{"id":76201,"date":"2023-10-14T19:06:05","date_gmt":"2023-10-14T17:06:05","guid":{"rendered":"https:\/\/visualjournalism.de\/?post_type=magazin&p=76201"},"modified":"2026-10-09T11:55:45","modified_gmt":"2026-10-09T09:55:45","slug":"the-war-that-stays-invisible-poland-and-moldova","status":"publish","type":"magazin","link":"https:\/\/visualjournalism.de\/en\/magazine\/on-the-margins\/the-war-that-stays-invisible-poland-and-moldova\/","title":{"rendered":"The war that stays invisible: exploring Poland and Moldova"},"content":{"rendered":"\r\n
\r\n\r\n \r\n
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\n\tOn the margins<\/a><\/div>\r\n

\r\n The war that stays invisible: exploring Poland and Moldova <\/h2>\r\n\r\n
\r\n

How the Russian invasion shows itself in the border regions \u2013 and at the same time stays hidden. Pictures from the threshold of Europe.
\nBy Ludwig Nikulski<\/a><\/strong><\/p>\n <\/div>\r\n \r\n

\r\n \r\n \r\n
\r\n\r\n \r\n \r\n \"\"\r\n\r\n\r\n <\/a>\r\n \r\n <\/figure>\r\n\r\n <\/div>\r\n \r\n <\/div>\r\n\r\n \r\n
\r\n \"Lake\r\n <\/figure>\r\n\r\n \r\n Lake Bia\u0142e and gumball machine <\/span>\r\n \r\n \r\n<\/div>\r\n\r\n\n\n\n

Nothing has changed,<\/strong> says a hotelier in eastern Poland. Everything has changed, says a border guard. The photographer Ludwig Nikulski travelled with his large-format camera along Ukraine\u2019s external borders. No one there can say how much longer the war raging in Ukraine will remain unnoticeable in Poland and the Republic of Moldova. \u2018I show places the war seems to pass by<\/a>. Places where all could still be well with the world. But it is not,\u2019 is how Ludwig Nikulski describes the atmosphere of his pictures. 

Of his photographic approach, Ludwig Nikulski writes: \u2018I am pursuing something absurd. I have to do it. There is a certain degree of darkness, memories, confusion that go right up to the border in order to reveal something no one can see. But it exists. Somewhere. With the loss of factual information, something hidden wants to be discovered so that it can resonate in the world. That is what I try to do with photography.\u2019 With this work, Ludwig Nikulski won the photography category of the Willi M\u00fcnzenberg Forum\u2019s art competition<\/a>.<\/p>\n\n\n \n\n

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\n\n
\n\n \"Wasya\n\n Wasya taking a break.<\/span>\n \n

Wasya <\/strong>takes a break.<\/p>\n<\/figcaption>\n \n <\/figure>\n\n <\/div> \n\n\n \n\n \n \n\n

\n\n
\n\n \"Blocked\n\n Blocked entrance of the Humanitarian Aid Center at the former Tesco Supermaket in Przemysl.<\/span>\n \n

The entrance<\/strong> to a humanitarian aid centre in the former Tesco supermarket in Przemy\u015bl is blocked.<\/p>\n<\/figcaption>\n \n <\/figure>\n\n <\/div> \n\n\n \n\n \n<\/div>\n\n

\n\n
\n \"Construction\n \n Construction site of a church.<\/span>\n <\/div>\n\n

Building site:<\/strong> a church.<\/p>\n<\/figcaption>\n \n <\/figure>\n\n\n\n \n\n

\n\n \n\n
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\n\n \"Tree\n\n Tree in Hureczko<\/span>\n \n

A tree<\/strong> in Hureczko.<\/p>\n<\/figcaption>\n \n <\/figure>\n\n <\/div> \n\n\n \n\n \n \n\n

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\n\n \"Hotel\n\n Hotel and military vehicles<\/span>\n \n

Military vehicles<\/strong> in a hotel car park.<\/p>\n<\/figcaption>\n \n <\/figure>\n\n <\/div> \n\n\n \n\n \n<\/div>\n\n

\n\n
\n \"Oskar\n \n Oskar at the football field<\/span>\n <\/div>\n\n

Oskar<\/strong> on the football pitch.<\/p>\n<\/figcaption>\n \n <\/figure>\n\n\n\n \n\n

