{"id":75897,"date":"2024-03-20T14:08:51","date_gmt":"2024-03-20T12:08:51","guid":{"rendered":"https:\/\/visualjournalism.de\/?post_type=magazin&p=75897"},"modified":"2026-10-09T11:55:07","modified_gmt":"2026-10-09T09:55:07","slug":"minoo-hassanzadeh-i-dont-look-for-silence","status":"publish","type":"magazin","link":"https:\/\/visualjournalism.de\/en\/magazine\/silence\/minoo-hassanzadeh-i-dont-look-for-silence\/","title":{"rendered":"\u2018I don\u2019t look for silence \u2013 and yet it\u2019s everywhere\u2019"},"content":{"rendered":"\r\n
\r\n\r\n \r\n
\r\n\r\n
\n\tSilence<\/a><\/div>\r\n

\r\n \u2018I don\u2019t look for silence \u2013 and yet it\u2019s everywhere\u2019 <\/h2>\r\n\r\n
\r\n

A young photographer drifts through the city and discovers quiet places that hardly anyone sees.
\nBy Miriam Schwab<\/a> (text), Minoo Hassanzadeh<\/a> (photos)<\/strong><\/p>\n <\/div>\r\n \r\n

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\r\n \r\n \r\n \"\"\r\n <\/a>\r\n <\/figure>\r\n \r\n
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\r\n \"Juni\r\n <\/figure>\r\n\r\n \r\n Juni 2022 <\/span>\r\n \r\n \r\n<\/div>\r\n\r\n\n\n\n

\u2018Zone C<\/strong>\u2019 is an essayistic photographic work by Minoo Hassanzadeh<\/strong> that goes beyond simply exploring the area around Hannover. In 2022 Minoo began documenting her everyday trips by bus and train. In doing so, she tells the stories of individual moments. There is no accompanying text; the photos read like extracts from her diary.

A change of place and movement, spending hours outdoors and roaming unfamiliar places \u2013 this helps Minoo sort out the thoughts in her head. Her camera goes with her, and carefully constructed single images emerge. \u2018I don\u2019t consciously look for silence, and yet the places I pass through are marked by silence,\u2019 she says.<\/p>\n\n\n\n

On these wanderings, Minoo meets few people, and so she ends up talking in her head to the objects she discovers: \u2018For example, I see a tree and think how beautiful it is. Then I get the feeling that nobody else pays much attention to this tree. It just stands there alone. And I ask it, for example: how old are you?\u2019 says the photographer. It is moments like these that make her perceive and appreciate her surroundings. For Minoo Hassanzadeh, places have a character, just like people.
<\/p>\n\n\n

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\n \"A\n \n M\u00e4rz 2023<\/span>\n <\/div>\n\n

\u2018Zone C\u2019<\/strong> is an essayistic photographic work <\/strong>by Minoo Hassanzadeh that goes beyond a simple exploration of Hannover\u2019s surroundings. In 2022 Minoo began documenting her everyday trips by bus and train. The result is an extensive work about simply being in Hannover.<\/p>\n<\/figcaption>\n \n <\/figure>\n\n\n\n \n\n

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\n\n \"April\n\n April 2023<\/span>\n \n \n <\/figure>\n\n <\/div> \n\n\n \n\n \n \n\n
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\n\n \"\"\n\n minoo<\/span>\n \n \n <\/figure>\n\n <\/div> \n\n\n \n\n \n<\/div>\n\n \n\n
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\n\n \"\"\n\n April 2023<\/span>\n \n \n <\/figure>\n\n <\/div> \n\n\n \n\n \n \n\n
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\n\n \"Mai\n\n Mai 2023\n<\/span>\n \n \n <\/figure>\n\n <\/div> \n\n\n \n\n \n<\/div>\n\n
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\n \"\"\n \n December 2023<\/span>\n <\/div>\n\n \n <\/figure>\n\n\n\n\n
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I don\u2019t consciously look for silence,<\/strong> and yet the places I pass through are marked by silence<\/p>\n <\/blockquote>\r\n\r\n

\r\n\r\n \"\"\r\n Minoo Hassanzadeh<\/span>\r\n <\/figcaption>\r\n \r\n <\/figure>\r\n <\/div>\r\n\r\n\n\n \n\n
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\n\n \"\"\n\n April 2023<\/span>\n \n \n <\/figure>\n\n <\/div> \n\n\n \n\n \n \n\n
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\n\n \"\"\n\n November 2023<\/span>\n \n \n <\/figure>\n\n <\/div> \n\n\n \n\n \n<\/div>\n\n
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\n \"\"\n \n February 2023<\/span>\n <\/div>\n\n \n <\/figure>\n\n\n\n \n\n
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\n\n \"\"\n\n December 2022<\/span>\n \n \n <\/figure>\n\n <\/div> \n\n\n \n\n \n \n\n
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\n\n \"\"\n\n February 2023<\/span>\n \n \n <\/figure>\n\n <\/div> \n\n\n \n\n \n<\/div>\n\n\n
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\n<\/div>\n\n\n
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Related to this story<\/h2>\n\n \n <\/div>\n\n \n\n\n\n\r\n\r\n\r\n\r\n
\r\n\r\n \r\n
\r\n\r\n \r\n\r\n
\r\n\r\n On the margins<\/span>\r\n

\r\n Sunday morning on the city\u2019s edge: a walk along Hannover\u2019s fringes <\/h3>\r\n\r\n
\r\n

Quiet streets, empty squares, early light: a photographic approach to the fringes of a city.<\/p>\r\n <\/div>\r\n\r\n <\/div>\r\n\r\n\r\n \r\n

