{"id":75517,"date":"2025-03-11T11:51:38","date_gmt":"2025-03-11T09:51:38","guid":{"rendered":"https:\/\/visualjournalism.de\/?page_id=75517"},"modified":"2026-09-28T12:30:50","modified_gmt":"2026-09-28T10:30:50","slug":"jule-franz","status":"publish","type":"page","link":"https:\/\/visualjournalism.de\/en\/jule-franz\/","title":{"rendered":"Jule Franz"},"content":{"rendered":"\n \n\n
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Jule Franz<\/h1>\n <\/div>\n\n\n\n\n
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Jule Franz<\/strong> (born 2004) has been studying journalism at Hochschule Hannover since the winter semester of 2024. Her interest in the German language and literature began at school, where tackling critical and new subjects gave her a taste for investigative journalism.
In her spare time she campaigns for the rights of minors online and looks closely at the challenges of the digital world and how to protect young people in it. In 2023 her research paper on the digital sex work of underage girls won fourth place in the Lions Club Excellence Programme.<\/p>\n\n\n\n

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\n\tWork<\/a><\/div>\r\n\t\t\r\n\t\t\t

Kidfluencers as a business model: when children become a commodity.<\/h2>\r\n\t\t\t

Child influencers earn their parents a lot of money \u2013 but who protects the youngest when their privacy is marketed in public?<\/p>\r\n\t\t<\/a>\r\n\r\n\t<\/header>\r\n\r\n\t

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Recommended by the editors<\/h2>\n\n \n <\/div>\n\n \n\n\n\n\r\n\r\n\r\n\r\n
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\r\n\r\n Water<\/span>\r\n

\r\n Water privatisation in Chile: a village fights for its water <\/h3>\r\n\r\n
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In hardly any other country is this resource so completely in private hands. In Patagonia, one community is fighting back against the consequences.<\/p>\r\n <\/div>\r\n\r\n <\/div>\r\n\r\n\r\n \r\n

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\r\n\r\n Traces<\/span>\r\n

\r\n Life in Transnistria: a state without recognition <\/h3>\r\n\r\n
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What is it like to live in a place that doesn\u2019t even exist on most maps? Young people tell their stories.<\/p>\r\n <\/div>\r\n\r\n <\/div>\r\n\r\n\r\n \r\n

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\r\n New shores: floating islands between art and ecology <\/h3>\r\n\r\n
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Floating platforms like the \u2018Zukunst\u2019 in Hannover create green open spaces \u2013 a concept that is catching on around the world.<\/p>\r\n <\/div>\r\n\r\n <\/div>\r\n\r\n\r\n \r\n

\r\n \"A\r\n <\/figure>\r\n\r\n \r\n \r\n <\/a>\r\n\r\n <\/article>\r\n\r\n \r\n <\/div>\r\n\r\n\n\n\r\n\r\n\r\n\r\n
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\r\n\r\n Award winners<\/span>\r\n

\r\n Grey Grounds <\/h3>\r\n\r\n
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More than 6,000 soldiers, two training areas, a town marching in lockstep. In Munster, the \u2018Zeitenwende\u2019 has long been part of everyday life. A photo essay about a place where people applaud the Bundeswehr.<\/p>\r\n <\/div>\r\n\r\n <\/div>\r\n\r\n\r\n \r\n

\r\n \"Soldier\r\n <\/figure>\r\n\r\n \r\n \r\n <\/a>\r\n\r\n <\/article>\r\n\r\n \r\n
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\r\n\r\n Power and control<\/span>\r\n

\r\n \u2018The Taliban won\u2019t change because of sanctions\u2019 <\/h3>\r\n\r\n
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Julian Busch spent months living in Afghanistan as the only German journalist there \u2013 and explains why pressure from outside achieves little.<\/p>\r\n <\/div>\r\n\r\n <\/div>\r\n\r\n\r\n \r\n

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\r\n\r\n Award winners<\/span>\r\n

\r\n Dreamed for us <\/h3>\r\n\r\n
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Markus Heft portrays older queer people in Germany. Since 2022, he has been creating intimate portraits collaboratively, complemented by still lifes and places. The project preserves queer history and makes visible the double marginalisation of old age.<\/p>\r\n <\/div>\r\n\r\n <\/div>\r\n\r\n\r\n \r\n

\r\n \"\"\r\n\r\n <\/figure>\r\n\r\n \r\n \r\n <\/a>\r\n\r\n <\/article>\r\n\r\n \r\n <\/div>\r\n\r\n\n\n\n
\n TO THE MAGAZINE HOMEPAGE<\/a>\n <\/div>\n<\/div>\n","protected":false},"excerpt":{"rendered":"","protected":false},"author":4,"featured_media":0,"parent":0,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"","meta":{"_acf_changed":false,"footnotes":""},"class_list":["post-75517","page","type-page","status-publish","hentry"],"acf":[],"yoast_head":"\nJule Franz – visualjournalism.de<\/title>\n<meta name=\"description\" content=\"Jule Franz (born 2004) has been studying journalism at Hochschule Hannover since the winter semester of 2024. 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