{"id":78275,"date":"2024-11-13T12:44:47","date_gmt":"2024-11-13T10:44:47","guid":{"rendered":"https:\/\/visualjournalism.de\/?page_id=78275"},"modified":"2026-10-01T21:10:45","modified_gmt":"2026-10-01T19:10:45","slug":"anna-kristina-bauer","status":"publish","type":"page","link":"https:\/\/visualjournalism.de\/en\/anna-kristina-bauer\/","title":{"rendered":"Anna-Kristina Bauer"},"content":{"rendered":"\n \n\n
\n

Anna-Kristina Bauer<\/strong><\/p>\n <\/div>\n\n\n\n\n

\n\t\n\n
\n \n
\n\n
\n \"\"\n \n <\/div>\n\n \n <\/figure>\n\n\n\n<\/div>\n\n\n
\n \n\n

Teaching areas: <\/strong>Fine Art Printing

Anna-Kristina Bauer <\/strong>(*1987 in Erlangen) is a photographer and produces multimedia formats.

In 2016 she completed her studies in photojournalism and documentary photography with a project on Nowa Huta, the post-socialist planned city. Her work explores the search for identity and the limbo between youthful recklessness and the demanding reality of adulthood.

She sees photography as an image-making medium in private and public space and draws connections to moving images in film and video. Producing images in analogue and digital form plays a part in finding the visual language of each project.

In 2012 she won the Grimme Online Award with the multimedia agency 2470media, and in 2018 she won the Canon Profifoto F\u00f6rderpreis for the third time. Her work has been shown in solo and group exhibitions at Kunsthalle Wilhelmshaven, Faktyczny Dom Kultury in Warsaw, Wiesbadener Fototage and Galerie Bohai Hannover, among others, as well as at photo festivals.

Anna-Kristina Bauer and Andreas Graf<\/a> co-founded the project space Goethe Exil Hannover, where they work on exhibitions, workshops and new cultural formats.

Contact<\/strong>
www.annakristinabauer.com<\/a><\/p>\n\n\n<\/div>\n<\/div>\n\n\n

\n ALL LECTURERS<\/a>\n <\/div>\n\n\n\n
\n
\n
\n<\/div>\n\n\n
\n\n

Recommended by the editors<\/h2>\n\n \n <\/div>\n\n \n\n\n\n\r\n\r\n\r\n\r\n
\r\n\r\n \r\n
\r\n\r\n \r\n\r\n
\r\n\r\n Water<\/span>\r\n

\r\n Cold and deep: how water shapes Iceland\u2019s culture <\/h3>\r\n\r\n
\r\n

Surrounded by ocean, criss-crossed by glaciers, enlivened by hot springs: one element shapes the identity of an entire nation.<\/p>\r\n <\/div>\r\n\r\n <\/div>\r\n\r\n\r\n \r\n

\r\n \"\"\r\n\r\n <\/figure>\r\n\r\n \r\n \r\n <\/a>\r\n\r\n <\/article>\r\n\r\n \r\n
\r\n\r\n \r\n\r\n
\r\n\r\n Advice<\/span>\r\n

\r\n Studio lighting: techniques, lighting set-ups and tips for photographers. <\/h3>\r\n\r\n
\r\n

The right light makes or breaks a studio shot. We explain the most important techniques and lighting set-ups \u2013 and how to achieve perfect studio lighting step by step.<\/p>\r\n <\/div>\r\n\r\n <\/div>\r\n\r\n\r\n \r\n

\r\n \"\"\r\n\r\n <\/figure>\r\n\r\n \r\n \r\n <\/a>\r\n\r\n <\/article>\r\n\r\n \r\n
\r\n\r\n \r\n\r\n
\r\n\r\n Final projects<\/span>\r\n

\r\n Behind the scenes of healthcare. <\/h3>\r\n\r\n
\r\n

Patricia K\u00fchfuss documents the staff shortage at German hospitals<\/p>\r\n <\/div>\r\n\r\n <\/div>\r\n\r\n\r\n \r\n

\r\n \"\"\r\n\r\n <\/figure>\r\n\r\n \r\n \r\n <\/a>\r\n\r\n <\/article>\r\n\r\n \r\n <\/div>\r\n\r\n\n\n\r\n\r\n\r\n\r\n
\r\n\r\n \r\n
\r\n\r\n \r\n\r\n
\r\n\r\n Ideals<\/span>\r\n

\r\n \u2018A pub is an honest business\u2019 <\/h3>\r\n\r\n
\r\n

The artist Renate Marek runs the \u2018Nordstadtbraut\u2019 in Hannover. Why profit is not what matters most to her.<\/p>\r\n <\/div>\r\n\r\n <\/div>\r\n\r\n\r\n \r\n

\r\n \"\"\r\n\r\n <\/figure>\r\n\r\n \r\n \r\n <\/a>\r\n\r\n <\/article>\r\n\r\n \r\n
\r\n\r\n \r\n\r\n
\r\n\r\n Silence<\/span>\r\n

\r\n Between silence and storm surge: a hermit on the Hallig <\/h3>\r\n\r\n
\r\n

Nick, 48, from Berlin has swapped his old life for solitude off the coast of North Frisia. A visit.<\/p>\r\n <\/div>\r\n\r\n <\/div>\r\n\r\n\r\n \r\n

\r\n \"\"\r\n\r\n <\/figure>\r\n\r\n \r\n \r\n <\/a>\r\n\r\n <\/article>\r\n\r\n \r\n
\r\n\r\n \r\n\r\n
\r\n\r\n Work<\/span>\r\n

\r\n 800 euros less: a ZDF journalist on the gender pay gap <\/h3>\r\n\r\n
\r\n

Her male colleagues earn considerably more \u2013 for the same work. What needs to happen so that equal treatment isn\u2019t just theory?<\/p>\r\n <\/div>\r\n\r\n <\/div>\r\n\r\n\r\n \r\n

\r\n \"Two\r\n <\/figure>\r\n\r\n \r\n \r\n <\/a>\r\n\r\n <\/article>\r\n\r\n \r\n <\/div>\r\n\r\n\n\n\n
\n TO THE MAGAZINE HOMEPAGE<\/a>\n <\/div>\n<\/div>\n\n\n\n\n\n
\n