{"id":76692,"date":"2024-06-18T09:50:31","date_gmt":"2024-06-18T07:50:31","guid":{"rendered":"https:\/\/visualjournalism.de\/?page_id=76692"},"modified":"2026-09-28T12:31:25","modified_gmt":"2026-09-28T10:31:25","slug":"betty-einhaus","status":"publish","type":"page","link":"https:\/\/visualjournalism.de\/en\/betty-einhaus\/","title":{"rendered":"Betty Einhaus"},"content":{"rendered":"\n \n\n
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Betty Einhaus<\/strong><\/h1>\n <\/div>\n\n\n\n\n
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Betty Einhaus<\/strong>, born in 1997, has been studying Visual Journalism and Documentary Photography at Hochschule Hannover since 2019.<\/p>\n\n\n\n

In portraits, series and documentaries she explores the female gaze, self-presentation and care work.<\/p>\n\n\n\n

Contact:<\/strong>
bettyeinhaus.foto@gmail.com
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Betty\u2019s articles:<\/h2>\n <\/div>\n\n\n\n\r\n
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\n\tTraces<\/a><\/div>\r\n\t\t\r\n\t\t\t

The drawer analysis: what our storage spaces reveal about us.<\/h2>\r\n\t\t\t

From odds and ends to keepsakes: a tongue-in-cheek look at what we stash away \u2013 and why.<\/p>\r\n\t\t<\/a>\r\n\r\n\t<\/header>\r\n\r\n\t

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Recommended by the editors<\/h2>\n\n \n <\/div>\n\n \n\n\n\n\r\n\r\n\r\n\r\n
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\r\n Seeing is no longer believing. <\/h3>\r\n\r\n
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Photorealistic AI images are almost impossible to spot. What it means when a picture no longer proves anything but merely asserts.<\/p>\r\n <\/div>\r\n\r\n <\/div>\r\n\r\n\r\n \r\n

\r\n \"\"\r\n\r\n <\/figure>\r\n\r\n \r\n \r\n <\/a>\r\n\r\n <\/article>\r\n\r\n \r\n
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\r\n\r\n Traces<\/span>\r\n

\r\n Lost place in the Harz: the abandoned Harzgerode sanatorium <\/h3>\r\n\r\n
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Where children were once treated for tuberculosis, silence now reigns \u2013 a walk through crumbling walls.<\/p>\r\n <\/div>\r\n\r\n <\/div>\r\n\r\n\r\n \r\n

\r\n \"\"\r\n\r\n <\/figure>\r\n\r\n \r\n \r\n <\/a>\r\n\r\n <\/article>\r\n\r\n \r\n
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\r\n\r\n Masculinity<\/span>\r\n

\r\n \u2018I was a Hitler caricature from a bad Hollywood film\u2019 <\/h3>\r\n\r\n
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He used to march through the streets in a leather coat, carrying the Reich war flag, giving hate speeches and dreaming of the great revolution. Today Axel Reitz works in extremism prevention.<\/p>\r\n <\/div>\r\n\r\n <\/div>\r\n\r\n\r\n \r\n

\r\n \"\"\r\n\r\n <\/figure>\r\n\r\n \r\n \r\n <\/a>\r\n\r\n <\/article>\r\n\r\n \r\n <\/div>\r\n\r\n\n\n\r\n\r\n\r\n\r\n
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\r\n\r\n Power and control<\/span>\r\n

\r\n Leaving the church: \u2018Maybe this isn\u2019t the right place for you\u2019 <\/h3>\r\n\r\n
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The congregation once ruled every part of her life. Two years ago our author turned her back on it \u2013 and today she sees more clearly.<\/p>\r\n <\/div>\r\n\r\n <\/div>\r\n\r\n\r\n \r\n

\r\n \"Black-and-white\r\n <\/figure>\r\n\r\n \r\n \r\n <\/a>\r\n\r\n <\/article>\r\n\r\n \r\n
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\r\n\r\n Collecting<\/span>\r\n

\r\n Cigarette cult and cancer romance: a photobook about smoking <\/h3>\r\n\r\n
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On cigarettes, addiction and smoking biographies: \u2018Pleasure to Burn\u2019 glorifies smoking \u2013 and is only half serious about it.<\/p>\r\n <\/div>\r\n\r\n <\/div>\r\n\r\n\r\n \r\n

\r\n \"Two\r\n <\/figure>\r\n\r\n \r\n \r\n <\/a>\r\n\r\n <\/article>\r\n\r\n \r\n
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\r\n\r\n Power and control<\/span>\r\n

\r\n \u2018For me, power means having a say over my own life\u2019 <\/h3>\r\n\r\n
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Six young people on how they leave the feeling of helplessness behind \u2013 and redefine strength.<\/p>\r\n <\/div>\r\n\r\n <\/div>\r\n\r\n\r\n \r\n

\r\n \"Musician\r\n <\/figure>\r\n\r\n \r\n \r\n <\/a>\r\n\r\n <\/article>\r\n\r\n \r\n <\/div>\r\n\r\n\n\n\n
\n TO THE MAGAZINE HOMEPAGE<\/a>\n <\/div>\n<\/div>\n","protected":false},"excerpt":{"rendered":"","protected":false},"author":4,"featured_media":0,"parent":0,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"","meta":{"_acf_changed":false,"footnotes":""},"class_list":["post-76692","page","type-page","status-publish","hentry"],"acf":[],"yoast_head":"\nBetty Einhaus – visualjournalism.de<\/title>\n<meta name=\"description\" content=\"Betty Einhaus, born in 1997, has been studying Visual Journalism and Documentary Photography at Hochschule Hannover since 2019. 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