{"id":55487,"date":"2025-01-12T20:02:10","date_gmt":"2025-01-12T20:02:10","guid":{"rendered":"https:\/\/visualjournalism.de\/?page_id=55487"},"modified":"2025-10-23T15:54:14","modified_gmt":"2025-10-23T13:54:14","slug":"pasha-kritchko","status":"publish","type":"page","link":"https:\/\/visualjournalism.de\/en\/pasha-kritchko\/","title":{"rendered":"Pasha Kritchko"},"content":{"rendered":"\n \n\n
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Pasha Kritchko<\/strong><\/p>\n <\/div>\n\n\n\n\n

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Pasha Kritchko<\/strong> (geb. 1987) arbeitete einst als Teilzeit-Bauingenieur und Hochzeitsfotograf in Belarus. Mit Beginn der Pr\u00e4sidentschaftswahlen 2020 stellte er sein Leben auf den Kopf und wurde Fotojournalist. Seither nutzt er seine Kamera und seine Stimme, um die Realit\u00e4t in seinem Heimatland sichtbar zu machen. Seine aktuellen Arbeiten widmen sich der durch die Ereignisse von 2020 ausgel\u00f6sten politischen und gesellschaftlichen Krise \u2013 vom Schicksal belarussischer Freiwilliger, die in der Ukraine k\u00e4mpfen, bis zu den Herausforderungen Gefl\u00fcchteter im Exil. Paschas Ziel ist es, mit seiner Fotografie auf die Erfahrungen und K\u00e4mpfe der Belarussen im In- und Ausland aufmerksam zu machen.<\/p>\n\n\n<\/div>\n<\/div>\n\n\n

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Pashas Beitr\u00e4ge:<\/h2>\n <\/div>\n\n\n\n\n
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\n\tArbeit<\/a><\/div>\r\n\t\t\r\n\t\t\t

Milchkanne trifft Mischpult: Aufbruch in Polens Podlachien.<\/h2>\r\n\t\t\t

Kaum ein Ort in Polen ist so d\u00fcnn besiedelt wie Podlachien. W\u00e4hrend viele gehen, bauen einige hier etwas Eigenes auf \u2013 aus \u00dcberzeugung und famili\u00e4rer Verbundenheit.<\/p>\r\n\t\t<\/a>\r\n\r\n\t<\/header>\r\n\r\n\t

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\n\tWas uns h\u00e4lt<\/a><\/div>\r\n\t\t\r\n\t\t\t

Protokoll eines Verschwindens: Ein Fotograf im Exil aus Belarus.<\/h2>\r\n\t\t\t

Er dokumentierte die Proteste, wurde verfolgt und musste fliehen. Seine Bilder erz\u00e4hlen von Gewalt, Hoffnung \u2013 und vom Festhalten der Erinnerung.<\/p>\r\n\t\t<\/a>\r\n\r\n\t<\/header>\r\n\r\n\t

\r\n\t\t\r\n\t\t\t\"\"\t\t<\/a>\r\n\t<\/figure>\r\n\r\n<\/article>\r\n\n<\/div>\n\n \n\n\n
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Empfehlungen der Redaktion:<\/strong><\/p>\n <\/div>\n\n\n\n\r\n\r\n\r\n\n\n\r\n\r\n\r\n\r\n

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\r\n How to create a photo series. <\/h3>\r\n\r\n
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Ideas, tips and examples from our professors.<\/p>\r\n <\/div>\r\n\r\n <\/div>\r\n\r\n\r\n \r\n

\r\n \"Photo\r\n <\/figure>\r\n\r\n \r\n \r\n <\/a>\r\n\r\n <\/article>\r\n\r\n \r\n
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\r\n\r\n Sammeln<\/span>\r\n

\r\n \u00abMagic Nordhessen!!!\u00bb: Ein Sammelladen in Kassel seit fast 100 Jahren <\/h3>\r\n\r\n
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Kassel, Vorderer Westen: ein Laden, in dem seit fast einem Jahrhundert gesammelt wird. Wir haben hineingeschaut.<\/p>\r\n <\/div>\r\n\r\n <\/div>\r\n\r\n\r\n \r\n

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\r\n Hannovers verborgene Rohstoffquelle: Recycling im Nordhafen <\/h3>\r\n\r\n
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Unsichere Handelswege, Kriege und neue Vorschriften fordern die Recyclingbranche. Auf dem TSR-Gel\u00e4nde im hannoverschen Nordhafen wird der Wandel eines ganzen Wirtschaftszweigs sichtbar.<\/p>\r\n <\/div>\r\n\r\n <\/div>\r\n\r\n\r\n \r\n

\r\n \"\"\r\n\r\n <\/figure>\r\n\r\n \r\n \r\n <\/a>\r\n\r\n <\/article>\r\n\r\n \r\n <\/div>\r\n\r\n\n\n\r\n\r\n\r\n\n\n\n
\n ZUR MAGAZIN-STARTSEITE<\/a>\n <\/div>\n<\/div>\n","protected":false},"excerpt":{"rendered":"","protected":false},"author":87,"featured_media":55482,"parent":0,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"","meta":{"_acf_changed":false,"footnotes":""},"class_list":["post-55487","page","type-page","status-publish","has-post-thumbnail","hentry"],"acf":[],"yoast_head":"\nPasha Kritchko – Visual Journalism and Documentary Photography<\/title>\n<meta name=\"description\" content=\"Pasha Kritchko (1987) war Teilzeit-Bauingenieur und Hochzeitsfotograf aus Wei\u00dfrussland. 2020 Begann er \u00fcber Wei\u00dfrussland zu berichten.\" \/>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/visualjournalism.de\/en\/pasha-kritchko\/\" \/>\n<meta property=\"og:locale\" content=\"en_US\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta 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