{"id":75893,"date":"2024-03-29T20:12:46","date_gmt":"2024-03-29T18:12:46","guid":{"rendered":"https:\/\/visualjournalism.de\/?post_type=magazin&#038;p=75893"},"modified":"2026-09-28T12:39:15","modified_gmt":"2026-09-28T10:39:15","slug":"turkey-earthquake-2023-bereaved-man-fighting-for-justice","status":"publish","type":"magazin","link":"https:\/\/visualjournalism.de\/en\/magazine\/silence\/turkey-earthquake-2023-bereaved-man-fighting-for-justice\/","title":{"rendered":"Turkey earthquake 2023: how a bereaved man is fighting for justice"},"content":{"rendered":"\r\n<div class=\"cover--lead-in has-spacing--m\">\r\n\r\n    \r\n    <div class=\"cover--lead-in__content typo--tiempos\">\r\n\r\n        <div class=\"entry-categories\">\n\t<a class=\"post__tag\" href=\"https:\/\/visualjournalism.de\/en\/magazine-category\/silence\/\" rel=\"category tag\">Silence<\/a><\/div>\r\n        <h2 class=\"cover--lead-in__headline headline-size--s\">\r\n            Turkey earthquake 2023: how a bereaved man is fighting for justice        <\/h2>\r\n\r\n                    <div class=\"cover--lead-in__text\">\r\n                <p>A man loses his grandmother when a hospital building collapses in the earthquake \u2013 and takes up the fight against those responsible.<br \/>\n<b>By <a href=\"https:\/\/visualjournalism.de\/elena-prudlik\" target=\"_blank\" rel=\"noopener\">Elena Jaekel<\/a> (text), <a href=\"https:\/\/visualjournalism.de\/en\/felix-posner\/\">Felix Posner<\/a> (photos)<\/b><\/p>\n            <\/div>\r\n        \r\n                    <div class=\"cover--lead-in__author\">\r\n                \r\n                    \r\n                            <figure class=\"cover--lead-in__author__image\">\r\n\r\n                                                                    <a href=\"https:\/\/visualjournalism.de\/en\/elena-jaekel\/\" target=\"\">\r\n                                \r\n                                <img loading=\"lazy\" decoding=\"async\"\r\n                                    src=\"https:\/\/visualjournalism.de\/wp-content\/uploads\/2026\/05\/DSCF1864-3-68x68.jpg\"\r\n                                    srcset=\"https:\/\/visualjournalism.de\/wp-content\/uploads\/2026\/05\/DSCF1864-3-68x68.jpg 68w, https:\/\/visualjournalism.de\/wp-content\/uploads\/2026\/05\/DSCF1864-3-300x300.jpg 300w, https:\/\/visualjournalism.de\/wp-content\/uploads\/2026\/05\/DSCF1864-3-150x150.jpg 150w, https:\/\/visualjournalism.de\/wp-content\/uploads\/2026\/05\/DSCF1864-3-350x350.jpg 350w, https:\/\/visualjournalism.de\/wp-content\/uploads\/2026\/05\/DSCF1864-3-52x52.jpg 52w, https:\/\/visualjournalism.de\/wp-content\/uploads\/2026\/05\/DSCF1864-3-96x96.jpg 96w, https:\/\/visualjournalism.de\/wp-content\/uploads\/2026\/05\/DSCF1864-3.jpg 363w\"\r\n                                    width=\"68\"\r\n                                    height=\"68\"\r\n                                    alt=\"\"\r\n                                \/>\r\n\r\n                                                                    <\/a>\r\n                                \r\n                            <\/figure>\r\n\r\n                        \r\n                    \r\n                            <figure class=\"cover--lead-in__author__image\">\r\n\r\n                                                                    <a href=\"https:\/\/visualjournalism.de\/en\/felix-posner\/\" target=\"\">\r\n                                \r\n                                <img loading=\"lazy\" decoding=\"async\"\r\n                                    src=\"https:\/\/visualjournalism.de\/wp-content\/uploads\/Portrait_FelixPosner-68x68.jpg\"\r\n                                    srcset=\"https:\/\/visualjournalism.de\/wp-content\/uploads\/Portrait_FelixPosner-68x68.jpg 68w, https:\/\/visualjournalism.de\/wp-content\/uploads\/Portrait_FelixPosner-150x150.jpg 150w, https:\/\/visualjournalism.de\/wp-content\/uploads\/Portrait_FelixPosner-52x52.jpg 52w, https:\/\/visualjournalism.de\/wp-content\/uploads\/Portrait_FelixPosner-96x96.jpg 96w\"\r\n                                    width=\"68\"\r\n                                    height=\"68\"\r\n                                    alt=\"Portrait of photographer Felix Posner\"\r\n                                \/>\r\n\r\n                                                                    <\/a>\r\n                                \r\n                            <\/figure>\r\n\r\n                                    <\/div><!-- .cover--lead-in__author -->\r\n        \r\n    <\/div><!-- .cover--lead-in__content -->\r\n\r\n    \r\n        <figure class=\"cover--lead-in__image cover--lead-in__media cover--lead-in__media--image\">\r\n            <img loading=\"lazy\" decoding=\"async\"\r\n                src=\"https:\/\/visualjournalism.de\/wp-content\/uploads\/01_Felix_Posner-2-1920x1278.jpg\"\r\n                srcset=\"https:\/\/visualjournalism.de\/wp-content\/uploads\/01_Felix_Posner-2-1920x1278.jpg 1920w, https:\/\/visualjournalism.de\/wp-content\/uploads\/01_Felix_Posner-2-300x200.jpg 300w, https:\/\/visualjournalism.de\/wp-content\/uploads\/01_Felix_Posner-2-1024x681.jpg 1024w, https:\/\/visualjournalism.de\/wp-content\/uploads\/01_Felix_Posner-2-768x511.jpg 768w, https:\/\/visualjournalism.de\/wp-content\/uploads\/01_Felix_Posner-2-1536x1022.jpg 1536w, https:\/\/visualjournalism.de\/wp-content\/uploads\/01_Felix_Posner-2-1400x932.jpg 1400w, https:\/\/visualjournalism.de\/wp-content\/uploads\/01_Felix_Posner-2-1050x699.jpg 1050w, https:\/\/visualjournalism.de\/wp-content\/uploads\/01_Felix_Posner-2-670x446.jpg 670w, https:\/\/visualjournalism.de\/wp-content\/uploads\/01_Felix_Posner-2-420x280.jpg 420w, https:\/\/visualjournalism.de\/wp-content\/uploads\/01_Felix_Posner-2-350x233.jpg 350w, https:\/\/visualjournalism.de\/wp-content\/uploads\/01_Felix_Posner-2-150x100.jpg 150w, https:\/\/visualjournalism.de\/wp-content\/uploads\/01_Felix_Posner-2.jpg 2000w\"\r\n                width=\"1920\"\r\n                height=\"1278\"\r\n                alt=\"\"\r\n                style=\"object-position: 71.33% 99.5%\"\r\n            \/>\r\n        <\/figure>\r\n\r\n        \r\n    \r\n<\/div><!-- .cover--lead-in -->\r\n\r\n\n\n\n<div class=\"pinned-block has-spacing--m\">\n\t\n\n<div class=\"pinned-block__column--right\">\n    \n\n<p class=\"post__paragraph has-spacing--default\"><strong>They say buildings begin to dance just before they buckle and rubble and debris rain down<\/strong>. Alican Kenar wakes with a start to the doors banging and rattling against his wardrobe, while the water in the glass on his bedside table sloshes over in waves. The deserted streets of Iskenderun shake so violently that tall buildings sway like pendulums. The Kenar family\u2019s house on the city\u2019s waterfront withstands the quake, while others crash to the ground with a furious roar, burying their residents and plunging the region into dust and fog. Only the street dogs are said to have started howling a few moments earlier.