\r\n \"A\r\n <\/figure>\r\n\r\n \r\n \r\n <\/a>\r\n\r\n <\/article>\r\n\r\n \r\n
\r\n\r\n \r\n\r\n
\r\n\r\n Traces<\/span>\r\n

\r\n Lost place in the Harz: the abandoned Harzgerode sanatorium <\/h3>\r\n\r\n
\r\n

Where children were once treated for tuberculosis, silence now reigns \u2013 a walk through crumbling walls.<\/p>\r\n <\/div>\r\n\r\n <\/div>\r\n\r\n\r\n \r\n

\r\n \"\"\r\n\r\n <\/figure>\r\n\r\n \r\n \r\n <\/a>\r\n\r\n <\/article>\r\n\r\n \r\n
\r\n\r\n \r\n\r\n
\r\n\r\n Silence<\/span>\r\n

\r\n What is silence? Ten people, ten answers <\/h3>\r\n\r\n
\r\n

Ten very different lives, one question \u2013 captured in short, powerful video portraits.<\/p>\r\n <\/div>\r\n\r\n <\/div>\r\n\r\n\r\n \r\n

\r\n \"Silhouette\r\n <\/figure>\r\n\r\n \r\n \r\n <\/a>\r\n\r\n <\/article>\r\n\r\n \r\n <\/div>\r\n\r\n\n<\/div>\n\n\n\n
\n
\n
\n<\/div>\n\n\n
\n\n

Recommended by the editors<\/h2>\n\n \n <\/div>\n\n \n\n\n\n\r\n\r\n\r\n\r\n
\r\n\r\n \r\n
\r\n\r\n \r\n\r\n
\r\n\r\n After dark<\/span>\r\n

\r\n \u2018Das G\u00fcnther\u2019: a band that invents its songs live <\/h3>\r\n\r\n
\r\n

Three musicians, zero planning: how pure spontaneity creates something new every night.<\/p>\r\n <\/div>\r\n\r\n <\/div>\r\n\r\n\r\n \r\n

\r\n \"Wearing\r\n <\/figure>\r\n\r\n \r\n \r\n <\/a>\r\n\r\n <\/article>\r\n\r\n \r\n
\r\n\r\n \r\n\r\n
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\r\n The drawer analysis: what our storage spaces reveal about us <\/h3>\r\n\r\n
\r\n

From odds and ends to keepsakes: a tongue-in-cheek look at what we stash away \u2013 and why.<\/p>\r\n <\/div>\r\n\r\n <\/div>\r\n\r\n\r\n \r\n

\r\n \"\"\r\n\r\n <\/figure>\r\n\r\n \r\n \r\n <\/a>\r\n\r\n <\/article>\r\n\r\n \r\n
\r\n\r\n \r\n\r\n
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\r\n Water privatisation in Chile: a village fights for its water <\/h3>\r\n\r\n
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In hardly any other country is this resource so completely in private hands. In Patagonia, one community is fighting back against the consequences.<\/p>\r\n <\/div>\r\n\r\n <\/div>\r\n\r\n\r\n \r\n

\r\n \"A\r\n <\/figure>\r\n\r\n \r\n \r\n <\/a>\r\n\r\n <\/article>\r\n\r\n \r\n <\/div>\r\n\r\n\n\n\r\n\r\n\r\n\r\n
\r\n\r\n \r\n
\r\n\r\n \r\n\r\n
\r\n\r\n Award winners<\/span>\r\n

\r\n “For a long time, parents in Iran believed that good girls would not dance in public.” <\/h3>\r\n\r\n
\r\n

Shirin Abedi returns to her native Tehran for a report on ballerinas.<\/p>\r\n <\/div>\r\n\r\n <\/div>\r\n\r\n\r\n \r\n

\r\n \"A\r\n <\/figure>\r\n\r\n \r\n \r\n <\/a>\r\n\r\n <\/article>\r\n\r\n \r\n
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\r\n The invisible people on the waiting list <\/h3>\r\n\r\n
\r\n

Germany lags behind the rest of Europe on organ donation \u2013 we show those who can\u2019t wait any longer.<\/p>\r\n <\/div>\r\n\r\n <\/div>\r\n\r\n\r\n \r\n

\r\n \"\"\r\n\r\n <\/figure>\r\n\r\n \r\n \r\n <\/a>\r\n\r\n <\/article>\r\n\r\n \r\n
\r\n\r\n \r\n\r\n
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\r\n Everyday self-care: breathing, in spite of everything <\/h3>\r\n\r\n
\r\n

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\r\n \"\"\r\n\r\n <\/figure>\r\n\r\n \r\n \r\n <\/a>\r\n\r\n <\/article>\r\n\r\n \r\n <\/div>\r\n\r\n\n\n\n
\n TO THE MAGAZINE HOMEPAGE<\/a>\n <\/div>\n<\/div>\n","protected":false},"author":59,"featured_media":37803,"template":"","tags":[376,331,386],"magazinkategorie":[420],"class_list":["post-75897","magazin","type-magazin","status-publish","has-post-thumbnail","hentry","tag-hannover-en","tag-photo-series-en","tag-stadt-land-en","magazinkategorie-silence"],"acf":[],"yoast_head":"\nMinoo Hassanzadeh: how a photographer found her visual language<\/title>\n<meta name=\"description\" content=\"A young photographer drifts through the city and discovers quiet places that hardly anyone sees.\" \/>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/visualjournalism.de\/en\/magazine\/silence\/minoo-hassanzadeh-i-dont-look-for-silence\/\" \/>\n<meta property=\"og:locale\" content=\"en_US\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"\u2018I 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