{"id":9753,"date":"2022-06-11T20:19:20","date_gmt":"2022-06-11T18:19:20","guid":{"rendered":"https:\/\/visualjournalism.de\/teaching\/"},"modified":"2026-10-08T09:02:52","modified_gmt":"2026-10-08T07:02:52","slug":"lecturers","status":"publish","type":"page","link":"https:\/\/visualjournalism.de\/en\/lecturers\/","title":{"rendered":"Lecturers"},"content":{"rendered":"\n \n\n
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Lecturers<\/strong><\/p>\n <\/div>\n\n\n\n\n

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Permanent faculty at Hannover University of Applied Sciences and Arts<\/strong><\/p>\n <\/div>\n\n\n\n<\/div>\n\n\n

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\n Visual storytelling, portrait, photo project<\/span>\n <\/p>\n \n

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\n Prof. Christoph Bangert<\/a><\/span>\n \n Send an email<\/a><\/span>+49 511 9296 2471<\/a><\/span> <\/span>\n <\/p>\n\n

\n\n \"\"<\/a> <\/figure>\n \n <\/div>\n \n <\/div>\n\n\n
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\n Visual storytelling, the image as a commodity, entrepreneurship<\/span>\n <\/p>\n \n

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\n Prof. Lars Bauernschmitt<\/a><\/span>\n \n Send an email<\/a><\/span>+49 511 9296 2467<\/a><\/span> <\/span>\n <\/p>\n\n

\n\n \"\"<\/a> <\/figure>\n \n <\/div>\n \n <\/div>\n\n\n
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\n Study programme coordination<\/span>\n <\/p>\n \n

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\n Tobias Eineder<\/a><\/span>\n \n Send an email<\/a><\/span>+49 511 9296 2345<\/a><\/span> <\/span>\n <\/p>\n\n

\n\n \"\"<\/a> <\/figure>\n \n <\/div>\n \n <\/div>\n\n\n
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\n Research, journalistic writing, image and text<\/span>\n <\/p>\n \n

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\n Hans-Peter Fischer<\/span>\n \n Send an email<\/a><\/span>+49 511 9296 2677<\/a><\/span> <\/span>\n <\/p>\n\n

\n\n \"\" <\/figure>\n \n <\/div>\n \n <\/div>\n\n\n
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\n Dean of Studies; photo and image theory, visual language, visual storytelling<\/span>\n <\/p>\n \n

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\n Prof. Dr. Karen Fromm<\/a><\/span>\n \n Send an email<\/a><\/span>+49 511 9296 8538<\/a><\/span> <\/span>\n <\/p>\n\n

\n\n \"\"<\/a> <\/figure>\n \n <\/div>\n \n <\/div>\n\n\n
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\n Digital publishing<\/span>\n <\/p>\n \n

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\n Prof. Michael Hauri<\/a><\/span>\n \n Send an email<\/a><\/span>+49 511 9296 8241<\/a><\/span> <\/span>\n <\/p>\n\n

\n\n \"\"<\/a> <\/figure>\n \n <\/div>\n \n <\/div>\n\n\n
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\n Media theory, project management<\/span>\n <\/p>\n \n

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\n Prof. Dr. Martin Scholz<\/span>\n \n Send an email<\/a><\/span> +49 511 9296 2346<\/a><\/span> <\/span>\n <\/p>\n\n

\n\n \"\" <\/figure>\n \n <\/div>\n \n <\/div>\n\n\n
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\n Photo theory, politics of representation, visual culture<\/span>\n <\/p>\n \n

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\n V-Prof. Anna Stemmler<\/a><\/span>\n \n Send an email<\/a><\/span>+49 511 9296 0<\/a><\/span> <\/span>\n <\/p>\n\n

\n\n \"\"<\/a> <\/figure>\n \n <\/div>\n \n <\/div>\n\n\n
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\n Visual language, portrait, visual storytelling, photo project<\/span>\n <\/p>\n \n

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\n Prof. Michael Trippel<\/a><\/span>\n \n Send an email<\/a><\/span>+49 511 9296 2387<\/a><\/span> <\/span>\n <\/p>\n\n

\n\n \"\"<\/a> <\/figure>\n \n <\/div>\n \n <\/div>\n\n\n
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\n Data journalism, digital media forensics<\/span>\n <\/p>\n \n

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\n Prof. Dr. Jakob Vicari <\/a><\/span>\n \n Send an email<\/a><\/span>+49 176 60801551<\/a><\/span> <\/span>\n <\/p>\n\n

