{"id":75051,"date":"2026-04-17T18:28:31","date_gmt":"2026-04-17T16:28:31","guid":{"rendered":"https:\/\/visualjournalism.de\/?page_id=75051"},"modified":"2026-09-28T12:30:04","modified_gmt":"2026-09-28T10:30:04","slug":"alina-vogelsang","status":"publish","type":"page","link":"https:\/\/visualjournalism.de\/en\/alina-vogelsang\/","title":{"rendered":"Alina Vogelsang"},"content":{"rendered":"\n \n\n
\n

Alina Vogelsang<\/h1>\n <\/div>\n\n\n\n\n
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Alina Vogelsang <\/strong>(born 1998) was born and grew up in the Ore Mountains (Erzgebirge). After previously studying in Leipzig, she began the bachelor’s programme in Visual Journalism & Documentary Photography in Hannover in 2024. Her photographic work focuses mainly on human identities, lived realities and social phenomena.<\/p>\n\n\n\n

Contact:<\/strong>
vogelsang-alina@t-online.de
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Stories by Alina:<\/h2>\n <\/div>\n\n\n\n\r\n
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\n\tMasculinity<\/a><\/div>\r\n\t\t\r\n\t\t\t

Misogyny in the feed: when algorithms shape reality.<\/h2>\r\n\t\t\t

Misogynistic content spreads rapidly on social media. For many young women, it is no longer a digital phenomenon but part of everyday life. An investigation into quiet radicalisation, a lack of prevention and the consequences in real life.<\/p>\r\n\t\t<\/a>\r\n\r\n\t<\/header>\r\n\r\n\t

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Recommended by the editors<\/h2>\n\n \n <\/div>\n\n \n\n\n\n\r\n\r\n\r\n\r\n
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\r\n\r\n After dark<\/span>\r\n

\r\n \u2018You have to make your boundaries clear\u2019 <\/h3>\r\n\r\n
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During the week Selma works at a nursery; at weekends she works the door of a club. On respect, safety and standing your ground as a woman in nightlife.<\/p>\r\n <\/div>\r\n\r\n <\/div>\r\n\r\n\r\n \r\n

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\r\n\r\n Water<\/span>\r\n

\r\n Cold and deep: how water shapes Iceland\u2019s culture <\/h3>\r\n\r\n
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Surrounded by ocean, criss-crossed by glaciers, enlivened by hot springs: one element shapes the identity of an entire nation.<\/p>\r\n <\/div>\r\n\r\n <\/div>\r\n\r\n\r\n \r\n

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\r\n\r\n Comment and debate<\/span>\r\n

\r\n \u2018It was really lovely here!\u2019 <\/h3>\r\n\r\n
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Thoughts on the temporality of photography \u2013 and what Roland Barthes might have said about Nina Hagen\u2019s pop hit \u2018Du hast den Farbfilm vergessen\u2019.<\/p>\r\n <\/div>\r\n\r\n <\/div>\r\n\r\n\r\n \r\n

\r\n \"\"\r\n\r\n <\/figure>\r\n\r\n \r\n \r\n <\/a>\r\n\r\n <\/article>\r\n\r\n \r\n <\/div>\r\n\r\n\n\n\r\n\r\n\r\n\r\n
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\r\n\r\n Award winners<\/span>\r\n

\r\n My house wrapped in clouds <\/h3>\r\n\r\n
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Armina Ahmadinia returns to the Caspian Sea. Her photographic work tells of the retreating water, the loss of familiar places and a quiet longing for closeness and home.<\/p>\r\n <\/div>\r\n\r\n <\/div>\r\n\r\n\r\n \r\n

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\r\n\r\n Ideals<\/span>\r\n

\r\n Wildwuchs works <\/h3>\r\n\r\n
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Community-supported agriculture aims to make environmentally friendly farming possible. Our author wanted to know whether it works and visited a farm.<\/p>\r\n <\/div>\r\n\r\n <\/div>\r\n\r\n\r\n \r\n

\r\n \"\"\r\n\r\n <\/figure>\r\n\r\n \r\n \r\n <\/a>\r\n\r\n <\/article>\r\n\r\n \r\n
\r\n\r\n \r\n\r\n
\r\n\r\n Award winners<\/span>\r\n

\r\n “For a long time, parents in Iran believed that good girls would not dance in public.” <\/h3>\r\n\r\n
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Shirin Abedi returns to her native Tehran for a report on ballerinas.<\/p>\r\n <\/div>\r\n\r\n <\/div>\r\n\r\n\r\n \r\n

\r\n \"A\r\n <\/figure>\r\n\r\n \r\n \r\n <\/a>\r\n\r\n <\/article>\r\n\r\n \r\n <\/div>\r\n\r\n\n\n\n
\n TO THE MAGAZINE HOMEPAGE<\/a>\n <\/div>\n<\/div>\n","protected":false},"excerpt":{"rendered":"","protected":false},"author":4,"featured_media":0,"parent":0,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"","meta":{"_acf_changed":false,"footnotes":""},"class_list":["post-75051","page","type-page","status-publish","hentry"],"acf":[],"yoast_head":"\nAlina Vogelsang – visualjournalism.de<\/title>\n<meta name=\"description\" content=\"Alina Vogelsang (born 1998) was born and grew up in the Ore Mountains (Erzgebirge). 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