{"id":75190,"date":"2024-12-17T10:31:08","date_gmt":"2024-12-17T08:31:08","guid":{"rendered":"https:\/\/visualjournalism.de\/?page_id=75190"},"modified":"2026-09-28T12:31:03","modified_gmt":"2026-09-28T10:31:03","slug":"clara-schoettke","status":"publish","type":"page","link":"https:\/\/visualjournalism.de\/en\/clara-schoettke\/","title":{"rendered":"Clara Sch\u00f6ttke"},"content":{"rendered":"\n \n\n
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Clara Sch\u00f6ttke<\/h1>\n <\/div>\n\n\n\n\n
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\n \"\"\n \n Photo: Farah Abou Assali<\/span>\n <\/div>\n\n \n <\/figure>\n\n\n\n<\/div>\n\n\n
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Clara Sch\u00f6ttke<\/strong> (born 1999) was born and grew up in Greifswald. She completed her first bachelor’s degree, in communication design and fine art, in both Kiel (Germany) and Rennes (France). Afterwards, Sch\u00f6ttke decided to explore other ways of conveying content visually: since 2023, alongside her freelance work as a communication designer, she has been studying Visual Journalism at Hochschule Hannover for her second bachelor’s degree.<\/p>\n\n\n\n

On the one hand, she is interested in poetic, sensitive and philosophical questions, approached through experimental visuals. On the other, she explores subjects such as migration and discrimination. It matters to Sch\u00f6ttke to understand perspectives that differ from her own.<\/p>\n\n\n\n


Contact:<\/strong>
info@claraschoettke.com
Instagram: @claraschoettke<\/a><\/p>\n\n\n<\/div>\n<\/div>\n\n\n

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Stories by Clara:<\/h2>\n <\/div>\n\n\n\n\r\n
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\n\tCollecting<\/a><\/div>\r\n\t\t\r\n\t\t\t

Staging mortality: two photographers in a coffin.<\/h2>\r\n\t\t\t

Two photographers lie down in a coffin and photograph each other. What sounds like breaking a taboo is an exploration of commerce and ritual \u2013 and of the question: is this allowed?<\/p>\r\n\t\t<\/a>\r\n\r\n\t<\/header>\r\n\r\n\t

\r\n\t\t\r\n\t\t\t\"Two\t\t<\/a>\r\n\t<\/figure>\r\n\r\n<\/article>\r\n\n\n\r\n
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\n\tCollecting<\/a><\/div>\r\n\t\t\r\n\t\t\t

The architecture of the data trade.<\/h2>\r\n\t\t\t

Few systems are as invisible \u2013 and at the same time as far-reaching \u2013 as the trade in user data. What we click on, search for or visit becomes a signal in a global market that sorts people into categories and targets information at them.<\/p>\r\n\t\t<\/a>\r\n\r\n\t<\/header>\r\n\r\n\t

\r\n\t\t\r\n\t\t\t\"A\t\t<\/a>\r\n\t<\/figure>\r\n\r\n<\/article>\r\n\n\n\r\n
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\n\tCollecting<\/a><\/div>\r\n\t\t\r\n\t\t\t

Nuclear waste in Asse II: what remains.<\/h2>\r\n\t\t\t

Nuclear waste lies deep inside Asse II \u2013 dumped carelessly, barely secured. Now water is getting in. A region has been waiting decades for answers, and the country for a permanent repository.<\/p>\r\n\t\t<\/a>\r\n\r\n\t<\/header>\r\n\r\n\t

\r\n\t\t\r\n\t\t\t\"Yellow\t\t<\/a>\r\n\t<\/figure>\r\n\r\n<\/article>\r\n\n\n\r\n
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\n\tWhat holds us together<\/a><\/div>\r\n\t\t\r\n\t\t\t

\u2018Even citizenship no longer seems like a safeguard\u2019.<\/h2>\r\n\t\t\t

How people targeted by right-wing hatred see their future in Germany \u2013 and whether staying still feels safe.<\/p>\r\n\t\t<\/a>\r\n\r\n\t<\/header>\r\n\r\n\t

\r\n\t\t\r\n\t\t\t\"Portrait\t\t<\/a>\r\n\t<\/figure>\r\n\r\n<\/article>\r\n\n\n\r\n
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\n\tAfter dark<\/a><\/div>\r\n\t\t\r\n\t\t\t

Learning to dream lucidly: awake in your own mind\u2019s cinema.<\/h2>\r\n\t\t\t

Steering your dreams consciously, without apps and without hype: what sleep research knows about lucid dreaming.<\/p>\r\n\t\t<\/a>\r\n\r\n\t<\/header>\r\n\r\n\t