&nbsp;<\/p>\n\n\n\n<p class=\"post__paragraph has-spacing--default\">At around 4 a.m., pent-up tectonic stress is released explosively and sweeps across south-eastern Turkey and Syria. The earthquake\u2019s focus lay at a comparatively shallow depth; the seismic waves lost little energy on their way to the surface \u2013 and developed such destructive force that they wiped out entire districts. Many buildings, especially newer ones that had been built high, collapsed like houses of cards in the wind.&nbsp;Like Syria, Turkey lies in one of the most earthquake-prone regions in the world, where several tectonic plates meet. As they move, they sometimes lock into one another, press against each other and build up stress that can be released from one moment to the next, like fireworks, when rock edges break off. On 6 February 2023, it was the Anatolian and Arabian plates that caused the earthquake in which so many people lost their lives and livelihoods.&nbsp;<\/p>\n\n\n<\/div>\n\n\n<div class=\"pinned-block__column--left\">\n    \n\r\n<div class=\"embed-block has-spacing--m\">\r\n\r\n    <div \r\n        class=\"embed-block__wrapper ratio-aspect-ratio--4-3\" \r\n        style=\"\"\r\n    >\r\n        <iframe loading=\"lazy\" title=\"\" aria-label=\"Locator map\" id=\"datawrapper-chart-R8TEf\" src=\"https:\/\/datawrapper.dwcdn.net\/R8TEf\/3\/\" scrolling=\"no\" frameborder=\"0\" style=\"border: none;\" width=\"600\" height=\"513\" data-external=\"1\"><\/iframe>\r\n    <\/div>\r\n\r\n    <div class=\"embed-block__caption\">\r\n        \n\n<p class=\"post__paragraph has-spacing--default\"><\/p>\n\n    <\/div>\r\n\r\n<\/div>\r\n\n\n<\/div>\n<\/div>\n\n \n\n<div class=\"photo-grid grid-layout--2col-5 has-spacing--m\">\n\n            \n\n            <div class=\"photo-grid__image\">\n\n                <figure>\n\n                    <img loading=\"lazy\" decoding=\"async\"  \n                        src=\"https:\/\/visualjournalism.de\/wp-content\/uploads\/12_Felix_Posner-1-768x1154.jpg\" \n                        srcset=\"https:\/\/visualjournalism.de\/wp-content\/uploads\/12_Felix_Posner-1-768x1154.jpg 768w, https:\/\/visualjournalism.de\/wp-content\/uploads\/12_Felix_Posner-1-200x300.jpg 200w, https:\/\/visualjournalism.de\/wp-content\/uploads\/12_Felix_Posner-1-681x1024.jpg 681w, https:\/\/visualjournalism.de\/wp-content\/uploads\/12_Felix_Posner-1-1022x1536.jpg 1022w, https:\/\/visualjournalism.de\/wp-content\/uploads\/12_Felix_Posner-1-1050x1578.jpg 1050w, https:\/\/visualjournalism.de\/wp-content\/uploads\/12_Felix_Posner-1-670x1007.jpg 670w, https:\/\/visualjournalism.de\/wp-content\/uploads\/12_Felix_Posner-1-420x631.jpg 420w, https:\/\/visualjournalism.de\/wp-content\/uploads\/12_Felix_Posner-1-350x526.jpg 350w, https:\/\/visualjournalism.de\/wp-content\/uploads\/12_Felix_Posner-1-300x451.jpg 300w, https:\/\/visualjournalism.de\/wp-content\/uploads\/12_Felix_Posner-1-150x225.jpg 150w, https:\/\/visualjournalism.de\/wp-content\/uploads\/12_Felix_Posner-1.jpg 1331w\" \n                        width=\"768\"  \n                        height=\"1154\" \n                        alt=\"\"  \n                    \/>\n\n                                            <span class=\"photo-grid__image__title\">Iskenderun\/Turkey, 23.05.23<\/span>\n                    \n                                            <figcaption class=\"photo-grid__image__caption--soehne\"><p><strong>The earthquake [02.23] struck at 4 a.m.<\/strong> Since then Alican Kenar has suffered from sleep problems. He now mostly works at night as a translator on the terrace of his parents\u2019 house, where he feels safer than in his bedroom-cum-study on the top floor.<\/p>\n<\/figcaption>\n                    \n                <\/figure>\n\n            <\/div><!-- photo-grid__image -->    \n\n\n            \n\n                    \n                \n\n            <div class=\"photo-grid__image\">\n\n                <figure>\n\n                    <img loading=\"lazy\" decoding=\"async\"  \n                        src=\"https:\/\/visualjournalism.de\/wp-content\/uploads\/11_Felix_Posner-2-768x1154.jpg\" \n                        srcset=\"https:\/\/visualjournalism.de\/wp-content\/uploads\/11_Felix_Posner-2-768x1154.jpg 768w, https:\/\/visualjournalism.de\/wp-content\/uploads\/11_Felix_Posner-2-200x300.jpg 200w, https:\/\/visualjournalism.de\/wp-content\/uploads\/11_Felix_Posner-2-681x1024.jpg 681w, https:\/\/visualjournalism.de\/wp-content\/uploads\/11_Felix_Posner-2-1022x1536.jpg 1022w, https:\/\/visualjournalism.de\/wp-content\/uploads\/11_Felix_Posner-2-1050x1578.jpg 1050w, https:\/\/visualjournalism.de\/wp-content\/uploads\/11_Felix_Posner-2-670x1007.jpg 670w, https:\/\/visualjournalism.de\/wp-content\/uploads\/11_Felix_Posner-2-420x631.jpg 420w, https:\/\/visualjournalism.de\/wp-content\/uploads\/11_Felix_Posner-2-350x526.jpg 350w, https:\/\/visualjournalism.de\/wp-content\/uploads\/11_Felix_Posner-2-300x451.jpg 300w, https:\/\/visualjournalism.de\/wp-content\/uploads\/11_Felix_Posner-2-150x225.jpg 150w, https:\/\/visualjournalism.de\/wp-content\/uploads\/11_Felix_Posner-2.jpg 1331w\" \n                        width=\"768\"  \n                        height=\"1154\" \n                        alt=\"\"  \n                    \/>\n\n                                            <span class=\"photo-grid__image__title\">Iskenderun\/Turkey, 25.05.23<\/span>\n                    \n                                            <figcaption class=\"photo-grid__image__caption--soehne\"><p><strong>Aysel\u2019s house withstood the earthquake; <\/strong>only a narrow crack runs through one of the walls.<\/p>\n<\/figcaption>\n                    \n                <\/figure>\n\n            <\/div><!-- photo-grid__image -->    \n\n\n            \n\n            \n<\/div>\n\n    <figure class=\"block-photo post__image--full has-spacing--m with-title\">\n\n        <div class=\"post__image__container\">\n            <img loading=\"lazy\" decoding=\"async\" \n                src=\"https:\/\/visualjournalism.de\/wp-content\/uploads\/15_Felix_Posner-1400x932.jpg\"\n                srcset=\"https:\/\/visualjournalism.de\/wp-content\/uploads\/15_Felix_Posner-1400x932.jpg 1400w, https:\/\/visualjournalism.de\/wp-content\/uploads\/15_Felix_Posner-300x200.jpg 300w, https:\/\/visualjournalism.de\/wp-content\/uploads\/15_Felix_Posner-1024x681.jpg 1024w, https:\/\/visualjournalism.de\/wp-content\/uploads\/15_Felix_Posner-768x511.jpg 768w, https:\/\/visualjournalism.de\/wp-content\/uploads\/15_Felix_Posner-1536x1022.jpg 1536w, https:\/\/visualjournalism.de\/wp-content\/uploads\/15_Felix_Posner-1920x1278.jpg 1920w, https:\/\/visualjournalism.de\/wp-content\/uploads\/15_Felix_Posner-1050x699.jpg 1050w, https:\/\/visualjournalism.de\/wp-content\/uploads\/15_Felix_Posner-670x446.jpg 670w, https:\/\/visualjournalism.de\/wp-content\/uploads\/15_Felix_Posner-420x280.jpg 420w, https:\/\/visualjournalism.de\/wp-content\/uploads\/15_Felix_Posner-350x233.jpg 350w, https:\/\/visualjournalism.de\/wp-content\/uploads\/15_Felix_Posner-150x100.jpg 150w, https:\/\/visualjournalism.de\/wp-content\/uploads\/15_Felix_Posner.jpg 2000w\"\n                width=\"1400\" \n                height=\"932\"\n                alt=\"\" \n            \/>\n            \n                            <span class=\"post__image__title\">[Iskenderun\/Turkey, 25.05.23]<\/span>\n                    <\/div><!