{"id":75824,"date":"2024-10-15T21:48:35","date_gmt":"2024-10-15T19:48:35","guid":{"rendered":"https:\/\/visualjournalism.de\/?post_type=magazin&#038;p=75824"},"modified":"2026-10-31T18:22:50","modified_gmt":"2026-10-31T16:22:50","slug":"you-forgot-the-colour-film","status":"publish","type":"magazin","link":"https:\/\/visualjournalism.de\/en\/magazine\/comment-and-debate\/you-forgot-the-colour-film\/","title":{"rendered":"You forgot the colour film"},"content":{"rendered":"\n \n\n    <div id=\"lead-in-block_35a91c634fcb69135e12d6c560d12921\" class=\"block-lead-in typo--default font-size--xl has-spacing--m width--default\">\n        <p><strong>\u2018It was really lovely here!\u2019<\/strong> Thoughts on the temporality of photography \u2013 and what Roland Barthes might have said about Nina Hagen\u2019s pop hit \u2018Du hast den Farbfilm vergessen\u2019 (You forgot the colour film).<\/p>\n<div class=\"entry-meta\">\r\n    <span class=\"posted-on\"><a href=\"https:\/\/visualjournalism.de\/en\/magazine\/comment-and-debate\/you-forgot-the-colour-film\/\" rel=\"bookmark\"><time class=\"entry-date published\" datetime=\"2024-10-15T21:48:35+02:00\">15.10.2024<\/time><\/a><\/span> <span class=\"byline\">Text: <span class=\"author vcard\"><a href=\"https:\/\/visualjournalism.de\/en\/bastian-betz\/\">Bastian Betz<\/a><\/span><\/span> <span class=\"photographer\"> Photos: <a href=\"https:\/\/visualjournalism.de\/en\/nico-baesecke\/\">Nico Baesecke<\/a><\/span><\/div><!-- .entry-meta -->\r\n    <\/div>\n\n\n\n \n\n<div class=\"photo-grid grid-layout--2col-5 has-spacing--m\">\n\n            \n\n            <div class=\"photo-grid__image\">\n\n                <figure>\n\n                    <img loading=\"lazy\" decoding=\"async\"  \n                        src=\"https:\/\/visualjournalism.de\/wp-content\/uploads\/6-3-768x961.jpg\" \n                        srcset=\"https:\/\/visualjournalism.de\/wp-content\/uploads\/6-3-768x961.jpg 768w, https:\/\/visualjournalism.de\/wp-content\/uploads\/6-3-240x300.jpg 240w, https:\/\/visualjournalism.de\/wp-content\/uploads\/6-3-818x1024.jpg 818w, https:\/\/visualjournalism.de\/wp-content\/uploads\/6-3-1050x1314.jpg 1050w, https:\/\/visualjournalism.de\/wp-content\/uploads\/6-3-670x838.jpg 670w, https:\/\/visualjournalism.de\/wp-content\/uploads\/6-3-420x526.jpg 420w, https:\/\/visualjournalism.de\/wp-content\/uploads\/6-3-350x438.jpg 350w, https:\/\/visualjournalism.de\/wp-content\/uploads\/6-3-300x375.jpg 300w, https:\/\/visualjournalism.de\/wp-content\/uploads\/6-3-150x188.jpg 150w, https:\/\/visualjournalism.de\/wp-content\/uploads\/6-3.jpg 1106w\" \n                        width=\"768\"  \n                        height=\"961\" \n                        alt=\"\"  \n                    \/>\n\n                    \n                    \n                <\/figure>\n\n            <\/div><!-- photo-grid__image -->    \n\n\n            \n\n                    \n                \n\n            <div class=\"photo-grid__image\">\n\n                <figure>\n\n                    <img loading=\"lazy\" decoding=\"async\"  \n                        src=\"https:\/\/visualjournalism.de\/wp-content\/uploads\/1-2-768x960.jpg\" \n                        srcset=\"https:\/\/visualjournalism.de\/wp-content\/uploads\/1-2-768x960.jpg 768w, https:\/\/visualjournalism.de\/wp-content\/uploads\/1-2-240x300.jpg 240w, https:\/\/visualjournalism.de\/wp-content\/uploads\/1-2-819x1024.jpg 819w, https:\/\/visualjournalism.de\/wp-content\/uploads\/1-2-1050x1312.jpg 1050w, https:\/\/visualjournalism.de\/wp-content\/uploads\/1-2-670x837.jpg 670w, https:\/\/visualjournalism.de\/wp-content\/uploads\/1-2-420x525.jpg 420w, https:\/\/visualjournalism.de\/wp-content\/uploads\/1-2-350x437.jpg 350w, https:\/\/visualjournalism.de\/wp-content\/uploads\/1-2-300x375.jpg 300w, https:\/\/visualjournalism.de\/wp-content\/uploads\/1-2-150x187.jpg 150w, https:\/\/visualjournalism.de\/wp-content\/uploads\/1-2.jpg 1106w\" \n                        width=\"768\"  \n                        height=\"960\" \n                        alt=\"\"  \n                    \/>\n\n                    \n                    \n                <\/figure>\n\n            <\/div><!-- photo-grid__image -->    \n\n\n            \n\n            \n<\/div>\n\n\n<p class=\"post__paragraph is-style-default has-spacing--m wp-block-paragraph\"><strong>Nina Hagen\u2019s song \u2018Du hast den Farbfilm vergessen\u2019 <\/strong>laments the use of black-and-white film to capture colourful holiday memories. In the song, Nina reproaches her boyfriend Michael for not taking any colour film on their holiday together on the island of Hiddensee. That, she says, is why all the photos are now in black and white \u2013 and therefore useless.<\/p>\n\n\n\n<div class=\"devider has-spacing--none\">\n    <hr>\n<\/div>\n\n\r\n \r\n    \r\n    <div id=\"quote-block_48762785421edb1dfcc4773246123245\" class=\"block-quote has-spacing--m\">\r\n        <figure class=\"quote\">\r\n            <blockquote>\r\n                <p><strong>In the song\u2019s first verse,<\/strong> Nina complains to her boyfriend Michael that he forgot the colour film on their holiday \u2013 so now nobody will believe how beautiful it was, and all the blue, white and green will be lost.<\/p>\n            <\/blockquote>\r\n\r\n            <figcaption class=\"without-author-image\">\r\n\r\n                            <span><\/span>\r\n            <\/figcaption>\r\n            \r\n        <\/figure>\r\n    <\/div>\r\n\r\n\n\n\n    <div class=\"headline-block has-spacing--xs\">\n\n        <h2 class=\"post__headline\">Why take photos on holiday?<\/h2>\n\n        \n    <\/div>\n\n    \n\n\n\n\n<p class=\"post__paragraph has-spacing--default wp-block-paragraph\">In our society we draw a clear line between working time and free time. A common way of spending free time is going on holiday. For a limited period, people leave their familiar surroundings to gain new experiences in a more or less unfamiliar place. And in this pursuit of experiences, the camera must never be missing. Especially today, when almost everyone has at least a mobile phone camera and can share the pictures immediately, it seems strange to travel purely for pleasure without taking photos. Photography becomes an important social rite, as the writer Susan Sontag emphasises.<\/p>\n\n\n\n<p class=\"post__paragraph has-spacing--default wp-block-paragraph\">In the song, Nina accuses Michael that now nobody will believe how beautiful it was. The photos were supposed to serve as irrefutable proof that the trip took place, that Nina went through the programme and enjoyed it. The philosopher Roland Barthes, for his part, observed that the advent of photography brought the private into the public sphere. Since the first Kodak camera was introduced more than 100 years ago, it has been possible for a broad section of the population to document their private lives photographically and present them to others.<\/p>\n\n\n\n<p class=\"post__paragraph has-spacing--default wp-block-paragraph\">\u2018Photographs document acts of consumption carried out beyond the reach of family, friends and neighbours,\u2019 says Susan Sontag. Everything is transient \u2013 the holiday, the happy moments, life itself. Photography can capture a fleeting moment and hold it in an image. This ability motivates us to photograph beautiful moments so that we can remember them in future and return to them again and again.