{"id":19403,"date":"2023-10-10T21:46:12","date_gmt":"2023-10-10T21:46:12","guid":{"rendered":"https:\/\/visualjournalism.de\/?page_id=19403"},"modified":"2024-03-22T22:53:40","modified_gmt":"2024-03-22T22:53:40","slug":"minoo-hassanzadeh","status":"publish","type":"page","link":"https:\/\/visualjournalism.de\/en\/minoo-hassanzadeh\/","title":{"rendered":"Minoo Hassanzadeh"},"content":{"rendered":"\n \n\n
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Minoo Hassanzadeh<\/h1>\n <\/div>\n\n\n\n\n
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\n \"\"\n \n Foto: Minoo Hassanzadeh<\/span>\n <\/div>\n\n \n <\/figure>\n\n\n\n<\/div>\n\n\n
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Minoo Hassanzadeh<\/strong>, geboren 1990 in Teheran, Iran, studierte zuerst Animation und jetzt Visual Journalism and Documentary Photography an der Hochschule Hannover.<\/p>\n\n\n\n

Im Jahr 2014 begann sie ihre Karriere in der Dokumentarfotografie. Ihr Interesse an der Umwelt, an sozialen Themen und ihr kritischer Blick auf ihr Umfeld f\u00fchrten sie zur Dokumentarfotografie. In ihrer Fotografie sucht sie nach menschlichen Spuren im urbanen Raum und an den Orten um sie herum.<\/p>\n\n\n<\/div>\n<\/div>\n\n\n

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Minoos Beitr\u00e4ge:<\/h2>\n <\/div>\n\n\n\n\r\n\r\n\r\n\r\n
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\r\n\r\n Stille<\/span>\r\n

\r\n \u00abIch fahre einfach los\u00bb <\/h3>\r\n\r\n
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\r\n Ohne Ziel in der Bahn sitzen, sich treiben lassen und spontan aussteigen. Die Studentin Minoo Hassanzadeh findet in diesem Prozess ihre fotografische Sprache. <\/p>\r\n <\/div>\r\n\r\n <\/div>\r\n \r\n\r\n \r\n

\r\n\r\n \"\"\r\n\r\n <\/figure>\r\n \r\n \r\n <\/a>\r\n \r\n <\/article>\r\n\r\n <\/div>\r\n\r\n \n\n\n
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Empfehlungen der Redaktion:<\/strong><\/p>\n <\/div>\n\n\n\n\r\n\r\n\r\n\n\n\r\n\r\n\r\n\r\n

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\r\n\r\n Ratgeber<\/span>\r\n

\r\n Politiker*innen souver\u00e4n interviewen \u2013 Die besten Tipps f\u00fcr ein sicheres Auftreten <\/h3>\r\n\r\n
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Ein Gespr\u00e4ch mit Politiker*innen kann schnell zum Machtkampf werden. Wie du selbst gegen Profis die Oberhand beh\u00e4ltst und typische Interviewfallen umgehst.<\/p>\r\n <\/div>\r\n\r\n <\/div>\r\n\r\n\r\n \r\n

\r\n \"CDU-Vorsitzender\r\n <\/figure>\r\n\r\n \r\n \r\n <\/a>\r\n\r\n <\/article>\r\n\r\n \r\n
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\r\n\r\n Sammeln<\/span>\r\n

\r\n Inszenierte Endlichkeit <\/h3>\r\n\r\n
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Zwei Fotografinnen legen sich in einen Sarg und fotografieren sich gegenseitig. Was nach Tabubruch klingt, ist eine Auseinandersetzung mit Kommerz, Ritualen und der Frage: Darf man das?<\/p>\r\n <\/div>\r\n\r\n <\/div>\r\n\r\n\r\n \r\n

\r\n \"\"\r\n\r\n <\/figure>\r\n\r\n \r\n \r\n <\/a>\r\n\r\n <\/article>\r\n\r\n \r\n
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\r\n\r\n Sammeln<\/span>\r\n

\r\n Atmen trotz allem <\/h3>\r\n\r\n
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Die Welt wird lauter, die Jugend ersch\u00f6pfter \u2013 und Selbstf\u00fcrsorge zum Privileg. Wo junge Menschen heute noch Kraft finden.<\/p>\r\n <\/div>\r\n\r\n <\/div>\r\n\r\n\r\n \r\n

\r\n \"\"\r\n\r\n <\/figure>\r\n\r\n \r\n \r\n <\/a>\r\n\r\n <\/article>\r\n\r\n \r\n <\/div>\r\n\r\n\n\n\r\n\r\n\r\n\n\n\n
\n ZUR MAGAZIN-STARTSEITE<\/a>\n <\/div>\n<\/div>\n","protected":false},"excerpt":{"rendered":"","protected":false},"author":4,"featured_media":0,"parent":0,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"","meta":{"_acf_changed":false,"footnotes":""},"class_list":["post-19403","page","type-page","status-publish","hentry"],"acf":[],"yoast_head":"\nMinoo Hassanzadeh – Visual Journalism and Documentary Photography<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/visualjournalism.de\/en\/minoo-hassanzadeh\/\" \/>\n<meta property=\"og:locale\" content=\"en_US\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"Minoo Hassanzadeh\" \/>\n<meta property=\"og:url\" content=\"https:\/\/visualjournalism.de\/en\/minoo-hassanzadeh\/\" \/>\n<meta property=\"og:site_name\" content=\"Visual Journalism and 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