{"id":75905,"date":"2024-02-22T09:33:54","date_gmt":"2024-02-22T07:33:54","guid":{"rendered":"https:\/\/visualjournalism.de\/?post_type=magazin&p=75905"},"modified":"2026-10-09T11:55:11","modified_gmt":"2026-10-09T09:55:11","slug":"a-home-for-the-last-days","status":"publish","type":"magazin","link":"https:\/\/visualjournalism.de\/en\/magazine\/silence\/a-home-for-the-last-days\/","title":{"rendered":"\u2018We want to give dying a place of the greatest possible security\u2019"},"content":{"rendered":"\r\n
\r\n\r\n \r\n
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\n\tSilence<\/a><\/div>\r\n

\r\n \u2018We want to give dying a place of the greatest possible security\u2019 <\/h2>\r\n\r\n
\r\n

At Hospiz Luise in Hannover, carers accompany people on their final journey \u2013 and turn fear into a sense of safety.
\nBy Tim Kirchhof<\/a><\/strong><\/p>\n <\/div>\r\n \r\n

\r\n \r\n \r\n
\r\n\r\n \r\n \r\n \"Photographer\r\n\r\n <\/a>\r\n \r\n <\/figure>\r\n\r\n <\/div>\r\n \r\n <\/div>\r\n\r\n \r\n
\r\n \"\"\r\n\r\n <\/figure>\r\n\r\n \r\n \r\n<\/div>\r\n\r\n\n\n\n

The patient was only 28 when she came here to die. <\/strong>\u2018She wore a white dress, had black hair and beautiful skin,\u2019 her carer remembers. \u2018She wanted to get married next year.\u2019 Her fianc\u00e9 slept at her side. She died on New Year\u2019s Eve. The carer still remembers the young woman years later. At Hospiz Luise in Hannover-Kirchrode, dying itself is part of everyday life. The prospect of one\u2019s own death, or that of a loved one, often triggers feelings of powerlessness and loss of control. In hospices such as Luise, people who are seriously ill and dying find a place to spend their last days in dignity.<\/p>\n\n\n\n

The hospice movement in Germany emerged in the early 1980s as part of a citizens\u2019 movement in which volunteers played an essential role from the outset. The Catholic-run Hospiz Luise opened in 1994. A team of nurses, doctors, volunteers and a chaplain helps patients and the people close to them to ease suffering and provide a sense of security. Despite strict admission criteria, there are far more applicants than places.<\/p>\n\n\n\n

In atmosphere, hospices usually differ greatly from hospitals or care homes. \u2018We want to meet the uncertainty of dying and create a place of the greatest possible security,\u2019 says Haus Luise\u2019s mission statement. A volunteer also emphasises the calm and the feeling of safety: \u2018When people die the next day and the evening before they still eat fried potatoes with a fried egg, with a real appetite\u2026 I find that beautiful.\u2019<\/p>\n\n\n \n\n

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The bath with whirlpool function<\/strong> is very popular with patients.<\/p>\n<\/figcaption>\n \n <\/figure>\n\n <\/div> \n\n\n \n\n \n \n\n

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In the chapel:<\/strong> each candle stands for someone who has recently died.<\/p>\n<\/figcaption>\n \n <\/figure>\n\n <\/div> \n\n\n \n\n \n \n\n

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Eating together and sharing memories: <\/strong>the table laid in the common room<\/p>\n<\/figcaption>\n \n <\/figure>\n\n <\/div> \n\n\n \n\n \n<\/div>\n\n

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\n \"\"\n \n <\/div>\n\n

The staff do not only accompany patients in their final hours.<\/strong> They also try to create a pleasant atmosphere for those close to them \u2013 relatives, friends and the patients\u2019 wider social circle.<\/p>\n<\/figcaption>\n \n <\/figure>\n\n\n\n\n

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When people die the next day<\/strong> and the evening before they still eat fried potatoes with a fried egg, with a real appetite\u2026 I find that beautiful.<\/p>\n <\/blockquote>\r\n\r\n

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An empty bed after a woman who has died has been collected.<\/strong> Following Christian tradition, the window was closed after the body had been carried out.<\/p>\n<\/figcaption>\n \n <\/figure>\n\n\n\n \n\n

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D<\/p>\n<\/figcaption>\n \n <\/figure>\n\n <\/div> \n\n\n \n\n \n \n\n

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What remains:<\/strong> memories and gratitude from those left behind<\/p>\n<\/figcaption>\n \n <\/figure>\n\n <\/div> \n\n\n \n\n \n<\/div>\n\n\n

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\n<\/div>\n\n\n
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Related to this story<\/h2>\n\n \n <\/div>\n\n \n\n\n\n\r\n\r\n\r\n\r\n
\r\n\r\n \r\n
\r\n\r\n \r\n\r\n
\r\n\r\n Traces<\/span>\r\n

\r\n The neighbour nobody knew <\/h3>\r\n\r\n
\r\n

A stranger\u2019s bicycle in the cellar, a faded letterbox \u2013 and between them the life of a man who is suddenly gone. Who was he?<\/p>\r\n <\/div>\r\n\r\n <\/div>\r\n\r\n\r\n \r\n

\r\n \"The\r\n <\/figure>\r\n\r\n \r\n \r\n <\/a>\r\n\r\n <\/article>\r\n\r\n \r\n
\r\n\r\n \r\n\r\n
\r\n\r\n Collecting<\/span>\r\n