<\/p>\n\n\n\n<div class=\"wp-block-group vj-nl-hell\"><div class=\"wp-block-html has-spacing--default\">\n<style>.vj-nl-hell{background:#f3f3f0;margin-bottom:60px;box-sizing:border-box}.wp-block-group.vj-nl-hell{margin-bottom:60px}.entry-content .wp-block-group.vj-nl-hell{width:var(--width-container--wide)}.entry-content .vj-linkseite .wp-block-group.vj-nl-hell{width:auto}.entry-content :has(+ .wp-block-group.vj-nl-hell){margin-bottom:60px!important}.entry-content .vj-studium-hinweis:has(+ .wp-block-group.vj-nl-hell) p:last-child{margin-bottom:0!important}@media (max-width:768px){.wp-block-group.vj-nl-hell{margin-bottom:45px}.entry-content .wp-block-group.vj-nl-hell{width:100%}.entry-content .vj-linkseite .wp-block-group.vj-nl-hell{width:auto}.entry-content :has(+ .wp-block-group.vj-nl-hell){margin-bottom:45px!important}}.wp-block-group.vj-nl-hell{padding:26px 36px 32px!important}@media (max-width:600px){.wp-block-group.vj-nl-hell{padding:10px 20px 15px!important}}.vj-nl-hell p.post__paragraph,.vj-nl-hell p.post__paragraph strong{color:#111!important}.vj-nl-hell .rcb-content-blocker div a:last-child{margin-bottom:5px!important}.vj-nl-hell .sib-form,.vj-nl-hell .sib-form *{font-family:Soehne_Regular,Helvetica,Arial,sans-serif!important}.vj-nl-hell .sib-form strong,.vj-nl-hell .sib-form b{font-family:Soehne_Heavy,Helvetica,Arial,sans-serif!important}.vj-nl-hell .rcb-content-blocker,.vj-nl-hell .rcb-content-blocker *{background:transparent!important;color:#111!important;font-family:Soehne_Regular,Helvetica,Arial,sans-serif!important;box-shadow:none!important;text-shadow:none!important;text-align:left!important}.vj-nl-hell .rcb-content-blocker p,.vj-nl-hell .rcb-content-blocker p+div{display:none!important}.vj-nl-hell .rcb-content-blocker div{padding:0!important;margin:0!important;border:0!important;max-width:none!important;min-height:0!important}.vj-nl-hell .rcb-content-blocker div div div div{font-size:16px!important;line-height:1.4!important;font-weight:400!important;padding-bottom:4px!important}.vj-nl-hell .rcb-content-blocker a{font-size:14px!important;color:#666!important;padding:0!important;margin:0!important}.vj-nl-hell .rcb-content-blocker div a:last-child{display:inline-block!important;border:1px solid #111!important;border-radius:999px!important;padding:10px 22px!important;margin-top:14px!important;color:#111!important;text-decoration:none!important}.vj-nl-hell .rcb-content-blocker div a:last-child:hover{background:#111!important;color:#fff!important}.vj-nl-hell .rcb-content-blocker a span{color:inherit!important;font-size:inherit!important}.vj-nl-hell p.post__paragraph{margin-left:0;margin-right:0;margin-bottom:18px!important}.vj-nl-hell p.post__paragraph:first-of-type{margin-bottom:6px!important}.vj-nl-hell .newsletter-signup,.vj-nl-hell .newsletter-signup p,.vj-nl-hell .newsletter-signup span{color:#111}.vj-nl-hell .entry__specification{color:#666!important}.vj-nl-hell .sib-form .input{background:#fff!important;color:#111!important;border:1px solid #111!important;box-shadow:none!important}.vj-nl-hell .sib-form .input::placeholder{color:#777!important}.vj-nl-hell .sib-form-block__button{background:transparent!important;color:#111!important;border:1px solid #111!important;box-shadow:none!important}.vj-nl-hell .sib-form-block__button:hover{background:#111!important;color:#fff!important}.vj-nl-hell .sib-form-block__button svg{fill:currentColor}<\/style>\n<\/div>\n\n\n<p class=\"post__paragraph is-style-typo--soehne has-spacing--xs wp-block-paragraph\"><strong>Newsletter<\/strong><\/p>\n\n\n\n<p class=\"post__paragraph is-style-typo--soehne has-spacing--xs wp-block-paragraph\">Every two weeks, one outstanding piece from our magazine \u2013 and the people behind it. 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Photography preserves the moment, but at the same time it seems to neutralise it.<\/p>\n\n\n \n\n<div class=\"photo-grid grid-layout--2col-5 has-spacing--m\">\n\n            \n\n            <div class=\"photo-grid__image\">\n\n                <figure>\n\n                    <img loading=\"lazy\" decoding=\"async\"  \n                        src=\"https:\/\/visualjournalism.de\/wp-content\/uploads\/5-2-768x960.jpg\" \n                        srcset=\"https:\/\/visualjournalism.de\/wp-content\/uploads\/5-2-768x960.jpg 768w, https:\/\/visualjournalism.de\/wp-content\/uploads\/5-2-240x300.jpg 240w, https:\/\/visualjournalism.de\/wp-content\/uploads\/5-2-819x1024.jpg 819w, https:\/\/visualjournalism.de\/wp-content\/uploads\/5-2-1050x1313.jpg 1050w, https:\/\/visualjournalism.de\/wp-content\/uploads\/5-2-670x838.jpg 670w, https:\/\/visualjournalism.de\/wp-content\/uploads\/5-2-420x525.jpg 420w, https:\/\/visualjournalism.de\/wp-content\/uploads\/5-2-350x438.jpg 350w, https:\/\/visualjournalism.de\/wp-content\/uploads\/5-2-300x375.jpg 300w, https:\/\/visualjournalism.de\/wp-content\/uploads\/5-2-150x188.jpg 150w, https:\/\/visualjournalism.de\/wp-content\/uploads\/5-2.jpg 1110w\" \n                        width=\"768\"  \n                        height=\"960\" \n                        alt=\"\"  \n                    \/>\n\n                    \n                    \n                <\/figure>\n\n            <\/div><!-- photo-grid__image -->    \n\n\n            \n\n                    \n                \n\n            <div class=\"photo-grid__image\">\n\n                <figure>\n\n                    <img loading=\"lazy\" decoding=\"async\"  \n                        src=\"https:\/\/visualjournalism.de\/wp-content\/uploads\/3-2-768x960.jpg\" \n                        srcset=\"https:\/\/visualjournalism.de\/wp-content\/uploads\/3-2-768x960.jpg 768w, https:\/\/visualjournalism.de\/wp-content\/uploads\/3-2-240x300.jpg 240w, https:\/\/visualjournalism.de\/wp-content\/uploads\/3-2-819x1024.jpg 819w, https:\/\/visualjournalism.de\/wp-content\/uploads\/3-2-1050x1313.jpg 1050w, https:\/\/visualjournalism.de\/wp-content\/uploads\/3-2-670x838.jpg 670w, https:\/\/visualjournalism.de\/wp-content\/uploads\/3-2-420x525.jpg 420w, https:\/\/visualjournalism.de\/wp-content\/uploads\/3-2-350x438.jpg 350w, https:\/\/visualjournalism.de\/wp-content\/uploads\/3-2-300x375.jpg 300w, https:\/\/visualjournalism.de\/wp-content\/uploads\/3-2-150x188.jpg 150w, https:\/\/visualjournalism.de\/wp-content\/uploads\/3-2.jpg 1104w\" \n                        width=\"768\"  \n                        height=\"960\" \n                        alt=\"\"  \n                    \/>\n\n                    \n                    \n                <\/figure>\n\n            <\/div><!-- photo-grid__image -->    \n\n\n            \n\n            \n<\/div>\n\n\n<div class=\"devider has-spacing--none\">\n    <hr>\n<\/div>\n\n\r\n \r\n    \r\n    <div id=\"quote-block_3a993feb48305a4bfbf9ad9ace9997f6\" class=\"block-quote has-spacing--m\">\r\n        <figure class=\"quote\">\r\n            <blockquote>\r\n                <p><strong>In the chorus,<\/strong> Nina laments in tears that the landscape, she herself and everything else are now only in black and white \u2013 and threatens to leave Micha if he ever does it again.