{"id":78273,"date":"2024-11-13T11:22:57","date_gmt":"2024-11-13T09:22:57","guid":{"rendered":"https:\/\/visualjournalism.de\/?page_id=78273"},"modified":"2026-10-01T21:10:34","modified_gmt":"2026-10-01T19:10:34","slug":"china-hopson","status":"publish","type":"page","link":"https:\/\/visualjournalism.de\/en\/china-hopson\/","title":{"rendered":"China Hopson"},"content":{"rendered":"\n \n\n
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China Hopson<\/strong><\/p>\n <\/div>\n\n\n\n\n

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\n \"\"\n \n Photo: Volker Crone, portrait of China Hopson<\/span>\n <\/div>\n\n \n <\/figure>\n\n\n\n<\/div>\n\n\n
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Teaching area: <\/strong>Photo Project

China Hopson<\/strong> studied photojournalism & documentary photography at Hannover University of Applied Sciences and Arts from 2013 to 2019 and Photographic Studies at Fachhochschule Dortmund from 2020 to 2022. She works as a freelance photographer on socio-cultural topics and in portrait and editorial photography. In the 2024 summer semester she took on her first teaching assignment at Hannover University of Applied Sciences and Arts, in the bachelor\u2019s programme Experimental Design.

China Hopson is a member of the Female Photoclub (leading its Hannover regional group) and of Women Photograph.

Contact<\/strong>
www.chinahopson.de<\/a><\/p>\n\n\n<\/div>\n<\/div>\n\n\n

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Articles about China<\/h2>\n <\/div>\n\n\n\n\r\n
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\n\tCareer paths<\/a><\/div>\r\n\t\t\r\n\t\t\t

\u2018My degree gave me a toolbox that now lets me develop freely as a photographer.\u2019.<\/h2>\r\n\t\t\t

HsH graduate China Hopson in an interview<\/p>\r\n\t\t<\/a>\r\n\r\n\t<\/header>\r\n\r\n\t

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\n ALL LECTURERS<\/a>\n <\/div>\n\n\n\n
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Recommended by the editors<\/h2>\n\n \n <\/div>\n\n \n\n\n\n\r\n\r\n\r\n\r\n
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\r\n Seeing is no longer believing. <\/h3>\r\n\r\n
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Photorealistic AI images are almost impossible to spot. What it means when a picture no longer proves anything but merely asserts.<\/p>\r\n <\/div>\r\n\r\n <\/div>\r\n\r\n\r\n \r\n

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\r\n\r\n Career paths<\/span>\r\n

\r\n \u2018My degree gave me a toolbox that now lets me develop freely as a photographer.\u2019 <\/h3>\r\n\r\n
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HsH graduate China Hopson in an interview<\/p>\r\n <\/div>\r\n\r\n <\/div>\r\n\r\n\r\n \r\n

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\r\n \u2018If you bring interest and a bit of staying power, it\u2019s one of the best jobs in the world.\u2019 <\/h3>\r\n\r\n
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Graduate Jonas Wresch talks in an interview about what it takes to work as a photojournalist.<\/p>\r\n <\/div>\r\n\r\n <\/div>\r\n\r\n\r\n \r\n

\r\n \"Standbild\r\n <\/figure>\r\n\r\n \r\n \r\n <\/a>\r\n\r\n <\/article>\r\n\r\n \r\n <\/div>\r\n\r\n\n\n\r\n\r\n\r\n\r\n
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\r\n\r\n Award winners<\/span>\r\n

\r\n The dying river. <\/h3>\r\n\r\n
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Jonas Kako documents the water crisis along the Colorado River.<\/p>\r\n <\/div>\r\n\r\n <\/div>\r\n\r\n\r\n \r\n

\r\n \"Sediment\r\n <\/figure>\r\n\r\n \r\n \r\n <\/a>\r\n\r\n <\/article>\r\n\r\n \r\n
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\r\n Dreamed for us <\/h3>\r\n\r\n
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Markus Heft portrays older queer people in Germany. Since 2022, he has been creating intimate portraits collaboratively, complemented by still lifes and places. The project preserves queer history and makes visible the double marginalisation of old age.<\/p>\r\n <\/div>\r\n\r\n <\/div>\r\n\r\n\r\n \r\n

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\r\n\r\n Collecting<\/span>\r\n

\r\n Gathering, not hunting: a new story of humankind <\/h3>\r\n\r\n
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What if humanity began not with the spear but with the bag? Ursula K. Le Guin turns history on its head and makes the bag a symbol of what it means to be human.<\/p>\r\n <\/div>\r\n\r\n <\/div>\r\n\r\n\r\n \r\n

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\n TO THE MAGAZINE HOMEPAGE<\/a>\n <\/div>\n<\/div>\n\n\n\n
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