Metamorphosis. States of Change in Lyon.

After Paris, Lyon is the second venue: until 20 November, seven students and alumni of our degree programme are showing their work at the Goethe-Institut Lyon – as part of the Resonance programme of the 18th Biennale d’art contemporain.

Norrbotten, Sweden. Photo: Nora Schwarz

A primeval forest in a protected area near Vuollerim in Norrbotten. Only eight to nine per cent of Sweden’s forests are protected. According to studies, at least 20 per cent would be needed to preserve many species. From the series ‘Songs of the Taiga’.

Botoș, Romania, 2024. Photo: Ludwig Nikulski

Liliana at the monastery in the Carpathians. For his series ‘Unter den Palmen’ (‘Under the Palm Trees’), Ludwig Nikulski travels along Ukraine’s western borders.

Chemnitz. Photo: Jonathan Funk

Tractor festival in Chemnitz: everyday racism is ever-present in the region. From the series ‘Ortskontrollfahrt’.

From the series ‘Im Land der weißen Berge’. Photo: Jasper Hill

Jasper Hill documents potash mining in Germany. Because potash cannot be mined separately from other salts, much of the rock ends up on white spoil heaps.

Abu Dhabi, 2025. Photo: Hannah Aders

Diehl Defence stand at the IDEX arms fair in Abu Dhabi. In her portfolio, Hannah Aders examines the arms industry.

From the series ‘False Prophet Radio’. Photo: Valentin Goppel

Since 2023, Valentin Goppel has been travelling through the western United States. In ‘False Prophet Radio’, he explores his own sense of uprootedness and draws a subjective picture of a country in flux.

Near Marsberg, 2025. Photo: Paul Geiersbach

Critical infrastructure such as the energy system becomes an attractive target for attackers as it grows more networked and digital. From the work ‘Von ISO 27001 bis IEC 62443’ (‘From ISO 27001 to IEC 62443’).

Until 20 November, seven students and alumni of the ‘Visual Journalism and Documentary Photography’ programme are presenting the exhibition ‘Metamorphosis. States of Change’ at the Goethe-Institut Lyon. Looking at current social and cultural tipping points, political conflicts and the transformation of ecological systems, the exhibition explores many forms of change. The projects lead to places where global developments are mirrored locally, and they link individual stories with collective realities. In doing so, they show that change never remains abstract: it is always inscribed in bodies, territories and systems, a visible trace of an ongoing process of adaptation, resistance and renewal.

After its presentation during Paris Photo last autumn, Lyon is already the second venue for ‘Metamorphosis. States of Change’. The exhibition is being shown to mark the 60th anniversary of the Goethe-Institut, as part of the Resonance programme of the 18th Biennale d’art contemporain.

‘Exhibitions let you engage directly with the audience in a way that many other forms of presentation don’t. Having the Goethe-Institut as a partner and the context of the Biennale gave us a great setting for showing our work,’ say Jasper Hill and Paul Geiersbach, who looked after the exhibition on site.

The exhibition features projects by Hannah Aders, Jonathan Funk, Paul Geiersbach, Valentin Goppel, Jasper Hill, Ludwig Nikulski and Nora Schwarz.


The exhibition

Metamorphosis. States of Change
25 September to 20 November 2026
Goethe-Institut Lyon
18 rue François Dauphin, 69002 Lyon
Free admission
Event page of the Goethe-Institut



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