<\/p>\n            <\/blockquote>\r\n\r\n            <figcaption class=\"without-author-image\">\r\n\r\n                            <span><\/span>\r\n            <\/figcaption>\r\n            \r\n        <\/figure>\r\n    <\/div>\r\n\r\n\n\n\n    <div class=\"headline-block has-spacing--xs\">\n\n        <h2 class=\"post__headline\">Self-presentation<\/h2>\n\n        \n    <\/div>\n\n    \n\n\n\n\n<p class=\"post__paragraph is-style-default has-spacing--xs wp-block-paragraph\">According to Roland Barthes, a photograph always points to something specific \u2013 to the people who are to be presented. The photograph acts as the second nature of its referent, a constant chant of exclamations along the lines of \u2018Look here, look at me in my bikini \u2013 and here\u2019s a landscape too!\u2019 The individual photos are bound to this clear mode of expression.<\/p>\n\n\n\n<p class=\"post__paragraph has-spacing--default wp-block-paragraph\">In these photographs the landscape recedes into the background. For Nina, what matters most is presenting herself. Just as with today\u2019s Instagram tourism, the place visited and photographed becomes a mere backdrop for the individual\u2019s self-staging in front of the camera.<\/p>\n\n\n\n<p class=\"post__paragraph has-spacing--default wp-block-paragraph\">Authenticity is almost impossible in these photographs. Nina is aware of being photographed \u2013 indeed, she wants to be photographed and therefore strikes a certain pose. She thus creates a version of herself that represents not so much her true nature as a staged mask.<\/p>\n\n\n\n<p class=\"post__paragraph has-spacing--m wp-block-paragraph\">Barthes also observed the effect of a camera pointed at him: \u2018Unfortunately, photography condemns me always to put an expression on display.\u2019 Photography manifests itself as the appearance of oneself in the form of another. In front of the camera, Nina is at once the person she thinks she is, the person she would like to be, the person the photographer Micha sees in her, and the person whose image he uses to show off his photographic skills.<\/p>\n\n\n\n    <div class=\"headline-block has-spacing--xs\">\n\n        <h2 class=\"post__headline\">Studium and punctum<\/h2>\n\n        \n    <\/div>\n\n    \n\n\n\n\n<p class=\"post__paragraph is-style-default has-spacing--default wp-block-paragraph\">Micha forgot the colour film and recorded the holiday only in black and white. Nina complains that all the blue, white and green will later no longer be true.<\/p>\n\n\n\n<p class=\"post__paragraph has-spacing--default wp-block-paragraph\">For her, beauty was defined by the range of colours, which the photos cannot now offer \u2013 instead, shades of grey appear.<\/p>\n\n\n\n<p class=\"post__paragraph has-spacing--default wp-block-paragraph\">Nevertheless, these pictures can still serve as documents of their time. Barthes, who preferred black-and-white photographs and regarded colour as an artificial addition, a kind of make-up, distinguished between studium and punctum when looking at photos. The studium conveys the cultural and social meanings of the picture; viewers can use their prior knowledge to decipher what it shows. Micha\u2019s black-and-white pictures thus prove beyond doubt that Nina was in this place, that this is the Baltic Sea and that this is the fashion of 1974.<\/p>\n\n\n\n<p class=\"post__paragraph has-spacing--m wp-block-paragraph\">A punctum, by contrast, is anchored only in specific pictures \u2013 it is the detail that fascinates and moves the individual viewer. The punctum is highly subjective, and for Nina it should have been the colours.<\/p>\n\n\n \n\n<div class=\"photo-grid grid-layout--2col-5 has-spacing--m\">\n\n            \n\n            <div class=\"photo-grid__image\">\n\n                <figure>\n\n                    <img loading=\"lazy\" decoding=\"async\"  \n                        src=\"https:\/\/visualjournalism.de\/wp-content\/uploads\/4-2-768x961.jpg\" \n                        srcset=\"https:\/\/visualjournalism.de\/wp-content\/uploads\/4-2-768x961.jpg 768w, https:\/\/visualjournalism.de\/wp-content\/uploads\/4-2-240x300.jpg 240w, https:\/\/visualjournalism.de\/wp-content\/uploads\/4-2-819x1024.jpg 819w, https:\/\/visualjournalism.de\/wp-content\/uploads\/4-2-1050x1313.jpg 1050w, https:\/\/visualjournalism.de\/wp-content\/uploads\/4-2-670x838.jpg 670w, https:\/\/visualjournalism.de\/wp-content\/uploads\/4-2-420x525.jpg 420w, https:\/\/visualjournalism.de\/wp-content\/uploads\/4-2-350x438.jpg 350w, https:\/\/visualjournalism.de\/wp-content\/uploads\/4-2-300x375.jpg 300w, https:\/\/visualjournalism.de\/wp-content\/uploads\/4-2-150x188.jpg 150w, https:\/\/visualjournalism.de\/wp-content\/uploads\/4-2.jpg 1108w\" \n                        width=\"768\"  \n                        height=\"961\" \n                        alt=\"\"  \n                    \/>\n\n                    \n                    \n                <\/figure>\n\n            <\/div><!-- photo-grid__image -->    \n\n\n            \n\n                    \n                \n\n            <div class=\"photo-grid__image\">\n\n                <figure>\n\n                    <img loading=\"lazy\" decoding=\"async\"  \n                        src=\"https:\/\/visualjournalism.de\/wp-content\/uploads\/2-3-768x958.jpg\" \n                        srcset=\"https:\/\/visualjournalism.de\/wp-content\/uploads\/2-3-768x958.jpg 768w, https:\/\/visualjournalism.de\/wp-content\/uploads\/2-3-240x300.jpg 240w, https:\/\/visualjournalism.de\/wp-content\/uploads\/2-3-821x1024.jpg 821w, https:\/\/visualjournalism.de\/wp-content\/uploads\/2-3-1050x1310.jpg 1050w, https:\/\/visualjournalism.de\/wp-content\/uploads\/2-3-670x836.jpg 670w, https:\/\/visualjournalism.de\/wp-content\/uploads\/2-3-420x524.jpg 420w, https:\/\/visualjournalism.de\/wp-content\/uploads\/2-3-350x437.jpg 350w, https:\/\/visualjournalism.de\/wp-content\/uploads\/2-3-300x374.jpg 300w, https:\/\/visualjournalism.de\/wp-content\/uploads\/2-3-150x187.jpg 150w, https:\/\/visualjournalism.de\/wp-content\/uploads\/2-3.jpg 1106w\" \n                        width=\"768\"  \n                        height=\"958\" \n                        alt=\"\"  \n                    \/>\n\n                    \n                    \n                <\/figure>\n\n            <\/div><!-- photo-grid__image -->    \n\n\n            \n\n            \n<\/div>\n\n\n    <div class=\"headline-block has-spacing--xs\">\n\n        <h2 class=\"post__headline\">Temporality as punctum<\/h2>\n\n        \n    <\/div>\n\n    \n\n\n\n\n<p class=\"post__paragraph has-spacing--m wp-block-paragraph\">\u2018What the photograph reproduces to infinity has occurred only once: it mechanically repeats what could never be repeated existentially,\u2019 Barthes writes. The holiday is over; the moments on the beach at Hiddensee will never return. Nina and Micha could go there again, but it would never be the same. Everything is transient \u2013 youth, the holiday on Hiddensee, the GDR. Nina stays at home and looks through the photos for her album. She decides which fleeting moments she wants to keep. She at least grants the pictures the function of the studium \u2013 as documents of the 1974 holiday on Hiddensee, if not necessarily as images of outstanding beauty.