{"id":75053,"date":"2026-01-27T15:11:13","date_gmt":"2026-01-27T13:11:13","guid":{"rendered":"https:\/\/visualjournalism.de\/?page_id=75053"},"modified":"2026-09-28T12:30:10","modified_gmt":"2026-09-28T10:30:10","slug":"josefin-pilar-junge","status":"publish","type":"page","link":"https:\/\/visualjournalism.de\/en\/josefin-pilar-junge\/","title":{"rendered":"Josefin Pilar Junge"},"content":{"rendered":"\n \n\n
\n

Josefin Pilar Junge<\/h1>\n <\/div>\n\n\n\n\n
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\n \"\"\n \n Josefin Pilar Junge<\/span>\n <\/div>\n\n \n <\/figure>\n\n\n\n<\/div>\n\n\n
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Josefin Pilar Junge<\/strong> (born 2005) is originally from Hamburg and lived in Berlin for a while.<\/p>\n\n\n\n

She is politically engaged and interested in culture, society and people’s personal stories.<\/p>\n\n\n\n

She has been studying Visual Journalism and Documentary Photography at Hochschule Hannover since the 2024 winter semester.<\/p>\n\n\n\n

Contact:
jopilar5@gmx.de<\/a>
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Stories by Josefin<\/h2>\n\n \n <\/div>\n\n \n\n\n\n\r\n
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\n\tMasculinity<\/a><\/div>\r\n\t\t\r\n\t\t\t

Misogyny in the feed: when algorithms shape reality.<\/h2>\r\n\t\t\t

Misogynistic content spreads rapidly on social media. For many young women, it is no longer a digital phenomenon but part of everyday life. An investigation into quiet radicalisation, a lack of prevention and the consequences in real life.<\/p>\r\n\t\t<\/a>\r\n\r\n\t<\/header>\r\n\r\n\t

\r\n\t\t\r\n\t\t\t\"Portrait\t\t<\/a>\r\n\t<\/figure>\r\n\r\n<\/article>\r\n\n\n\n
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\n<\/div>\n\n\n
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Recommended by the editors<\/h2>\n\n \n <\/div>\n\n \n\n\n\n\r\n\r\n\r\n\r\n
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\r\n\r\n Water<\/span>\r\n

\r\n New shores: floating islands between art and ecology <\/h3>\r\n\r\n
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Floating platforms like the \u2018Zukunst\u2019 in Hannover create green open spaces \u2013 a concept that is catching on around the world.<\/p>\r\n <\/div>\r\n\r\n <\/div>\r\n\r\n\r\n \r\n

\r\n \"A\r\n <\/figure>\r\n\r\n \r\n \r\n <\/a>\r\n\r\n <\/article>\r\n\r\n \r\n
\r\n\r\n \r\n\r\n
\r\n\r\n After dark<\/span>\r\n

\r\n \u2018You have to make your boundaries clear\u2019 <\/h3>\r\n\r\n
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During the week Selma works at a nursery; at weekends she works the door of a club. On respect, safety and standing your ground as a woman in nightlife.<\/p>\r\n <\/div>\r\n\r\n <\/div>\r\n\r\n\r\n \r\n

\r\n \"\"\r\n\r\n <\/figure>\r\n\r\n \r\n \r\n <\/a>\r\n\r\n <\/article>\r\n\r\n \r\n
\r\n\r\n \r\n\r\n
\r\n\r\n Masculinity<\/span>\r\n

\r\n \u2018You’ll never be a man\u2019 \u2013 or will you? <\/h3>\r\n\r\n
\r\n

Growing up in Afghanistan, Sajad never fitted the usual image of masculinity. Today he is looking for his own definition of it \u2013 and for the courage to reinvent himself.<\/p>\r\n <\/div>\r\n\r\n <\/div>\r\n\r\n\r\n \r\n

\r\n \"\"\r\n\r\n <\/figure>\r\n\r\n \r\n \r\n <\/a>\r\n\r\n <\/article>\r\n\r\n \r\n <\/div>\r\n\r\n\n\n\r\n\r\n\r\n\r\n
\r\n\r\n \r\n
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\r\n\r\n Work<\/span>\r\n

\r\n New Work: the philosopher who emptied the offices <\/h3>\r\n\r\n
\r\n

New Work didn\u2019t start with the pandemic but with the radical vision of a thinker in the 1980s. His ideas are more relevant today than ever.<\/p>\r\n <\/div>\r\n\r\n <\/div>\r\n\r\n\r\n \r\n

\r\n \"A\r\n <\/figure>\r\n\r\n \r\n \r\n <\/a>\r\n\r\n <\/article>\r\n\r\n \r\n
\r\n\r\n \r\n\r\n
\r\n\r\n Ideals<\/span>\r\n

\r\n A second life for building materials <\/h3>\r\n\r\n
\r\n

The construction industry is one of the biggest consumers of raw materials and at the same time the world\u2019s largest producer of waste. Reclaiming building components could help reduce the problem.<\/p>\r\n <\/div>\r\n\r\n <\/div>\r\n\r\n\r\n \r\n

\r\n \"\"\r\n\r\n <\/figure>\r\n\r\n \r\n \r\n <\/a>\r\n\r\n <\/article>\r\n\r\n \r\n
\r\n\r\n \r\n\r\n
\r\n\r\n Collecting<\/span>\r\n

\r\n The architecture of the data trade <\/h3>\r\n\r\n
\r\n

Few systems are as invisible \u2013 and at the same time as far-reaching \u2013 as the trade in user data. What we click on, search for or visit becomes a signal in a global market that sorts people into categories and targets information at them.<\/p>\r\n <\/div>\r\n\r\n <\/div>\r\n\r\n\r\n \r\n

\r\n \"A\r\n <\/figure>\r\n\r\n \r\n \r\n <\/a>\r\n\r\n <\/article>\r\n\r\n \r\n <\/div>\r\n\r\n\n\n\n
\n TO THE MAGAZINE HOMEPAGE<\/a>\n <\/div>\n<\/div>\n<\/div>\n","protected":false},"excerpt":{"rendered":"","protected":false},"author":4,"featured_media":0,"parent":0,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"","meta":{"_acf_changed":false,"footnotes":""},"class_list":["post-75053","page","type-page","status-publish","hentry"],"acf":[],"yoast_head":"\nJosefin Pilar Junge – visualjournalism.de<\/title>\n<meta name=\"description\" content=\"Josefin Pilar Junge (born 2005) is originally from Hamburg and lived in Berlin for a while. 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