plot\\\/#breadcrumb\"},\"inLanguage\":\"en-US\",\"potentialAction\":[{\"@type\":\"ReadAction\",\"target\":[\"https:\\\/\\\/visualjournalism.de\\\/en\\\/magazine\\\/award-winners\\\/noemi-ehrat-the-abortion-plot\\\/\"]}]},{\"@type\":\"ImageObject\",\"inLanguage\":\"en-US\",\"@id\":\"https:\\\/\\\/visualjournalism.de\\\/en\\\/magazine\\\/award-winners\\\/noemi-ehrat-the-abortion-plot\\\/#primaryimage\",\"url\":\"https:\\\/\\\/visualjournalism.de\\\/wp-content\\\/uploads\\\/2025\\\/12\\\/NoemiEhratTheAbortionPlot9.jpeg\",\"contentUrl\":\"https:\\\/\\\/visualjournalism.de\\\/wp-content\\\/uploads\\\/2025\\\/12\\\/NoemiEhratTheAbortionPlot9.jpeg\",\"width\":2500,\"height\":1875,\"caption\":\"Switzerland, November 2024.\"},{\"@type\":\"BreadcrumbList\",\"@id\":\"https:\\\/\\\/visualjournalism.de\\\/en\\\/magazine\\\/award-winners\\\/noemi-ehrat-the-abortion-plot\\\/#breadcrumb\",\"itemListElement\":[{\"@type\":\"ListItem\",\"position\":1,\"name\":\"Home\",\"item\":\"https:\\\/\\\/visualjournalism.de\\\/en\\\/\"},{\"@type\":\"ListItem\",\"position\":2,\"name\":\"Magazin\",\"item\":\"https:\\\/\\\/visualjournalism.de\\\/en\\\/magazine\\\/\"},{\"@type\":\"ListItem\",\"position\":3,\"name\":\"Noemi Ehrat: The Abortion Plot\"}]},{\"@type\":\"WebSite\",\"@id\":\"https:\\\/\\\/visualjournalism.de\\\/en\\\/#website\",\"url\":\"https:\\\/\\\/visualjournalism.de\\\/en\\\/\",\"name\":\"Visual Journalism and Documentary Photography\",\"description\":\"Alles \u00fcber den Bachelor-Studiengang an der Hochschule Hannover\",\"publisher\":{\"@id\":\"https:\\\/\\\/visualjournalism.de\\\/en\\\/#organization\"},\"alternateName\":\"visualjournalism.de\",\"potentialAction\":[{\"@type\":\"SearchAction\",\"target\":{\"@type\":\"EntryPoint\",\"urlTemplate\":\"https:\\\/\\\/visualjournalism.de\\\/en\\\/?s={search_term_string}\"},\"query-input\":{\"@type\":\"PropertyValueSpecification\",\"valueRequired\":true,\"valueName\":\"search_term_string\"}}],\"inLanguage\":\"en-US\"},{\"@type\":\"Organization\",\"@id\":\"https:\\\/\\\/visualjournalism.de\\\/en\\\/#organization\",\"name\":\"Hochschule Hannover \u2013 University of Applied Sciences and Arts\",\"alternateName\":\"HsH\",\"url\":\"https:\\\/\\\/visualjournalism.de\\\/en\\\/\",\"logo\":{\"@type\":\"ImageObject\",\"inLanguage\":\"en-US\",\"@id\":\"https:\\\/\\\/visualjournalism.de\\\/en\\\/#\\\/schema\\\/logo\\\/image\\\/\",\"url\":\"https:\\\/\\\/visualjournalism.de\\\/wp-content\\\/uploads\\\/logo-hochschule-hannover.png\",\"contentUrl\":\"https:\\\/\\\/visualjournalism.de\\\/wp-content\\\/uploads\\\/logo-hochschule-hannover.png\",\"width\":363,\"height\":270,\"caption\":\"Hochschule Hannover \u2013 University of Applied Sciences and Arts\"},\"image\":{\"@id\":\"https:\\\/\\\/visualjournalism.de\\\/en\\\/#\\\/schema\\\/logo\\\/image\\\/\"},\"sameAs\":[\"https:\\\/\\\/www.facebook.com\\\/people\\\/wwwfotostudentende\\\/100065173703897\\\/\",\"https:\\\/\\\/x.com\\\/HsHannover\",\"https:\\\/\\\/www.instagram.com\\\/visualjournalism.de\\\/\"]}]}<\/script>\n<!