<\/p>\n\n\n\n<div class=\"devider has-spacing--none\">\n    <hr>\n<\/div>\n\n\r\n \r\n    \r\n    <div id=\"quote-block_d70a1c8269b182a64829275f6b54c3b9\" class=\"block-quote has-spacing--m\">\r\n        <figure class=\"quote\">\r\n            <blockquote>\r\n                <p><strong>In the final verse,<\/strong> Nina is back at home with Micha, choosing photos for the album.<\/p>\n            <\/blockquote>\r\n\r\n            <figcaption class=\"without-author-image\">\r\n\r\n                            <span><\/span>\r\n            <\/figcaption>\r\n            \r\n        <\/figure>\r\n    <\/div>\r\n\r\n\n\n\n<p class=\"post__paragraph has-spacing--default wp-block-paragraph\">For Barthes, even time itself could serve as a punctum \u2013 as the thing that captivates him. When he looked at a photograph of Napoleon\u2019s brother and marvelled that those eyes had seen the Emperor, or when he got goosebumps from a portrait of the condemned man Lewis Payne, who was still alive when the portrait was taken but already doomed to die \u2013 and was now long in his grave \u2013 Barthes had a penetrating experience of the temporality of photography.<\/p>\n\n\n\n<p class=\"post__paragraph has-spacing--m wp-block-paragraph\">Nina, too, will probably look at the old pictures one day and realise that \u2018this has been\u2019. Except for the shades of grey, of course. The colours will then exist only in her memory \u2013 and will therefore be truer than they would have been on any colour film.<\/p>\n\n\n\n<div class=\"tableau has-spacing--m\">\n\t\n\r\n<div class=\"tableau__column--left\">\r\n    \n    <figure class=\"block-photo post__image--full has-spacing--m no-title\">\n\n        <div class=\"post__image__container\">\n            <img loading=\"lazy\" decoding=\"async\" \n                src=\"https:\/\/visualjournalism.de\/wp-content\/uploads\/7-2.jpg\"\n                srcset=\"https:\/\/visualjournalism.de\/wp-content\/uploads\/7-2.jpg 1104w, https:\/\/visualjournalism.de\/wp-content\/uploads\/7-2-240x300.jpg 240w, https:\/\/visualjournalism.de\/wp-content\/uploads\/7-2-819x1024.jpg 819w, https:\/\/visualjournalism.de\/wp-content\/uploads\/7-2-768x960.jpg 768w, https:\/\/visualjournalism.de\/wp-content\/uploads\/7-2-1050x1313.jpg 1050w, https:\/\/visualjournalism.de\/wp-content\/uploads\/7-2-670x838.jpg 670w, https:\/\/visualjournalism.de\/wp-content\/uploads\/7-2-420x525.jpg 420w, https:\/\/visualjournalism.de\/wp-content\/uploads\/7-2-350x438.jpg 350w, https:\/\/visualjournalism.de\/wp-content\/uploads\/7-2-300x375.jpg 300w, https:\/\/visualjournalism.de\/wp-content\/uploads\/7-2-150x188.jpg 150w\"\n                width=\"1104\" \n                height=\"1380\"\n                alt=\"\" \n            \/>\n            \n                    <\/div><!-- post__image__container -->\n\n        \n    <\/figure><!-- post__image -->\n\n\n\r\n<\/div>\r\n\n\n\r\n<div class=\"tableau__column--right\">\r\n    \n\n \n\n    <div id=\"accordion-block_f89ebd0fe5eb72df79aa5c6a3a10318d\" class=\"accordion has-spacing--m\">\n        <div class=\"accordion__title\">\n            <h5>About the photos in this article<\/h5>\n            <span><\/span>\n        <\/div>\n\n        <div class=\"accordion__text\">\n         <p>In his photographic work, <a href=\"https:\/\/visualjournalism.de\/en\/nico-baesecke\/\">Nico Baesecke<\/a> merges the dream destinations of German tourists into one fictional place: the Hotel Belvedere. By greatly enlarging stamp-sized details from postcards, he invites viewers to explore the smallest details of the archive material. Suddenly sunburns, hotel guests who seem unaware of being watched, and small notes or marks made by the postcard writers become visible. Postcards from Rimini, Lake Garda and the Adriatic \u2013 colourful photo collages from the 1970s and 1980s \u2013 were sent to Germany by the thousand with greetings from \u2018Bella Italia\u2019. Almost always on show: the holidaymakers\u2019 hotel complexes, with blue skies, swimming pools, bright orange parasols and plastic sunloungers.<\/p>\n        <\/div>\n    <\/div>\n\n\n\n\n \n\n    <div id=\"accordion-block_203e93751c55bea9f9c7efc1aff07916\" class=\"accordion has-spacing--m\">\n        <div class=\"accordion__title\">\n            <h5>Sources<\/h5>\n            <span><\/span>\n        <\/div>\n\n        <div class=\"accordion__text\">\n         <p><strong>Hagen, Nina &amp; Automobil<\/strong>: Du hast den Farbfilm vergessen, lyrics by Kurt Demmler, music by Michael Heubach, 1974.<br \/>\n<strong><br \/>\nBarthes, Roland<\/strong>: Die helle Kammer. Bemerkungen zur Photographie, Frankfurt am Main 2009; original: La chambre claire. Note sur la photographie, Paris 1980 (English: Camera Lucida).<br \/>\n<strong><br \/>\nSontag, Susan<\/strong>: \u00dcber Fotografie, Munich\/Vienna 1978; original: On Photography, New York 1977.<\/p>\n        <\/div>\n    <\/div>\n\n\n\r\n<\/div>\r\n\n<\/div>\n\n\n<div class=\"wp-block-group vj-studium-hinweis has-spacing--default\">\n<div class=\"devider has-spacing--none\">\n    <hr>\n<\/div>\n\n\n<p class=\"post__paragraph is-style-typo--soehne has-spacing--m wp-block-paragraph\">Created in the Visual Journalism and Documentary Photography programme at Hochschule Hannover. <a href=\"https:\/\/visualjournalism.de\/en\/programme\/\">About the programme<\/a> \u00b7 <a href=\"https:\/\/visualjournalism.de\/en\/portfolio-review\/\">Portfolio review<\/a><\/p>\n<\/div>\n\n\n\n<div class=\"wp-block-group has-spacing--default has-spacing--default\">\n<div class=\"devider has-spacing--none\">\n    <hr>\n<\/div>\n\n\n    <div class=\"headline-block has-spacing--xs\">\n\n        <h2 class=\"post__headline\">Related to this story<\/h2>\n\n        \n    <\/div>\n\n    \n\n\n\n\r\n\r\n\r\n\r\n        <div class=\"teaser-grid grid-layout--3col has-spacing--s width--inline\">\r\n\r\n            \r\n                <article class=\"post-teaser\">\r\n\r\n                    <a href=\"https:\/\/visualjournalism.de\/en\/magazine\/collecting\/the-library-of-rescued-east-german-books\/\" rel=\"permalink\">\r\n\r\n                        <div class=\"post-teaser__content\">\r\n\r\n                            <span class=\"entry-categories\">Collecting<\/span>\r\n                            <h3 class=\"post-teaser__headline\">\r\n                                The library of rescued East German books                            <\/h3>\r\n\r\n                            <div class=\"post-teaser__excerpt\">\r\n                                <p>How a pastor in Lower Saxony saved thousands of East German books from destruction \u2013 and why one of them gave space research a crucial lead.<\/p>\r\n                            <\/div>\r\n\r\n                        <\/div><!