{"id":76630,"date":"2024-11-21T12:04:05","date_gmt":"2024-11-21T10:04:05","guid":{"rendered":"https:\/\/visualjournalism.de\/?post_type=magazin&#038;p=76630"},"modified":"2026-10-09T11:56:41","modified_gmt":"2026-10-09T09:56:41","slug":"unexploded-bombs-beneath-the-city-the-dangerous-job-of-bomb-disposal","status":"publish","type":"magazin","link":"https:\/\/visualjournalism.de\/en\/magazine\/traces\/unexploded-bombs-beneath-the-city-the-dangerous-job-of-bomb-disposal\/","title":{"rendered":"Unexploded bombs beneath the city: the dangerous job of bomb disposal"},"content":{"rendered":"\r\n<div class=\"cover--lead-in has-spacing--m\">\r\n\r\n    \r\n    <div class=\"cover--lead-in__content typo--tiempos\">\r\n\r\n        <div class=\"entry-categories\">\n\t<a class=\"post__tag\" href=\"https:\/\/visualjournalism.de\/en\/magazine-category\/traces\/\" rel=\"category tag\">Traces<\/a><\/div>\r\n        <h2 class=\"cover--lead-in__headline headline-size--s\">\r\n            Unexploded bombs beneath the city: the dangerous job of bomb disposal        <\/h2>\r\n\r\n                    <div class=\"cover--lead-in__text\">\r\n                <p>Painstaking precision with deadly risk: a look at a profession in which every move has to be exactly right.<br \/>\n<strong>By <a href=\"https:\/\/visualjournalism.de\/en\/henryc-fels\/\">Henryc Fels<\/a> (photos), <a href=\"https:\/\/visualjournalism.de\/en\/sophie-boyer\/\">Sophie Boyer<\/a>, <a href=\"https:\/\/visualjournalism.de\/en\/etienne-doetsch\/\">Etienne D\u00f6tsch<\/a> (text)<\/strong><\/p>\n            <\/div>\r\n        \r\n                    <div class=\"cover--lead-in__author\">\r\n                                        <figure class=\"cover--lead-in__author__image\">\r\n                                                            <a href=\"https:\/\/visualjournalism.de\/henryc-fels\/\">\r\n                            \r\n                            <img loading=\"lazy\" decoding=\"async\" width=\"68\" height=\"68\" src=\"https:\/\/visualjournalism.de\/wp-content\/uploads\/Fels_Henryc_Autorenportrait-thumb-68x68.jpg\" class=\"attachment-image-portrait--large size-image-portrait--large\" alt=\"\" srcset=\"https:\/\/visualjournalism.de\/wp-content\/uploads\/Fels_Henryc_Autorenportrait-thumb-68x68.jpg 68w, https:\/\/visualjournalism.de\/wp-content\/uploads\/Fels_Henryc_Autorenportrait-thumb-52x52.jpg 52w, https:\/\/visualjournalism.de\/wp-content\/uploads\/Fels_Henryc_Autorenportrait-thumb-96x96.jpg 96w, https:\/\/visualjournalism.de\/wp-content\/uploads\/Fels_Henryc_Autorenportrait-thumb.jpg 100w\" sizes=\"auto, (max-width: 68px) 100vw, 68px\" \/>\r\n                                                            <\/a>\r\n                                                    <\/figure>\r\n                    \r\n                                            <figure class=\"cover--lead-in__author__image\">\r\n                                                            <a href=\"https:\/\/visualjournalism.de\/etienne-doetsch\/\">\r\n                            \r\n                            <img loading=\"lazy\" decoding=\"async\" width=\"68\" height=\"68\" src=\"https:\/\/visualjournalism.de\/wp-content\/uploads\/Doetsch-Etienne-68x68.jpg\" class=\"attachment-image-portrait--large size-image-portrait--large\" alt=\"\" srcset=\"https:\/\/visualjournalism.de\/wp-content\/uploads\/Doetsch-Etienne-68x68.jpg 68w, https:\/\/visualjournalism.de\/wp-content\/uploads\/Doetsch-Etienne-150x150.jpg 150w, https:\/\/visualjournalism.de\/wp-content\/uploads\/Doetsch-Etienne-52x52.jpg 52w, https:\/\/visualjournalism.de\/wp-content\/uploads\/Doetsch-Etienne-96x96.jpg 96w\" sizes=\"auto, (max-width: 68px) 100vw, 68px\" \/>\r\n                                                            <\/a>\r\n                                                    <\/figure>\r\n                    \r\n                                            <figure class=\"cover--lead-in__author__image\">\r\n                                                            <a href=\"https:\/\/visualjournalism.de\/sophie-boyer\/\">\r\n                            \r\n                            <img loading=\"lazy\" decoding=\"async\" width=\"68\" height=\"68\" src=\"https:\/\/visualjournalism.de\/wp-content\/uploads\/Portraet_Boyer_Sophie_sw-68x68.jpg\" class=\"attachment-image-portrait--large size-image-portrait--large\" alt=\"\" srcset=\"https:\/\/visualjournalism.de\/wp-content\/uploads\/Portraet_Boyer_Sophie_sw-68x68.jpg 68w, https:\/\/visualjournalism.de\/wp-content\/uploads\/Portraet_Boyer_Sophie_sw-150x150.jpg 150w, https:\/\/visualjournalism.de\/wp-content\/uploads\/Portraet_Boyer_Sophie_sw-52x52.jpg 52w, https:\/\/visualjournalism.de\/wp-content\/uploads\/Portraet_Boyer_Sophie_sw-96x96.jpg 96w\" sizes=\"auto, (max-width: 68px) 100vw, 68px\" \/>\r\n                                                            <\/a>\r\n                                                    <\/figure>\r\n                    \r\n                                <\/div><!-- .cover--lead-in__author -->\r\n        \r\n    <\/div><!-- .cover--lead-in__content -->\r\n\r\n    \r\n        <figure class=\"cover--lead-in__image cover--lead-in__media cover--lead-in__media--image\">\r\n            <img loading=\"lazy\" decoding=\"async\"\r\n                src=\"https:\/\/visualjournalism.de\/wp-content\/uploads\/09_Fels_Henryc-1920x1440.jpg\"\r\n                srcset=\"https:\/\/visualjournalism.de\/wp-content\/uploads\/09_Fels_Henryc-1920x1440.jpg 1920w, https:\/\/visualjournalism.de\/wp-content\/uploads\/09_Fels_Henryc-300x225.jpg 300w, https:\/\/visualjournalism.de\/wp-content\/uploads\/09_Fels_Henryc-1024x768.jpg 1024w, https:\/\/visualjournalism.de\/wp-content\/uploads\/09_Fels_Henryc-768x576.jpg 768w, https:\/\/visualjournalism.de\/wp-content\/uploads\/09_Fels_Henryc-1536x1152.jpg 1536w, https:\/\/visualjournalism.de\/wp-content\/uploads\/09_Fels_Henryc-1400x1050.jpg 1400w, https:\/\/visualjournalism.de\/wp-content\/uploads\/09_Fels_Henryc-1050x788.jpg 1050w, https:\/\/visualjournalism.de\/wp-content\/uploads\/09_Fels_Henryc-670x503.jpg 670w, https:\/\/visualjournalism.de\/wp-content\/uploads\/09_Fels_Henryc-420x315.jpg 420w, https:\/\/visualjournalism.de\/wp-content\/uploads\/09_Fels_Henryc-350x263.jpg 350w, https:\/\/visualjournalism.de\/wp-content\/uploads\/09_Fels_Henryc-150x113.jpg 150w, https:\/\/visualjournalism.de\/wp-content\/uploads\/09_Fels_Henryc.jpg 2000w\"\r\n                width=\"1920\"\r\n                height=\"1440\"\r\n                alt=\"\"\r\n                style=\"object-position: 60% 92.89%\"\r\n            \/>\r\n        <\/figure>\r\n\r\n        \r\n    \r\n<\/div><!