-- \/ Yoast SEO Premium plugin. -->","yoast_head_json":{"title":"Noemi Ehrat: The Abortion Plot","description":"Noemi Ehrat shows abortion as an everyday practice. Her long-term project asks not why but how \u2013 matter-of-fact, calm and beyond the headlines.","robots":{"index":"index","follow":"follow","max-snippet":"max-snippet:-1","max-image-preview":"max-image-preview:large","max-video-preview":"max-video-preview:-1"},"canonical":"https:\/\/visualjournalism.de\/en\/magazine\/award-winners\/noemi-ehrat-the-abortion-plot\/","og_locale":"en_US","og_type":"article","og_title":"Noemi Ehrat: The Abortion Plot","og_description":"Noemi Ehrat shows abortion as an everyday practice. Her long-term project asks not why but how \u2013 matter-of-fact, calm and beyond the headlines.","og_url":"https:\/\/visualjournalism.de\/en\/magazine\/award-winners\/noemi-ehrat-the-abortion-plot\/","og_site_name":"Visual Journalism and Documentary Photography","article_publisher":"https:\/\/www.facebook.com\/people\/wwwfotostudentende\/100065173703897\/","article_modified_time":"2026-10-09T09:54:47+00:00","og_image":[{"width":2500,"height":1875,"url":"https:\/\/visualjournalism.de\/wp-content\/uploads\/2025\/12\/NoemiEhratTheAbortionPlot9.jpeg","type":"image\/jpeg"}],"twitter_card":"summary_large_image","twitter_site":"@HsHannover","twitter_misc":{"Est. reading time":"2 minutes"},"schema":{"@context":"https:\/\/schema.org","@graph":[{"@type":"WebPage","@id":"https:\/\/visualjournalism.de\/en\/magazine\/award-winners\/noemi-ehrat-the-abortion-plot\/","url":"https:\/\/visualjournalism.de\/en\/magazine\/award-winners\/noemi-ehrat-the-abortion-plot\/","name":"Noemi Ehrat: The Abortion Plot","isPartOf":{"@id":"https:\/\/visualjournalism.de\/en\/#website"},"primaryImageOfPage":{"@id":"https:\/\/visualjournalism.de\/en\/magazine\/award-winners\/noemi-ehrat-the-abortion-plot\/#primaryimage"},"image":{"@id":"https:\/\/visualjournalism.de\/en\/magazine\/award-winners\/noemi-ehrat-the-abortion-plot\/#primaryimage"},"thumbnailUrl":"https:\/\/visualjournalism.de\/wp-content\/uploads\/2025\/12\/NoemiEhratTheAbortionPlot9.jpeg","datePublished":"2026-01-21T11:23:09+00:00","dateModified":"2026-10-09T09:54:47+00:00","description":"Noemi Ehrat shows abortion as an everyday practice. Her long-term project asks not why but how \u2013 matter-of-fact, calm and beyond the headlines.","breadcrumb":{"@id":"https:\/\/visualjournalism.de\/en\/magazine\/award-winners\/noemi-ehrat-the-abortion-plot\/#breadcrumb"},"inLanguage":"en-US","potentialAction":[{"@type":"ReadAction","target":["https:\/\/visualjournalism.de\/en\/magazine\/award-winners\/noemi-ehrat-the-abortion-plot\/"]}]},{"@type":"ImageObject","inLanguage":"en-US","@id":"https:\/\/visualjournalism.de\/en\/magazine\/award-winners\/noemi-ehrat-the-abortion-plot\/#primaryimage","url":"https:\/\/visualjournalism.de\/wp-content\/uploads\/2025\/12\/NoemiEhratTheAbortionPlot9.jpeg","contentUrl":"https:\/\/visualjournalism.de\/wp-content\/uploads\/2025\/12\/NoemiEhratTheAbortionPlot9.jpeg","width":2500,"height":1875,"caption":"Switzerland, November 2024."