-- .post-teaser__content -->\r\n\r\n\r\n                        \r\n                            <figure class=\"post-teaser__image\">\r\n                                <img loading=\"lazy\" decoding=\"async\"  \r\n                                    src=\"https:\/\/visualjournalism.de\/wp-content\/uploads\/MuellerVahl_Thomas_Sammeln-04-768x511.jpg\" \r\n                                    srcset=\"https:\/\/visualjournalism.de\/wp-content\/uploads\/MuellerVahl_Thomas_Sammeln-04-768x511.jpg 768w, https:\/\/visualjournalism.de\/wp-content\/uploads\/MuellerVahl_Thomas_Sammeln-04-300x200.jpg 300w, https:\/\/visualjournalism.de\/wp-content\/uploads\/MuellerVahl_Thomas_Sammeln-04-1024x681.jpg 1024w, https:\/\/visualjournalism.de\/wp-content\/uploads\/MuellerVahl_Thomas_Sammeln-04-1536x1022.jpg 1536w, https:\/\/visualjournalism.de\/wp-content\/uploads\/MuellerVahl_Thomas_Sammeln-04-2048x1363.jpg 2048w, https:\/\/visualjournalism.de\/wp-content\/uploads\/MuellerVahl_Thomas_Sammeln-04-1920x1277.jpg 1920w, https:\/\/visualjournalism.de\/wp-content\/uploads\/MuellerVahl_Thomas_Sammeln-04-1400x931.jpg 1400w, https:\/\/visualjournalism.de\/wp-content\/uploads\/MuellerVahl_Thomas_Sammeln-04-1050x699.jpg 1050w, https:\/\/visualjournalism.de\/wp-content\/uploads\/MuellerVahl_Thomas_Sammeln-04-670x446.jpg 670w, https:\/\/visualjournalism.de\/wp-content\/uploads\/MuellerVahl_Thomas_Sammeln-04-420x279.jpg 420w, https:\/\/visualjournalism.de\/wp-content\/uploads\/MuellerVahl_Thomas_Sammeln-04-350x233.jpg 350w, https:\/\/visualjournalism.de\/wp-content\/uploads\/MuellerVahl_Thomas_Sammeln-04-150x100.jpg 150w\" \r\n                                    width=\"768\"  \r\n                                    height=\"511\" \r\n                                    alt=\"\"\r\n                                \/>\r\n                            <\/figure>\r\n\r\n                        \r\n                    \r\n                    <\/a>\r\n\r\n                <\/article><!--- .post-teaser-->\r\n\r\n            \r\n                <article class=\"post-teaser\">\r\n\r\n                    <a href=\"https:\/\/visualjournalism.de\/en\/magazine\/on-the-margins\/gdr-garage-courts-the-legacy-of-typ-i-dresden\/\" rel=\"permalink\">\r\n\r\n                        <div class=\"post-teaser__content\">\r\n\r\n                            <span class=\"entry-categories\">On the margins<\/span>\r\n                            <h3 class=\"post-teaser__headline\">\r\n                                GDR garage courts: the legacy of the \u2018Typ I Dresden\u2019                            <\/h3>\r\n\r\n                            <div class=\"post-teaser__excerpt\">\r\n                                <p>On the edges of eastern German towns they stand in their thousands \u2013 once a simple parking space, today a contested piece of everyday culture.<\/p>\r\n                            <\/div>\r\n\r\n                        <\/div><!-- .post-teaser__content -->\r\n\r\n\r\n                        \r\n                            <figure class=\"post-teaser__image\">\r\n                                <img loading=\"lazy\" decoding=\"async\"  \r\n                                    src=\"https:\/\/visualjournalism.de\/wp-content\/uploads\/18_Beyer_Adam-768x512.jpg\" \r\n                                    srcset=\"https:\/\/visualjournalism.de\/wp-content\/uploads\/18_Beyer_Adam-768x512.jpg 768w, https:\/\/visualjournalism.de\/wp-content\/uploads\/18_Beyer_Adam-300x200.jpg 300w, https:\/\/visualjournalism.de\/wp-content\/uploads\/18_Beyer_Adam-1024x683.jpg 1024w, https:\/\/visualjournalism.de\/wp-content\/uploads\/18_Beyer_Adam-1536x1024.jpg 1536w, https:\/\/visualjournalism.de\/wp-content\/uploads\/18_Beyer_Adam-2048x1365.jpg 2048w, https:\/\/visualjournalism.de\/wp-content\/uploads\/18_Beyer_Adam-1920x1280.jpg 1920w, https:\/\/visualjournalism.de\/wp-content\/uploads\/18_Beyer_Adam-1400x933.jpg 1400w, https:\/\/visualjournalism.de\/wp-content\/uploads\/18_Beyer_Adam-1050x700.jpg 1050w, https:\/\/visualjournalism.de\/wp-content\/uploads\/18_Beyer_Adam-670x447.jpg 670w, https:\/\/visualjournalism.de\/wp-content\/uploads\/18_Beyer_Adam-420x280.jpg 420w, https:\/\/visualjournalism.de\/wp-content\/uploads\/18_Beyer_Adam-350x233.jpg 350w, https:\/\/visualjournalism.de\/wp-content\/uploads\/18_Beyer_Adam-150x100.jpg 150w\" \r\n                                    width=\"768\"  \r\n                                    height=\"512\" \r\n                                    alt=\"A man stands in the snow next to a Trabant with its bonnet open in front of a wooden garage \u2013 GDR garage complex and East German everyday culture\"\r\n                                \/>\r\n                            <\/figure>\r\n\r\n                        \r\n                    \r\n                    <\/a>\r\n\r\n                <\/article><!--- .post-teaser-->\r\n\r\n            \r\n                <article class=\"post-teaser\">\r\n\r\n                    <a href=\"https:\/\/visualjournalism.de\/en\/magazine\/comment-and-debate\/images-in-spite-of-all-photographic-testimony-from-auschwitz\/\" rel=\"permalink\">\r\n\r\n                        <div class=\"post-teaser__content\">\r\n\r\n                            <span class=\"entry-categories\">Comment and debate<\/span>\r\n                            <h3 class=\"post-teaser__headline\">\r\n                                Images in spite of all: photographic testimony from Auschwitz                            <\/h3>\r\n\r\n                            <div class=\"post-teaser__excerpt\">\r\n                                <p>In his groundbreaking study \u2018Images malgr\u00e9 tout\u2019, Georges Didi-Huberman contradicts the thesis that the Holocaust cannot be represented. His approach to the photographs from Auschwitz sparked a controversy.<\/p>\r\n                            <\/div>\r\n\r\n                        <\/div><!-- .post-teaser__content -->\r\n\r\n\r\n                        \r\n                            <figure class=\"post-teaser__image\">\r\n                                <img loading=\"lazy\" decoding=\"async\"  \r\n                                    src=\"https:\/\/visualjournalism.de\/wp-content\/uploads\/Didi-Huberman-Bilder-trotz-allem-1_2-1-768x300.jpg\" \r\n                                    srcset=\"https:\/\/visualjournalism.de\/wp-content\/uploads\/Didi-Huberman-Bilder-trotz-allem-1_2-1-768x300.jpg 768w, https:\/\/visualjournalism.de\/wp-content\/uploads\/Didi-Huberman-Bilder-trotz-allem-1_2-1-300x117.jpg 300w, https:\/\/visualjournalism.de\/wp-content\/uploads\/Didi-Huberman-Bilder-trotz-allem-1_2-1-1024x399.jpg 1024w, https:\/\/visualjournalism.de\/wp-content\/uploads\/Didi-Huberman-Bilder-trotz-allem-1_2-1-1536x599.jpg 1536w, https:\/\/visualjournalism.de\/wp-content\/uploads\/Didi-Huberman-Bilder-trotz-allem-1_2-1-1920x749.jpg 1920w, https:\/\/visualjournalism.de\/wp-content\/uploads\/Didi-Huberman-Bilder-trotz-allem-1_2-1-1400x546.jpg 1400w, https:\/\/visualjournalism.de\/wp-content\/uploads\/Didi-Huberman-Bilder-trotz-allem-1_2-1-1050x410.jpg 1050w, https:\/\/visualjournalism.de\/wp-content\/uploads\/Didi-Huberman-Bilder-trotz-allem-1_2-1-670x261.jpg 670w, https:\/\/visualjournalism.de\/wp-content\/uploads\/Didi-Huberman-Bilder-trotz-allem-1_2-1-420x164.jpg 420w, https:\/\/visualjournalism.de\/wp-content\/uploads\/Didi-Huberman-Bilder-trotz-allem-1_2-1-350x137.jpg 350w, https:\/\/visualjournalism.de\/wp-content\/uploads\/Didi-Huberman-Bilder-trotz-allem-1_2-1-150x59.jpg 150w, https:\/\/visualjournalism.de\/wp-content\/uploads\/Didi-Huberman-Bilder-trotz-allem-1_2-1.jpg 2000w\" \r\n                                    width=\"768\"  \r\n                                    height=\"300\" \r\n                                    alt=\"Reconstruction of a negative strip by Alberto Errera, taken in Auschwitz concentration camp in 1944\"\r\n                                \/>\r\n                            <\/figure>\r\n\r\n                        \r\n                    \r\n                    <\/a>\r\n\r\n                <\/article><!