-- .cover--lead-in -->\r\n\r\n\n\n\n<p class=\"post__paragraph has-spacing--default wp-block-paragraph\"><strong>On Hamburg\u2019s Aschberg there is a smell of freshly dug earth<\/strong>, damp mortar and machine oil. Where for decades families swam in the pool in summer, wellies now sink ankle-deep in mud. Only the whirr of the excavator\u2019s hydraulics breaks the morning silence. For hours two men have been staring intently at the material trickling from the digger bucket. Any find could be a dangerous discovery \u2013 and make immediate bomb disposal necessary. At any moment a decaying stick incendiary could turn up, hidden among the soil and rubble \u2013 a British incendiary bomb that burns at 2,400 degrees Celsius when ignited and is hard to tell apart from scrap metal. The Allies dropped them on Hamburg in their tens of thousands.<\/p>\n\n\n\n<p class=\"post__paragraph has-spacing--default wp-block-paragraph\">The danger from these <a href=\"https:\/\/visualjournalism.de\/en\/magazine\/on-the-margins\/the-war-that-stays-invisible-poland-and-moldova\/\">remnants of war<\/a> is still ever-present today. Eighty years after the end of the Second World War, unexploded bombs remain a serious threat. Every year there are one or two spontaneous detonations of ordnance in Germany. An estimated 100,000 tonnes of undiscovered bombs and ammunition still lie underground. The danger is particularly great in Germany\u2019s large cities, where the ground is heavily contaminated with ordnance.<\/p>\n\n\n\n<p class=\"post__paragraph has-spacing--m wp-block-paragraph\">Before converting or building, property owners must therefore ask the authorities whether they need to have the site surveyed. But rivers and beaches are often affected too. The sea washes ordnance up on to the beach. These shells and <a href=\"https:\/\/visualjournalism.de\/en\/magazine\/ideals\/how-bombs-change-ideals\/\">bombs<\/a> are often so corroded that they wash up in pieces, frequently releasing phosphorus, which is easily mistaken for amber and causes severe skin burns.<\/p>\n\n\n    <figure class=\"block-photo post__image--wide-left has-spacing--m with-title\">\n\n        <div class=\"post__image__container\">\n            <img loading=\"lazy\" decoding=\"async\" \n                src=\"https:\/\/visualjournalism.de\/wp-content\/uploads\/08_Fels_Henryc-1050x788.jpg\"\n                srcset=\"https:\/\/visualjournalism.de\/wp-content\/uploads\/08_Fels_Henryc-1050x788.jpg 1050w, https:\/\/visualjournalism.de\/wp-content\/uploads\/08_Fels_Henryc-300x225.jpg 300w, https:\/\/visualjournalism.de\/wp-content\/uploads\/08_Fels_Henryc-1024x768.jpg 1024w, https:\/\/visualjournalism.de\/wp-content\/uploads\/08_Fels_Henryc-768x576.jpg 768w, https:\/\/visualjournalism.de\/wp-content\/uploads\/08_Fels_Henryc-1536x1152.jpg 1536w, https:\/\/visualjournalism.de\/wp-content\/uploads\/08_Fels_Henryc-1920x1440.jpg 1920w, https:\/\/visualjournalism.de\/wp-content\/uploads\/08_Fels_Henryc-1400x1050.jpg 1400w, https:\/\/visualjournalism.de\/wp-content\/uploads\/08_Fels_Henryc-670x503.jpg 670w, https:\/\/visualjournalism.de\/wp-content\/uploads\/08_Fels_Henryc-420x315.jpg 420w, https:\/\/visualjournalism.de\/wp-content\/uploads\/08_Fels_Henryc-350x263.jpg 350w, https:\/\/visualjournalism.de\/wp-content\/uploads\/08_Fels_Henryc-150x113.jpg 150w, https:\/\/visualjournalism.de\/wp-content\/uploads\/08_Fels_Henryc.jpg 2000w\"\n                width=\"1050\" \n                height=\"788\"\n                alt=\"An excavator carefully digs up soil while two workers in protective suits and high-visibility vests look on during preparations for bomb disposal on a building site. The scene takes place in a wooded area at daybreak.\" \n            \/>\n            \n                            <span class=\"post__image__title\">Hamburg, 13 December 2023<\/span>\n                    <\/div><!-- post__image__container -->\n\n                    <figcaption class=\"post__image__caption--soehne\"><p><strong>Volume clearance at the clearance site<\/strong> of the former Aschberg outdoor pool in Hamburg-Hamm: in this surface inspection method, an excavator carefully removes layers of soil several centimetres thick and tips them out on an open area under the supervision of the explosives expert and a clearance assistant. Remnants of ammunition can then be spotted visually.<\/p>\n<\/figcaption>\n        \n    <\/figure><!-- post__image -->\n\n\n\n \n\n<div class=\"photo-grid grid-layout--3col has-spacing--m\">\n\n            \n\n            <div class=\"photo-grid__image\">\n\n                <figure>\n\n                    <img loading=\"lazy\" decoding=\"async\"  \n                        src=\"https:\/\/visualjournalism.de\/wp-content\/uploads\/16_Fels_Henryc-768x1024.jpg\" \n                        srcset=\"https:\/\/visualjournalism.de\/wp-content\/uploads\/16_Fels_Henryc-768x1024.jpg 768w, https:\/\/visualjournalism.de\/wp-content\/uploads\/16_Fels_Henryc-225x300.jpg 225w, https:\/\/visualjournalism.de\/wp-content\/uploads\/16_Fels_Henryc-1152x1536.jpg 1152w, https:\/\/visualjournalism.de\/wp-content\/uploads\/16_Fels_Henryc-1536x2048.jpg 1536w, https:\/\/visualjournalism.de\/wp-content\/uploads\/16_Fels_Henryc-scaled.jpg 1920w, https:\/\/visualjournalism.de\/wp-content\/uploads\/16_Fels_Henryc-1400x1867.jpg 1400w, https:\/\/visualjournalism.de\/wp-content\/uploads\/16_Fels_Henryc-1050x1400.jpg 1050w, https:\/\/visualjournalism.de\/wp-content\/uploads\/16_Fels_Henryc-670x893.jpg 670w, https:\/\/visualjournalism.de\/wp-content\/uploads\/16_Fels_Henryc-420x560.jpg 420w, https:\/\/visualjournalism.de\/wp-content\/uploads\/16_Fels_Henryc-350x467.jpg 350w, https:\/\/visualjournalism.de\/wp-content\/uploads\/16_Fels_Henryc-300x400.jpg 300w, https:\/\/visualjournalism.de\/wp-content\/uploads\/16_Fels_Henryc-640x853.jpg 640w, https:\/\/visualjournalism.de\/wp-content\/uploads\/16_Fels_Henryc-150x200.jpg 150w\" \n                        width=\"768\"  \n                        height=\"1024\" \n                        alt=\"An excavator fitted with an armoured-glass windscreen and cab armour for extra protection.\"  \n                    \/>\n\n                                            <span class=\"photo-grid__image__title\">Kiel, 17 January 2024<\/span>\n                    \n                                            <figcaption class=\"photo-grid__image__caption--soehne\"><p><strong>Ordnance recovery excavator<\/strong> with safety equipment on the grounds of the University Hospital Schleswig-Holstein. The excavator\u2019s windscreen is reinforced with armoured glass to protect the operator from smaller explosions and fragments. Armour plating under the cab provides additional protection.<\/p>\n<\/figcaption>\n                    \n                <\/figure>\n\n            <\/div><!