-- post__image__container -->\n\n                    <figcaption class=\"post__image__caption--soehne\"><p><strong>The city of Iskenderun is built on marshy ground. <\/strong>The soft subsoil is particularly unsuitable for tall buildings, which need firm foundations. Near the coast there are still undeveloped meadows that bring plagues of mosquitoes, especially on hot nights.<\/p>\n<\/figcaption>\n        \n    <\/figure><!-- post__image -->\n\n\n\n\n<p class=\"post__paragraph has-spacing--default\"><strong>After a catastrophic earthquake in 1999<\/strong> <strong>in the region around \u0130zmit, in which mainly new buildings had collapsed<\/strong>, the Turkish government passed a law with regulations for modern, earthquake-proof building standards. The state hospital in the coastal city of Iskenderun was also tested for stability and safety in 2012 \u2013 and failed. In February 2023, Alican and his cousin Meysa gradually lose all sense of time and space. For days, perhaps a whole week, they hold out in front of the rubble that was once the doors, walls and pillars of the state hospital. They sit on benches and wobbly plastic chairs around a fire and wait \u2013 wait for someone else to be pulled from the debris. On the evening before the earthquake, Alican\u2019s grandmother Aysel Kaya had checked in to have her back examined. Wing A of the hospital, where Aysel spent the night, is now nothing but a gigantic mountain of rubble and dust, its ceilings and floors pressed together like cardboard.<\/p>\n\n\n\n<p class=\"post__paragraph is-style-default has-spacing--default\">Search teams and aid organisations only slowly reach the Hatay region, where Iskenderun lies. The regional airport is paralysed, the asphalt of the runway torn, craters dotting the tarmac like molehills. So the people affected have no choice but to dig through the rubble with their bare hands for those who are screaming and knocking. In the bitterly cold nights, surviving for long in these prisons of stone is almost impossible. Like others who are waiting, Alican and Meysa hardly sleep during these days. They hold out, helpless, until their grandmother, too, is finally recovered lifeless from the rubble.<\/p>\n\n\n\n<p class=\"post__paragraph has-spacing--m\"><strong>\u2018The report on the earthquake resistance test was negative\u2019<\/strong> can be read in bold, underlined red letters on the Iskenderun hospital\u2019s website. The 2012 earthquake test confirmed that Block A of the hospital had long been dilapidated and should have been rebuilt. The result was noted, signatures were put under the report, hands were shaken \u2013 and the hospital went on running like clockwork, year after year. Eleven years later, once the rubble and debris of the former corridors and patient rooms have been cleared away, nothing remains but an access ramp and bars sticking out of the reinforced concrete like brushwood in all directions. Such steel bars are needed so that concrete does not crack during an earthquake. They should be so-called reinforcing bars \u2013 thick, ribbed steel bars to which the concrete adheres. In Iskenderun, this steel is thin and smooth.<\/p>\n\n\n    <figure class=\"block-photo post__image--full has-spacing--m with-title\">\n\n        <div class=\"post__image__container\">\n            <img loading=\"lazy\" decoding=\"async\" \n                src=\"https:\/\/visualjournalism.de\/wp-content\/uploads\/04_Felix_Posner-1-1400x932.jpg\"\n                srcset=\"https:\/\/visualjournalism.de\/wp-content\/uploads\/04_Felix_Posner-1-1400x932.jpg 1400w, https:\/\/visualjournalism.de\/wp-content\/uploads\/04_Felix_Posner-1-300x200.jpg 300w, https:\/\/visualjournalism.de\/wp-content\/uploads\/04_Felix_Posner-1-1024x681.jpg 1024w, https:\/\/visualjournalism.de\/wp-content\/uploads\/04_Felix_Posner-1-768x511.jpg 768w, https:\/\/visualjournalism.de\/wp-content\/uploads\/04_Felix_Posner-1-1536x1022.jpg 1536w, https:\/\/visualjournalism.de\/wp-content\/uploads\/04_Felix_Posner-1-1920x1278.jpg 1920w, https:\/\/visualjournalism.de\/wp-content\/uploads\/04_Felix_Posner-1-1050x699.jpg 1050w, https:\/\/visualjournalism.de\/wp-content\/uploads\/04_Felix_Posner-1-670x446.jpg 670w, https:\/\/visualjournalism.de\/wp-content\/uploads\/04_Felix_Posner-1-420x280.jpg 420w, https:\/\/visualjournalism.de\/wp-content\/uploads\/04_Felix_Posner-1-350x233.jpg 350w, https:\/\/visualjournalism.de\/wp-content\/uploads\/04_Felix_Posner-1-150x100.jpg 150w, https:\/\/visualjournalism.de\/wp-content\/uploads\/04_Felix_Posner-1.jpg 2000w\"\n                width=\"1400\" \n                height=\"932\"\n                alt=\"\" \n            \/>\n            \n                            <span class=\"post__image__title\">Iskenderun\/Turkey, 22.05.23<\/span>\n                    <\/div><!-- post__image__container -->\n\n                    <figcaption class=\"post__image__caption--soehne\"><p><strong>After survivors and the dead had been recovered from the grounds of Iskenderun State Hospital,<\/strong> the buildings were completely demolished. All that remains are the inadequate steel supports and an access ramp.<\/p>\n<\/figcaption>\n        \n    <\/figure><!