{"id":75521,"date":"2024-01-09T17:36:08","date_gmt":"2024-01-09T15:36:08","guid":{"rendered":"https:\/\/visualjournalism.de\/?page_id=75521"},"modified":"2026-09-28T12:32:02","modified_gmt":"2026-09-28T10:32:02","slug":"lucas-nguyen","status":"publish","type":"page","link":"https:\/\/visualjournalism.de\/en\/lucas-nguyen\/","title":{"rendered":"Lucas Tuan-Anh Nguyen"},"content":{"rendered":"\n \n\n
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Lucas Tuan-Anh Nguyen<\/h1>\n <\/div>\n\n\n\n\n
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\n \"Lucas\n \n Photo: Ben K\u00fcmmel<\/span>\n <\/div>\n\n \n <\/figure>\n\n\n\n<\/div>\n\n\n
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Lucas Tuan-Anh Nguyen<\/strong> was born in Vienna in 2002. He first studied business law before turning increasingly to photography and journalism, and in 2022 he enrolled in the Visual Journalism and Documentary Photography programme at Hochschule Hannover. He began his career in photography and writing in 2019. With a keen interest in socio-political issues and the aim of looking critically behind the fa\u00e7ade, Lucas explores a myriad of stories and experiences in his photography and writing \u2013 as well as his own identity as a photographer and storyteller.<\/p>\n\n\n\n

Contact:<\/strong>
Instagram: @lutuananhng
lucasnguyenp@gmail.com<\/a><\/p>\n\n\n<\/div>\n<\/div>\n\n\n

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Stories by Lucas<\/h2>\n <\/div>\n\n\n\n\r\n
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\n\tWork<\/a><\/div>\r\n\t\t\r\n\t\t\t

Taking a break \u2013 out of sight.<\/h2>\r\n\t\t\t

In the back room, in the warehouse, on crates in the back yard: breaks are part of the working day \u2013 and often happen out of sight. Quiet, unremarkable, indispensable.<\/p>\r\n\t\t<\/a>\r\n\r\n\t<\/header>\r\n\r\n\t

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\n\tWork<\/a><\/div>\r\n\t\t\r\n\t\t\t

Expo observatory in Melle: the world\u2019s largest amateur telescope.<\/h2>\r\n\t\t\t

When estate agent Bernd Schr\u00f6ter set out to build the world\u2019s largest amateur telescope, many people thought he was mad. But in time for Expo 2000, he really did open his observatory.<\/p>\r\n\t\t<\/a>\r\n\r\n\t<\/header>\r\n\r\n\t

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Recommended by the editors<\/h2>\n\n \n <\/div>\n\n \n\n\n\n\r\n\r\n\r\n\r\n
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\r\n\r\n Traces<\/span>\r\n

\r\n Unexploded bombs beneath the city: the dangerous job of bomb disposal <\/h3>\r\n\r\n
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Painstaking precision with deadly risk: a look at a profession in which every move has to be exactly right.<\/p>\r\n <\/div>\r\n\r\n <\/div>\r\n\r\n\r\n \r\n

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\r\n\r\n Advice<\/span>\r\n

\r\n Photography law for photojournalists: image rights and press freedom explained. <\/h3>\r\n\r\n
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What are photojournalists allowed to photograph and publish? This guide explains the right to one\u2019s own image under German law, where press freedom ends and personality rights begin \u2013 and how to work on the right side of the law.<\/p>\r\n <\/div>\r\n\r\n <\/div>\r\n\r\n\r\n \r\n

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\r\n\r\n Masculinity<\/span>\r\n

\r\n Old boys, old conflicts? <\/h3>\r\n\r\n
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Every year, the Coburger Convent draws thousands of fraternity members to Coburg. While some celebrate tradition, others criticise its all-male structures, its torchlight processions and the way it deals with its own history.<\/p>\r\n <\/div>\r\n\r\n <\/div>\r\n\r\n\r\n \r\n

\r\n \"\"\r\n\r\n <\/figure>\r\n\r\n \r\n \r\n <\/a>\r\n\r\n <\/article>\r\n\r\n \r\n <\/div>\r\n\r\n\n\n\r\n\r\n\r\n\r\n
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\r\n\r\n Award winners<\/span>\r\n

\r\n On the edge of the hail of bullets. <\/h3>\r\n\r\n
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Rafael Heygster questions society’s approach to war in “I Died 22 Times.”<\/p>\r\n <\/div>\r\n\r\n <\/div>\r\n\r\n\r\n \r\n

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\r\n\r\n Ideals<\/span>\r\n

\r\n All too human <\/h3>\r\n\r\n
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Hunting divides opinion: some see it as necessary to stabilise damaged ecosystems. For others, hunting is only about trophies.<\/p>\r\n <\/div>\r\n\r\n <\/div>\r\n\r\n\r\n \r\n

\r\n \"Stuffed\r\n <\/figure>\r\n\r\n \r\n \r\n <\/a>\r\n\r\n <\/article>\r\n\r\n \r\n
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\r\n\r\n Ideals<\/span>\r\n

\r\n A second life for building materials <\/h3>\r\n\r\n
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The construction industry is one of the biggest consumers of raw materials and at the same time the world\u2019s largest producer of waste. Reclaiming building components could help reduce the problem.<\/p>\r\n <\/div>\r\n\r\n <\/div>\r\n\r\n\r\n \r\n

\r\n \"\"\r\n\r\n <\/figure>\r\n\r\n \r\n \r\n <\/a>\r\n\r\n <\/article>\r\n\r\n \r\n <\/div>\r\n\r\n\n\n\n
\n TO THE MAGAZINE HOMEPAGE<\/a>\n <\/div>\n<\/div>\n","protected":false},"excerpt":{"rendered":"","protected":false},"author":4,"featured_media":0,"parent":0,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"","meta":{"_acf_changed":false,"footnotes":""},"class_list":["post-75521","page","type-page","status-publish","hentry"],"acf":[],"yoast_head":"\nLucas Tuan-Anh Nguyen – Visual Journalism and Documentary Photography<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/visualjournalism.de\/en\/lucas-nguyen\/\" \/>\n<meta property=\"og:locale\" content=\"en_US\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"Lucas Tuan-Anh Nguyen\" \/>\n<meta property=\"og:url\" content=\"https:\/\/visualjournalism.de\/en\/lucas-nguyen\/\" \/>\n<meta property=\"og:site_name\" content=\"Visual Journalism and 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