\r\n Staging mortality: two photographers in a coffin <\/h3>\r\n\r\n
\r\n

Two photographers lie down in a coffin and photograph each other. What sounds like breaking a taboo is an exploration of commerce and ritual \u2013 and of the question: is this allowed?<\/p>\r\n <\/div>\r\n\r\n <\/div>\r\n\r\n\r\n \r\n

\r\n \"Two\r\n <\/figure>\r\n\r\n \r\n \r\n <\/a>\r\n\r\n <\/article>\r\n\r\n \r\n
\r\n\r\n \r\n\r\n
\r\n\r\n Final projects<\/span>\r\n

\r\n Body donation for medical school. <\/h3>\r\n\r\n
\r\n

Julia Bellack’s Bachelor’s thesis is about future doctors in the dissection course.<\/p>\r\n <\/div>\r\n\r\n <\/div>\r\n\r\n\r\n \r\n

\r\n \"In\r\n <\/figure>\r\n\r\n \r\n \r\n <\/a>\r\n\r\n <\/article>\r\n\r\n \r\n <\/div>\r\n\r\n\n<\/div>\n\n\n\n
\n
\n
\n<\/div>\n\n\n
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Recommended by the editors<\/h2>\n\n \n <\/div>\n\n \n\n\n\n\r\n\r\n\r\n\r\n
\r\n\r\n \r\n
\r\n\r\n \r\n\r\n
\r\n\r\n Final projects<\/span>\r\n

\r\n Sex work in the pandemic. <\/h3>\r\n\r\n
\r\n

Helena Lea Manhartsberger researched Austria’s red-light districts for her bachelor’s thesis.<\/p>\r\n <\/div>\r\n\r\n <\/div>\r\n\r\n\r\n \r\n

\r\n \"Coco,\r\n <\/figure>\r\n\r\n \r\n \r\n <\/a>\r\n\r\n <\/article>\r\n\r\n \r\n
\r\n\r\n \r\n\r\n
\r\n\r\n After dark<\/span>\r\n

\r\n Hannover\u2019s night angel: help while the city sleeps <\/h3>\r\n\r\n
\r\n

An interview about night-time rounds through the city, encounters on the margins \u2013 and help that gets through.<\/p>\r\n <\/div>\r\n\r\n <\/div>\r\n\r\n\r\n \r\n

\r\n \"Portrait\r\n <\/figure>\r\n\r\n \r\n \r\n <\/a>\r\n\r\n <\/article>\r\n\r\n \r\n
\r\n\r\n \r\n\r\n
\r\n\r\n Masculinity<\/span>\r\n

\r\n The social pull of masculinity <\/h3>\r\n\r\n
\r\n

What does it mean to be a man today? On the pressure to conform, on uncertainty \u2013 and why simple answers are so seductive.<\/p>\r\n <\/div>\r\n\r\n <\/div>\r\n\r\n\r\n \r\n

\r\n \"\"\r\n\r\n <\/figure>\r\n\r\n \r\n \r\n <\/a>\r\n\r\n <\/article>\r\n\r\n \r\n <\/div>\r\n\r\n\n\n\r\n\r\n\r\n\r\n
\r\n\r\n \r\n
\r\n\r\n \r\n\r\n
\r\n\r\n Award winners<\/span>\r\n

\r\n Journey along the Yenisei River. <\/h3>\r\n\r\n
\r\n

For her work “Hiding from Baba Yaga” Nanna Heitmann crosses Siberia, as her grandmother once did.<\/p>\r\n <\/div>\r\n\r\n <\/div>\r\n\r\n\r\n \r\n

\r\n \"A\r\n <\/figure>\r\n\r\n \r\n \r\n <\/a>\r\n\r\n <\/article>\r\n\r\n \r\n
\r\n\r\n \r\n\r\n
\r\n\r\n Silence<\/span>\r\n

\r\n Between silence and storm surge: a hermit on the Hallig <\/h3>\r\n\r\n
\r\n

Nick, 48, from Berlin has swapped his old life for solitude off the coast of North Frisia. A visit.<\/p>\r\n <\/div>\r\n\r\n <\/div>\r\n\r\n\r\n \r\n

\r\n \"\"\r\n\r\n <\/figure>\r\n\r\n \r\n \r\n <\/a>\r\n\r\n <\/article>\r\n\r\n \r\n
\r\n\r\n \r\n\r\n
\r\n\r\n Ideals<\/span>\r\n

\r\n Success without studying? <\/h3>\r\n\r\n
\r\n

What an upbringing without authority is like.<\/p>\r\n <\/div>\r\n\r\n <\/div>\r\n\r\n\r\n \r\n

\r\n \"\"\r\n\r\n <\/figure>\r\n\r\n \r\n \r\n <\/a>\r\n\r\n <\/article>\r\n\r\n \r\n <\/div>\r\n\r\n\n\n\n
\n TO THE MAGAZINE HOMEPAGE<\/a>\n <\/div>\n<\/div>\n","protected":false},"author":23,"featured_media":30442,"template":"","tags":[390,373,331],"magazinkategorie":[420],"class_list":["post-75905","magazin","type-magazin","status-publish","has-post-thumbnail","hentry","tag-tod-trauer-en","tag-gesundheit-psyche-en","tag-photo-series-en","magazinkategorie-silence"],"acf":[],"yoast_head":"\nHospiz Luise Hannover: a home for the last days<\/title>\n<meta name=\"description\" content=\"How carers accompany people on their final journey \u2013 and turn fear into a sense of safety.\" \/>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/visualjournalism.de\/en\/magazine\/silence\/a-home-for-the-last-days\/\" \/>\n<meta property=\"og:locale\" content=\"en_US\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"\u2018We want to give dying a place 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