{"id":74942,"date":"2026-09-25T13:18:26","date_gmt":"2026-09-25T11:18:26","guid":{"rendered":"https:\/\/visualjournalism.de\/?p=74942"},"modified":"2026-10-07T10:20:06","modified_gmt":"2026-10-07T08:20:06","slug":"metamorphosis-states-of-change-in-lyon","status":"publish","type":"post","link":"https:\/\/visualjournalism.de\/en\/news-en\/exhibitions\/metamorphosis-states-of-change-in-lyon\/","title":{"rendered":"Metamorphosis. States of Change in Lyon"},"content":{"rendered":"\n \n\n
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Metamorphosis. States of Change in Lyon.<\/h1>\n

After Paris, Lyon is the second venue: until 20 November, seven students and alumni of our degree programme are showing their work at the Goethe-Institut Lyon \u2013 as part of the Resonance programme of the 18th Biennale d\u2019art contemporain.<\/p>\n

\r\n Karen Fromm<\/a><\/span><\/span><\/div>\r\n <\/div>\n\n\n\n\n
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\n \"\"\n\n Norrbotten, Sweden. Photo: Nora Schwarz<\/span>\n \n <\/div>\n\n

A primeval forest in a protected area near Vuollerim in Norrbotten.<\/strong> Only eight to nine per cent of Sweden\u2019s forests are protected. According to studies, at least 20 per cent would be needed to preserve many species. From the series \u2018Songs of the Taiga\u2019.<\/p>\n<\/figcaption>\n \n <\/figure>\n \n \n\n

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\n \"\"\n\n Boto\u0219, Romania, 2024. Photo: Ludwig Nikulski<\/span>\n \n <\/div>\n\n

Liliana at the monastery in the Carpathians.<\/strong> For his series \u2018Unter den Palmen\u2019 (Under the palm trees), Ludwig Nikulski travels along Ukraine\u2019s western borders.<\/p>\n<\/figcaption>\n \n <\/figure>\n \n \n\n

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\n \"\"\n\n Chemnitz. Photo: Jonathan Funk<\/span>\n \n <\/div>\n\n

Tractor festival in Chemnitz:<\/strong> everyday racism is ever-present in the region. From the series \u2018Ortskontrollfahrt\u2019.<\/p>\n<\/figcaption>\n \n <\/figure>\n \n \n\n

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\n \"\"\n\n From the series \u2018Im Land der wei\u00dfen Berge\u2019. Photo: Jasper Hill<\/span>\n \n <\/div>\n\n

Jasper Hill documents potash mining in Germany.<\/strong> Because potash cannot be mined separately from other salts, much of the rock ends up on white spoil heaps.<\/p>\n<\/figcaption>\n \n <\/figure>\n \n \n\n

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\n \"\"\n\n Abu Dhabi, 2025. Photo: Hannah Aders<\/span>\n \n <\/div>\n\n

Diehl Defence stand at the IDEX arms fair in Abu Dhabi.<\/strong> In her portfolio, Hannah Aders examines the arms industry.<\/p>\n<\/figcaption>\n \n <\/figure>\n \n \n\n

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\n \"\"\n\n From the series \u2018False Prophet Radio\u2019. Photo: Valentin Goppel<\/span>\n \n <\/div>\n\n

Since 2023, Valentin Goppel has been travelling through the western United States.<\/strong> In \u2018False Prophet Radio\u2019, he explores his own sense of uprootedness and draws a subjective picture of a country in flux.<\/p>\n<\/figcaption>\n \n <\/figure>\n \n \n\n

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\n \"\"\n\n Near Marsberg, 2025. Photo: Paul Geiersbach<\/span>\n \n <\/div>\n\n

Critical infrastructure such as the energy system<\/strong> becomes an attractive target for attackers as it grows more networked and digital. From the work \u2018Von ISO 27001 bis IEC 62443\u2019 (\u2018From ISO 27001 to IEC 62443\u2019).<\/p>\n<\/figcaption>\n \n <\/figure>\n \n \n\n <\/div>\n <\/div>\n \n \n

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