\n\n \"\"<\/a> <\/figure>\n \n <\/div>\n \n <\/div>\n\n\n
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\n Documentary photography, studio practice, photographic technology<\/span>\n <\/p>\n \n

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\n Raimund Zakowski<\/a><\/span>\n \n Send an email<\/a><\/span>+49 511 9296 2371<\/a><\/span> <\/span>\n <\/p>\n\n

\n\n \"\"<\/a> <\/figure>\n \n <\/div>\n \n <\/div>\n\n \n <\/div>\n\n\n<\/div>\n<\/div>\n\n\n
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Adjunct lecturers<\/strong><\/p>\n <\/div>\n\n\n\n<\/div>\n\n\n

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\n Fine Art Printing<\/span>\n <\/p>\n \n

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\n Anna-Kristina Bauer <\/a><\/span>\n \n <\/span>\n <\/p>\n\n

\n\n \"\"<\/a> <\/figure>\n \n <\/div>\n \n <\/div>\n\n\n
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\n Layout and typography<\/span>\n <\/p>\n \n

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\n Ulrike Behlau<\/a><\/span>\n \n <\/span>\n <\/p>\n\n

\n\n \"\"<\/a> <\/figure>\n \n <\/div>\n \n <\/div>\n\n\n
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\n Digital storytelling<\/span>\n <\/p>\n \n

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\n Marcus B\u00f6sch<\/a><\/span>\n \n <\/span>\n <\/p>\n\n

\n\n \"\"<\/a> <\/figure>\n \n <\/div>\n \n <\/div>\n\n\n
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\n Celebrities on location, photojournalism in PR & corporate communications<\/span>\n <\/p>\n \n

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\n Christian O. Bruch<\/span>\n \n <\/span>\n <\/p>\n\n

\n\n \"\" <\/figure>\n \n <\/div>\n \n <\/div>\n\n\n
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\n Int. Class \u2013 Photo Project<\/span>\n <\/p>\n \n

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\n Daniel Chatard<\/a><\/span>\n \n <\/span>\n <\/p>\n\n

\n\n \"\"<\/a> <\/figure>\n \n <\/div>\n \n <\/div>\n\n\n
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\n Bachelor presentation \u2013 thesis<\/span>\n <\/p>\n \n

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\n Stefan Finger<\/a><\/span>\n \n <\/span>\n <\/p>\n\n

\n\n \"\"<\/a> <\/figure>\n \n <\/div>\n \n <\/div>\n\n\n
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\n Immersive journalism<\/span>\n <\/p>\n \n

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\n Felix Gaedtke<\/a><\/span>\n \n <\/span>\n <\/p>\n\n

\n\n \"\"<\/a> <\/figure>\n \n <\/div>\n \n <\/div>\n\n\n
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\n Fine Art Printing<\/span>\n <\/p>\n \n

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\n Andreas Graf <\/a><\/span>\n \n <\/span>\n <\/p>\n\n

\n\n \"\"<\/a> <\/figure>\n \n <\/div>\n \n <\/div>\n\n\n
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\n Curating<\/span>\n <\/p>\n \n

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\n Cale Garrido<\/a><\/span>\n \n <\/span>\n <\/p>\n\n

\n\n \"\"<\/a> <\/figure>\n \n <\/div>\n \n <\/div>\n\n\n
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\n The narrative portrait<\/span>\n <\/p>\n \n

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\n Andrea Gjestvang<\/span>\n \n <\/span>\n <\/p>\n\n

\n\n \"\" <\/figure>\n \n <\/div>\n \n <\/div>\n\n\n
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\n Studio practice<\/span>\n <\/p>\n \n

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\n Enver Hirsch<\/a><\/span>\n \n <\/span>\n <\/p>\n\n

\n\n \"\"<\/a> <\/figure>\n \n <\/div>\n \n <\/div>\n\n\n
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\n Photo Project<\/span>\n <\/p>\n \n

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\n China Hopson<\/a><\/span>\n \n <\/span>\n <\/p>\n\n

\n\n \"\"<\/a> <\/figure>\n \n <\/div>\n \n <\/div>\n\n\n
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\n Int. Class \u2013 Photo Project<\/span>\n <\/p>\n \n

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\n Aliona Kardash<\/a><\/span>\n \n <\/span>\n <\/p>\n\n

