{"id":75855,"date":"2024-03-17T11:36:54","date_gmt":"2024-03-17T09:36:54","guid":{"rendered":"https:\/\/visualjournalism.de\/?page_id=75855"},"modified":"2026-09-28T12:31:40","modified_gmt":"2026-09-28T10:31:40","slug":"stella-meyer-und-sarah-schneider","status":"publish","type":"page","link":"https:\/\/visualjournalism.de\/en\/stella-meyer-und-sarah-schneider\/","title":{"rendered":"Stella Meyer, Sarah Schneider"},"content":{"rendered":"\n \n\n
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Stella Meyer, Sarah Schneider<\/h1>\n <\/div>\n\n\n\n\n
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\n \"\"\n \n Stella Meyer (left), Sarah Schneider (right). Photo: Fabian Niebauer<\/span>\n <\/div>\n\n \n <\/figure>\n\n\n\n<\/div>\n\n\n
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Stella Meyer<\/strong> (born 1997 in Salzburg, Austria) and Sarah Schneider<\/strong> (born 1996 in Vorarlberg, Austria) together form a collective of women photographers focusing on socio-political issues, with the aim of making the invisible visible. Their work has been published in renowned media and nominated for awards. As a collective they grow beyond their individual limits and can think bigger and dream even bigger.<\/p>\n\n\n\n

Contact<\/strong> <\/p>\n\n\n\n

www.schneidersarah.com<\/a> \/\/ www.meyerstella.com<\/a>
schneider.sarah@outlook.com \/\/ meyer.stella@outlook.com
@sarahmodista<\/a> \/\/ @_stellameyer<\/a><\/p>\n\n\n\n

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Stories by Sarah and Stella<\/strong><\/p>\n <\/div>\n\n\n\n\r\n

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\n\tComment and debate<\/a><\/div>\r\n\t\t\r\n\t\t\t

Forever in your bytes.<\/h2>\r\n\t\t\t

A conversation with ChatGPT about morality, diversity and parallels with Spike Jonze\u2019s film \u2018Her\u2019<\/p>\r\n\t\t<\/a>\r\n\r\n\t<\/header>\r\n\r\n\t

\r\n\t\t\r\n\t\t\t\"\"\t\t<\/a>\r\n\t<\/figure>\r\n\r\n<\/article>\r\n\n\n\r\n
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\n\tWater<\/a><\/div>\r\n\t\t\r\n\t\t\t

Water privatisation in Chile: a village fights for its water.<\/h2>\r\n\t\t\t

In hardly any other country is this resource so completely in private hands. In Patagonia, one community is fighting back against the consequences.<\/p>\r\n\t\t<\/a>\r\n\r\n\t<\/header>\r\n\r\n\t

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Recommended by the editors<\/h2>\n\n \n <\/div>\n\n \n\n\n\n\r\n\r\n\r\n\r\n
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\r\n\r\n Career paths<\/span>\r\n

\r\n \u2018If you bring interest and a bit of staying power, it\u2019s one of the best jobs in the world.\u2019 <\/h3>\r\n\r\n
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Graduate Jonas Wresch talks in an interview about what it takes to work as a photojournalist.<\/p>\r\n <\/div>\r\n\r\n <\/div>\r\n\r\n\r\n \r\n

\r\n \"Standbild\r\n <\/figure>\r\n\r\n \r\n \r\n <\/a>\r\n\r\n <\/article>\r\n\r\n \r\n
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\r\n\r\n Final projects<\/span>\r\n

\r\n Behind the scenes of healthcare. <\/h3>\r\n\r\n
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Patricia K\u00fchfuss documents the staff shortage at German hospitals<\/p>\r\n <\/div>\r\n\r\n <\/div>\r\n\r\n\r\n \r\n

\r\n \"\"\r\n\r\n <\/figure>\r\n\r\n \r\n \r\n <\/a>\r\n\r\n <\/article>\r\n\r\n \r\n
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\r\n\r\n Comment and debate<\/span>\r\n

\r\n What some people see in a picture \u2013 and others miss <\/h3>\r\n\r\n
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Transcultural perspectives show how differently people read images \u2013 and which hidden clues only some can see.<\/p>\r\n <\/div>\r\n\r\n <\/div>\r\n\r\n\r\n \r\n

\r\n \"\"\r\n\r\n <\/figure>\r\n\r\n \r\n \r\n <\/a>\r\n\r\n <\/article>\r\n\r\n \r\n <\/div>\r\n\r\n\n\n\r\n\r\n\r\n\r\n
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\r\n\r\n Ideals<\/span>\r\n

\r\n \u2018A pub is an honest business\u2019 <\/h3>\r\n\r\n
\r\n

The artist Renate Marek runs the \u2018Nordstadtbraut\u2019 in Hannover. Why profit is not what matters most to her.<\/p>\r\n <\/div>\r\n\r\n <\/div>\r\n\r\n\r\n \r\n

\r\n \"\"\r\n\r\n <\/figure>\r\n\r\n \r\n \r\n <\/a>\r\n\r\n <\/article>\r\n\r\n \r\n
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\r\n\r\n Ideals<\/span>\r\n

\r\n The last bastion <\/h3>\r\n\r\n
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L\u00fctzerath has been \u2018excavated\u2019 \u2013 despite resistance and occupation. Our author witnessed the activists\u2019 daily life and struggle up to the eviction.<\/p>\r\n <\/div>\r\n\r\n <\/div>\r\n\r\n\r\n \r\n

