{"id":77307,"date":"2026-02-23T19:57:27","date_gmt":"2026-02-23T17:57:27","guid":{"rendered":"https:\/\/visualjournalism.de\/?page_id=77307"},"modified":"2026-10-01T21:14:41","modified_gmt":"2026-10-01T19:14:41","slug":"daniel-chatard","status":"publish","type":"page","link":"https:\/\/visualjournalism.de\/en\/daniel-chatard\/","title":{"rendered":"Daniel Chatard"},"content":{"rendered":"\n \n\n
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Daniel Chatard<\/h1>\n

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\n \"\"\n \n Photo: Aliona Kardash<\/span>\n <\/div>\n\n \n <\/figure>\n\n\n\n<\/div>\n\n\n
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Teaching areas:<\/strong> Int. Class \u2013 Photo Project<\/p>\n\n\n\n

Daniel Chatard (born 1996) is a German-French documentary photographer whose work deals with power structures, collective identity and trauma. He is interested in how these themes manifest themselves in physical space and how landscape can be understood as a shared space of experience and memory.

His work has been published in media including Die ZEIT, Der Spiegel, National Geographic and Bloomberg. He has won a World Press Photo Award, took second place in the Deutscher Fotobuchpreis, was a finalist for the Leica Oskar Barnack Award and was nominated for the Prix Pictet.

Daniel studied Photojournalism and Documentary Photography (BA) at Hochschule Hannover and Photography & Society (MA) at the Royal Academy of Art in The Hague. He currently lives in Hamburg.<\/p>\n\n\n<\/div>\n<\/div>\n\n\n

\n ALL LECTURERS<\/a>\n <\/div>\n\n\n\n
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Recommended by the editors<\/h2>\n\n \n <\/div>\n\n \n\n\n\n\r\n\r\n\r\n\r\n
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\r\n\r\n After dark<\/span>\r\n

\r\n Pankower Tor: the toads missing from the building plan <\/h3>\r\n\r\n
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Berlin wants to build 2,000 homes here \u2013 but strictly protected amphibians are holding up the major project. A case study.<\/p>\r\n <\/div>\r\n\r\n <\/div>\r\n\r\n\r\n \r\n

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\r\n\r\n Traces<\/span>\r\n

\r\n Into the bushes <\/h3>\r\n\r\n
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From city parks to cemetery toilets: how public places became refuges for gay men \u2013 and why cruising still exists today.<\/p>\r\n <\/div>\r\n\r\n <\/div>\r\n\r\n\r\n \r\n

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\r\n\r\n Water<\/span>\r\n

\r\n Mineral water marketing: how water turns into gold <\/h3>\r\n\r\n
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With bold promises and designer bottles, companies turn a basic foodstuff into a luxury good. An investigation.<\/p>\r\n <\/div>\r\n\r\n <\/div>\r\n\r\n\r\n \r\n

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\r\n\r\n Collecting<\/span>\r\n

\r\n Everyday self-care: breathing, in spite of everything <\/h3>\r\n\r\n
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The world is getting louder, young people more exhausted \u2013 and self-care is becoming a privilege. Where young people still find strength in their daily lives.<\/p>\r\n <\/div>\r\n\r\n <\/div>\r\n\r\n\r\n \r\n

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\r\n\r\n Ideals<\/span>\r\n

\r\n Fried potatoes and love <\/h3>\r\n\r\n
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Johannes Nagel broke with his life as a financial adviser to become a street musician and be closer to his children.<\/p>\r\n <\/div>\r\n\r\n <\/div>\r\n\r\n\r\n \r\n

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\r\n\r\n Collecting<\/span>\r\n

\r\n Nuclear waste in Asse II: what remains <\/h3>\r\n\r\n
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Nuclear waste lies deep inside Asse II \u2013 dumped carelessly, barely secured. Now water is getting in. A region has been waiting decades for answers, and the country for a permanent repository.<\/p>\r\n <\/div>\r\n\r\n <\/div>\r\n\r\n\r\n \r\n

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\n TO THE MAGAZINE HOMEPAGE<\/a>\n <\/div>\n<\/div>\n\n\n\n
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