\n\n \"\"<\/a> <\/figure>\n \n <\/div>\n \n <\/div>\n\n\n
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\n Portfolio<\/span>\n <\/p>\n \n

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\n Andreas Kronawitt<\/span>\n \n <\/span>\n <\/p>\n\n

\n\n \"\" <\/figure>\n \n <\/div>\n \n <\/div>\n\n\n
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\n Media ethics<\/span>\n <\/p>\n \n

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\n Bartholom\u00e4us Laffert <\/a><\/span>\n \n <\/span>\n <\/p>\n\n

\n\n \"\"<\/a> <\/figure>\n \n <\/div>\n \n <\/div>\n\n\n
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\n Photo book<\/span>\n <\/p>\n \n

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\n Frederic Lezmi<\/span>\n \n <\/span>\n <\/p>\n\n

\n\n \"\" <\/figure>\n \n <\/div>\n \n <\/div>\n\n\n
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\n Foreign reporting, long-term reportage, editing and sound<\/span>\n <\/p>\n \n

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\n Florian M\u00fcller<\/a><\/span>\n \n <\/span>\n <\/p>\n\n

\n\n \"\"<\/a> <\/figure>\n \n <\/div>\n \n <\/div>\n\n\n
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\n Media law<\/span>\n <\/p>\n \n

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\n J\u00f6rg Nabert<\/span>\n \n <\/span>\n <\/p>\n\n

\n\n \"\" <\/figure>\n \n <\/div>\n \n <\/div>\n\n\n
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\n Curating and Exhibiting<\/span>\n <\/p>\n \n

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\n Sonja Palade<\/a><\/span>\n \n <\/span>\n <\/p>\n\n

\n\n \"Portr\u00e4t<\/a> <\/figure>\n \n <\/div>\n \n <\/div>\n\n\n
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\n Photo book<\/span>\n <\/p>\n \n

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\n Paul Spehr<\/span>\n \n <\/span>\n <\/p>\n\n

\n\n \"\" <\/figure>\n \n <\/div>\n \n <\/div>\n\n\n
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\n Information design, data visualisation and visual storytelling<\/span>\n <\/p>\n \n

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\n Erik Tuckow<\/a><\/span>\n \n <\/span>\n <\/p>\n\n

\n\n \"\"<\/a> <\/figure>\n \n <\/div>\n \n <\/div>\n\n\n
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\n History of photography<\/span>\n <\/p>\n \n

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\n Malte Radtki<\/a><\/span>\n \n <\/span>\n <\/p>\n\n

\n\n \"\"<\/a> <\/figure>\n \n <\/div>\n \n <\/div>\n\n\n
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\n Online magazine<\/span>\n <\/p>\n \n

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\n Lorenz Varga<\/a><\/span>\n \n <\/span>\n <\/p>\n\n

\n\n \"Portr\u00e4t<\/a> <\/figure>\n \n <\/div>\n \n <\/div>\n\n\n
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\n AI in photojournalism<\/span>\n <\/p>\n \n

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\n Tim Wagner<\/a><\/span>\n \n <\/span>\n <\/p>\n\n

\n\n \"Portr\u00e4t<\/a> <\/figure>\n \n <\/div>\n \n <\/div>\n\n\n
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\n Visual language, Photo Project<\/span>\n <\/p>\n \n

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\n Mario Wezel<\/a><\/span>\n \n <\/span>\n <\/p>\n\n

\n\n \"\"<\/a> <\/figure>\n \n <\/div>\n \n <\/div>\n\n\n
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\n Online magazine<\/span>\n <\/p>\n \n

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\n Lena W\u00f6hler<\/a><\/span>\n \n <\/span>\n <\/p>\n\n

\n\n \"Portr\u00e4t<\/a> <\/figure>\n \n <\/div>\n \n <\/div>\n\n\n
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\n Journalism theory, public communication<\/span>\n <\/p>\n \n

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\n Nadia Zaboura<\/a><\/span>\n \n <\/span>\n <\/p>\n\n

\n\n \"\"<\/a> <\/figure>\n \n <\/div>\n \n <\/div>\n\n\n
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\n Curating and Exhibiting<\/span>\n <\/p>\n \n

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\n Miriam Zlobinski<\/a><\/span>\n \n <\/span>\n <\/p>\n\n

\n\n \"\"<\/a> <\/figure>\n \n <\/div>\n \n <\/div>\n\n \n <\/div>\n\n\n<\/div>\n<\/div>\n\n\n
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