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\n\n \"Sergei\n\n Sergei at the pool table.<\/span>\n \n

Serghei<\/strong> at the pool table.<\/p>\n<\/figcaption>\n \n <\/figure>\n\n <\/div> \n\n\n \n\n \n \n\n

\n\n
\n\n \"A\n\n Playground in front of a World War Two memorial in Tiraspol.<\/span>\n \n

A playground in front of<\/strong> a Second World War memorial in Tiraspol.<\/p>\n<\/figcaption>\n \n <\/figure>\n\n <\/div> \n\n\n \n\n \n<\/div>\n\n

\n\n
\n \"Industrial\n \n Industrial area of Tiraspol<\/span>\n <\/div>\n\n

Industrial estate<\/strong> in Tiraspol.<\/p>\n<\/figcaption>\n \n <\/figure>\n\n\n\n

\n\n
\n \"Self\n \n Self Portrait with toy gun<\/span>\n <\/div>\n\n

Self-portrait<\/strong> with toy rifle.<\/p>\n<\/figcaption>\n \n <\/figure>\n\n\n\n

\n\n
\n \"Burning\n \n Burning tree<\/span>\n <\/div>\n\n

A tree<\/strong> on fire.<\/p>\n<\/figcaption>\n \n <\/figure>\n\n\n\n \n\n

\n\n \n\n
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\n\n \"\"\n\n TV<\/span>\n \n

TV<\/strong>.<\/p>\n<\/figcaption>\n \n <\/figure>\n\n <\/div> \n\n\n \n\n \n \n\n

\n\n
\n\n \"Police\n\n Police presence at the hotel<\/span>\n \n

Police presence<\/strong> at the hotel.<\/p>\n<\/figcaption>\n \n <\/figure>\n\n <\/div> \n\n\n \n\n \n<\/div>\n\n

\n\n
\n \"Abandoned\n \n Abandoned caravan<\/span>\n <\/div>\n\n

A lonely caravan.<\/strong><\/p>\n<\/figcaption>\n \n <\/figure>\n\n\n\n\n

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\n<\/div>\n\n\n
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Related to this story<\/h2>\n\n \n <\/div>\n\n \n\n\n\n\r\n\r\n\r\n\r\n
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\r\n\r\n \r\n\r\n
\r\n\r\n Traces<\/span>\r\n

\r\n Life in Transnistria: a state without recognition <\/h3>\r\n\r\n
\r\n

What is it like to live in a place that doesn\u2019t even exist on most maps? Young people tell their stories.<\/p>\r\n <\/div>\r\n\r\n <\/div>\r\n\r\n\r\n \r\n

\r\n \"A\r\n <\/figure>\r\n\r\n \r\n \r\n <\/a>\r\n\r\n <\/article>\r\n\r\n \r\n
\r\n\r\n \r\n\r\n
\r\n\r\n Ideals<\/span>\r\n

\r\n How bombs change ideals <\/h3>\r\n\r\n
\r\n

The war in Ukraine has not only devastated lives and landscapes \u2013 it has also changed what many Ukrainians hope for. What are their new priorities?<\/p>\r\n <\/div>\r\n\r\n <\/div>\r\n\r\n\r\n \r\n

\r\n \"Tania\r\n <\/figure>\r\n\r\n \r\n \r\n <\/a>\r\n\r\n <\/article>\r\n\r\n \r\n
\r\n\r\n \r\n\r\n
\r\n\r\n Final projects<\/span>\r\n

\r\n Waiting for war <\/h3>\r\n\r\n
\r\n

For his bachelor\u2019s project, photographer Patrick Slesiona travelled to Armenia. For years the democratic country has had to defend itself against its authoritarian neighbour Azerbaijan.<\/p>\r\n <\/div>\r\n\r\n <\/div>\r\n\r\n\r\n \r\n

\r\n \"\"\r\n\r\n <\/figure>\r\n\r\n \r\n \r\n <\/a>\r\n\r\n <\/article>\r\n\r\n \r\n <\/div>\r\n\r\n\n<\/div>\n\n\n\n
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\n<\/div>\n\n\n
\n\n

Recommended by the editors<\/h2>\n\n \n <\/div>\n\n \n\n\n\n\r\n\r\n\r\n\r\n
\r\n\r\n \r\n
\r\n\r\n \r\n\r\n
\r\n\r\n Advice<\/span>\r\n