-- post__image -->\n\n\n\n \n\n<div class=\"photo-grid grid-layout--2col-5 has-spacing--l\">\n\n            \n\n            <div class=\"photo-grid__image\">\n\n                <figure>\n\n                    <img loading=\"lazy\" decoding=\"async\"  \n                        src=\"https:\/\/visualjournalism.de\/wp-content\/uploads\/09_Felix_Posner-1-768x1154.jpg\" \n                        srcset=\"https:\/\/visualjournalism.de\/wp-content\/uploads\/09_Felix_Posner-1-768x1154.jpg 768w, https:\/\/visualjournalism.de\/wp-content\/uploads\/09_Felix_Posner-1-200x300.jpg 200w, https:\/\/visualjournalism.de\/wp-content\/uploads\/09_Felix_Posner-1-681x1024.jpg 681w, https:\/\/visualjournalism.de\/wp-content\/uploads\/09_Felix_Posner-1-1022x1536.jpg 1022w, https:\/\/visualjournalism.de\/wp-content\/uploads\/09_Felix_Posner-1-1050x1578.jpg 1050w, https:\/\/visualjournalism.de\/wp-content\/uploads\/09_Felix_Posner-1-670x1007.jpg 670w, https:\/\/visualjournalism.de\/wp-content\/uploads\/09_Felix_Posner-1-420x631.jpg 420w, https:\/\/visualjournalism.de\/wp-content\/uploads\/09_Felix_Posner-1-350x526.jpg 350w, https:\/\/visualjournalism.de\/wp-content\/uploads\/09_Felix_Posner-1-300x451.jpg 300w, https:\/\/visualjournalism.de\/wp-content\/uploads\/09_Felix_Posner-1-150x225.jpg 150w, https:\/\/visualjournalism.de\/wp-content\/uploads\/09_Felix_Posner-1.jpg 1331w\" \n                        width=\"768\"  \n                        height=\"1154\" \n                        alt=\"\"  \n                    \/>\n\n                                            <span class=\"photo-grid__image__title\">Arsuz\/Turkey, 24.05.23<\/span>\n                    \n                                            <figcaption class=\"photo-grid__image__caption--soehne\"><p><strong>Since the earthquake, election posters from every party have been stuck up, especially on destroyed buildings. <\/strong>In badly hit Hatay, the run-off vote will shape the future.<\/p>\n<\/figcaption>\n                    \n                <\/figure>\n\n            <\/div><!-- photo-grid__image -->    \n\n\n            \n\n                    \n                \n\n            <div class=\"photo-grid__image\">\n\n                <figure>\n\n                    <img loading=\"lazy\" decoding=\"async\"  \n                        src=\"https:\/\/visualjournalism.de\/wp-content\/uploads\/18_Felix_Posner-768x1154.jpg\" \n                        srcset=\"https:\/\/visualjournalism.de\/wp-content\/uploads\/18_Felix_Posner-768x1154.jpg 768w, https:\/\/visualjournalism.de\/wp-content\/uploads\/18_Felix_Posner-200x300.jpg 200w, https:\/\/visualjournalism.de\/wp-content\/uploads\/18_Felix_Posner-681x1024.jpg 681w, https:\/\/visualjournalism.de\/wp-content\/uploads\/18_Felix_Posner-1022x1536.jpg 1022w, https:\/\/visualjournalism.de\/wp-content\/uploads\/18_Felix_Posner-1050x1578.jpg 1050w, https:\/\/visualjournalism.de\/wp-content\/uploads\/18_Felix_Posner-670x1007.jpg 670w, https:\/\/visualjournalism.de\/wp-content\/uploads\/18_Felix_Posner-420x631.jpg 420w, https:\/\/visualjournalism.de\/wp-content\/uploads\/18_Felix_Posner-350x526.jpg 350w, https:\/\/visualjournalism.de\/wp-content\/uploads\/18_Felix_Posner-300x451.jpg 300w, https:\/\/visualjournalism.de\/wp-content\/uploads\/18_Felix_Posner-150x225.jpg 150w, https:\/\/visualjournalism.de\/wp-content\/uploads\/18_Felix_Posner.jpg 1331w\" \n                        width=\"768\"  \n                        height=\"1154\" \n                        alt=\"\"  \n                    \/>\n\n                                            <span class=\"photo-grid__image__title\">Iskenderun\/Turkey, 25.05.23<\/span>\n                    \n                                            <figcaption class=\"photo-grid__image__caption--soehne\"><p><strong>B\u00fclent Akbay,<\/strong> a lawyer and chair of the \u2018Association for Social Rights\u2019 (Sosyal Haklar Derne\u011fi), in his temporary office on the Iskenderun seafront.<\/p>\n<\/figcaption>\n                    \n                <\/figure>\n\n            <\/div><!-- photo-grid__image -->    \n\n\n            \n\n            \n<\/div>\n\n\n<p class=\"post__paragraph has-spacing--default\"><strong>The smell of freshly ground coffee and sweet shisha smoke hangs in the air when B\u00fclent Akbay receives his clients. <\/strong>The Sosyal Haklar Derne\u011fi, the \u2018Association for Social Rights\u2019, has been allowed to set up a temporary office on the first floor of a caf\u00e9 on Iskenderun\u2019s promenade. The original premises of the association, for which Akbay works as a volunteer lawyer, were razed to the ground in the earthquake. It was Alican\u2019s uncle who drew his attention to a call for a class action. Besides the Kenar family, four other parties who lost relatives in the dilapidated hospital wing are now taking legal action, pursuing the question of whether this tragedy could have been prevented. Akbay, who provides the relatives with free legal assistance, believes that the five people who signed the 2012 report deliberately turned a blind eye \u2013 in other words, that they did not fail to act out of negligence.<\/p>\n\n\n\n<p class=\"post__paragraph has-spacing--default\">The five defendants either built the hospital as contractors or hold senior administrative posts. It would have been their duty to have the building demolished. Those responsible face up to 25 years in prison, lawyer B\u00fclent Akbay estimates \u2013 if he wins the case. He and his clients are arguing for murder. In the past, sentences in comparable cases have tended to be light \u2013 or third parties have been held responsible. The case has since been handed over to the public prosecutor\u2019s office.<\/p>\n\n\n\n<p class=\"post__paragraph has-spacing--m\">When Alican wants to visit his grandmother Aysel now, he drives to Iskenderun cemetery, with its white graves lined up neatly among trees and shrubs, overlooking hills and mountains that wind along the horizon. On this side, the date 6 February 2023 can be read on every gravestone. A small Turkish flag on the grave next to Aysel\u2019s flutters now and then in a gust of wind. The flag is fastened to the headdress the deceased once wore. A Turkish flag on a grave indicates that the person died in the service of Turkey \u2013 for example on duty with the police or the fire brigade or, as in this case, as a nurse: the one who had cared for Aysel in hospital.&nbsp;<\/p>\n\n\n \n\n<div class=\"photo-grid grid-layout--2col-5 has-spacing--m\">\n\n            \n\n            <div class=\"photo-grid__image\">\n\n                <figure>\n\n                    <img loading=\"lazy\" decoding=\"async\"  \n                        src=\"https:\/\/visualjournalism.de\/wp-content\/uploads\/05_Felix_Posner-768x1154.jpg\" \n                        srcset=\"https:\/\/visualjournalism.de\/wp-content\/uploads\/05_Felix_Posner-768x1154.jpg 768w, https:\/\/visualjournalism.de\/wp-content\/uploads\/05_Felix_Posner-200x300.jpg 200w, https:\/\/visualjournalism.de\/wp-content\/uploads\/05_Felix_Posner-681x1024.jpg 681w, https:\/\/visualjournalism.de\/wp-content\/uploads\/05_Felix_Posner-1022x1536.jpg 1022w, https:\/\/visualjournalism.de\/wp-content\/uploads\/05_Felix_Posner-1050x1578.jpg 1050w, https:\/\/visualjournalism.de\/wp-content\/uploads\/05_Felix_Posner-670x1007.jpg 670w, https:\/\/visualjournalism.de\/wp-content\/uploads\/05_Felix_Posner-420x631.jpg 420w, https:\/\/visualjournalism.de\/wp-content\/uploads\/05_Felix_Posner-350x526.jpg 350w, https:\/\/visualjournalism.de\/wp-content\/uploads\/05_Felix_Posner-300x451.jpg 300w, https:\/\/visualjournalism.de\/wp-content\/uploads\/05_Felix_Posner-150x225.jpg 150w, https:\/\/visualjournalism.de\/wp-content\/uploads\/05_Felix_Posner.jpg 1331w\" \n                        width=\"768\"  \n                        height=\"1154\" \n                        alt=\"\"  \n                    \/>\n\n                                            <span class=\"photo-grid__image__title\">Iskenderun\/Turkey, 25.05.23<\/span>\n                    \n                                            <figcaption class=\"photo-grid__image__caption--soehne\"><p><strong>Since the night of the earthquake<\/strong> Alican has suffered from severe sleep problems.