{"id":21680,"date":"2023-06-08T10:21:31","date_gmt":"2023-06-08T10:21:31","guid":{"rendered":"https:\/\/visualjournalism.de\/?p=21680"},"modified":"2023-07-15T11:03:38","modified_gmt":"2023-07-15T11:03:38","slug":"bachelor-exhibition-summer-semester-2023","status":"publish","type":"post","link":"https:\/\/visualjournalism.de\/en\/news-en\/exhibitions\/bachelor-exhibition-summer-semester-2023\/","title":{"rendered":"Bachelor exhibition summer semester 2023"},"content":{"rendered":"\n \n\n
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Topics that shape us.<\/h1>\n

Final projects to be seen at GAF Hannover between June 22 and July 2, 2023.<\/p>\n

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\n \"\"\n \n Photo from the work "Because I've always been James" by winner Jana Mai<\/span>\n <\/div>\n\n \n <\/figure>\n\n\n\n\n

In their final exhibition, the Bachelor graduates<\/strong> of the Visual Journalism and Documentary Photography<\/a> program show how the media of photography and film can be used to reflect on current issues of our decade. <\/p>\n\n\n\n

Anna Brauns looks into the laboratory of a German start-up for “Fish 2.0” and deals with the question of how the demand for animal protein can be met in the future. Ricardo Wiesinger, on the other hand, traveled to Spain’s Sierra Nevada, a region with extremely low rainfall and an acute water emergency, for “In April a Thousand Rains,” and met people who are worried about their homes. On La Palma, the consequences of the 85-day volcanic eruption of 2021 are still visible today. Constantin Rimpel has documented how these influence life on the island in his project “El Isla Resiliente”.

In “Between the Layers,” Viola Maiwald sheds light on natural gas production in Lower Saxony. While the documentary “Y Do I” by Valentin Seuss tells about the DIY culture in the skateboard and BMX scene, Tina Kernchen goes on a cinematic quest for tolerance, faith and wisdom in her film “Moner Manush”. In “The Thief of Femininity,” Amelie Sachs highlights the male-oriented perspective in gynecology through an overlooked syndrome. The work “Weil ich schon immer James war” (Because I’ve always been James), in which photographer Jana Mai accompanies the young transman James on his way to a self-determined self, also deals with questions of gender and sex. <\/p>\n\n\n\n

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