\r\n \"\"\r\n\r\n <\/figure>\r\n\r\n \r\n \r\n <\/a>\r\n\r\n <\/article>\r\n\r\n \r\n
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\r\n\r\n What holds us together<\/span>\r\n

\r\n Record of a disappearance: a Belarusian photographer in exile <\/h3>\r\n\r\n
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He documented the protests, was persecuted and had to flee. His pictures tell of violence, of hope \u2013 and of holding on to memory.<\/p>\r\n <\/div>\r\n\r\n <\/div>\r\n\r\n\r\n \r\n

\r\n \"\"\r\n\r\n <\/figure>\r\n\r\n \r\n \r\n <\/a>\r\n\r\n <\/article>\r\n\r\n \r\n <\/div>\r\n\r\n\n\n\n
\n TO THE MAGAZINE HOMEPAGE<\/a>\n <\/div>\n<\/div>\n","protected":false},"excerpt":{"rendered":"","protected":false},"author":4,"featured_media":39689,"parent":0,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"","meta":{"_acf_changed":false,"footnotes":""},"class_list":["post-75855","page","type-page","status-publish","has-post-thumbnail","hentry"],"acf":[],"yoast_head":"\nStella Meyer, Sarah Schneider – Visual Journalism and Documentary Photography<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/visualjournalism.de\/en\/stella-meyer-und-sarah-schneider\/\" \/>\n<meta property=\"og:locale\" content=\"en_US\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"Stella Meyer, Sarah Schneider\" \/>\n<meta property=\"og:url\" content=\"https:\/\/visualjournalism.de\/en\/stella-meyer-und-sarah-schneider\/\" \/>\n<meta property=\"og:site_name\" content=\"Visual Journalism and Documentary Photography\" \/>\n<meta property=\"article:publisher\" content=\"https:\/\/www.facebook.com\/people\/wwwfotostudentende\/100065173703897\/\" \/>\n<meta property=\"article:modified_time\" content=\"2026-09-28T10:31:40+00:00\" \/>\n<meta property=\"og:image\" content=\"https:\/\/visualjournalism.de\/wp-content\/uploads\/Portrait_Stella-Meyer-links-und-Sarah-Schneider-rechts_c-Fabian-Niebauer_klein.jpg\" \/>\n\t<meta property=\"og:image:width\" content=\"1920\" \/>\n\t<meta property=\"og:image:height\" content=\"1371\" \/>\n\t<meta property=\"og:image:type\" content=\"image\/jpeg\" \/>\n<meta name=\"twitter:card\" content=\"summary_large_image\" \/>\n<meta name=\"twitter:site\" content=\"@HsHannover\" \/>\n<meta name=\"twitter:label1\" content=\"Est. reading time\" \/>\n\t<meta name=\"twitter:data1\" content=\"2 minutes\" \/>\n<script type=\"application\/ld+json\" class=\"yoast-schema-graph\">{\"@context\":\"https:\\\/\\\/schema.org\",\"@graph\":[{\"@type\":\"WebPage\",\"@id\":\"https:\\\/\\\/visualjournalism.de\\\/en\\\/stella-meyer-und-sarah-schneider\\\/\",\"url\":\"https:\\\/\\\/visualjournalism.de\\\/en\\\/stella-meyer-und-sarah-schneider\\\/\",\"name\":\"Stella Meyer, Sarah Schneider – Visual Journalism and Documentary Photography\",\"isPartOf\":{\"@id\":\"https:\\\/\\\/visualjournalism.de\\\/en\\\/#website\"},\"primaryImageOfPage\":{\"@id\":\"https:\\\/\\\/visualjournalism.de\\\/en\\\/stella-meyer-und-sarah-schneider\\\/#primaryimage\"},\"image\":{\"@id\":\"https:\\\/\\\/visualjournalism.de\\\/en\\\/stella-meyer-und-sarah-schneider\\\/#primaryimage\"},\"thumbnailUrl\":\"https:\\\/\\\/visualjournalism.de\\\/wp-content\\\/uploads\\\/Portrait_Stella-Meyer-links-und-Sarah-Schneider-rechts_c-Fabian-Niebauer_klein.jpg\",\"datePublished\":\"2024-03-17T09:36:54+00:00\",\"dateModified\":\"2026-09-28T10:31:40+00:00\",\"breadcrumb\":{\"@id\":\"https:\\\/\\\/visualjournalism.de\\\/en\\\/stella-meyer-und-sarah-schneider\\\/#breadcrumb\"},\"inLanguage\":\"en-US\",\"potentialAction\":[{\"@type\":\"ReadAction\",\"target\":[\"https:\\\/\\\/visualjournalism.de\\\/en\\\/stella-meyer-und-sarah-schneider\\\/\"]}]},{\"@type\":\"ImageObject\",\"inLanguage\":\"en-US\",\"@id\":\"https:\\\/\\\/visualjournalism.de\\\/en\\\/stella-meyer-und-sarah-schneider\\\/#primaryimage\",\"url\":\"https:\\\/\\\/visualjournalism.de\\\/wp-content\\\/uploads\\\/Portrait_Stella-Meyer-links-und-Sarah-Schneider-rechts_c-Fabian-Niebauer_klein.jpg\",\"contentUrl\":\"https:\\\/\\\/visualjournalism.de\\\/wp-content\\\/uploads\\\/Portrait_Stella-Meyer-links-und-Sarah-Schneider-rechts_c-Fabian-Niebauer_klein.jpg\",\"width\":1920,\"height\":1371,\"caption\":\"Stella Meyer (left), Sarah Schneider (right). 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