<\/p>\n<\/figcaption>\n                    \n                <\/figure>\n\n            <\/div><!-- photo-grid__image -->    \n\n\n            \n\n                    \n                \n\n            <div class=\"photo-grid__image\">\n\n                <figure>\n\n                    <img loading=\"lazy\" decoding=\"async\"  \n                        src=\"https:\/\/visualjournalism.de\/wp-content\/uploads\/02_Felix_Posner-768x1154.jpg\" \n                        srcset=\"https:\/\/visualjournalism.de\/wp-content\/uploads\/02_Felix_Posner-768x1154.jpg 768w, https:\/\/visualjournalism.de\/wp-content\/uploads\/02_Felix_Posner-200x300.jpg 200w, https:\/\/visualjournalism.de\/wp-content\/uploads\/02_Felix_Posner-681x1024.jpg 681w, https:\/\/visualjournalism.de\/wp-content\/uploads\/02_Felix_Posner-1022x1536.jpg 1022w, https:\/\/visualjournalism.de\/wp-content\/uploads\/02_Felix_Posner-1050x1578.jpg 1050w, https:\/\/visualjournalism.de\/wp-content\/uploads\/02_Felix_Posner-670x1007.jpg 670w, https:\/\/visualjournalism.de\/wp-content\/uploads\/02_Felix_Posner-420x631.jpg 420w, https:\/\/visualjournalism.de\/wp-content\/uploads\/02_Felix_Posner-350x526.jpg 350w, https:\/\/visualjournalism.de\/wp-content\/uploads\/02_Felix_Posner-300x451.jpg 300w, https:\/\/visualjournalism.de\/wp-content\/uploads\/02_Felix_Posner-150x225.jpg 150w, https:\/\/visualjournalism.de\/wp-content\/uploads\/02_Felix_Posner.jpg 1331w\" \n                        width=\"768\"  \n                        height=\"1154\" \n                        alt=\"\"  \n                    \/>\n\n                                            <span class=\"photo-grid__image__title\">Iskenderun\/Turkey, 25.05.23<\/span>\n                    \n                                            <figcaption class=\"photo-grid__image__caption--soehne\"><p><strong>The Kenar family\u2019s lemon tree,<\/strong> which Alican planted with his grandmother Aysel.<\/p>\n<\/figcaption>\n                    \n                <\/figure>\n\n            <\/div><!-- photo-grid__image -->    \n\n\n            \n\n            \n<\/div>\n\n    <figure class=\"block-photo post__image--full has-spacing--m with-title\">\n\n        <div class=\"post__image__container\">\n            <img loading=\"lazy\" decoding=\"async\" \n                src=\"https:\/\/visualjournalism.de\/wp-content\/uploads\/10_Felix_Posner-2-1400x932.jpg\"\n                srcset=\"https:\/\/visualjournalism.de\/wp-content\/uploads\/10_Felix_Posner-2-1400x932.jpg 1400w, https:\/\/visualjournalism.de\/wp-content\/uploads\/10_Felix_Posner-2-300x200.jpg 300w, https:\/\/visualjournalism.de\/wp-content\/uploads\/10_Felix_Posner-2-1024x681.jpg 1024w, https:\/\/visualjournalism.de\/wp-content\/uploads\/10_Felix_Posner-2-768x511.jpg 768w, https:\/\/visualjournalism.de\/wp-content\/uploads\/10_Felix_Posner-2-1536x1022.jpg 1536w, https:\/\/visualjournalism.de\/wp-content\/uploads\/10_Felix_Posner-2-1920x1278.jpg 1920w, https:\/\/visualjournalism.de\/wp-content\/uploads\/10_Felix_Posner-2-1050x699.jpg 1050w, https:\/\/visualjournalism.de\/wp-content\/uploads\/10_Felix_Posner-2-670x446.jpg 670w, https:\/\/visualjournalism.de\/wp-content\/uploads\/10_Felix_Posner-2-420x280.jpg 420w, https:\/\/visualjournalism.de\/wp-content\/uploads\/10_Felix_Posner-2-350x233.jpg 350w, https:\/\/visualjournalism.de\/wp-content\/uploads\/10_Felix_Posner-2-150x100.jpg 150w, https:\/\/visualjournalism.de\/wp-content\/uploads\/10_Felix_Posner-2.jpg 2000w\"\n                width=\"1400\" \n                height=\"932\"\n                alt=\"\" \n            \/>\n            \n                            <span class=\"post__image__title\">Iskenderun\/Turkey, 23.05.23<\/span>\n                    <\/div><!-- post__image__container -->\n\n                    <figcaption class=\"post__image__caption--soehne\"><p><strong>Photograph of Alican\u2019s grandparents,<\/strong> Aysel and Zidan Kaya, in the Kenar family\u2019s living room.<\/p>\n<\/figcaption>\n        \n    <\/figure><!-- post__image -->\n\n\n\n\n<p class=\"post__paragraph has-spacing--default\"><strong>An oppressive silence hangs over the earthquake region like a low cloud.<\/strong> At dusk, when night slowly creeps in and the cold seeps into corners and cracks, the windows of the houses still standing stay dark. Light from fires and candles flickers through the thin walls of the tents; the rising steam from hot tea drives away the clammy air for a few moments. People share the cramped space and their privacy with families they did not even know by sight before, penned in by fences and wire under the watchful eye of security staff. Rows of tents crowd onto squares and fill the city\u2019s large open spaces. More and more residential containers are also appearing among them; they can be heated with air conditioning and stand lengthways and crossways in the settlements. From election posters on the ruins, the face of Recep Tayyip Erdo\u011fan looks down on those digging up tree roots to get some firewood.&nbsp;<\/p>\n\n\n\n<p class=\"post__paragraph has-spacing--m\">In summer 2023, Alican turns his back on the earthquake region. Since then he has lived in idyllic Ka\u015f on Turkey\u2019s Mediterranean coast. He has rented a little house there, where he has found again the sleep he lost on the night of the earthquake. Alican does not believe the city \u2013 or the family\u2019s photo studio \u2013 will be rebuilt any time soon. A year on, the proceedings over the collapsed hospital have still produced no result.