{"id":35017,"date":"2024-01-09T17:42:23","date_gmt":"2024-01-09T17:42:23","guid":{"rendered":"https:\/\/visualjournalism.de\/?page_id=35017"},"modified":"2026-03-20T13:39:43","modified_gmt":"2026-03-20T11:39:43","slug":"bahriye-tatli","status":"publish","type":"page","link":"https:\/\/visualjournalism.de\/en\/bahriye-tatli\/","title":{"rendered":"Bahriye Tatli"},"content":{"rendered":"\n \n\n
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Bahriye Tatli<\/h1>\n <\/div>\n\n\n\n\n
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Bahriye Tatli<\/strong> wurde 2001 in Hannover geboren und befasst sich in ihrer Arbeit mit Menschen, Identit\u00e4t und den Problemen, die damit einhergehen, wenn man als Teil einer Minderheit in einer Mehrheitsgesellschaft lebt und aufw\u00e4chst. Gemeinsam mit Tosha Rana Hausmann gr\u00fcndeten sie 2022 ihr eigenes unabh\u00e4ngiges k\u00fcnstlerisches Kollektiv, das den Namen \u00abfremdzuhause\u00bb tr\u00e4gt.  Seitdem haben sie an ihrer ersten Ausgabe eines Printmagazins gearbeitet, das im Oktober 2022 erschien, und sich daf\u00fcr einsetzt, Identifikationsfiguren und Sichtbarkeit f\u00fcr Menschen zu schaffen, die sich sonst nicht repr\u00e4sentiert f\u00fchlen. Seit 2022 studiert sie Visual Journalism and Documentary Photography an der Hochschule Hannover.
Seit 2023 ist sie Stipendiatin der Friedrich Ebert Stiftung.<\/p>\n\n\n\n

Kontakt:<\/strong>
Instagram: @bahriyetatli__ 
bahriye.tatli@outlook.de<\/p>\n\n\n<\/div>\n<\/div>\n\n\n

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Bahriyes Beitr\u00e4ge:<\/h2>\n <\/div>\n\n\n\n\r\n
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\n\tRatgeber<\/a><\/div>\r\n\t\t\r\n\t\t\t

Polaroid Emulsion Lift: Anleitung f\u00fcr kleine Kunstwerke mit wenig Aufwand.<\/h2>\r\n\t\t\t

Langweilen dich deine Bilder? Mit der Emulsion-Lift-Technik verwandelst du Polaroids mit wenig Aufwand in kleine, einzigartige Kunstwerke. Schritt f\u00fcr Schritt erkl\u00e4rt.<\/p>\r\n\t\t<\/a>\r\n\r\n\t<\/header>\r\n\r\n\t

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\n\tWasser<\/a><\/div>\r\n\t\t\r\n\t\t\t

Burkini im Schwimmbad: Die Last der Blicke.<\/h2>\r\n\t\t\t

Einfach nur schwimmen gehen \u2013 und doch st\u00e4ndig beobachtet werden. Unsere Autorin erz\u00e4hlt von Vorurteilen am Beckenrand.<\/p>\r\n\t\t<\/a>\r\n\r\n\t<\/header>\r\n\r\n\t

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\n\tSammeln<\/a><\/div>\r\n\t\t\r\n\t\t\t

Inszenierte Endlichkeit: Zwei Fotografinnen im Sarg.<\/h2>\r\n\t\t\t

Zwei Fotografinnen legen sich in einen Sarg und fotografieren sich gegenseitig. Was nach Tabubruch klingt, ist eine Auseinandersetzung mit Kommerz, Ritualen \u2013 und der Frage: Darf man das?<\/p>\r\n\t\t<\/a>\r\n\r\n\t<\/header>\r\n\r\n\t

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Empfehlungen der Redaktion:<\/strong><\/p>\n <\/div>\n\n\n\n\r\n\r\n\r\n\n\n\r\n\r\n\r\n\r\n

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\r\n Die Bibliothek der geretteten DDR-B\u00fccher <\/h3>\r\n\r\n
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Wie ein nieders\u00e4chsischer Pfarrer Tausende DDR-B\u00fccher vor der Vernichtung rettete \u2013 und warum eines davon der Raumfahrtforschung eine entscheidende Spur lieferte.<\/p>\r\n <\/div>\r\n\r\n <\/div>\r\n\r\n\r\n \r\n

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\r\n Die gr\u00f6\u00dfte Playmobil-Sammlung der Welt: 400.000 Klick-Figuren <\/h3>\r\n\r\n
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Alles begann im Kinderzimmer \u2013 heute besitzt Oliver Schaffer mit \u00fcber 400.000 Figuren die gr\u00f6\u00dfte Playmobil-Sammlung der Welt. Ein Besuch im Hochregallager.<\/p>\r\n <\/div>\r\n\r\n <\/div>\r\n\r\n\r\n \r\n

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\r\n Analoge Gro\u00dfformatfotografie: Warum ich die schwerste Kamera der Welt liebe. <\/h3>\r\n\r\n
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Warum schleppe ich freiwillig eine Kamera durch die Welt, die so schwer ist wie ein Sack Zement? In diesem Erfahrungsbericht erf\u00e4hrst du, was analoge Gro\u00dfformatfotografie heute noch so besonders macht.<\/p>\r\n <\/div>\r\n\r\n <\/div>\r\n\r\n\r\n \r\n

\r\n \"\"\r\n\r\n <\/figure>\r\n\r\n \r\n \r\n <\/a>\r\n\r\n <\/article>\r\n\r\n \r\n <\/div>\r\n\r\n\n\n\r\n\r\n\r\n\n\n\n
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