{"id":75075,"date":"2025-01-26T17:56:02","date_gmt":"2025-01-26T15:56:02","guid":{"rendered":"https:\/\/visualjournalism.de\/?page_id=75075"},"modified":"2026-09-28T12:30:54","modified_gmt":"2026-09-28T10:30:54","slug":"kilian-kaemper","status":"publish","type":"page","link":"https:\/\/visualjournalism.de\/en\/kilian-kaemper\/","title":{"rendered":"Kilian K\u00e4mper"},"content":{"rendered":"\n \n\n
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Kilian K\u00e4mper<\/strong><\/p>\n <\/div>\n\n\n\n\n

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\n \"Kilian\n \n <\/div>\n\n \n <\/figure>\n\n\n\n<\/div>\n\n\n
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Kilian K\u00e4mper was born in Weetzen near Hannover in 2001. After finishing school in 2019, he first went abroad. Alongside his passion for making music, he began studying photojournalism in Hannover in the 2023 winter semester.<\/p>\n\n\n\n

Contact:<\/strong><\/p>\n\n\n\n

Email: kilian.kaemper@stud.hs-hannover.de<\/a><\/p>\n\n\n<\/div>\n<\/div>\n\n\n

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Stories by Kilian<\/h1>\n <\/div>\n\n\n\n\r\n
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\n\tMasculinity<\/a><\/div>\r\n\t\t\r\n\t\t\t

Old boys, old conflicts?<\/h2>\r\n\t\t\t

Every year, the Coburger Convent draws thousands of fraternity members to Coburg. While some celebrate tradition, others criticise its all-male structures, its torchlight processions and the way it deals with its own history.<\/p>\r\n\t\t<\/a>\r\n\r\n\t<\/header>\r\n\r\n\t

\r\n\t\t\r\n\t\t\t\"\"\t\t<\/a>\r\n\t<\/figure>\r\n\r\n<\/article>\r\n\n\n\r\n
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\n\tWhat holds us together<\/a><\/div>\r\n\t\t\r\n\t\t\t

All sweetness and light in the Ore Mountains? When staying put becomes resistance.<\/h2>\r\n\t\t\t

Altenberg in Saxony looks idyllic \u2013 until you look more closely. A portrait of a young man standing up to the rise of the far right.<\/p>\r\n\t\t<\/a>\r\n\r\n\t<\/header>\r\n\r\n\t

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Recommended by the editors<\/h2>\n\n \n <\/div>\n\n \n\n\n\n\r\n\r\n\r\n\r\n
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\r\n\r\n Advice<\/span>\r\n

\r\n Which camera for photography? Professionals explain why the technology comes second. <\/h3>\r\n\r\n
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Analogue or digital, full frame or APS-C, mirrorless or DSLR? Magnum photographer Nanna Heitmann and lecturers at Hochschule Hannover explain why good photos depend not on the camera brand but on the person behind it.<\/p>\r\n <\/div>\r\n\r\n <\/div>\r\n\r\n\r\n \r\n

\r\n \"Numerous\r\n <\/figure>\r\n\r\n \r\n \r\n <\/a>\r\n\r\n <\/article>\r\n\r\n \r\n
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\r\n\r\n After dark<\/span>\r\n

\r\n Night-time in the village: shisha in the barn, joyrides through the middle of nowhere <\/h3>\r\n\r\n
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Where nothing seems to happen in the evening, yet everything does: young people in a village in Lower Saxony after dark.<\/p>\r\n <\/div>\r\n\r\n <\/div>\r\n\r\n\r\n \r\n

\r\n \"A\r\n <\/figure>\r\n\r\n \r\n \r\n <\/a>\r\n\r\n <\/article>\r\n\r\n \r\n
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\r\n\r\n Traces<\/span>\r\n

\r\n From outlaw to spiritual healer <\/h3>\r\n\r\n
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Alexander Golandsky was a criminal biker and cocaine dealer. Then he changed his life radically.<\/p>\r\n <\/div>\r\n\r\n <\/div>\r\n\r\n\r\n \r\n

\r\n \"Portrait\r\n <\/figure>\r\n\r\n \r\n \r\n <\/a>\r\n\r\n <\/article>\r\n\r\n \r\n <\/div>\r\n\r\n\n\n\r\n\r\n\r\n\r\n
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\r\n\r\n On the margins<\/span>\r\n

\r\n \u2018Why would he need a raincoat? He\u2019s got a car\u2019 <\/h3>\r\n\r\n
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How tunnels and roads shape life on the Faroe Islands \u2013 sometimes with surprisingly dry logic.<\/p>\r\n <\/div>\r\n\r\n <\/div>\r\n\r\n\r\n \r\n

\r\n \"The\r\n <\/figure>\r\n\r\n \r\n \r\n <\/a>\r\n\r\n <\/article>\r\n\r\n \r\n
\r\n\r\n \r\n\r\n
\r\n\r\n Ideals<\/span>\r\n

\r\n The last bastion <\/h3>\r\n\r\n
\r\n

L\u00fctzerath has been \u2018excavated\u2019 \u2013 despite resistance and occupation. Our author witnessed the activists\u2019 daily life and struggle up to the eviction.<\/p>\r\n <\/div>\r\n\r\n <\/div>\r\n\r\n\r\n \r\n

\r\n \"\"\r\n\r\n <\/figure>\r\n\r\n \r\n \r\n <\/a>\r\n\r\n <\/article>\r\n\r\n \r\n
\r\n\r\n \r\n\r\n
\r\n\r\n Power and control<\/span>\r\n

\r\n \u2018The Taliban won\u2019t change because of sanctions\u2019 <\/h3>\r\n\r\n
\r\n

Julian Busch spent months living in Afghanistan as the only German journalist there \u2013 and explains why pressure from outside achieves little.<\/p>\r\n <\/div>\r\n\r\n <\/div>\r\n\r\n\r\n \r\n

\r\n \"\"\r\n\r\n <\/figure>\r\n\r\n \r\n \r\n <\/a>\r\n\r\n <\/article>\r\n\r\n \r\n <\/div>\r\n\r\n\n\n\n
\n TO THE MAGAZINE HOMEPAGE<\/a>\n <\/div>\n<\/div>\n","protected":false},"excerpt":{"rendered":"","protected":false},"author":4,"featured_media":0,"parent":0,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"","meta":{"_acf_changed":false,"footnotes":""},"class_list":["post-75075","page","type-page","status-publish","hentry"],"acf":[],"yoast_head":"\nKilian K\u00e4mper – visualjournalism.de<\/title>\n<meta name=\"description\" content=\"Kilian K\u00e4mper was born in Weetzen near Hannover in 2001. After finishing school in 2019, he first went abroad. 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