{"id":75690,"date":"2024-11-13T11:36:15","date_gmt":"2024-11-13T09:36:15","guid":{"rendered":"https:\/\/visualjournalism.de\/?page_id=75690"},"modified":"2026-09-28T12:31:10","modified_gmt":"2026-09-28T10:31:10","slug":"felix-gaedtke","status":"publish","type":"page","link":"https:\/\/visualjournalism.de\/en\/felix-gaedtke\/","title":{"rendered":"Felix Gaedtke"},"content":{"rendered":"\n \n\n
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Felix Gaedtke<\/strong><\/p>\n <\/div>\n\n\n\n\n

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\n \"Schwarzwei\u00df-Portr\u00e4tfoto\n \n Felix Gaedtke<\/span>\n <\/div>\n\n \n <\/figure>\n\n\n\n<\/div>\n\n\n
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Teaching areas: <\/strong> Immersive Journalism


Felix Gaedtke <\/strong>is an Emmy\u00ae-nominated and Peabody Award-winning director and producer. Known for his work in immersive storytelling, he is co-founder of NowHere Media.

His innovative approaches have won numerous awards, including the Storyscapes Award at the Tribeca Film Festival. A member of the Television Academy and an alumnus of Sundance New Frontier, he has presented his projects at major events such as the Venice Film Festival and at institutions such as the ZKM and the United Nations.

Felix teaches as a visiting lecturer at various institutions, including Freie Universit\u00e4t Berlin and the Hochschule f\u00fcr Medien, Kommunikation und Wirtschaft (HMKW).

Contact<\/strong>
www.nowheremedia.net<\/a><\/p>\n\n\n<\/div>\n<\/div>\n\n\n

\n ALL LECTURERS<\/a>\n <\/div>\n\n\n\n
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Recommended by the editors:<\/strong><\/p>\n <\/div>\n\n\n\n\r\n\r\n\r\n\r\n

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\r\n\r\n Masculinity<\/span>\r\n

\r\n Better off unmarried? <\/h3>\r\n\r\n
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Why a break-up is not a failure, and happiness does not depend on the shape of a relationship. Three women talk about marriage.<\/p>\r\n <\/div>\r\n\r\n <\/div>\r\n\r\n\r\n \r\n

\r\n \"A\r\n <\/figure>\r\n\r\n \r\n \r\n <\/a>\r\n\r\n <\/article>\r\n\r\n \r\n
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\r\n\r\n Masculinity<\/span>\r\n

\r\n The social pull of masculinity <\/h3>\r\n\r\n
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What does it mean to be a man today? On the pressure to conform, on uncertainty \u2013 and why simple answers are so seductive.<\/p>\r\n <\/div>\r\n\r\n <\/div>\r\n\r\n\r\n \r\n

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\r\n\r\n Masculinity<\/span>\r\n

\r\n Misogyny in the feed: when algorithms shape reality <\/h3>\r\n\r\n
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Misogynistic content spreads rapidly on social media. For many young women, it is no longer a digital phenomenon but part of everyday life. An investigation into quiet radicalisation, a lack of prevention and the consequences in real life.<\/p>\r\n <\/div>\r\n\r\n <\/div>\r\n\r\n\r\n \r\n

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\r\n\r\n Power and control<\/span>\r\n

\r\n Friedrich Merz: between BlackRock and the Chancellery <\/h3>\r\n\r\n
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The CDU leader presents himself as a man of the people \u2013 despite a multimillion past in the world of finance. Why do so many listen to him?<\/p>\r\n <\/div>\r\n\r\n <\/div>\r\n\r\n\r\n \r\n

\r\n \"A\r\n <\/figure>\r\n\r\n \r\n \r\n <\/a>\r\n\r\n <\/article>\r\n\r\n \r\n
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\r\n\r\n Collecting<\/span>\r\n

\r\n Nuclear waste in Asse II: what remains <\/h3>\r\n\r\n
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Nuclear waste lies deep inside Asse II \u2013 dumped carelessly, barely secured. Now water is getting in. A region has been waiting decades for answers, and the country for a permanent repository.<\/p>\r\n <\/div>\r\n\r\n <\/div>\r\n\r\n\r\n \r\n

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\r\n\r\n On the margins<\/span>\r\n

\r\n \u2018I can shop whenever I want\u2019 <\/h3>\r\n\r\n
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Open around the clock, almost without staff: how a self-service shop makes village life more relaxed.<\/p>\r\n <\/div>\r\n\r\n <\/div>\r\n\r\n\r\n \r\n

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\n TO THE MAGAZINE HOMEPAGE<\/a>\n <\/div>\n<\/div>\n\n\n\n
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