-- photo-grid__image -->    \n\n\n            \n\n                    \n                \n\n            <div class=\"photo-grid__image\">\n\n                <figure>\n\n                    <img loading=\"lazy\" decoding=\"async\"  \n                        src=\"https:\/\/visualjournalism.de\/wp-content\/uploads\/18_Fels_Henryc-768x1024.jpg\" \n                        srcset=\"https:\/\/visualjournalism.de\/wp-content\/uploads\/18_Fels_Henryc-768x1024.jpg 768w, https:\/\/visualjournalism.de\/wp-content\/uploads\/18_Fels_Henryc-225x300.jpg 225w, https:\/\/visualjournalism.de\/wp-content\/uploads\/18_Fels_Henryc-1152x1536.jpg 1152w, https:\/\/visualjournalism.de\/wp-content\/uploads\/18_Fels_Henryc-1536x2048.jpg 1536w, https:\/\/visualjournalism.de\/wp-content\/uploads\/18_Fels_Henryc-scaled.jpg 1920w, https:\/\/visualjournalism.de\/wp-content\/uploads\/18_Fels_Henryc-1400x1867.jpg 1400w, https:\/\/visualjournalism.de\/wp-content\/uploads\/18_Fels_Henryc-1050x1400.jpg 1050w, https:\/\/visualjournalism.de\/wp-content\/uploads\/18_Fels_Henryc-670x893.jpg 670w, https:\/\/visualjournalism.de\/wp-content\/uploads\/18_Fels_Henryc-420x560.jpg 420w, https:\/\/visualjournalism.de\/wp-content\/uploads\/18_Fels_Henryc-350x467.jpg 350w, https:\/\/visualjournalism.de\/wp-content\/uploads\/18_Fels_Henryc-300x400.jpg 300w, https:\/\/visualjournalism.de\/wp-content\/uploads\/18_Fels_Henryc-640x853.jpg 640w, https:\/\/visualjournalism.de\/wp-content\/uploads\/18_Fels_Henryc-150x200.jpg 150w\" \n                        width=\"768\"  \n                        height=\"1024\" \n                        alt=\"A site map locating possible bombs in the marked area. Suspect areas are marked with red crosses.\"  \n                    \/>\n\n                                            <span class=\"photo-grid__image__title\">Hamburg, 16 January 2024<\/span>\n                    \n                                            <figcaption class=\"photo-grid__image__caption--soehne\"><p><strong>Site map of the clearance site<\/strong> at the former Aschberg outdoor pool in Hamburg-Hamm. The area marked in green is free of ordnance. The solid red area at the bottom edge of the map marks a suspected unexploded bomb. Incendiary bombs were found at the red crosses.<\/p>\n<\/figcaption>\n                    \n                <\/figure>\n\n            <\/div><!-- photo-grid__image -->    \n\n\n            \n\n                    \n                \n\n            <div class=\"photo-grid__image\">\n\n                <figure>\n\n                    <img loading=\"lazy\" decoding=\"async\"  \n                        src=\"https:\/\/visualjournalism.de\/wp-content\/uploads\/05_Fels_Henryc-768x1024.jpg\" \n                        srcset=\"https:\/\/visualjournalism.de\/wp-content\/uploads\/05_Fels_Henryc-768x1024.jpg 768w, https:\/\/visualjournalism.de\/wp-content\/uploads\/05_Fels_Henryc-225x300.jpg 225w, https:\/\/visualjournalism.de\/wp-content\/uploads\/05_Fels_Henryc-1152x1536.jpg 1152w, https:\/\/visualjournalism.de\/wp-content\/uploads\/05_Fels_Henryc-1536x2048.jpg 1536w, https:\/\/visualjournalism.de\/wp-content\/uploads\/05_Fels_Henryc-scaled.jpg 1920w, https:\/\/visualjournalism.de\/wp-content\/uploads\/05_Fels_Henryc-1400x1867.jpg 1400w, https:\/\/visualjournalism.de\/wp-content\/uploads\/05_Fels_Henryc-1050x1400.jpg 1050w, https:\/\/visualjournalism.de\/wp-content\/uploads\/05_Fels_Henryc-670x893.jpg 670w, https:\/\/visualjournalism.de\/wp-content\/uploads\/05_Fels_Henryc-420x560.jpg 420w, https:\/\/visualjournalism.de\/wp-content\/uploads\/05_Fels_Henryc-350x467.jpg 350w, https:\/\/visualjournalism.de\/wp-content\/uploads\/05_Fels_Henryc-300x400.jpg 300w, https:\/\/visualjournalism.de\/wp-content\/uploads\/05_Fels_Henryc-640x853.jpg 640w, https:\/\/visualjournalism.de\/wp-content\/uploads\/05_Fels_Henryc-150x200.jpg 150w\" \n                        width=\"768\"  \n                        height=\"1024\" \n                        alt=\"Explosives expert and ordnance clearance specialist Steffen Kausch stands in his work clothes on the snow-covered clearance site.\"  \n                    \/>\n\n                                            <span class=\"photo-grid__image__title\">Hamburg, 16 January 2024<\/span>\n                    \n                                            <figcaption class=\"photo-grid__image__caption--soehne\"><p><strong>Explosives expert and clearance site manager<\/strong> Steffen Kausch at the former Aschberg outdoor pool in Hamburg-Hamm. Ammunition specialists are known as \u2018Feuerwerker\u2019; their job is to locate and remove ordnance.<\/p>\n<\/figcaption>\n                    \n                <\/figure>\n\n            <\/div><!-- photo-grid__image -->    \n\n\n            \n\n            \n<\/div>\n\n    <figure class=\"block-photo post__image--wide-left has-spacing--m with-title\">\n\n        <div class=\"post__image__container\">\n            <img loading=\"lazy\" decoding=\"async\" \n                src=\"https:\/\/visualjournalism.de\/wp-content\/uploads\/19_Fels_Henryc-1050x788.jpg\"\n                srcset=\"https:\/\/visualjournalism.de\/wp-content\/uploads\/19_Fels_Henryc-1050x788.jpg 1050w, https:\/\/visualjournalism.de\/wp-content\/uploads\/19_Fels_Henryc-300x225.jpg 300w, https:\/\/visualjournalism.de\/wp-content\/uploads\/19_Fels_Henryc-1024x768.jpg 1024w, https:\/\/visualjournalism.de\/wp-content\/uploads\/19_Fels_Henryc-768x576.jpg 768w, https:\/\/visualjournalism.de\/wp-content\/uploads\/19_Fels_Henryc-1536x1152.jpg 1536w, https:\/\/visualjournalism.de\/wp-content\/uploads\/19_Fels_Henryc-1920x1440.jpg 1920w, https:\/\/visualjournalism.de\/wp-content\/uploads\/19_Fels_Henryc-1400x1050.jpg 1400w, https:\/\/visualjournalism.de\/wp-content\/uploads\/19_Fels_Henryc-670x503.jpg 670w, https:\/\/visualjournalism.de\/wp-content\/uploads\/19_Fels_Henryc-420x315.jpg 420w, https:\/\/visualjournalism.de\/wp-content\/uploads\/19_Fels_Henryc-350x263.jpg 350w, https:\/\/visualjournalism.de\/wp-content\/uploads\/19_Fels_Henryc-150x113.jpg 150w, https:\/\/visualjournalism.de\/wp-content\/uploads\/19_Fels_Henryc.jpg 2000w\"\n                width=\"1050\" \n                height=\"788\"\n                alt=\"A snow-covered building site with two excavators and drilling rigs of the kind used in bomb disposal.\" \n            \/>\n            \n                            <span class=\"post__image__title\">Kiel, 17 January 2024<\/span>\n                    <\/div><!-- post__image__container -->\n\n                    <figcaption class=\"post__image__caption--soehne\"><p><strong>Clearance site on the grounds<\/strong> of the University Hospital Schleswig-Holstein.<\/p>\n<\/figcaption>\n        \n    <\/figure><!