{"id":9737,"date":"2022-06-10T22:28:06","date_gmt":"2022-06-10T20:28:06","guid":{"rendered":"https:\/\/visualjournalism.de\/prof-michael-hauri\/"},"modified":"2026-10-01T22:08:22","modified_gmt":"2026-10-01T20:08:22","slug":"prof-michael-hauri","status":"publish","type":"page","link":"https:\/\/visualjournalism.de\/en\/prof-michael-hauri\/","title":{"rendered":"Prof. Michael Hauri"},"content":{"rendered":"\n

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Prof. Michael Hauri<\/strong><\/p>\n <\/div>\n\n\n\n\n

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Programme representative<\/strong>
Teaching area:\u00a0<\/strong>Digital publishing

Prof. Michael Hauri<\/strong>, born in 1983, has been a professor at Hannover University of Applied Sciences and Arts since 2021. After studying communication design, he first worked as a freelance photographer and founded an agency for digital storytelling in Berlin. His multimedia reportages have won several awards \u2013 with the team he led, among others a World Press Photo Award and the Grimme Online Award. In 2023 and 2024 he sat on the Grimme Online Award jury<\/a> himself. Since 2011 he has worked as a trainer for magazines, public broadcasters, NGOs and journalism schools, and he advises newsrooms and publishers on their digital strategy, including chrismon<\/a> magazine, which he also supported in relaunching its website.

At Hannover University of Applied Sciences and Arts he initiated the \u2018Educational Newsroom\u2019, a teaching newsroom for digital journalism that produces our programme\u2019s online magazine<\/a>. He also sits on the advisory board of TruePicture<\/a>, the most important grant for emerging photojournalists in the German-speaking world.

Contact<\/strong>
Phone +49 511 9296 8241\u00a0
michael.hauri@hs-hannover.de<\/a><\/p>\n\n\n<\/div>\n<\/div>\n\n\n

\n ALL LECTURERS<\/a>\n <\/div>\n\n\n\n
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Recommended by the editors<\/h2>\n\n \n <\/div>\n\n \n\n\n\n\r\n\r\n\r\n\r\n
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\r\n\r\n Comment and debate<\/span>\r\n

\r\n Images in spite of all: photographic testimony from Auschwitz <\/h3>\r\n\r\n
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In his groundbreaking study \u2018Images malgr\u00e9 tout\u2019, Georges Didi-Huberman contradicts the thesis that the Holocaust cannot be represented. His approach to the photographs from Auschwitz sparked a controversy.<\/p>\r\n <\/div>\r\n\r\n <\/div>\r\n\r\n\r\n \r\n

\r\n \"Reconstruction\r\n <\/figure>\r\n\r\n \r\n \r\n <\/a>\r\n\r\n <\/article>\r\n\r\n \r\n
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\r\n\r\n Water<\/span>\r\n

\r\n MS Norr\u00f6na: by ferry across the North Atlantic to Iceland <\/h3>\r\n\r\n
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From Denmark via the Faroe Islands to the far north: a passage through the rugged beauty of the sea.<\/p>\r\n <\/div>\r\n\r\n <\/div>\r\n\r\n\r\n \r\n

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\r\n\r\n Final projects<\/span>\r\n

\r\n The invisible threat. <\/h3>\r\n\r\n
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Lando Hass visits a research project in the Central African Republic that could make a decisive contribution to preventing the emergence of epidemics.<\/p>\r\n <\/div>\r\n\r\n <\/div>\r\n\r\n\r\n \r\n

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\r\n\r\n Collecting<\/span>\r\n

\r\n \u2018Magic Nordhessen!!!\u2019: a Kassel shop full of collections for almost 100 years <\/h3>\r\n\r\n
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Kassel, Vorderer Westen: a shop where things have been collected for almost a century. We took a look inside.<\/p>\r\n <\/div>\r\n\r\n <\/div>\r\n\r\n\r\n \r\n

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\r\n\r\n Award winners<\/span>\r\n

\r\n “Let there be snow.” <\/h3>\r\n\r\n
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Elias Holzknecht sheds light on the consequences of climate change in the Alps.<\/p>\r\n <\/div>\r\n\r\n <\/div>\r\n\r\n\r\n \r\n

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\r\n\r\n Power and control<\/span>\r\n

\r\n D\u00fclmen wild horses: truly wild or just a show? <\/h3>\r\n\r\n
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The annual round-up in the M\u00fcnsterland draws thousands \u2013 and raises awkward questions about how we treat animals.<\/p>\r\n <\/div>\r\n\r\n <\/div>\r\n\r\n\r\n \r\n

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\n TO THE MAGAZINE HOMEPAGE<\/a>\n <\/div>\n<\/div>\n\n\n\n
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