\r\n Photography law for photojournalists: image rights and press freedom explained. <\/h3>\r\n\r\n
\r\n

What are photojournalists allowed to photograph and publish? This guide explains the right to one\u2019s own image under German law, where press freedom ends and personality rights begin \u2013 and how to work on the right side of the law.<\/p>\r\n <\/div>\r\n\r\n <\/div>\r\n\r\n\r\n \r\n

\r\n \"\"\r\n\r\n <\/figure>\r\n\r\n \r\n \r\n <\/a>\r\n\r\n <\/article>\r\n\r\n \r\n
\r\n\r\n \r\n\r\n
\r\n\r\n Advice<\/span>\r\n

\r\n Studio lighting: techniques, lighting set-ups and tips for photographers. <\/h3>\r\n\r\n
\r\n

The right light makes or breaks a studio shot. We explain the most important techniques and lighting set-ups \u2013 and how to achieve perfect studio lighting step by step.<\/p>\r\n <\/div>\r\n\r\n <\/div>\r\n\r\n\r\n \r\n

\r\n \"\"\r\n\r\n <\/figure>\r\n\r\n \r\n \r\n <\/a>\r\n\r\n <\/article>\r\n\r\n \r\n
\r\n\r\n \r\n\r\n
\r\n\r\n Advice<\/span>\r\n

\r\n How to create a photo series. <\/h3>\r\n\r\n
\r\n

Ideas, tips and examples from our professors.<\/p>\r\n <\/div>\r\n\r\n <\/div>\r\n\r\n\r\n \r\n

\r\n \"Photo\r\n <\/figure>\r\n\r\n \r\n \r\n <\/a>\r\n\r\n <\/article>\r\n\r\n \r\n <\/div>\r\n\r\n\n\n\r\n\r\n\r\n\r\n
\r\n\r\n \r\n
\r\n\r\n \r\n\r\n
\r\n\r\n Silence<\/span>\r\n

\r\n Peatland protection: why bogs are among our most important climate savers <\/h3>\r\n\r\n
\r\n

From carbon store to political issue: why wet soils matter so much for the climate \u2013 and four people who are fighting for them.<\/p>\r\n <\/div>\r\n\r\n <\/div>\r\n\r\n\r\n \r\n

\r\n \"Two\r\n <\/figure>\r\n\r\n \r\n \r\n <\/a>\r\n\r\n <\/article>\r\n\r\n \r\n
\r\n\r\n \r\n\r\n
\r\n\r\n Award winners<\/span>\r\n

\r\n My house wrapped in clouds <\/h3>\r\n\r\n
\r\n

Armina Ahmadinia returns to the Caspian Sea. Her photographic work tells of the retreating water, the loss of familiar places and a quiet longing for closeness and home.<\/p>\r\n <\/div>\r\n\r\n <\/div>\r\n\r\n\r\n \r\n

\r\n \"\"\r\n\r\n <\/figure>\r\n\r\n \r\n \r\n <\/a>\r\n\r\n <\/article>\r\n\r\n \r\n
\r\n\r\n \r\n\r\n
\r\n\r\n Award winners<\/span>\r\n

\r\n The dying river. <\/h3>\r\n\r\n
\r\n

Jonas Kako documents the water crisis along the Colorado River.<\/p>\r\n <\/div>\r\n\r\n <\/div>\r\n\r\n\r\n \r\n

\r\n \"Sediment\r\n <\/figure>\r\n\r\n \r\n \r\n <\/a>\r\n\r\n <\/article>\r\n\r\n \r\n <\/div>\r\n\r\n\n\n\n
\n TO THE MAGAZINE HOMEPAGE<\/a>\n <\/div>\n<\/div>\n","protected":false},"author":36,"featured_media":19946,"template":"","tags":[394,359,331,426,408],"magazinkategorie":[419],"class_list":["post-76201","magazin","type-magazin","status-publish","has-post-thumbnail","hentry","tag-eastern-europe","tag-ludwig-nikulski-en","tag-photo-series-en","tag-ukraine-en","tag-war-conflict","magazinkategorie-on-the-margins"],"acf":[],"yoast_head":"\nThe war that stays invisible: exploring Poland and Moldova<\/title>\n<meta name=\"description\" content=\"How the Russian invasion shows itself in the border regions \u2013 and at the same time stays hidden. 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