-- post__image -->\n\n\n\n \n\n<div class=\"photo-grid grid-layout--3col has-spacing--m\">\n\n            \n\n            <div class=\"photo-grid__image\">\n\n                <figure>\n\n                    <img loading=\"lazy\" decoding=\"async\"  \n                        src=\"https:\/\/visualjournalism.de\/wp-content\/uploads\/13_Fels_Henryc-768x1024.jpg\" \n                        srcset=\"https:\/\/visualjournalism.de\/wp-content\/uploads\/13_Fels_Henryc-768x1024.jpg 768w, https:\/\/visualjournalism.de\/wp-content\/uploads\/13_Fels_Henryc-225x300.jpg 225w, https:\/\/visualjournalism.de\/wp-content\/uploads\/13_Fels_Henryc-1152x1536.jpg 1152w, https:\/\/visualjournalism.de\/wp-content\/uploads\/13_Fels_Henryc-1536x2048.jpg 1536w, https:\/\/visualjournalism.de\/wp-content\/uploads\/13_Fels_Henryc-scaled.jpg 1920w, https:\/\/visualjournalism.de\/wp-content\/uploads\/13_Fels_Henryc-1400x1867.jpg 1400w, https:\/\/visualjournalism.de\/wp-content\/uploads\/13_Fels_Henryc-1050x1400.jpg 1050w, https:\/\/visualjournalism.de\/wp-content\/uploads\/13_Fels_Henryc-670x893.jpg 670w, https:\/\/visualjournalism.de\/wp-content\/uploads\/13_Fels_Henryc-420x560.jpg 420w, https:\/\/visualjournalism.de\/wp-content\/uploads\/13_Fels_Henryc-350x467.jpg 350w, https:\/\/visualjournalism.de\/wp-content\/uploads\/13_Fels_Henryc-300x400.jpg 300w, https:\/\/visualjournalism.de\/wp-content\/uploads\/13_Fels_Henryc-640x853.jpg 640w, https:\/\/visualjournalism.de\/wp-content\/uploads\/13_Fels_Henryc-150x200.jpg 150w\" \n                        width=\"768\"  \n                        height=\"1024\" \n                        alt=\"A drill head bores into the black soil of the clearance site. Bomb disposal may be needed at any moment.\"  \n                    \/>\n\n                                            <span class=\"photo-grid__image__title\">Kiel, 15 January 2024<\/span>\n                    \n                                            <figcaption class=\"photo-grid__image__caption--soehne\"><p><strong>Drill head at<\/strong> the clearance site on Dammstra\u00dfe in Kiel.<\/p>\n<\/figcaption>\n                    \n                <\/figure>\n\n            <\/div><!-- photo-grid__image -->    \n\n\n            \n\n                    \n                \n\n            <div class=\"photo-grid__image\">\n\n                <figure>\n\n                    <img loading=\"lazy\" decoding=\"async\"  \n                        src=\"https:\/\/visualjournalism.de\/wp-content\/uploads\/12_Fels_Henryc-768x1024.jpg\" \n                        srcset=\"https:\/\/visualjournalism.de\/wp-content\/uploads\/12_Fels_Henryc-768x1024.jpg 768w, https:\/\/visualjournalism.de\/wp-content\/uploads\/12_Fels_Henryc-225x300.jpg 225w, https:\/\/visualjournalism.de\/wp-content\/uploads\/12_Fels_Henryc-1152x1536.jpg 1152w, https:\/\/visualjournalism.de\/wp-content\/uploads\/12_Fels_Henryc-1536x2048.jpg 1536w, https:\/\/visualjournalism.de\/wp-content\/uploads\/12_Fels_Henryc-scaled.jpg 1920w, https:\/\/visualjournalism.de\/wp-content\/uploads\/12_Fels_Henryc-1400x1867.jpg 1400w, https:\/\/visualjournalism.de\/wp-content\/uploads\/12_Fels_Henryc-1050x1400.jpg 1050w, https:\/\/visualjournalism.de\/wp-content\/uploads\/12_Fels_Henryc-670x893.jpg 670w, https:\/\/visualjournalism.de\/wp-content\/uploads\/12_Fels_Henryc-420x560.jpg 420w, https:\/\/visualjournalism.de\/wp-content\/uploads\/12_Fels_Henryc-350x467.jpg 350w, https:\/\/visualjournalism.de\/wp-content\/uploads\/12_Fels_Henryc-300x400.jpg 300w, https:\/\/visualjournalism.de\/wp-content\/uploads\/12_Fels_Henryc-640x853.jpg 640w, https:\/\/visualjournalism.de\/wp-content\/uploads\/12_Fels_Henryc-150x200.jpg 150w\" \n                        width=\"768\"  \n                        height=\"1024\" \n                        alt=\"A blue-and-white probe used to locate anomalies in three dimensions.\"  \n                    \/>\n\n                                            <span class=\"photo-grid__image__title\">Kiel, 15 January 2024<\/span>\n                    \n                                            <figcaption class=\"photo-grid__image__caption--soehne\"><p><strong>4R-EM probe<\/strong> at the clearance site on Dammstra\u00dfe in Kiel. This special probe makes it possible to locate anomalies in three dimensions.<\/p>\n<\/figcaption>\n                    \n                <\/figure>\n\n            <\/div><!-- photo-grid__image -->    \n\n\n            \n\n                    \n                \n\n            <div class=\"photo-grid__image\">\n\n                <figure>\n\n                    <img loading=\"lazy\" decoding=\"async\"  \n                        src=\"https:\/\/visualjournalism.de\/wp-content\/uploads\/11_Fels_Henryc-768x1024.jpg\" \n                        srcset=\"https:\/\/visualjournalism.de\/wp-content\/uploads\/11_Fels_Henryc-768x1024.jpg 768w, https:\/\/visualjournalism.de\/wp-content\/uploads\/11_Fels_Henryc-225x300.jpg 225w, https:\/\/visualjournalism.de\/wp-content\/uploads\/11_Fels_Henryc-1152x1536.jpg 1152w, https:\/\/visualjournalism.de\/wp-content\/uploads\/11_Fels_Henryc-1536x2048.jpg 1536w, https:\/\/visualjournalism.de\/wp-content\/uploads\/11_Fels_Henryc-scaled.jpg 1920w, https:\/\/visualjournalism.de\/wp-content\/uploads\/11_Fels_Henryc-1400x1867.jpg 1400w, https:\/\/visualjournalism.de\/wp-content\/uploads\/11_Fels_Henryc-1050x1400.jpg 1050w, https:\/\/visualjournalism.de\/wp-content\/uploads\/11_Fels_Henryc-670x893.jpg 670w, https:\/\/visualjournalism.de\/wp-content\/uploads\/11_Fels_Henryc-420x560.jpg 420w, https:\/\/visualjournalism.de\/wp-content\/uploads\/11_Fels_Henryc-350x467.jpg 350w, https:\/\/visualjournalism.de\/wp-content\/uploads\/11_Fels_Henryc-300x400.jpg 300w, https:\/\/visualjournalism.de\/wp-content\/uploads\/11_Fels_Henryc-640x853.jpg 640w, https:\/\/visualjournalism.de\/wp-content\/uploads\/11_Fels_Henryc-150x200.jpg 150w\" \n                        width=\"768\"  \n                        height=\"1024\" \n                        alt=\"Close-up of geophysicist Dr Matthias Strahser in his work clothes and cap.\"  \n                    \/>\n\n                                            <span class=\"photo-grid__image__title\">Kiel, 15 January 2024<\/span>\n                    \n                                            <figcaption class=\"photo-grid__image__caption--soehne\"><p><strong>Geophysicist Dr Matthias Strahser<\/strong> at the clearance site on Dammstra\u00dfe in Kiel.<\/p>\n<\/figcaption>\n                    \n                <\/figure>\n\n            <\/div><!-- photo-grid__image -->    \n\n\n            \n\n            \n<\/div>\n\n\n    <div class=\"headline-block has-spacing--xs\">\n\n        <h2 class=\"post__headline\">How dangerous is bomb disposal really?<\/h2>\n\n        \n    <\/div>\n\n    \n\n\n\n\n<p class=\"post__paragraph has-spacing--default wp-block-paragraph\"><strong>Specialised survey methods help<\/strong> to find and recover bomb remnants. In Hamburg, the fire brigade\u2019s <a href=\"https:\/\/www.feuerwehr.hamburg\/referat-gefahrenerkundung-kampfmittelverdacht-815410\" target=\"_blank\" rel=\"noreferrer noopener\">unit for hazard investigation and suspected ordnance<\/a> uses old maps and aerial photographs to find bomb craters and locate danger spots. Where there is a suspicion close to the surface, an excavator removes the soil layer by layer, and experts carefully examine the contents of the bucket to ensure safe bomb disposal.<\/p>\n\n\n\n<p class=\"post__paragraph has-spacing--default wp-block-paragraph\">One machine operator tells of an incident in which <a href=\"https:\/\/visualjournalism.de\/en\/magazine\/on-the-margins\/nordhorn-range-low-flying-jets-bombs-and-protests\/\">ammunition<\/a> ignited in the digger bucket and flew just past the cab. Incidents like this show how dangerous bomb disposal work can be. That is why the excavators have a reinforced floor plate and a bulletproof windscreen.