&nbsp;<\/p>\n\n\n\n<p class=\"post__paragraph has-spacing--default\"><\/p>\n\n\n    <figure class=\"block-photo post__image--full has-spacing--m with-title\">\n\n        <div class=\"post__image__container\">\n            <img loading=\"lazy\" decoding=\"async\" \n                src=\"https:\/\/visualjournalism.de\/wp-content\/uploads\/06_Felix_Posner-2-1400x932.jpg\"\n                srcset=\"https:\/\/visualjournalism.de\/wp-content\/uploads\/06_Felix_Posner-2-1400x932.jpg 1400w, https:\/\/visualjournalism.de\/wp-content\/uploads\/06_Felix_Posner-2-300x200.jpg 300w, https:\/\/visualjournalism.de\/wp-content\/uploads\/06_Felix_Posner-2-1024x681.jpg 1024w, https:\/\/visualjournalism.de\/wp-content\/uploads\/06_Felix_Posner-2-768x511.jpg 768w, https:\/\/visualjournalism.de\/wp-content\/uploads\/06_Felix_Posner-2-1536x1022.jpg 1536w, https:\/\/visualjournalism.de\/wp-content\/uploads\/06_Felix_Posner-2-1920x1278.jpg 1920w, https:\/\/visualjournalism.de\/wp-content\/uploads\/06_Felix_Posner-2-1050x699.jpg 1050w, https:\/\/visualjournalism.de\/wp-content\/uploads\/06_Felix_Posner-2-670x446.jpg 670w, https:\/\/visualjournalism.de\/wp-content\/uploads\/06_Felix_Posner-2-420x280.jpg 420w, https:\/\/visualjournalism.de\/wp-content\/uploads\/06_Felix_Posner-2-350x233.jpg 350w, https:\/\/visualjournalism.de\/wp-content\/uploads\/06_Felix_Posner-2-150x100.jpg 150w, https:\/\/visualjournalism.de\/wp-content\/uploads\/06_Felix_Posner-2.jpg 2000w\"\n                width=\"1400\" \n                height=\"932\"\n                alt=\"\" \n            \/>\n            \n                            <span class=\"post__image__title\">Iskenderun\/Turkey, 21.05.23<\/span>\n                    <\/div><!-- post__image__container -->\n\n                    <figcaption class=\"post__image__caption--soehne\"><p><strong>The pier on Iskenderun\u2019s harbour promenade.<\/strong> As a result of the earthquake the promenade sank, so that in storms the water is pushed further and further inland.<\/p>\n<\/figcaption>\n        \n    <\/figure><!-- post__image -->\n\n\n\n\n<div class=\"wp-block-group has-spacing--default has-spacing--default\">\n<div class=\"devider has-spacing--none\">\n    <hr>\n<\/div>\n\n\n \n\n    <div id=\"lead-in-block_a6731961f80e80a2fdd70998abf749ec\" class=\"block-lead-in typo--default font-size--xl has-spacing--s width--default\">\n        <p><strong>Recommended by the editors:<\/strong><\/p>\n    <\/div>\n\n\n\n\r\n\r\n\r\n\r\n        <div class=\"teaser-grid grid-layout--3col has-spacing--s width--inline\">\r\n\r\n            \r\n                <article class=\"post-teaser\">\r\n\r\n                    <a href=\"https:\/\/visualjournalism.de\/en\/magazine\/collecting\/the-worlds-largest-playmobil-collection\/\" rel=\"permalink\">\r\n\r\n                        <div class=\"post-teaser__content\">\r\n\r\n                            <span class=\"entry-categories\">Collecting<\/span>\r\n                            <h3 class=\"post-teaser__headline\">\r\n                                The world&#8217;s largest Playmobil collection: 400,000 figures                            <\/h3>\r\n\r\n                            <div class=\"post-teaser__excerpt\">\r\n                                <p>It all began in a child&#8217;s bedroom \u2013 today Oliver Schaffer owns the world&#8217;s largest Playmobil collection, with more than 400,000 figures. A visit to his high-bay warehouse.<\/p>\r\n                            <\/div>\r\n\r\n                        <\/div><!-- .post-teaser__content -->\r\n\r\n\r\n                        \r\n                            <figure class=\"post-teaser__image\">\r\n                                <img loading=\"lazy\" decoding=\"async\"  \r\n                                    src=\"https:\/\/visualjournalism.de\/wp-content\/uploads\/20241212_FR87726-Playmobilbauer-\u00a9Felix-Kaspar-Rosic_4000px-768x614.jpg\" \r\n                                    srcset=\"https:\/\/visualjournalism.de\/wp-content\/uploads\/20241212_FR87726-Playmobilbauer-\u00a9Felix-Kaspar-Rosic_4000px-768x614.jpg 768w, https:\/\/visualjournalism.de\/wp-content\/uploads\/20241212_FR87726-Playmobilbauer-\u00a9Felix-Kaspar-Rosic_4000px-300x240.jpg 300w, https:\/\/visualjournalism.de\/wp-content\/uploads\/20241212_FR87726-Playmobilbauer-\u00a9Felix-Kaspar-Rosic_4000px-1024x819.jpg 1024w, https:\/\/visualjournalism.de\/wp-content\/uploads\/20241212_FR87726-Playmobilbauer-\u00a9Felix-Kaspar-Rosic_4000px-1536x1229.jpg 1536w, https:\/\/visualjournalism.de\/wp-content\/uploads\/20241212_FR87726-Playmobilbauer-\u00a9Felix-Kaspar-Rosic_4000px-1920x1536.jpg 1920w, https:\/\/visualjournalism.de\/wp-content\/uploads\/20241212_FR87726-Playmobilbauer-\u00a9Felix-Kaspar-Rosic_4000px-1400x1120.jpg 1400w, https:\/\/visualjournalism.de\/wp-content\/uploads\/20241212_FR87726-Playmobilbauer-\u00a9Felix-Kaspar-Rosic_4000px-1050x840.jpg 1050w, https:\/\/visualjournalism.de\/wp-content\/uploads\/20241212_FR87726-Playmobilbauer-\u00a9Felix-Kaspar-Rosic_4000px-670x536.jpg 670w, https:\/\/visualjournalism.de\/wp-content\/uploads\/20241212_FR87726-Playmobilbauer-\u00a9Felix-Kaspar-Rosic_4000px-420x336.jpg 420w, https:\/\/visualjournalism.de\/wp-content\/uploads\/20241212_FR87726-Playmobilbauer-\u00a9Felix-Kaspar-Rosic_4000px-350x280.jpg 350w, https:\/\/visualjournalism.de\/wp-content\/uploads\/20241212_FR87726-Playmobilbauer-\u00a9Felix-Kaspar-Rosic_4000px-150x120.jpg 150w, https:\/\/visualjournalism.de\/wp-content\/uploads\/20241212_FR87726-Playmobilbauer-\u00a9Felix-Kaspar-Rosic_4000px.jpg 2000w\" \r\n                                    width=\"768\"  \r\n                                    height=\"614\" \r\n                                    alt=\"\"\r\n                                \/>\r\n                            <\/figure>\r\n\r\n                        \r\n                    \r\n                    <\/a>\r\n\r\n                <\/article><!--- .post-teaser-->\r\n\r\n            \r\n                <article class=\"post-teaser\">\r\n\r\n                    <a href=\"https:\/\/visualjournalism.de\/en\/magazine\/masculinity\/being-gay-is-not-a-choice\/\" rel=\"permalink\">\r\n\r\n                        <div class=\"post-teaser__content\">\r\n\r\n                            <span class=\"entry-categories\">Masculinity<\/span>\r\n                            <h3 class=\"post-teaser__headline\">\r\n                                \u2018Being gay is not a choice\u2019                            <\/h3>\r\n\r\n                            <div class=\"post-teaser__excerpt\">\r\n                                <p>Dirk and Thomas came out to their families only recently. Today they live together as a couple. In an interview with our author, they talk about their path to an open life.<\/p>\r\n                            <\/div>\r\n\r\n                        <\/div><!