{"id":68198,"date":"2026-01-13T12:44:08","date_gmt":"2026-01-13T10:44:08","guid":{"rendered":"https:\/\/visualjournalism.de\/?page_id=68198"},"modified":"2026-04-17T10:58:48","modified_gmt":"2026-04-17T08:58:48","slug":"reihaneh-kheirabadi","status":"publish","type":"page","link":"https:\/\/visualjournalism.de\/en\/reihaneh-kheirabadi\/","title":{"rendered":"Reihaneh Kheirabadi"},"content":{"rendered":"\n \n\n
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Reihaneh Kheirabadi<\/p>\n <\/div>\n\n\n\n\n

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Reihaneh Kheirabadi <\/strong>wurde 1996 in Teheran geboren. Seit 2025 studiert sie Documentary Photography an der Hochschule Hannover. In ihrer Arbeit nutzt sie die Fotografie als Mittel, um gesellschaftliche Strukturen zu hinterfragen und sichtbar zu machen. Ihre Bilder verstehen sich als Versuch, Spuren in der Welt zu hinterlassen und einen Beitrag dazu zu leisten, dass bestehende Systeme f\u00fcr alle Menschen besser funktionieren. Sie glaubt an die Kraft der Bilder, Dialoge anzusto\u00dfen, Bewusstsein zu schaffen und nachhaltige Ver\u00e4nderungen anzuregen.<\/p>\n\n\n<\/div>\n<\/div>\n\n\n

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Reihaneh’s Beitr\u00e4ge:<\/h2>\n\n \n <\/div>\n\n \n\n\n\n\r\n
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\n\tM\u00e4nnlichkeit<\/a><\/div>\r\n\t\t\r\n\t\t\t

\u00abDu wirst nie ein Mann sein\u00bb \u2013 oder doch?<\/h2>\r\n\t\t\t

In Afghanistan aufgewachsen, entsprach Sajad nie dem g\u00e4ngigen Bild von M\u00e4nnlichkeit. Heute sucht er nach seiner eigenen Definition davon \u2013 und nach dem Mut, sich selbst neu zu erfinden.<\/p>\r\n\t\t<\/a>\r\n\r\n\t<\/header>\r\n\r\n\t

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Empfehlungen der Redaktion:<\/strong><\/p>\n <\/div>\n\n\n\n\r\n\r\n\r\n\n\n\r\n\r\n\r\n\r\n

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\r\n Beleuchtung im Fotostudio: Techniken, Lichtsetups und Tipps f\u00fcr Fotografen. <\/h3>\r\n\r\n
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Das richtige Licht entscheidet \u00fcber gelungene Studioaufnahmen. Wir erkl\u00e4ren die wichtigsten Techniken und Lichtsetups \u2013 und wie dir die perfekte Ausleuchtung im Fotostudio Schritt f\u00fcr Schritt gelingt.<\/p>\r\n <\/div>\r\n\r\n <\/div>\r\n\r\n\r\n \r\n

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\r\n Sammeln statt Jagen: Eine neue Geschichte der Menschheit <\/h3>\r\n\r\n
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Was, wenn der Ursprung der Menschheit nicht der Speer, sondern der Beutel war? Ursula K. Le Guin stellt die Geschichte auf den Kopf und macht aus dem Beutel ein Symbol f\u00fcr Menschlichkeit.<\/p>\r\n <\/div>\r\n\r\n <\/div>\r\n\r\n\r\n \r\n

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\r\n Die Architektur des Datenhandels <\/h3>\r\n\r\n
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Kaum ein System bleibt so unsichtbar und wirkt zugleich so weitreichend wie der Handel mit Nutzerdaten. Was wir anklicken, suchen oder besuchen, wird zu Signalen in einem globalen Markt, der Menschen in Kategorien einordnet und Informationen gezielt verteilt.<\/p>\r\n <\/div>\r\n\r\n <\/div>\r\n\r\n\r\n \r\n

\r\n \"eine\r\n <\/figure>\r\n\r\n \r\n \r\n <\/a>\r\n\r\n <\/article>\r\n\r\n \r\n <\/div>\r\n\r\n\n\n\r\n\r\n\r\n\n\n\n
\n ZUR MAGAZIN-STARTSEITE<\/a>\n <\/div>\n<\/div>\n","protected":false},"excerpt":{"rendered":"","protected":false},"author":129,"featured_media":0,"parent":0,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"","meta":{"_acf_changed":false,"footnotes":""},"class_list":["post-68198","page","type-page","status-publish","hentry"],"acf":[],"yoast_head":"\nReihaneh Kheirabadi – Visual Journalism and Documentary Photography<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/visualjournalism.de\/en\/reihaneh-kheirabadi\/\" \/>\n<meta property=\"og:locale\" content=\"en_US\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"Reihaneh Kheirabadi\" \/>\n<meta property=\"og:url\" content=\"https:\/\/visualjournalism.de\/en\/reihaneh-kheirabadi\/\" \/>\n<meta property=\"og:site_name\" content=\"Visual Journalism 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