<\/p>\n\n\n\n<p class=\"post__paragraph has-spacing--default wp-block-paragraph\">Some ordnance is not removed because it lies too deep. Bombs more than ten metres down are often left where they are if an open space, such as a sports pitch, is created above them. Nor is ordnance cleared if an existing house would have to be demolished.<\/p>\n\n\n\n<p class=\"post__paragraph has-spacing--m wp-block-paragraph\">Old ordnance can be lethal. The condition of the fuse is especially critical, as the explosive on its own is usually harmless. Bomb disposal therefore requires the utmost care and expertise. The risks of ordnance clearance became tragically clear in G\u00f6ttingen in 2011, when three explosives experts died while defusing an aerial bomb with a delayed-action fuse. Ammunition remnants are normally burned or detonated in a controlled way. This is the job of the ordnance disposal service, not of pyrotechnicians.<\/p>\n\n\n\n<div class=\"wp-block-group has-spacing--default has-spacing--default\">\n<div class=\"devider has-spacing--none\">\n    <hr>\n<\/div>\n\n\n    <div class=\"headline-block has-spacing--xs\">\n\n        <h2 class=\"post__headline\">Related to this story<\/h2>\n\n        \n    <\/div>\n\n    \n\n\n\n\r\n\r\n\r\n\r\n        <div class=\"teaser-grid grid-layout--3col has-spacing--s width--inline\">\r\n\r\n            \r\n                <article class=\"post-teaser\">\r\n\r\n                    <a href=\"https:\/\/visualjournalism.de\/en\/magazine\/work\/arolsen-archives\/\" rel=\"permalink\">\r\n\r\n                        <div class=\"post-teaser__content\">\r\n\r\n                            <span class=\"entry-categories\">Work<\/span>\r\n                            <h3 class=\"post-teaser__headline\">\r\n                                Arolsen Archives: when remembering becomes work                            <\/h3>\r\n\r\n                            <div class=\"post-teaser__excerpt\">\r\n                                <p>A small town in Hesse looks after one of the largest collections on Nazi persecution. There\u2019s a specific reason why its location isn\u2019t public.<\/p>\r\n                            <\/div>\r\n\r\n                        <\/div><!-- .post-teaser__content -->\r\n\r\n\r\n                        \r\n                            <figure class=\"post-teaser__image\">\r\n                                <img loading=\"lazy\" decoding=\"async\"  \r\n                                    src=\"https:\/\/visualjournalism.de\/wp-content\/uploads\/10_2024-05-13_7533-768x614.jpg\" \r\n                                    srcset=\"https:\/\/visualjournalism.de\/wp-content\/uploads\/10_2024-05-13_7533-768x614.jpg 768w, https:\/\/visualjournalism.de\/wp-content\/uploads\/10_2024-05-13_7533-300x240.jpg 300w, https:\/\/visualjournalism.de\/wp-content\/uploads\/10_2024-05-13_7533-1024x819.jpg 1024w, https:\/\/visualjournalism.de\/wp-content\/uploads\/10_2024-05-13_7533-1536x1229.jpg 1536w, https:\/\/visualjournalism.de\/wp-content\/uploads\/10_2024-05-13_7533-2048x1638.jpg 2048w, https:\/\/visualjournalism.de\/wp-content\/uploads\/10_2024-05-13_7533-1920x1536.jpg 1920w, https:\/\/visualjournalism.de\/wp-content\/uploads\/10_2024-05-13_7533-1400x1120.jpg 1400w, https:\/\/visualjournalism.de\/wp-content\/uploads\/10_2024-05-13_7533-1050x840.jpg 1050w, https:\/\/visualjournalism.de\/wp-content\/uploads\/10_2024-05-13_7533-670x536.jpg 670w, https:\/\/visualjournalism.de\/wp-content\/uploads\/10_2024-05-13_7533-420x336.jpg 420w, https:\/\/visualjournalism.de\/wp-content\/uploads\/10_2024-05-13_7533-350x280.jpg 350w, https:\/\/visualjournalism.de\/wp-content\/uploads\/10_2024-05-13_7533-150x120.jpg 150w\" \r\n                                    width=\"768\"  \r\n                                    height=\"614\" \r\n                                    alt=\"An open grey filing cabinet at the Arolsen Archives holding several brown files. The contents of one file are spread out on top of the cabinet: a passport-sized document with the Reich eagle and swastika, reading \u2018Deutsches Reich, Arbeitsbuch f\u00fcr Ausl\u00e4nder\u2019 (German Reich, work book for foreigners). Next to it lies a yellowed, worn work card with a black-and-white prisoner photo. Further documents are partly hidden beneath the work card. More grey filing cabinets can be seen in the background.\"\r\n                                \/>\r\n                            <\/figure>\r\n\r\n                        \r\n                    \r\n                    <\/a>\r\n\r\n                <\/article><!--- .post-teaser-->\r\n\r\n            \r\n                <article class=\"post-teaser\">\r\n\r\n                    <a href=\"https:\/\/visualjournalism.de\/en\/magazine\/on-the-margins\/nordhorn-range-low-flying-jets-bombs-and-protests\/\" rel=\"permalink\">\r\n\r\n                        <div class=\"post-teaser__content\">\r\n\r\n                            <span class=\"entry-categories\">On the margins<\/span>\r\n                            <h3 class=\"post-teaser__headline\">\r\n                                Nordhorn Range: \u2018There\u2019s nothing we can do about it, in court or otherwise\u2019                            <\/h3>\r\n\r\n                            <div class=\"post-teaser__excerpt\">\r\n                                <p>For years, residents have been protesting against low-flying jets and bombing practice \u2013 and keep coming up against limits.<\/p>\r\n                            <\/div>\r\n\r\n                        <\/div><!-- .post-teaser__content -->\r\n\r\n\r\n                        \r\n                            <figure class=\"post-teaser__image\">\r\n                                <img loading=\"lazy\" decoding=\"async\"  \r\n                                    src=\"https:\/\/visualjournalism.de\/wp-content\/uploads\/3_DSC9374-768x512.jpg\" \r\n                                    srcset=\"https:\/\/visualjournalism.de\/wp-content\/uploads\/3_DSC9374-768x512.jpg 768w, https:\/\/visualjournalism.de\/wp-content\/uploads\/3_DSC9374-300x200.jpg 300w, https:\/\/visualjournalism.de\/wp-content\/uploads\/3_DSC9374-1024x683.jpg 1024w, https:\/\/visualjournalism.de\/wp-content\/uploads\/3_DSC9374-1536x1024.jpg 1536w, https:\/\/visualjournalism.de\/wp-content\/uploads\/3_DSC9374-1400x934.jpg 1400w, https:\/\/visualjournalism.de\/wp-content\/uploads\/3_DSC9374-1050x700.jpg 1050w, https:\/\/visualjournalism.de\/wp-content\/uploads\/3_DSC9374-670x447.jpg 670w, https:\/\/visualjournalism.de\/wp-content\/uploads\/3_DSC9374-420x280.jpg 420w, https:\/\/visualjournalism.de\/wp-content\/uploads\/3_DSC9374-350x233.jpg 350w, https:\/\/visualjournalism.de\/wp-content\/uploads\/3_DSC9374-150x100.jpg 150w, https:\/\/visualjournalism.de\/wp-content\/uploads\/3_DSC9374.jpg 1600w\" \r\n                                    width=\"768\"  \r\n                                    height=\"512\" \r\n                                    alt=\"A soldier in camouflage uniform works at a computer in the control room of the Nordhorn Range, a military firing range. Another soldier can be seen at a different workstation in the background, while large windows look out over the site and the surrounding landscape.