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\n\n \"A\n\n <\/div>\n \n \n <\/div> \n\n <\/div>\n<\/div>\t\t<\/a>\r\n\t<\/figure>\r\n\r\n<\/article>\r\n\n\n\n
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Recommended by the editors<\/h2>\n\n \n <\/div>\n\n \n\n\n\n\r\n\r\n\r\n\r\n
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\r\n\r\n Water<\/span>\r\n

\r\n Mineral water marketing: how water turns into gold <\/h3>\r\n\r\n
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With bold promises and designer bottles, companies turn a basic foodstuff into a luxury good. An investigation.<\/p>\r\n <\/div>\r\n\r\n <\/div>\r\n\r\n\r\n \r\n

\r\n \"A\r\n <\/figure>\r\n\r\n \r\n \r\n <\/a>\r\n\r\n <\/article>\r\n\r\n \r\n
\r\n\r\n \r\n\r\n
\r\n\r\n Advice<\/span>\r\n

\r\n Lightroom Classic: organising your photos \u2013 a simple workflow for your catalogue. <\/h3>\r\n\r\n
\r\n

Losing track in Lightroom Classic? This guide shows you a simple workflow for importing, organising and selecting your photos quickly.<\/p>\r\n <\/div>\r\n\r\n <\/div>\r\n\r\n\r\n \r\n

\r\n \"\"\r\n\r\n <\/figure>\r\n\r\n \r\n \r\n <\/a>\r\n\r\n <\/article>\r\n\r\n \r\n
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\r\n\r\n Traces<\/span>\r\n

\r\n \u2018Bend a tree while it is young\u2019 <\/h3>\r\n\r\n
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Burcu, 26, on her background, expectations and what it means to shape your own life.<\/p>\r\n <\/div>\r\n\r\n <\/div>\r\n\r\n\r\n \r\n

\r\n \"\"\r\n\r\n <\/figure>\r\n\r\n \r\n \r\n <\/a>\r\n\r\n <\/article>\r\n\r\n \r\n <\/div>\r\n\r\n\n\n\r\n\r\n\r\n\r\n
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\r\n\r\n Work<\/span>\r\n

\r\n 800 euros less: a ZDF journalist on the gender pay gap <\/h3>\r\n\r\n
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Her male colleagues earn considerably more \u2013 for the same work. What needs to happen so that equal treatment isn\u2019t just theory?<\/p>\r\n <\/div>\r\n\r\n <\/div>\r\n\r\n\r\n \r\n

\r\n \"Two\r\n <\/figure>\r\n\r\n \r\n \r\n <\/a>\r\n\r\n <\/article>\r\n\r\n \r\n
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\r\n\r\n What holds us together<\/span>\r\n

\r\n Record of a disappearance: a Belarusian photographer in exile <\/h3>\r\n\r\n
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He documented the protests, was persecuted and had to flee. His pictures tell of violence, of hope \u2013 and of holding on to memory.<\/p>\r\n <\/div>\r\n\r\n <\/div>\r\n\r\n\r\n \r\n

\r\n \"\"\r\n\r\n <\/figure>\r\n\r\n \r\n \r\n <\/a>\r\n\r\n <\/article>\r\n\r\n \r\n
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\r\n\r\n Power and control<\/span>\r\n

\r\n Leaving the church: \u2018Maybe this isn\u2019t the right place for you\u2019 <\/h3>\r\n\r\n
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The congregation once ruled every part of her life. Two years ago our author turned her back on it \u2013 and today she sees more clearly.<\/p>\r\n <\/div>\r\n\r\n <\/div>\r\n\r\n\r\n \r\n

\r\n \"Black-and-white\r\n <\/figure>\r\n\r\n \r\n \r\n <\/a>\r\n\r\n <\/article>\r\n\r\n \r\n <\/div>\r\n\r\n\n\n\n
\n TO THE MAGAZINE HOMEPAGE<\/a>\n <\/div>\n<\/div>\n","protected":false},"excerpt":{"rendered":"","protected":false},"author":4,"featured_media":0,"parent":0,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"","meta":{"_acf_changed":false,"footnotes":""},"class_list":["post-75190","page","type-page","status-publish","hentry"],"acf":[],"yoast_head":"\nClara Sch\u00f6ttke – visualjournalism.de<\/title>\n<meta name=\"description\" content=\"Clara Sch\u00f6ttke (born 1999) was born and grew up in Greifswald. 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