-- .post-teaser__content -->\r\n\r\n\r\n                        \r\n                            <figure class=\"post-teaser__image\">\r\n                                <img loading=\"lazy\" decoding=\"async\"  \r\n                                    src=\"https:\/\/visualjournalism.de\/wp-content\/uploads\/2026\/07\/5-768x512.jpg\" \r\n                                    srcset=\"https:\/\/visualjournalism.de\/wp-content\/uploads\/2026\/07\/5-768x512.jpg 768w, https:\/\/visualjournalism.de\/wp-content\/uploads\/2026\/07\/5-300x200.jpg 300w, https:\/\/visualjournalism.de\/wp-content\/uploads\/2026\/07\/5-1024x683.jpg 1024w, https:\/\/visualjournalism.de\/wp-content\/uploads\/2026\/07\/5-1536x1024.jpg 1536w, https:\/\/visualjournalism.de\/wp-content\/uploads\/2026\/07\/5-2048x1365.jpg 2048w, https:\/\/visualjournalism.de\/wp-content\/uploads\/2026\/07\/5-1920x1280.jpg 1920w, https:\/\/visualjournalism.de\/wp-content\/uploads\/2026\/07\/5-1400x933.jpg 1400w, https:\/\/visualjournalism.de\/wp-content\/uploads\/2026\/07\/5-1050x700.jpg 1050w, https:\/\/visualjournalism.de\/wp-content\/uploads\/2026\/07\/5-670x447.jpg 670w, https:\/\/visualjournalism.de\/wp-content\/uploads\/2026\/07\/5-420x280.jpg 420w, https:\/\/visualjournalism.de\/wp-content\/uploads\/2026\/07\/5-350x233.jpg 350w, https:\/\/visualjournalism.de\/wp-content\/uploads\/2026\/07\/5-150x100.jpg 150w\" \r\n                                    width=\"768\"  \r\n                                    height=\"512\" \r\n                                    alt=\"\"\r\n                                \/>\r\n                            <\/figure>\r\n\r\n                        \r\n                    \r\n                    <\/a>\r\n\r\n                <\/article><!--- .post-teaser-->\r\n\r\n            \r\n                <article class=\"post-teaser\">\r\n\r\n                    <a href=\"https:\/\/visualjournalism.de\/en\/magazine\/masculinity\/i-was-a-hitler-caricature\/\" rel=\"permalink\">\r\n\r\n                        <div class=\"post-teaser__content\">\r\n\r\n                            <span class=\"entry-categories\">Masculinity<\/span>\r\n                            <h3 class=\"post-teaser__headline\">\r\n                                \u2018I was a Hitler caricature from a bad Hollywood film\u2019                            <\/h3>\r\n\r\n                            <div class=\"post-teaser__excerpt\">\r\n                                <p>He used to march through the streets in a leather coat, carrying the Reich war flag, giving hate speeches and dreaming of the great revolution. Today Axel Reitz works in extremism prevention.<\/p>\r\n                            <\/div>\r\n\r\n                        <\/div><!-- .post-teaser__content -->\r\n\r\n\r\n                        \r\n                            <figure class=\"post-teaser__image\">\r\n                                <img loading=\"lazy\" decoding=\"async\"  \r\n                                    src=\"https:\/\/visualjournalism.de\/wp-content\/uploads\/2026\/06\/Janek-Stempel_AxelReitz-1317-768x512.jpg\" \r\n                                    srcset=\"https:\/\/visualjournalism.de\/wp-content\/uploads\/2026\/06\/Janek-Stempel_AxelReitz-1317-768x512.jpg 768w, https:\/\/visualjournalism.de\/wp-content\/uploads\/2026\/06\/Janek-Stempel_AxelReitz-1317-300x200.jpg 300w, https:\/\/visualjournalism.de\/wp-content\/uploads\/2026\/06\/Janek-Stempel_AxelReitz-1317-1024x683.jpg 1024w, https:\/\/visualjournalism.de\/wp-content\/uploads\/2026\/06\/Janek-Stempel_AxelReitz-1317-1536x1024.jpg 1536w, https:\/\/visualjournalism.de\/wp-content\/uploads\/2026\/06\/Janek-Stempel_AxelReitz-1317-2048x1365.jpg 2048w, https:\/\/visualjournalism.de\/wp-content\/uploads\/2026\/06\/Janek-Stempel_AxelReitz-1317-1920x1280.jpg 1920w, https:\/\/visualjournalism.de\/wp-content\/uploads\/2026\/06\/Janek-Stempel_AxelReitz-1317-1400x933.jpg 1400w, https:\/\/visualjournalism.de\/wp-content\/uploads\/2026\/06\/Janek-Stempel_AxelReitz-1317-1050x700.jpg 1050w, https:\/\/visualjournalism.de\/wp-content\/uploads\/2026\/06\/Janek-Stempel_AxelReitz-1317-670x447.jpg 670w, https:\/\/visualjournalism.de\/wp-content\/uploads\/2026\/06\/Janek-Stempel_AxelReitz-1317-420x280.jpg 420w, https:\/\/visualjournalism.de\/wp-content\/uploads\/2026\/06\/Janek-Stempel_AxelReitz-1317-350x233.jpg 350w, https:\/\/visualjournalism.de\/wp-content\/uploads\/2026\/06\/Janek-Stempel_AxelReitz-1317-150x100.jpg 150w\" \r\n                                    width=\"768\"  \r\n                                    height=\"512\" \r\n                                    alt=\"\"\r\n                                \/>\r\n                            <\/figure>\r\n\r\n                        \r\n                    \r\n                    <\/a>\r\n\r\n                <\/article><!--- .post-teaser-->\r\n\r\n            \r\n        <\/div><!-- .teaser-grid -->\r\n\r\n\n\n\r\n\r\n\r\n\r\n        <div class=\"teaser-grid grid-layout--3col has-spacing--s width--inline\">\r\n\r\n            \r\n                <article class=\"post-teaser\">\r\n\r\n                    <a href=\"https:\/\/visualjournalism.de\/en\/magazine\/collecting\/a-photobook-about-smoking\/\" rel=\"permalink\">\r\n\r\n                        <div class=\"post-teaser__content\">\r\n\r\n                            <span class=\"entry-categories\">Collecting<\/span>\r\n                            <h3 class=\"post-teaser__headline\">\r\n                                Cigarette cult and cancer romance: a photobook about smoking                            <\/h3>\r\n\r\n                            <div class=\"post-teaser__excerpt\">\r\n                                <p>On cigarettes, addiction and smoking biographies: \u2018Pleasure to Burn\u2019 glorifies smoking \u2013 and is only half serious about it.<\/p>\r\n                            <\/div>\r\n\r\n                        <\/div><!-- .post-teaser__content -->\r\n\r\n\r\n                        \r\n                            <figure class=\"post-teaser__image\">\r\n                                <img loading=\"lazy\" decoding=\"async\"  \r\n                                    src=\"https:\/\/visualjournalism.de\/wp-content\/uploads\/Max_Schlag_Kippenkult__Krebsromantik-768x580.png\" \r\n                                    srcset=\"https:\/\/visualjournalism.de\/wp-content\/uploads\/Max_Schlag_Kippenkult__Krebsromantik-768x580.png 768w, https:\/\/visualjournalism.de\/wp-content\/uploads\/Max_Schlag_Kippenkult__Krebsromantik-300x226.png 300w, https:\/\/visualjournalism.de\/wp-content\/uploads\/Max_Schlag_Kippenkult__Krebsromantik-1024x773.png 1024w, https:\/\/visualjournalism.de\/wp-content\/uploads\/Max_Schlag_Kippenkult__Krebsromantik-1050x792.png 1050w, https:\/\/visualjournalism.de\/wp-content\/uploads\/Max_Schlag_Kippenkult__Krebsromantik-670x506.png 670w, https:\/\/visualjournalism.de\/wp-content\/uploads\/Max_Schlag_Kippenkult__Krebsromantik-420x317.png 420w, https:\/\/visualjournalism.de\/wp-content\/uploads\/Max_Schlag_Kippenkult__Krebsromantik-350x264.png 350w, https:\/\/visualjournalism.de\/wp-content\/uploads\/Max_Schlag_Kippenkult__Krebsromantik-150x113.png 150w, https:\/\/visualjournalism.de\/wp-content\/uploads\/Max_Schlag_Kippenkult__Krebsromantik.png 1304w\" \r\n                                    width=\"768\"  \r\n                                    height=\"580\" \r\n                                    alt=\"Two hands share a cigarette in an antique-looking style; flash, editorial, photography, smoking, addiction\"\r\n                                \/>\r\n                            <\/figure>\r\n\r\n                        \r\n                    \r\n                    <\/a>\r\n\r\n                <\/article><!