\"\r\n                                \/>\r\n                            <\/figure>\r\n\r\n                        \r\n                    \r\n                    <\/a>\r\n\r\n                <\/article><!--- .post-teaser-->\r\n\r\n            \r\n                <article class=\"post-teaser\">\r\n\r\n                    <a href=\"https:\/\/visualjournalism.de\/en\/magazine\/on-the-margins\/the-war-that-stays-invisible-poland-and-moldova\/\" rel=\"permalink\">\r\n\r\n                        <div class=\"post-teaser__content\">\r\n\r\n                            <span class=\"entry-categories\">On the margins<\/span>\r\n                            <h3 class=\"post-teaser__headline\">\r\n                                The war that stays invisible: exploring Poland and Moldova                            <\/h3>\r\n\r\n                            <div class=\"post-teaser__excerpt\">\r\n                                <p>How the Russian invasion shows itself in the border regions \u2013 and at the same time stays hidden. Pictures from the threshold of Europe.<\/p>\r\n                            <\/div>\r\n\r\n                        <\/div><!-- .post-teaser__content -->\r\n\r\n\r\n                        \r\n                            <figure class=\"post-teaser__image\">\r\n                                <img loading=\"lazy\" decoding=\"async\"  \r\n                                    src=\"https:\/\/visualjournalism.de\/wp-content\/uploads\/13_Nikulski_Ludwig-768x614.jpg\" \r\n                                    srcset=\"https:\/\/visualjournalism.de\/wp-content\/uploads\/13_Nikulski_Ludwig-768x614.jpg 768w, https:\/\/visualjournalism.de\/wp-content\/uploads\/13_Nikulski_Ludwig-300x240.jpg 300w, https:\/\/visualjournalism.de\/wp-content\/uploads\/13_Nikulski_Ludwig-1024x819.jpg 1024w, https:\/\/visualjournalism.de\/wp-content\/uploads\/13_Nikulski_Ludwig-1536x1229.jpg 1536w, https:\/\/visualjournalism.de\/wp-content\/uploads\/13_Nikulski_Ludwig-2048x1638.jpg 2048w, https:\/\/visualjournalism.de\/wp-content\/uploads\/13_Nikulski_Ludwig-1920x1536.jpg 1920w, https:\/\/visualjournalism.de\/wp-content\/uploads\/13_Nikulski_Ludwig-1400x1120.jpg 1400w, https:\/\/visualjournalism.de\/wp-content\/uploads\/13_Nikulski_Ludwig-1050x840.jpg 1050w, https:\/\/visualjournalism.de\/wp-content\/uploads\/13_Nikulski_Ludwig-670x536.jpg 670w, https:\/\/visualjournalism.de\/wp-content\/uploads\/13_Nikulski_Ludwig-420x336.jpg 420w, https:\/\/visualjournalism.de\/wp-content\/uploads\/13_Nikulski_Ludwig-350x280.jpg 350w, https:\/\/visualjournalism.de\/wp-content\/uploads\/13_Nikulski_Ludwig-150x120.jpg 150w\" \r\n                                    width=\"768\"  \r\n                                    height=\"614\" \r\n                                    alt=\"Oskar at the football field\"\r\n                                \/>\r\n                            <\/figure>\r\n\r\n                        \r\n                    \r\n                    <\/a>\r\n\r\n                <\/article><!--- .post-teaser-->\r\n\r\n            \r\n        <\/div><!-- .teaser-grid -->\r\n\r\n\n<\/div>\n\n\n\n<div class=\"wp-block-group has-spacing--default has-spacing--default\">\n<div class=\"devider has-spacing--none\">\n    <hr>\n<\/div>\n\n\n    <div class=\"headline-block has-spacing--xs\">\n\n        <h2 class=\"post__headline\">Recommended by the editors<\/h2>\n\n        \n    <\/div>\n\n    \n\n\n\n\r\n\r\n\r\n\r\n        <div class=\"teaser-grid grid-layout--3col has-spacing--s width--inline\">\r\n\r\n            \r\n                <article class=\"post-teaser\">\r\n\r\n                    <a href=\"https:\/\/visualjournalism.de\/en\/magazine\/advice\/studio-lighting-techniques-and-tips\/\" rel=\"permalink\">\r\n\r\n                        <div class=\"post-teaser__content\">\r\n\r\n                            <span class=\"entry-categories\">Advice<\/span>\r\n                            <h3 class=\"post-teaser__headline\">\r\n                                Studio lighting: techniques, lighting set-ups and tips for photographers.                            <\/h3>\r\n\r\n                            <div class=\"post-teaser__excerpt\">\r\n                                <p>The right light makes or breaks a studio shot. We explain the most important techniques and lighting set-ups \u2013 and how to achieve perfect studio lighting step by step.<\/p>\r\n                            <\/div>\r\n\r\n                        <\/div><!-- .post-teaser__content -->\r\n\r\n\r\n                        \r\n                            <figure class=\"post-teaser__image\">\r\n                                <img loading=\"lazy\" decoding=\"async\"  \r\n                                    src=\"https:\/\/visualjournalism.de\/wp-content\/uploads\/DSC06343-768x492.jpg\" \r\n                                    srcset=\"https:\/\/visualjournalism.de\/wp-content\/uploads\/DSC06343-768x492.jpg 768w, https:\/\/visualjournalism.de\/wp-content\/uploads\/DSC06343-300x192.jpg 300w, https:\/\/visualjournalism.de\/wp-content\/uploads\/DSC06343-1024x656.jpg 1024w, https:\/\/visualjournalism.de\/wp-content\/uploads\/DSC06343-1536x983.jpg 1536w, https:\/\/visualjournalism.de\/wp-content\/uploads\/DSC06343-2048x1311.jpg 2048w, https:\/\/visualjournalism.de\/wp-content\/uploads\/DSC06343-1920x1229.jpg 1920w, https:\/\/visualjournalism.de\/wp-content\/uploads\/DSC06343-1400x896.jpg 1400w, https:\/\/visualjournalism.de\/wp-content\/uploads\/DSC06343-1050x672.jpg 1050w, https:\/\/visualjournalism.de\/wp-content\/uploads\/DSC06343-670x429.jpg 670w, https:\/\/visualjournalism.de\/wp-content\/uploads\/DSC06343-420x269.jpg 420w, https:\/\/visualjournalism.de\/wp-content\/uploads\/DSC06343-350x224.jpg 350w, https:\/\/visualjournalism.de\/wp-content\/uploads\/DSC06343-150x96.jpg 150w\" \r\n                                    width=\"768\"  \r\n                                    height=\"492\" \r\n                                    alt=\"\"\r\n                                \/>\r\n                            <\/figure>\r\n\r\n                        \r\n                    \r\n                    <\/a>\r\n\r\n                <\/article><!