--- .post-teaser-->\r\n\r\n            \r\n        <\/div><!-- .teaser-grid -->\r\n\r\n\n<\/div>\n\n\n\n<div class=\"wp-block-group has-spacing--default has-spacing--default\">\n<div class=\"devider has-spacing--none\">\n    <hr>\n<\/div>\n\n\n    <div class=\"headline-block has-spacing--xs\">\n\n        <h2 class=\"post__headline\">Recommended by the editors<\/h2>\n\n        \n    <\/div>\n\n    \n\n\n\n\r\n\r\n\r\n\r\n        <div class=\"teaser-grid grid-layout--3col has-spacing--s width--inline\">\r\n\r\n            \r\n                <article class=\"post-teaser\">\r\n\r\n                    <a href=\"https:\/\/visualjournalism.de\/en\/magazine\/traces\/the-neighbour-nobody-knew\/\" rel=\"permalink\">\r\n\r\n                        <div class=\"post-teaser__content\">\r\n\r\n                            <span class=\"entry-categories\">Traces<\/span>\r\n                            <h3 class=\"post-teaser__headline\">\r\n                                The neighbour nobody knew                            <\/h3>\r\n\r\n                            <div class=\"post-teaser__excerpt\">\r\n                                <p>A stranger\u2019s bicycle in the cellar, a faded letterbox \u2013 and between them the life of a man who is suddenly gone. Who was he?<\/p>\r\n                            <\/div>\r\n\r\n                        <\/div><!-- .post-teaser__content -->\r\n\r\n\r\n                        \r\n                            <figure class=\"post-teaser__image\">\r\n                                <img loading=\"lazy\" decoding=\"async\"  \r\n                                    src=\"https:\/\/visualjournalism.de\/wp-content\/uploads\/Junker_Jana_Eingangsbereich-768x513.jpg\" \r\n                                    srcset=\"https:\/\/visualjournalism.de\/wp-content\/uploads\/Junker_Jana_Eingangsbereich-768x513.jpg 768w, https:\/\/visualjournalism.de\/wp-content\/uploads\/Junker_Jana_Eingangsbereich-300x200.jpg 300w, https:\/\/visualjournalism.de\/wp-content\/uploads\/Junker_Jana_Eingangsbereich-1024x684.jpg 1024w, https:\/\/visualjournalism.de\/wp-content\/uploads\/Junker_Jana_Eingangsbereich-1536x1026.jpg 1536w, https:\/\/visualjournalism.de\/wp-content\/uploads\/Junker_Jana_Eingangsbereich-2048x1367.jpg 2048w, https:\/\/visualjournalism.de\/wp-content\/uploads\/Junker_Jana_Eingangsbereich-1920x1282.jpg 1920w, https:\/\/visualjournalism.de\/wp-content\/uploads\/Junker_Jana_Eingangsbereich-1400x935.jpg 1400w, https:\/\/visualjournalism.de\/wp-content\/uploads\/Junker_Jana_Eingangsbereich-1050x701.jpg 1050w, https:\/\/visualjournalism.de\/wp-content\/uploads\/Junker_Jana_Eingangsbereich-670x447.jpg 670w, https:\/\/visualjournalism.de\/wp-content\/uploads\/Junker_Jana_Eingangsbereich-420x280.jpg 420w, https:\/\/visualjournalism.de\/wp-content\/uploads\/Junker_Jana_Eingangsbereich-350x234.jpg 350w, https:\/\/visualjournalism.de\/wp-content\/uploads\/Junker_Jana_Eingangsbereich-150x100.jpg 150w\" \r\n                                    width=\"768\"  \r\n                                    height=\"513\" \r\n                                    alt=\"The entrance of the apartment building with stairs and a parked bicycle, where Hans was often seen with an Aldi bag \u2013 tracing the life of late neighbour Hans in L\u00fcneburg\"\r\n                                \/>\r\n                            <\/figure>\r\n\r\n                        \r\n                    \r\n                    <\/a>\r\n\r\n                <\/article><!--- .post-teaser-->\r\n\r\n            \r\n                <article class=\"post-teaser\">\r\n\r\n                    <a href=\"https:\/\/visualjournalism.de\/en\/magazine\/award-winners\/unexploded-bombs-beneath-the-city-the-dangerous-job-of-bomb-disposal\/\" rel=\"permalink\">\r\n\r\n                        <div class=\"post-teaser__content\">\r\n\r\n                            <span class=\"entry-categories\">Award winners<\/span>\r\n                            <h3 class=\"post-teaser__headline\">\r\n                                Unexploded bombs beneath the city: the dangerous job of bomb disposal                            <\/h3>\r\n\r\n                            <div class=\"post-teaser__excerpt\">\r\n                                <p>Painstaking precision with deadly risk: a look at a profession in which every move has to be exactly right.<\/p>\r\n                            <\/div>\r\n\r\n                        <\/div><!-- .post-teaser__content -->\r\n\r\n\r\n                        \r\n                            <figure class=\"post-teaser__image\">\r\n                                <img loading=\"lazy\" decoding=\"async\"  \r\n                                    src=\"https:\/\/visualjournalism.de\/wp-content\/uploads\/2024\/11\/Fels_Henryc_Blindgaenger_VGH_2026_08-768x1024.jpg\" \r\n                                    srcset=\"https:\/\/visualjournalism.de\/wp-content\/uploads\/2024\/11\/Fels_Henryc_Blindgaenger_VGH_2026_08-768x1024.jpg 768w, https:\/\/visualjournalism.de\/wp-content\/uploads\/2024\/11\/Fels_Henryc_Blindgaenger_VGH_2026_08-225x300.jpg 225w, https:\/\/visualjournalism.de\/wp-content\/uploads\/2024\/11\/Fels_Henryc_Blindgaenger_VGH_2026_08-1152x1536.jpg 1152w, https:\/\/visualjournalism.de\/wp-content\/uploads\/2024\/11\/Fels_Henryc_Blindgaenger_VGH_2026_08-1536x2048.jpg 1536w, https:\/\/visualjournalism.de\/wp-content\/uploads\/2024\/11\/Fels_Henryc_Blindgaenger_VGH_2026_08-scaled.jpg 1920w, https:\/\/visualjournalism.de\/wp-content\/uploads\/2024\/11\/Fels_Henryc_Blindgaenger_VGH_2026_08-1400x1867.jpg 1400w, https:\/\/visualjournalism.de\/wp-content\/uploads\/2024\/11\/Fels_Henryc_Blindgaenger_VGH_2026_08-1050x1400.jpg 1050w, https:\/\/visualjournalism.de\/wp-content\/uploads\/2024\/11\/Fels_Henryc_Blindgaenger_VGH_2026_08-670x893.jpg 670w, https:\/\/visualjournalism.de\/wp-content\/uploads\/2024\/11\/Fels_Henryc_Blindgaenger_VGH_2026_08-420x560.jpg 420w, https:\/\/visualjournalism.de\/wp-content\/uploads\/2024\/11\/Fels_Henryc_Blindgaenger_VGH_2026_08-350x467.jpg 350w, https:\/\/visualjournalism.de\/wp-content\/uploads\/2024\/11\/Fels_Henryc_Blindgaenger_VGH_2026_08-300x400.jpg 300w, https:\/\/visualjournalism.de\/wp-content\/uploads\/2024\/11\/Fels_Henryc_Blindgaenger_VGH_2026_08-640x853.jpg 640w, https:\/\/visualjournalism.de\/wp-content\/uploads\/2024\/11\/Fels_Henryc_Blindgaenger_VGH_2026_08-150x200.jpg 150w\" \r\n                                    width=\"768\"  \r\n                                    height=\"1024\" \r\n                                    alt=\"\"\r\n                                \/>\r\n                            <\/figure>\r\n\r\n                        \r\n                    \r\n                    <\/a>\r\n\r\n                <\/article><!