--- .post-teaser-->\r\n\r\n            \r\n                <article class=\"post-teaser\">\r\n\r\n                    <a href=\"https:\/\/visualjournalism.de\/en\/magazine\/after-dark\/you-have-to-make-your-boundaries-clear\/\" rel=\"permalink\">\r\n\r\n                        <div class=\"post-teaser__content\">\r\n\r\n                            <span class=\"entry-categories\">After dark<\/span>\r\n                            <h3 class=\"post-teaser__headline\">\r\n                                \u2018You have to make your boundaries clear\u2019                            <\/h3>\r\n\r\n                            <div class=\"post-teaser__excerpt\">\r\n                                <p>During the week Selma works at a nursery; at weekends she works the door of a club. On respect, safety and standing your ground as a woman in nightlife.<\/p>\r\n                            <\/div>\r\n\r\n                        <\/div><!-- .post-teaser__content -->\r\n\r\n\r\n                        \r\n                            <figure class=\"post-teaser__image\">\r\n                                <img loading=\"lazy\" decoding=\"async\"  \r\n                                    src=\"https:\/\/visualjournalism.de\/wp-content\/uploads\/selma-grenzen-zeigen-thumb-768x432.jpg\" \r\n                                    srcset=\"https:\/\/visualjournalism.de\/wp-content\/uploads\/selma-grenzen-zeigen-thumb-768x432.jpg 768w, https:\/\/visualjournalism.de\/wp-content\/uploads\/selma-grenzen-zeigen-thumb-300x169.jpg 300w, https:\/\/visualjournalism.de\/wp-content\/uploads\/selma-grenzen-zeigen-thumb-1024x576.jpg 1024w, https:\/\/visualjournalism.de\/wp-content\/uploads\/selma-grenzen-zeigen-thumb-1536x864.jpg 1536w, https:\/\/visualjournalism.de\/wp-content\/uploads\/selma-grenzen-zeigen-thumb-1400x788.jpg 1400w, https:\/\/visualjournalism.de\/wp-content\/uploads\/selma-grenzen-zeigen-thumb-1050x591.jpg 1050w, https:\/\/visualjournalism.de\/wp-content\/uploads\/selma-grenzen-zeigen-thumb-670x377.jpg 670w, https:\/\/visualjournalism.de\/wp-content\/uploads\/selma-grenzen-zeigen-thumb-420x236.jpg 420w, https:\/\/visualjournalism.de\/wp-content\/uploads\/selma-grenzen-zeigen-thumb-350x197.jpg 350w, https:\/\/visualjournalism.de\/wp-content\/uploads\/selma-grenzen-zeigen-thumb-150x84.jpg 150w, https:\/\/visualjournalism.de\/wp-content\/uploads\/selma-grenzen-zeigen-thumb.jpg 1920w\" \r\n                                    width=\"768\"  \r\n                                    height=\"432\" \r\n                                    alt=\"\"\r\n                                \/>\r\n                            <\/figure>\r\n\r\n                        \r\n                    \r\n                    <\/a>\r\n\r\n                <\/article><!--- .post-teaser-->\r\n\r\n            \r\n                <article class=\"post-teaser\">\r\n\r\n                    <a href=\"https:\/\/visualjournalism.de\/en\/magazine\/collecting\/the-architecture-of-the-data-trade\/\" rel=\"permalink\">\r\n\r\n                        <div class=\"post-teaser__content\">\r\n\r\n                            <span class=\"entry-categories\">Collecting<\/span>\r\n                            <h3 class=\"post-teaser__headline\">\r\n                                The architecture of the data trade                            <\/h3>\r\n\r\n                            <div class=\"post-teaser__excerpt\">\r\n                                <p>Few systems are as invisible \u2013 and at the same time as far-reaching \u2013 as the trade in user data. What we click on, search for or visit becomes a signal in a global market that sorts people into categories and targets information at them.<\/p>\r\n                            <\/div>\r\n\r\n                        <\/div><!-- .post-teaser__content -->\r\n\r\n\r\n                        \r\n                            <figure class=\"post-teaser__image\">\r\n                                <img loading=\"lazy\" decoding=\"async\"  \r\n                                    src=\"https:\/\/visualjournalism.de\/wp-content\/uploads\/24_Geiersbach-Paul_Accept-All-768x512.jpg\" \r\n                                    srcset=\"https:\/\/visualjournalism.de\/wp-content\/uploads\/24_Geiersbach-Paul_Accept-All-768x512.jpg 768w, https:\/\/visualjournalism.de\/wp-content\/uploads\/24_Geiersbach-Paul_Accept-All-300x200.jpg 300w, https:\/\/visualjournalism.de\/wp-content\/uploads\/24_Geiersbach-Paul_Accept-All-1024x682.jpg 1024w, https:\/\/visualjournalism.de\/wp-content\/uploads\/24_Geiersbach-Paul_Accept-All-1536x1024.jpg 1536w, https:\/\/visualjournalism.de\/wp-content\/uploads\/24_Geiersbach-Paul_Accept-All-1920x1280.jpg 1920w, https:\/\/visualjournalism.de\/wp-content\/uploads\/24_Geiersbach-Paul_Accept-All-1400x933.jpg 1400w, https:\/\/visualjournalism.de\/wp-content\/uploads\/24_Geiersbach-Paul_Accept-All-1050x700.jpg 1050w, https:\/\/visualjournalism.de\/wp-content\/uploads\/24_Geiersbach-Paul_Accept-All-670x447.jpg 670w, https:\/\/visualjournalism.de\/wp-content\/uploads\/24_Geiersbach-Paul_Accept-All-420x280.jpg 420w, https:\/\/visualjournalism.de\/wp-content\/uploads\/24_Geiersbach-Paul_Accept-All-350x233.jpg 350w, https:\/\/visualjournalism.de\/wp-content\/uploads\/24_Geiersbach-Paul_Accept-All-150x100.jpg 150w, https:\/\/visualjournalism.de\/wp-content\/uploads\/24_Geiersbach-Paul_Accept-All.jpg 2000w\" \r\n                                    width=\"768\"  \r\n                                    height=\"512\" \r\n                                    alt=\"A landscape-format colour photograph. A desert landscape seen from above, with a gentle sand dune that has caved in at the centre of the image.\"\r\n                                \/>\r\n                            <\/figure>\r\n\r\n                        \r\n                    \r\n                    <\/a>\r\n\r\n                <\/article><!--- .post-teaser-->\r\n\r\n            \r\n        <\/div><!-- .teaser-grid -->\r\n\r\n\n\n\n    <div class=\"btn-wrapper has-spacing--m\">\n        <a class=\"btn\" href=\"https:\/\/visualjournalism.de\/en\/magazine\/\" target=\"_blank\">TO THE MAGAZINE HOMEPAGE<\/a>\n    <\/div>\n<\/div>\n","protected":false},"author":58,"featured_media":33348,"template":"","tags":[390,331,369],"magazinkategorie":[420],"class_list":["post-75893","magazin","type-magazin","status-publish","has-post-thumbnail","hentry","tag-tod-trauer-en","tag-photo-series-en","tag-politik-gesellschaft-en","magazinkategorie-silence"],"acf":[],"yoast_head":"<!-- This site is optimized with the Yoast SEO Premium plugin v27.7 (Yoast SEO v27.7) - 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