},{"@type":"BreadcrumbList","@id":"https:\/\/visualjournalism.de\/en\/magazine\/award-winners\/noemi-ehrat-the-abortion-plot\/#breadcrumb","itemListElement":[{"@type":"ListItem","position":1,"name":"Home","item":"https:\/\/visualjournalism.de\/en\/"},{"@type":"ListItem","position":2,"name":"Magazin","item":"https:\/\/visualjournalism.de\/en\/magazine\/"},{"@type":"ListItem","position":3,"name":"Noemi Ehrat: The Abortion Plot"}]},{"@type":"WebSite","@id":"https:\/\/visualjournalism.de\/en\/#website","url":"https:\/\/visualjournalism.de\/en\/","name":"Visual Journalism and Documentary Photography","description":"Alles \u00fcber den Bachelor-Studiengang an der Hochschule Hannover","publisher":{"@id":"https:\/\/visualjournalism.de\/en\/#organization"},"alternateName":"visualjournalism.de","potentialAction":[{"@type":"SearchAction","target":{"@type":"EntryPoint","urlTemplate":"https:\/\/visualjournalism.de\/en\/?s={search_term_string}"},"query-input":{"@type":"PropertyValueSpecification","valueRequired":true,"valueName":"search_term_string"}}],"inLanguage":"en-US"},{"@type":"Organization","@id":"https:\/\/visualjournalism.de\/en\/#organization","name":"Hochschule Hannover \u2013 University of Applied Sciences and Arts","alternateName":"HsH","url":"https:\/\/visualjournalism.de\/en\/","logo":{"@type":"ImageObject","inLanguage":"en-US","@id":"https:\/\/visualjournalism.de\/en\/#\/schema\/logo\/image\/","url":"https:\/\/visualjournalism.de\/wp-content\/uploads\/logo-hochschule-hannover.png","contentUrl":"https:\/\/visualjournalism.de\/wp-content\/uploads\/logo-hochschule-hannover.png","width":363,"height":270,"caption":"Hochschule Hannover \u2013 University of Applied Sciences and Arts"},"image":{"@id":"https:\/\/visualjournalism.de\/en\/#\/schema\/logo\/image\/"},"sameAs":["https:\/\/www.facebook.com\/people\/wwwfotostudentende\/100065173703897\/","https:\/\/x.com\/HsHannover","https:\/\/www.instagram.com\/visualjournalism.de\/"]}]}},"_links":{"self":[{"href":"https:\/\/visualjournalism.de\/en\/wp-json\/wp\/v2\/magazin\/75740","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/visualjournalism.de\/en\/wp-json\/wp\/v2\/magazin"}],"about":[{"href":"https:\/\/visualjournalism.de\/en\/wp-json\/wp\/v2\/types\/magazin"}],"author":[{"embeddable":true,"href":"https:\/\/visualjournalism.de\/en\/wp-json\/wp\/v2\/users\/96"}],"version-history":[{"count":6,"href":"https:\/\/visualjournalism.de\/en\/wp-json\/wp\/v2\/magazin\/75740\/revisions"}],"predecessor-version":[{"id":79066,"href":"https:\/\/visualjournalism.de\/en\/wp-json\/wp\/v2\/magazin\/75740\/revisions\/79066"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/visualjournalism.de\/en\/wp-json\/wp\/v2\/media\/67148"}],"wp:attachment":[{"href":"https:\/\/visualjournalism.de\/en\/wp-json\/wp\/v2\/media?parent=75740"}],"wp:term":[{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/visualjournalism.de\/en\/wp-json\/wp\/v2\/tags?post=75740"},{"taxonomy":"magazinkategorie","embeddable":true,"href":"https:\/\/visualjournalism.de\/en\/wp-json\/wp\/v2\/magazinkategorie?post=75740"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}