{"id":78271,"date":"2024-11-13T11:11:10","date_gmt":"2024-11-13T09:11:10","guid":{"rendered":"https:\/\/visualjournalism.de\/?page_id=78271"},"modified":"2026-10-01T21:10:21","modified_gmt":"2026-10-01T19:10:21","slug":"enver-hirsch","status":"publish","type":"page","link":"https:\/\/visualjournalism.de\/en\/enver-hirsch\/","title":{"rendered":"Enver Hirsch"},"content":{"rendered":"\n \n\n
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Enver Hirsch<\/strong><\/p>\n <\/div>\n\n\n\n\n

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Teaching areas: <\/strong>Studio practice, portrait photography


Enver Hirsch <\/strong>was born in Hamburg in 1968. He studied photography at Bournemouth and Poole College of Art and Design in England.

His journalistic work for German and international magazines spans many genres, from essayistic reportage to staged portraits and still life. In his independent work, which is regularly exhibited and published in books, he explores the curious traces people leave behind over the course of urban life.

He has taught at various universities since 2015. In 2018 he co-curated the [OFF] Triennial exhibition \u2018Sightseeing the Real\u2019 in Hamburg. He lives and works in Hamburg and has taught regularly at Hannover University of Applied Sciences and Arts since 2019.<\/p>\n\n\n\n



Contact<\/strong>:
https:\/\/enverhirsch.com\/<\/a><\/p>\n\n\r\n<\/div>\r\n\n<\/div>\n\n\n

\n ALL LECTURERS<\/a>\n <\/div>\n\n\n\n
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Recommended by the editors<\/h2>\n\n \n <\/div>\n\n \n\n\n\n\r\n\r\n\r\n\r\n
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\r\n\r\n Water<\/span>\r\n

\r\n Burkinis at the swimming pool: the weight of other people\u2019s stares <\/h3>\r\n\r\n
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Just going for a swim \u2013 and being watched the whole time. Our author tells of prejudice at the poolside.<\/p>\r\n <\/div>\r\n\r\n <\/div>\r\n\r\n\r\n \r\n

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\r\n\r\n Water<\/span>\r\n

\r\n Lake Neusiedl: tracing the salt pans <\/h3>\r\n\r\n
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In 2022 Austria\u2019s largest lake was at risk of drying up for the first time in 150 years. Our photographer Florian Sulzer investigated the causes.<\/p>\r\n <\/div>\r\n\r\n <\/div>\r\n\r\n\r\n \r\n

\r\n \"View\r\n <\/figure>\r\n\r\n \r\n \r\n <\/a>\r\n\r\n <\/article>\r\n\r\n \r\n
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\r\n\r\n After dark<\/span>\r\n

\r\n Pankower Tor: the toads missing from the building plan <\/h3>\r\n\r\n
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Berlin wants to build 2,000 homes here \u2013 but strictly protected amphibians are holding up the major project. A case study.<\/p>\r\n <\/div>\r\n\r\n <\/div>\r\n\r\n\r\n \r\n

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\r\n\r\n On the margins<\/span>\r\n

\r\n The war that stays invisible: exploring Poland and Moldova <\/h3>\r\n\r\n
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How the Russian invasion shows itself in the border regions \u2013 and at the same time stays hidden. Pictures from the threshold of Europe.<\/p>\r\n <\/div>\r\n\r\n <\/div>\r\n\r\n\r\n \r\n

\r\n \"Oskar\r\n <\/figure>\r\n\r\n \r\n \r\n <\/a>\r\n\r\n <\/article>\r\n\r\n \r\n
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\r\n\r\n Award winners<\/span>\r\n

\r\n On the edge of the hail of bullets. <\/h3>\r\n\r\n
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Rafael Heygster questions society’s approach to war in “I Died 22 Times.”<\/p>\r\n <\/div>\r\n\r\n <\/div>\r\n\r\n\r\n \r\n

\r\n \"Men\r\n <\/figure>\r\n\r\n \r\n \r\n <\/a>\r\n\r\n <\/article>\r\n\r\n \r\n
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\r\n\r\n On the margins<\/span>\r\n

\r\n Camping with a heart: an unusual idea to help Ukraine <\/h3>\r\n\r\n
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One woman, one campsite, a whole village: how spontaneous solidarity turned into lasting support.<\/p>\r\n <\/div>\r\n\r\n <\/div>\r\n\r\n\r\n \r\n

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\n TO THE MAGAZINE HOMEPAGE<\/a>\n <\/div>\n<\/div>\n\n\n\n
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