--- .post-teaser-->\r\n\r\n            \r\n                <article class=\"post-teaser\">\r\n\r\n                    <a href=\"https:\/\/visualjournalism.de\/en\/magazine\/masculinity\/the-patriarchal-obsession-with-virginity\/\" rel=\"permalink\">\r\n\r\n                        <div class=\"post-teaser__content\">\r\n\r\n                            <span class=\"entry-categories\">Masculinity<\/span>\r\n                            <h3 class=\"post-teaser__headline\">\r\n                                The patriarchal obsession with virginity                            <\/h3>\r\n\r\n                            <div class=\"post-teaser__excerpt\">\r\n                                <p>Older men&#8217;s fascination with teenage girls runs deep in our culture. The Wecker case recently brought it back into the headlines. Films, music and the internet fuel hypersexualisation \u2013 with far-reaching consequences.<\/p>\r\n                            <\/div>\r\n\r\n                        <\/div><!-- .post-teaser__content -->\r\n\r\n\r\n                        \r\n                            <figure class=\"post-teaser__image\">\r\n                                <img loading=\"lazy\" decoding=\"async\"  \r\n                                    src=\"https:\/\/visualjournalism.de\/wp-content\/uploads\/2026\/05\/Amercian-beauty-film-2-768x326.jpg\" \r\n                                    srcset=\"https:\/\/visualjournalism.de\/wp-content\/uploads\/2026\/05\/Amercian-beauty-film-2-768x326.jpg 768w, https:\/\/visualjournalism.de\/wp-content\/uploads\/2026\/05\/Amercian-beauty-film-2-300x127.jpg 300w, https:\/\/visualjournalism.de\/wp-content\/uploads\/2026\/05\/Amercian-beauty-film-2-670x284.jpg 670w, https:\/\/visualjournalism.de\/wp-content\/uploads\/2026\/05\/Amercian-beauty-film-2-420x178.jpg 420w, https:\/\/visualjournalism.de\/wp-content\/uploads\/2026\/05\/Amercian-beauty-film-2-350x149.jpg 350w, https:\/\/visualjournalism.de\/wp-content\/uploads\/2026\/05\/Amercian-beauty-film-2-150x64.jpg 150w, https:\/\/visualjournalism.de\/wp-content\/uploads\/2026\/05\/Amercian-beauty-film-2.jpg 999w\" \r\n                                    width=\"768\"  \r\n                                    height=\"326\" \r\n                                    alt=\"\"\r\n                                \/>\r\n                            <\/figure>\r\n\r\n                        \r\n                    \r\n                    <\/a>\r\n\r\n                <\/article><!--- .post-teaser-->\r\n\r\n            \r\n                <article class=\"post-teaser\">\r\n\r\n                    <a href=\"https:\/\/visualjournalism.de\/en\/magazine\/advice\/polaroid-emulsion-lift\/\" rel=\"permalink\">\r\n\r\n                        <div class=\"post-teaser__content\">\r\n\r\n                            <span class=\"entry-categories\">Advice<\/span>\r\n                            <h3 class=\"post-teaser__headline\">\r\n                                Polaroid emulsion lift: how to make little works of art with minimal effort.                            <\/h3>\r\n\r\n                            <div class=\"post-teaser__excerpt\">\r\n                                <p>Bored with your pictures? With the emulsion lift technique, you can turn Polaroids into small, unique works of art with very little effort. Explained step by step.<\/p>\r\n                            <\/div>\r\n\r\n                        <\/div><!-- .post-teaser__content -->\r\n\r\n\r\n                        \r\n                            <figure class=\"post-teaser__image\">\r\n                                <img loading=\"lazy\" decoding=\"async\"  \r\n                                    src=\"https:\/\/visualjournalism.de\/wp-content\/uploads\/DSC5126-768x768.jpg\" \r\n                                    srcset=\"https:\/\/visualjournalism.de\/wp-content\/uploads\/DSC5126-768x768.jpg 768w, https:\/\/visualjournalism.de\/wp-content\/uploads\/DSC5126-300x300.jpg 300w, https:\/\/visualjournalism.de\/wp-content\/uploads\/DSC5126-1024x1024.jpg 1024w, https:\/\/visualjournalism.de\/wp-content\/uploads\/DSC5126-150x150.jpg 150w, https:\/\/visualjournalism.de\/wp-content\/uploads\/DSC5126-1536x1536.jpg 1536w, https:\/\/visualjournalism.de\/wp-content\/uploads\/DSC5126-1400x1400.jpg 1400w, https:\/\/visualjournalism.de\/wp-content\/uploads\/DSC5126-1050x1050.jpg 1050w, https:\/\/visualjournalism.de\/wp-content\/uploads\/DSC5126-670x670.jpg 670w, https:\/\/visualjournalism.de\/wp-content\/uploads\/DSC5126-420x420.jpg 420w, https:\/\/visualjournalism.de\/wp-content\/uploads\/DSC5126-350x350.jpg 350w, https:\/\/visualjournalism.de\/wp-content\/uploads\/DSC5126-52x52.jpg 52w, https:\/\/visualjournalism.de\/wp-content\/uploads\/DSC5126-68x68.jpg 68w, https:\/\/visualjournalism.de\/wp-content\/uploads\/DSC5126-96x96.jpg 96w, https:\/\/visualjournalism.de\/wp-content\/uploads\/DSC5126.jpg 1806w\" \r\n                                    width=\"768\"  \r\n                                    height=\"768\" \r\n                                    alt=\"\"\r\n                                \/>\r\n                            <\/figure>\r\n\r\n                        \r\n                    \r\n                    <\/a>\r\n\r\n                <\/article><!--- .post-teaser-->\r\n\r\n            \r\n        <\/div><!-- .teaser-grid -->\r\n\r\n\n\n\r\n\r\n\r\n\r\n        <div class=\"teaser-grid grid-layout--3col has-spacing--s width--inline\">\r\n\r\n            \r\n                <article class=\"post-teaser\">\r\n\r\n                    <a href=\"https:\/\/visualjournalism.de\/en\/magazine\/silence\/the-silent-language\/\" rel=\"permalink\">\r\n\r\n                        <div class=\"post-teaser__content\">\r\n\r\n                            <span class=\"entry-categories\">Silence<\/span>\r\n                            <h3 class=\"post-teaser__headline\">\r\n                                Sign language: the silent language of deaf people                            <\/h3>\r\n\r\n                            <div class=\"post-teaser__excerpt\">\r\n                                <p>Deaf, but not mute: how deaf people communicate in a loud world \u2013 and what hearing people hardly know about it.<\/p>\r\n                            <\/div>\r\n\r\n                        <\/div><!-- .post-teaser__content -->\r\n\r\n\r\n                        \r\n                            <figure class=\"post-teaser__image\">\r\n                                <img loading=\"lazy\" decoding=\"async\"  \r\n                                    src=\"https:\/\/visualjournalism.de\/wp-content\/uploads\/gebaerden-online-magazin-1-768x512.jpg\" \r\n                                    srcset=\"https:\/\/visualjournalism.de\/wp-content\/uploads\/gebaerden-online-magazin-1-768x512.jpg 768w, https:\/\/visualjournalism.de\/wp-content\/uploads\/gebaerden-online-magazin-1-300x200.jpg 300w, https:\/\/visualjournalism.de\/wp-content\/uploads\/gebaerden-online-magazin-1-1024x683.jpg 1024w, https:\/\/visualjournalism.de\/wp-content\/uploads\/gebaerden-online-magazin-1-1536x1024.jpg 1536w, https:\/\/visualjournalism.de\/wp-content\/uploads\/gebaerden-online-magazin-1-2048x1366.jpg 2048w, https:\/\/visualjournalism.de\/wp-content\/uploads\/gebaerden-online-magazin-1-1920x1281.jpg 1920w, https:\/\/visualjournalism.de\/wp-content\/uploads\/gebaerden-online-magazin-1-1400x934.jpg 