--- .post-teaser-->\r\n\r\n            \r\n                <article class=\"post-teaser\">\r\n\r\n                    <a href=\"https:\/\/visualjournalism.de\/en\/magazine\/after-dark\/pankower-tor-toads\/\" rel=\"permalink\">\r\n\r\n                        <div class=\"post-teaser__content\">\r\n\r\n                            <span class=\"entry-categories\">After dark<\/span>\r\n                            <h3 class=\"post-teaser__headline\">\r\n                                Pankower Tor: the toads missing from the building plan                            <\/h3>\r\n\r\n                            <div class=\"post-teaser__excerpt\">\r\n                                <p>Berlin wants to build 2,000 homes here \u2013 but strictly protected amphibians are holding up the major project. A case study.<\/p>\r\n                            <\/div>\r\n\r\n                        <\/div><!-- .post-teaser__content -->\r\n\r\n\r\n                        \r\n                            <figure class=\"post-teaser__image\">\r\n                                <img loading=\"lazy\" decoding=\"async\"  \r\n                                    src=\"https:\/\/visualjournalism.de\/wp-content\/uploads\/IMG_9915-768x576.jpg\" \r\n                                    srcset=\"https:\/\/visualjournalism.de\/wp-content\/uploads\/IMG_9915-768x576.jpg 768w, https:\/\/visualjournalism.de\/wp-content\/uploads\/IMG_9915-300x225.jpg 300w, https:\/\/visualjournalism.de\/wp-content\/uploads\/IMG_9915-1024x768.jpg 1024w, https:\/\/visualjournalism.de\/wp-content\/uploads\/IMG_9915-1536x1152.jpg 1536w, https:\/\/visualjournalism.de\/wp-content\/uploads\/IMG_9915-2048x1536.jpg 2048w, https:\/\/visualjournalism.de\/wp-content\/uploads\/IMG_9915-1920x1440.jpg 1920w, https:\/\/visualjournalism.de\/wp-content\/uploads\/IMG_9915-1400x1050.jpg 1400w, https:\/\/visualjournalism.de\/wp-content\/uploads\/IMG_9915-1050x788.jpg 1050w, https:\/\/visualjournalism.de\/wp-content\/uploads\/IMG_9915-670x503.jpg 670w, https:\/\/visualjournalism.de\/wp-content\/uploads\/IMG_9915-420x315.jpg 420w, https:\/\/visualjournalism.de\/wp-content\/uploads\/IMG_9915-350x263.jpg 350w, https:\/\/visualjournalism.de\/wp-content\/uploads\/IMG_9915-150x113.jpg 150w\" \r\n                                    width=\"768\"  \r\n                                    height=\"576\" \r\n                                    alt=\"\"\r\n                                \/>\r\n                            <\/figure>\r\n\r\n                        \r\n                    \r\n                    <\/a>\r\n\r\n                <\/article><!--- .post-teaser-->\r\n\r\n            \r\n        <\/div><!-- .teaser-grid -->\r\n\r\n\n\n\r\n\r\n\r\n\r\n        <div class=\"teaser-grid grid-layout--3col has-spacing--s width--inline\">\r\n\r\n            \r\n                <article class=\"post-teaser\">\r\n\r\n                    <a href=\"https:\/\/visualjournalism.de\/en\/magazine\/collecting\/the-library-of-rescued-east-german-books\/\" rel=\"permalink\">\r\n\r\n                        <div class=\"post-teaser__content\">\r\n\r\n                            <span class=\"entry-categories\">Collecting<\/span>\r\n                            <h3 class=\"post-teaser__headline\">\r\n                                The library of rescued East German books                            <\/h3>\r\n\r\n                            <div class=\"post-teaser__excerpt\">\r\n                                <p>How a pastor in Lower Saxony saved thousands of East German books from destruction \u2013 and why one of them gave space research a crucial lead.<\/p>\r\n                            <\/div>\r\n\r\n                        <\/div><!-- .post-teaser__content -->\r\n\r\n\r\n                        \r\n                            <figure class=\"post-teaser__image\">\r\n                                <img loading=\"lazy\" decoding=\"async\"  \r\n                                    src=\"https:\/\/visualjournalism.de\/wp-content\/uploads\/MuellerVahl_Thomas_Sammeln-04-768x511.jpg\" \r\n                                    srcset=\"https:\/\/visualjournalism.de\/wp-content\/uploads\/MuellerVahl_Thomas_Sammeln-04-768x511.jpg 768w, https:\/\/visualjournalism.de\/wp-content\/uploads\/MuellerVahl_Thomas_Sammeln-04-300x200.jpg 300w, https:\/\/visualjournalism.de\/wp-content\/uploads\/MuellerVahl_Thomas_Sammeln-04-1024x681.jpg 1024w, https:\/\/visualjournalism.de\/wp-content\/uploads\/MuellerVahl_Thomas_Sammeln-04-1536x1022.jpg 1536w, https:\/\/visualjournalism.de\/wp-content\/uploads\/MuellerVahl_Thomas_Sammeln-04-2048x1363.jpg 2048w, https:\/\/visualjournalism.de\/wp-content\/uploads\/MuellerVahl_Thomas_Sammeln-04-1920x1277.jpg 1920w, https:\/\/visualjournalism.de\/wp-content\/uploads\/MuellerVahl_Thomas_Sammeln-04-1400x931.jpg 1400w, https:\/\/visualjournalism.de\/wp-content\/uploads\/MuellerVahl_Thomas_Sammeln-04-1050x699.jpg 1050w, https:\/\/visualjournalism.de\/wp-content\/uploads\/MuellerVahl_Thomas_Sammeln-04-670x446.jpg 670w, https:\/\/visualjournalism.de\/wp-content\/uploads\/MuellerVahl_Thomas_Sammeln-04-420x279.jpg 420w, https:\/\/visualjournalism.de\/wp-content\/uploads\/MuellerVahl_Thomas_Sammeln-04-350x233.jpg 350w, https:\/\/visualjournalism.de\/wp-content\/uploads\/MuellerVahl_Thomas_Sammeln-04-150x100.jpg 150w\" \r\n                                    width=\"768\"  \r\n                                    height=\"511\" \r\n                                    alt=\"\"\r\n                                \/>\r\n                            <\/figure>\r\n\r\n                        \r\n                    \r\n                    <\/a>\r\n\r\n                <\/article><!--- .post-teaser-->\r\n\r\n            \r\n                <article class=\"post-teaser\">\r\n\r\n                    <a href=\"https:\/\/visualjournalism.de\/en\/magazine\/work\/professional-dancer-at-the-limit\/\" rel=\"permalink\">\r\n\r\n                        <div class=\"post-teaser__content\">\r\n\r\n                            <span class=\"entry-categories\">Work<\/span>\r\n                            <h3 class=\"post-teaser__headline\">\r\n                                A professional dancer at the limit: six and a half hours of training \u2013 every day                            <\/h3>\r\n\r\n                            <div class=\"post-teaser__excerpt\">\r\n                                <p>Robert Robinson dances to the point of pain \u2013 knowing that a single misstep could end everything he has worked for over the years.<\/p>\r\n                            <\/div>\r\n\r\n                        <\/div><!