{"id":75284,"date":"2023-05-31T12:57:36","date_gmt":"2023-05-31T10:57:36","guid":{"rendered":"https:\/\/visualjournalism.de\/?page_id=75284"},"modified":"2026-09-28T12:33:03","modified_gmt":"2026-09-28T10:33:03","slug":"ludwig-nikulski","status":"publish","type":"page","link":"https:\/\/visualjournalism.de\/en\/ludwig-nikulski\/","title":{"rendered":"Ludwig Nikulski"},"content":{"rendered":"\n \n\n
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Ludwig Nikulski<\/h1>\n <\/div>\n\n\n\n\n
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Ludwig Nikulski was born in Greifswald in 1989,<\/strong> where he first studied fine art and philosophy before training in photography at the Lette-Verein in Berlin. Since 2021 he has been studying Visual Journalism & Documentary Photography at Hochschule Hannover. His work combines documentary photography with an artistic and philosophical exploration of reality. He has received numerous grants and awards and has put on several solo exhibitions.<\/p>\n\n\n\n

Contact:<\/strong>
+49 177 3631119
mail@ludwignikulski.de<\/a>
www.ludwignikulski.de<\/a><\/p>\n\n\n<\/div>\n<\/div>\n\n\n

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Stories by Ludwig:<\/h2>\n <\/div>\n\n\n\n\r\n
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\n\tWhat holds us together<\/a><\/div>\r\n\t\t\r\n\t\t\t

Record of a disappearance: a Belarusian photographer in exile.<\/h2>\r\n\t\t\t

He documented the protests, was persecuted and had to flee. His pictures tell of violence, of hope \u2013 and of holding on to memory.<\/p>\r\n\t\t<\/a>\r\n\r\n\t<\/header>\r\n\r\n\t

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\n\tOn the margins<\/a><\/div>\r\n\t\t\r\n\t\t\t

The war that stays invisible: exploring Poland and Moldova.<\/h2>\r\n\t\t\t

How the Russian invasion shows itself in the border regions \u2013 and at the same time stays hidden. Pictures from the threshold of Europe.<\/p>\r\n\t\t<\/a>\r\n\r\n\t<\/header>\r\n\r\n\t

\r\n\t\t\r\n\t\t\t\"Oskar\t\t<\/a>\r\n\t<\/figure>\r\n\r\n<\/article>\r\n\n\n\n
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Recommended by the editors<\/h2>\n\n \n <\/div>\n\n \n\n\n\n\r\n\r\n\r\n\r\n
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\r\n\r\n Advice<\/span>\r\n

\r\n Portrait ideas for stronger pictures: rethinking portrait photography. <\/h3>\r\n\r\n
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Strong portraits move us, shake us up and hold us spellbound. These creative portrait ideas and approaches from working professionals will help you achieve exactly that.<\/p>\r\n <\/div>\r\n\r\n <\/div>\r\n\r\n\r\n \r\n

\r\n \"A\r\n <\/figure>\r\n\r\n \r\n \r\n <\/a>\r\n\r\n <\/article>\r\n\r\n \r\n
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\r\n\r\n Comment and debate<\/span>\r\n

\r\n Forever in your bytes <\/h3>\r\n\r\n
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A conversation with ChatGPT about morality, diversity and parallels with Spike Jonze\u2019s film \u2018Her\u2019<\/p>\r\n <\/div>\r\n\r\n <\/div>\r\n\r\n\r\n \r\n

\r\n \"AI-generated\r\n <\/figure>\r\n\r\n \r\n \r\n <\/a>\r\n\r\n <\/article>\r\n\r\n \r\n
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\r\n\r\n Traces<\/span>\r\n

\r\n Irmela Mensah-Schramm: fighting Nazi slogans with a scraper and a heart <\/h3>\r\n\r\n
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For decades one woman has been scraping messages of hate out of public spaces \u2013 she has removed more than 140,000 of them. The attacks go on.<\/p>\r\n <\/div>\r\n\r\n <\/div>\r\n\r\n\r\n \r\n

\r\n \"\"\r\n\r\n <\/figure>\r\n\r\n \r\n \r\n <\/a>\r\n\r\n <\/article>\r\n\r\n \r\n <\/div>\r\n\r\n\n\n\r\n\r\n\r\n\r\n
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\r\n\r\n Power and control<\/span>\r\n

\r\n Circle in the air: a performance artist between the circus and the Reeperbahn <\/h3>\r\n\r\n
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Greta lived between the circus ring and the nightclub \u2013 and struggled with a strain that hardly anyone talks about.<\/p>\r\n <\/div>\r\n\r\n <\/div>\r\n\r\n\r\n \r\n

\r\n \"\"\r\n\r\n <\/figure>\r\n\r\n \r\n \r\n <\/a>\r\n\r\n <\/article>\r\n\r\n \r\n
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\r\n\r\n Work<\/span>\r\n

\r\n Kidfluencers as a business model: when children become a commodity <\/h3>\r\n\r\n
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Child influencers earn their parents a lot of money \u2013 but who protects the youngest when their privacy is marketed in public?<\/p>\r\n <\/div>\r\n\r\n <\/div>\r\n\r\n\r\n \r\n

\r\n \"Posed\r\n <\/figure>\r\n\r\n \r\n \r\n <\/a>\r\n\r\n <\/article>\r\n\r\n \r\n
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\r\n\r\n What holds us together<\/span>\r\n

\r\n \u2018Even citizenship no longer seems like a safeguard\u2019 <\/h3>\r\n\r\n
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How people targeted by right-wing hatred see their future in Germany \u2013 and whether staying still feels safe.<\/p>\r\n <\/div>\r\n\r\n <\/div>\r\n\r\n\r\n \r\n

\r\n \"Portrait\r\n <\/figure>\r\n\r\n \r\n \r\n <\/a>\r\n\r\n <\/article>\r\n\r\n \r\n <\/div>\r\n\r\n\n\n\n
\n TO THE MAGAZINE HOMEPAGE<\/a>\n <\/div>\n<\/div>\n","protected":false},"excerpt":{"rendered":"","protected":false},"author":4,"featured_media":0,"parent":0,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"","meta":{"_acf_changed":false,"footnotes":""},"class_list":["post-75284","page","type-page","status-publish","hentry"],"acf":[],"yoast_head":"\nLudwig Nikulski – visualjournalism.de<\/title>\n<meta name=\"description\" content=\"Ludwig Nikulski was born in Greifswald in 1989, where he first studied fine art and philosophy before training in photography at the Lette-Verein in\" \/>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/visualjournalism.de\/en\/ludwig-nikulski\/\" \/>\n<meta property=\"og:locale\" content=\"en_US\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"Ludwig Nikulski\" \/>\n<meta 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