1400w, https:\/\/visualjournalism.de\/wp-content\/uploads\/gebaerden-online-magazin-1-1050x700.jpg 1050w, https:\/\/visualjournalism.de\/wp-content\/uploads\/gebaerden-online-magazin-1-670x447.jpg 670w, https:\/\/visualjournalism.de\/wp-content\/uploads\/gebaerden-online-magazin-1-420x280.jpg 420w, https:\/\/visualjournalism.de\/wp-content\/uploads\/gebaerden-online-magazin-1-350x233.jpg 350w, https:\/\/visualjournalism.de\/wp-content\/uploads\/gebaerden-online-magazin-1-150x100.jpg 150w\" \r\n                                    width=\"768\"  \r\n                                    height=\"512\" \r\n                                    alt=\"A blue-lit and a red-lit hand reach towards each other against a black background \u2013 sign language and deafness\"\r\n                                \/>\r\n                            <\/figure>\r\n\r\n                        \r\n                 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At the TSR site in Hannover&#8217;s Nordhafen, a whole sector can be seen changing.<\/p>\r\n                            <\/div>\r\n\r\n                        <\/div><!-- .post-teaser__content -->\r\n\r\n\r\n                        \r\n                            <figure class=\"post-teaser__image\">\r\n                                <img loading=\"lazy\" decoding=\"async\"  \r\n                                    src=\"https:\/\/visualjournalism.de\/wp-content\/uploads\/Moritz-Heck_Schrottplatz_26_dunkel-768x512.jpg\" \r\n                                    srcset=\"https:\/\/visualjournalism.de\/wp-content\/uploads\/Moritz-Heck_Schrottplatz_26_dunkel-768x512.jpg 768w, https:\/\/visualjournalism.de\/wp-content\/uploads\/Moritz-Heck_Schrottplatz_26_dunkel-300x200.jpg 300w, https:\/\/visualjournalism.de\/wp-content\/uploads\/Moritz-Heck_Schrottplatz_26_dunkel-1024x683.jpg 1024w, https:\/\/visualjournalism.de\/wp-content\/uploads\/Moritz-Heck_Schrottplatz_26_dunkel-1536x1024.jpg 1536w, https:\/\/visualjournalism.de\/wp-content\/uploads\/Moritz-Heck_Schrottplatz_26_dunkel-2048x1365.jpg 2048w, https:\/\/visualjournalism.de\/wp-content\/uploads\/Moritz-Heck_Schrottplatz_26_dunkel-1920x1280.jpg 1920w, https:\/\/visualjournalism.de\/wp-content\/uploads\/Moritz-Heck_Schrottplatz_26_dunkel-1400x933.jpg 1400w, https:\/\/visualjournalism.de\/wp-content\/uploads\/Moritz-Heck_Schrottplatz_26_dunkel-1050x700.jpg 1050w, https:\/\/visualjournalism.de\/wp-content\/uploads\/Moritz-Heck_Schrottplatz_26_dunkel-670x447.jpg 670w, https:\/\/visualjournalism.de\/wp-content\/uploads\/Moritz-Heck_Schrottplatz_26_dunkel-420x280.jpg 420w, https:\/\/visualjournalism.de\/wp-content\/uploads\/Moritz-Heck_Schrottplatz_26_dunkel-350x233.jpg 350w, https:\/\/visualjournalism.de\/wp-content\/uploads\/Moritz-Heck_Schrottplatz_26_dunkel-150x100.jpg 150w\" \r\n                                    width=\"768\"  \r\n                                    height=\"512\" \r\n                                    alt=\"\"\r\n                                \/>\r\n                            <\/figure>\r\n\r\n                        \r\n                    \r\n                    <\/a>\r\n\r\n                <\/article><!--- .post-teaser-->\r\n\r\n            \r\n                <article class=\"post-teaser\">\r\n\r\n                    <a href=\"https:\/\/visualjournalism.de\/en\/magazine\/ideals\/body-ideals-through-the-ages\/\" rel=\"permalink\">\r\n\r\n                        <div class=\"post-teaser__content\">\r\n\r\n                            <span class=\"entry-categories\">Ideals<\/span>\r\n                            <h3 class=\"post-teaser__headline\">\r\n                                Stuffed, squeezed, starved \u2013 body ideals through the ages                            <\/h3>\r\n\r\n                            <div class=\"post-teaser__excerpt\">\r\n                                <p>For as long as we have existed, there have been supposedly ideal bodies. Which proportions were flattering in the Middle Ages? And what might a modern perspective look like?<\/p>\r\n                            <\/div>\r\n\r\n                        <\/div><!-- .post-teaser__content -->\r\n\r\n\r\n                        \r\n                            <figure class=\"post-teaser__image\">\r\n                                <img loading=\"lazy\" decoding=\"async\"  \r\n                                    src=\"https:\/\/visualjournalism.de\/wp-content\/uploads\/Schoenheitsideale1-768x439.jpg\" \r\n                                    srcset=\"https:\/\/visualjournalism.de\/wp-content\/uploads\/Schoenheitsideale1-768x439.jpg 768w, https:\/\/visualjournalism.de\/wp-content\/uploads\/Schoenheitsideale1-300x171.jpg 300w, https:\/\/visualjournalism.de\/wp-content\/uploads\/Schoenheitsideale1-1024x585.jpg 1024w, https:\/\/visualjournalism.de\/wp-content\/uploads\/Schoenheitsideale1-1536x878.jpg 1536w, https:\/\/visualjournalism.de\/wp-content\/uploads\/Schoenheitsideale1-1400x800.jpg 1400w, https:\/\/visualjournalism.de\/wp-content\/uploads\/Schoenheitsideale1-1050x600.jpg 1050w, https:\/\/visualjournalism.de\/wp-content\/uploads\/Schoenheitsideale1-670x383.jpg 670w, https:\/\/visualjournalism.de\/wp-content\/uploads\/Schoenheitsideale1-420x240.jpg 420w, https:\/\/visualjournalism.de\/wp-content\/uploads\/Schoenheitsideale1-350x200.jpg 350w, https:\/\/visualjournalism.de\/wp-content\/uploads\/Schoenheitsideale1-150x86.jpg 150w, https:\/\/visualjournalism.de\/wp-content\/uploads\/Schoenheitsideale1.jpg 1890w\" \r\n                                    width=\"768\"  \r\n                                    height=\"439\" \r\n                                    alt=\"\"\r\n                                \/>\r\n                            <\/figure>\r\n\r\n                        \r\n                    \r\n                    <\/a>\r\n\r\n                <\/article><!--- .post-teaser-->\r\n\r\n            \r\n        <\/div><!-- .teaser-grid -->\r\n\r\n\n\n\n    <div class=\"btn-wrapper has-spacing--m\">\n        <a class=\"btn\" href=\"https:\/\/visualjournalism.de\/en\/magazine\/\" target=\"_blank\">TO THE MAGAZINE HOMEPAGE<\/a>\n    <\/div>\n<\/div>\n","protected":false},"author":17,"featured_media":39935,"template":"","tags":[331,374,382],"magazinkategorie":[415],"class_list":["post-76630","magazin","type-magazin","status-publish","has-post-thumbnail","hentry","tag-photo-series-en","tag-erinnerungskultur-en","tag-arbeit-beruf-en","magazinkategorie-traces"],"acf":[],"yoast_head":"<!-- This site is optimized with the Yoast SEO Premium plugin v28.7 (Yoast SEO v28.7) - https:\/\/yoast.com\/product\/yoast-seo-premium-wordpress\/ -->\n<title>Unexploded bombs beneath the city: the dangerous job of bomb disposal<\/title>\n<meta name=\"description\" content=\"Painstaking precision with deadly risk: a look at a profession in which every move has to be exactly right.\" \/>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, 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