-- .post-teaser__content -->\r\n\r\n\r\n                        \r\n                            <figure class=\"post-teaser__image\">\r\n                                <img loading=\"lazy\" decoding=\"async\"  \r\n                                    src=\"https:\/\/visualjournalism.de\/wp-content\/uploads\/Kai-Weise-UNI-Onlinemagazin-Robert-Robinson-Nobody-Knows-524620240912-768x512.jpg\" \r\n                                    srcset=\"https:\/\/visualjournalism.de\/wp-content\/uploads\/Kai-Weise-UNI-Onlinemagazin-Robert-Robinson-Nobody-Knows-524620240912-768x512.jpg 768w, https:\/\/visualjournalism.de\/wp-content\/uploads\/Kai-Weise-UNI-Onlinemagazin-Robert-Robinson-Nobody-Knows-524620240912-300x200.jpg 300w, https:\/\/visualjournalism.de\/wp-content\/uploads\/Kai-Weise-UNI-Onlinemagazin-Robert-Robinson-Nobody-Knows-524620240912-1024x683.jpg 1024w, https:\/\/visualjournalism.de\/wp-content\/uploads\/Kai-Weise-UNI-Onlinemagazin-Robert-Robinson-Nobody-Knows-524620240912-1536x1024.jpg 1536w, https:\/\/visualjournalism.de\/wp-content\/uploads\/Kai-Weise-UNI-Onlinemagazin-Robert-Robinson-Nobody-Knows-524620240912-2048x1365.jpg 2048w, https:\/\/visualjournalism.de\/wp-content\/uploads\/Kai-Weise-UNI-Onlinemagazin-Robert-Robinson-Nobody-Knows-524620240912-1920x1280.jpg 1920w, https:\/\/visualjournalism.de\/wp-content\/uploads\/Kai-Weise-UNI-Onlinemagazin-Robert-Robinson-Nobody-Knows-524620240912-1400x933.jpg 1400w, https:\/\/visualjournalism.de\/wp-content\/uploads\/Kai-Weise-UNI-Onlinemagazin-Robert-Robinson-Nobody-Knows-524620240912-1050x700.jpg 1050w, https:\/\/visualjournalism.de\/wp-content\/uploads\/Kai-Weise-UNI-Onlinemagazin-Robert-Robinson-Nobody-Knows-524620240912-670x447.jpg 670w, https:\/\/visualjournalism.de\/wp-content\/uploads\/Kai-Weise-UNI-Onlinemagazin-Robert-Robinson-Nobody-Knows-524620240912-420x280.jpg 420w, https:\/\/visualjournalism.de\/wp-content\/uploads\/Kai-Weise-UNI-Onlinemagazin-Robert-Robinson-Nobody-Knows-524620240912-350x233.jpg 350w, https:\/\/visualjournalism.de\/wp-content\/uploads\/Kai-Weise-UNI-Onlinemagazin-Robert-Robinson-Nobody-Knows-524620240912-150x100.jpg 150w\" \r\n                                    width=\"768\"  \r\n                                    height=\"512\" \r\n                                    alt=\"Black-and-white photo of two men deep in conversation in a dimly lit room. One, wearing a roll-neck jumper, rests his hand on his head and listens closely, while the other, in a loose shirt, speaks expressively. Chairs and a shadowy background suggest a rehearsal or performance.\"\r\n                                \/>\r\n                            <\/figure>\r\n\r\n                        \r\n                    \r\n                    <\/a>\r\n\r\n                <\/article><!--- .post-teaser-->\r\n\r\n            \r\n                <article class=\"post-teaser\">\r\n\r\n                    <a href=\"https:\/\/visualjournalism.de\/en\/magazine\/collecting\/two-photographers-in-a-coffin\/\" rel=\"permalink\">\r\n\r\n                        <div class=\"post-teaser__content\">\r\n\r\n                            <span class=\"entry-categories\">Collecting<\/span>\r\n                            <h3 class=\"post-teaser__headline\">\r\n                                Staging mortality: two photographers in a coffin                            <\/h3>\r\n\r\n                            <div class=\"post-teaser__excerpt\">\r\n                                <p>Two photographers lie down in a coffin and photograph each other. What sounds like breaking a taboo is an exploration of commerce and ritual \u2013 and of the question: is this allowed?<\/p>\r\n                            <\/div>\r\n\r\n                        <\/div><!-- .post-teaser__content -->\r\n\r\n\r\n                        \r\n                            <figure class=\"post-teaser__image\">\r\n                                <img loading=\"lazy\" decoding=\"async\"  \r\n                                    src=\"https:\/\/visualjournalism.de\/wp-content\/uploads\/Clara-Schoettke_Antonia-Teichert_Sammeln_10-768x768.jpg\" \r\n                                    srcset=\"https:\/\/visualjournalism.de\/wp-content\/uploads\/Clara-Schoettke_Antonia-Teichert_Sammeln_10-768x768.jpg 768w, https:\/\/visualjournalism.de\/wp-content\/uploads\/Clara-Schoettke_Antonia-Teichert_Sammeln_10-300x300.jpg 300w, https:\/\/visualjournalism.de\/wp-content\/uploads\/Clara-Schoettke_Antonia-Teichert_Sammeln_10-1024x1024.jpg 1024w, https:\/\/visualjournalism.de\/wp-content\/uploads\/Clara-Schoettke_Antonia-Teichert_Sammeln_10-150x150.jpg 150w, https:\/\/visualjournalism.de\/wp-content\/uploads\/Clara-Schoettke_Antonia-Teichert_Sammeln_10-1536x1536.jpg 1536w, https:\/\/visualjournalism.de\/wp-content\/uploads\/Clara-Schoettke_Antonia-Teichert_Sammeln_10-2048x2048.jpg 2048w, https:\/\/visualjournalism.de\/wp-content\/uploads\/Clara-Schoettke_Antonia-Teichert_Sammeln_10-1920x1920.jpg 1920w, https:\/\/visualjournalism.de\/wp-content\/uploads\/Clara-Schoettke_Antonia-Teichert_Sammeln_10-1400x1400.jpg 1400w, https:\/\/visualjournalism.de\/wp-content\/uploads\/Clara-Schoettke_Antonia-Teichert_Sammeln_10-1050x1050.jpg 1050w, https:\/\/visualjournalism.de\/wp-content\/uploads\/Clara-Schoettke_Antonia-Teichert_Sammeln_10-670x670.jpg 670w, https:\/\/visualjournalism.de\/wp-content\/uploads\/Clara-Schoettke_Antonia-Teichert_Sammeln_10-420x420.jpg 420w, https:\/\/visualjournalism.de\/wp-content\/uploads\/Clara-Schoettke_Antonia-Teichert_Sammeln_10-350x350.jpg 350w, https:\/\/visualjournalism.de\/wp-content\/uploads\/Clara-Schoettke_Antonia-Teichert_Sammeln_10-52x52.jpg 52w, https:\/\/visualjournalism.de\/wp-content\/uploads\/Clara-Schoettke_Antonia-Teichert_Sammeln_10-68x68.jpg 68w, https:\/\/visualjournalism.de\/wp-content\/uploads\/Clara-Schoettke_Antonia-Teichert_Sammeln_10-96x96.jpg 96w\" \r\n                                    width=\"768\"  \r\n                                    height=\"768\" \r\n                                    alt=\"Two photographers in black sit back to back in an open wooden coffin \u2013 from the work \u2018LG 500\/R\u2019 by Clara Sch\u00f6ttke and Antonia Teichert on funeral culture\"\r\n                                \/>\r\n                            <\/figure>\r\n\r\n                        \r\n                    \r\n                    <\/a>\r\n\r\n                <\/article><!--- .post-teaser-->\r\n\r\n            \r\n        <\/div><!-- .teaser-grid -->\r\n\r\n\n\n\n    <div class=\"btn-wrapper has-spacing--m\">\n        <a class=\"btn\" href=\"https:\/\/visualjournalism.de\/en\/magazine\/\" target=\"_blank\">TO THE MAGAZINE HOMEPAGE<\/a>\n    <\/div>\n<\/div>\n","protected":false},"author":10,"featured_media":49368,"template":"","tags":[391,387,331],"magazinkategorie":[400],"class_list":["post-75824","magazin","type-magazin","status-publish","has-post-thumbnail","hentry","tag-ddr-ostdeutschland-en","tag-musik-en","tag-photo-series-en","magazinkategorie-comment-and-debate"],"acf":[],"yoast_head":"<!-- This site is optimized with the Yoast SEO Premium plugin v28.8 (Yoast SEO v28.8) - https:\/\/yoast.com\/product\/yoast-seo-premium-wordpress\/ -->\n<title>You forgot the colour film: Roland Barthes and holiday photos<\/title>\n<meta name=\"description\" content=\"Thoughts on the temporality of photography \u2013 and what Roland Barthes might have said about Nina Hagen\u2019s hit \u2018Du hast den Farbfilm vergessen\u2019.\" \/>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/visualjournalism.de\/en\/magazine\/comment-and-debate\/you-forgot-the-colour-film\/\" \/>\n<meta property=\"og:locale\" content=\"en_US\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"You forgot the colour film\" \/>\n<meta property=\"og:description\" content=\"Thoughts on the temporality of photography \u2013 and what Roland Barthes might have said about Nina Hagen\u2019s hit \u2018Du hast den Farbfilm vergessen\u2019.\" \/>\n<meta property=\"og:url\" content=\"https:\/\/visualjournalism.de\/en\/magazine\/comment-and-debate\/you-forgot-the-colour-film\/\" \/>\n<meta property=\"og:site_name\" content=\"Visual Journalism and Documentary Photography\" \/>\n<meta property=\"article:publisher\" 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